Cecilia Bartoli (Cecilia Bartoli) |

Cecilia Bartoli

Singasho ngokuphepha ukuthi inkanyezi yomculi osemusha wase-Italy uCecilia Bartoli ikhanya kakhulu emkhathizwe wokusebenza. Ama-CD anezwi lakhe aqoshiwe adayiswe emhlabeni wonke ngenani elimangalisayo lamakhophi ayizigidi ezine. I-disc ene-arias engaziwa kaVivaldi yathengiswa ngamakhophi ayizinkulungwane ezingamakhulu amathathu. Umculi uwine imiklomelo eminingi ehlonishwayo: American Grammy, German Schallplatenprise, French Diapason. Izithombe zakhe zivele kumakhava omagazini i-Newsweek kanye ne-Grammophone.

UCecilia Bartoli usemncane kakhulu ukuba abe yinkanyezi yalesi sigaba. Wazalelwa eRoma ngoJuni 4, 1966 emndenini wabaculi. Ubaba wakhe, i-tenor, wayeka umsebenzi wakhe yedwa futhi wasebenza iminyaka eminingi ekwayeni ye-Rome Opera, ephoqeleka ukuba asekele umndeni wakhe. Umama wakhe, uSilvana Bazzoni, owayecula ngaphansi kwegama lakhe lentombazane, naye wayengumculi. Waba uthisha wokuqala noyedwa wendodakazi yakhe kanye “nomqeqeshi” wakhe wezwi. Eseyintombazane eneminyaka eyisishiyagalolunye, uCecilia wasebenza njengomalusi ePuccini's Tosca, esiteji se-Rome Opera efanayo. Yiqiniso, kamuva, lapho eneminyaka eyishumi nesithupha noma eyishumi nesikhombisa, inkanyezi yesikhathi esizayo yayinesithakazelo kakhulu ku-flamenco kunamazwi. Lapho eneminyaka eyishumi nesikhombisa waqala ukufunda umculo sina e-Roman Academy yaseSanta Cecilia. Ukunaka kwakhe ekuqaleni kwagxila ku-trombone, futhi ngemva kwalokho waphendukela kulokho akwenza kangcono kakhulu - ukucula. Eminyakeni emibili nje kamuva, wabonakala kuthelevishini ezocula noKatya Ricciarelli i-barcarolle edumile evela ku-Offenbach's Tales of Hoffmann, kanye noLeo Nucci indondo kaRosina noFigaro beThe Barber yaseSeville.

Kwakungu-1986, umncintiswano wethelevishini wabaculi be-opera abasha uFantastico. Emuva kwemidlalo yakhe eyagqama kakhulu, kwase kusabalala amahlebezi okuthi indawo yokuqala ngeyakhe. Ekugcineni, ukunqoba kwaya ku-tenor ethile uScaltriti waseModena. UCecilia wayecasuke kakhulu. Kodwa isiphetho ngokwaso samsiza: ngaleso sikhathi, umqhubi omkhulu uRiccardo Muti wayeku-TV. Wamemela inhlolokhono eLa Scala, kodwa wacabanga ukuthi ukuqala kwesiteji semidlalo yaseshashalazini yaseMilan kungaba yingozi kakhulu kumculi osemusha. Baphinde bahlangana ngo-1992 ekukhiqizweni kwengoma kaMozart ethi Don Giovanni, lapho uCecilia acula khona ingxenye yeZerlina.

Ngemva kokunqoba okungalindelekile e-Fantastico, uCecilia wahlanganyela eFrance ohlelweni olunikezelwe kuCallas ku-Antenne 2. Kulokhu u-Herbert von Karajan wayeku-TV. Wakhumbula inhlolokhono eyayise-Festspielhaus e-Salzburg impilo yakhe yonke. Ihholo lalifiphele, uKarayan wakhuluma nombhobho, akazange ambone. Kuye kwabonakala sengathi kwakuyizwi likaNkulunkulu. Ngemva kokulalela ama-arias avela kuma-opera ka-Mozart noRossini, uKarajan wamemezela isifiso sakhe sokumbandakanya ku-B-Minor Mass ka-Bach.

Ngaphezu kukaKarajan, emsebenzini wakhe omuhle (kwamthatha iminyaka embalwa ukunqoba amahholo nemidlalo yaseshashalazini ehlonishwa kakhulu emhlabeni), indima ebalulekile yadlalwa ngumqhubi uDaniel Barenboim, uRay Minshall, ophethe abaculi kanye ne-repertoire. ilebula elikhulu lokuqopha i-Decca, kanye noChristopher Raeburn, umdidiyeli omkhulu wenkampani. NgoJulayi 1990, uCecilia Bartoli wenza i-American debut yakhe kuMozart Festival eNew York. Kwalandela uchungechunge lwamakhonsathi emakhempasi, isikhathi ngasinye ngokwanda kwempumelelo. Ngonyaka olandelayo, i-1991, uCecilia waqala ukubonakala e-Opéra Bastille eParis njengoCherubino eLe nozze di Figaro naseLa Scala njengo-Isolier ku-Rossini ethi Le Comte Ory. Balandelwa nguDorabella ku-“So Do everyone” kwifestivali ye-Florentine Musical May kanye noRosina ku-“Barber of Seville” e-Barcelona. Ngesizini ka-1991-92, uCecilia wenza amakhonsathi eMontreal, ePhiladelphia, eBarbican Center eLondon futhi wadlala eHaydn Festival eMetropolitan Museum of Art eNew York, futhi “wamfundisa” amazwe amasha njengeSwitzerland ne-Austria. . Eshashalazini, wagxila kakhulu kumdlalo we-Mozart, wengeza kuCherubino noDorabella Zerlina e-Don Giovanni kanye ne-Despina kwethi Wonke Umuntu Uyakwenza. Ngokushesha, umbhali wesibili anikele kuye isikhathi esiphezulu nokunaka kwakunguRossini. Ucule uRosina eRoma, Zurich, Barcelona, ​​​​Lyon, Hamburg, Houston (lokhu bekuyisiteji sakhe sokuqala saseMelika) kanye noDallas noCinderella eBologna, Zurich naseHouston. I-Houston "Cinderella" yaqoshwa kuvidiyo. Lapho eneminyaka engamashumi amathathu ubudala, u-Cecilia Bartoli wadlala e-La Scala, i-An der Wien Theatre e-Vienna, eMkhosini wase-Salzburg, wanqoba amahholo ahlonishwa kakhulu eMelika. NgoMashi 2, 1996, wenza ukuthi abonakale okokuqala kuMetropolitan Opera njengoDespina futhi ezungezwe izihlabani ezinjengoCarol Vaness, uSuzanne Mentzer noThomas Allen.

Impumelelo kaCecilia Bartoli ingabhekwa njengento emangalisayo. Namuhla isingumculi okhokhelwa kakhulu emhlabeni. Khonamanjalo, kanye nokutuswa ubuciko bakhe, kunamazwi athi ukukhangisa okulungiselelwe ngobuciko kunendima enkulu emsebenzini kaCecilia odidayo.

UCecilia Bartoli, njengoba kulula ukukuqonda “kurekhodi” lakhe, akayena umprofethi ezweni lakubo. Ngempela akavamile ukubonakala ekhaya. Umculi uthi e-Italy cishe akunakwenzeka ukuphakamisa amagama angavamile, ngoba "La Boheme" kanye "Tosca" bahlale besesimweni esikhethekile. Ngempela, ezweni lakubo laseVerdi nasePuccini, indawo enkulu kunazo zonke emaphosta ibanjwe yilokho okubizwa ngokuthi "i-repertoire enkulu", okungukuthi, ama-opera athandwa kakhulu futhi athandwa ngumphakathi jikelele. Futhi uCecilia uthanda umculo we-baroque wase-Italy, ama-opera we-Mozart encane. Ukubukeka kwabo kuphosta akukwazi ukuheha izethameli zase-Italy (lokhu kufakazelwa isipiliyoni soMkhosi Wasentwasahlobo eVerona, owethula ama-opera abaqambi bekhulu leshumi nesishiyagalombili: ngisho ne-parterre ayizange igcwaliswe). I-repertoire ka-Bartoli i-elitist kakhulu.

Umuntu angabuza lo mbuzo: Ngabe uCecilia Bartoli, ozichaza njenge-mezzo-soprano, uzoletha nini indima “engcwele” kubanikazi baleli zwi njengoCarmen emphakathini? Impendulo: mhlawumbe ngeke. UCecilia uthi le opera ingenye yezintandokazi zakhe, kodwa idlalwa ezindaweni ezingafanele. Ngokubona kwakhe, "Carmen" udinga yaseshashalazini encane, umoya obuseduze, ngoba lokhu opera kungokwalabo uhlobo opera yamahlaya, futhi orchestration yayo elicwengekile.

UCecilia Bartoli unesu elimangalisayo. Ukuze uqiniseke ngalokhu, kwanele ukulalela i-aria evela ku-opera kaVivaldi "Griselda", ethathwe ku-CD Live e-Italy, eyaqoshwa ngesikhathi sekhonsathi yomculi eTeatro Olimpico eVicenza. Le aria idinga ubuhle obungacabangeki nhlobo, cishe obumangalisayo, futhi uBartoli mhlawumbe uyena kuphela umculi emhlabeni ongakwazi ukwenza amanothi amaningi kangaka ngaphandle kokuphumula.

Nokho, iqiniso lokuthi wazichaza njenge-mezzo-soprano liphakamisa ukungabaza okukhulu phakathi kwabagxeki. Ku-disc efanayo, u-Bartoli ucula ingoma ye-opera ka-Vivaldi ethi Zelmira, lapho enikeza khona i-E-flat ephezulu kakhulu, ecacile futhi eqinisekayo, engahlonipha noma iyiphi i-coloratura soprano noma i-coloratura soprano. Leli nothi lingaphandle kobubanzi be-mezzo-soprano “evamile”. Into eyodwa icacile: uBartoli akayona i-contralto. Cishe, lena i-soprano enobubanzi obubanzi kakhulu - ama-octave amabili nesigamu kanye nokuba khona kwamanothi aphansi. Isiqinisekiso esingaqondile sohlobo lwangempela lwezwi likaCecilia kungaba “ukungena” kwakhe endaweni yomculo wesoprano kaMozart - iZerlin, Despina, Fiordiligi.

Kubonakala sengathi kukhona ukubala okuhlakaniphile ngemuva kokuzinqumela njenge-mezzo-soprano. Ama-Soprano azalwa kaningi, futhi emhlabeni we-opera ukuncintisana phakathi kwawo kushubile kunama-mezzo-soprano. I-Mezzo-soprano noma i-contralto esezingeni lomhlaba ingabalwa eminweni. Ngokuzichaza njenge-mezzo-soprano nokugxila kumculo weBaroque, Mozart kanye noRossini, uCecilia uzenzele indawo ekhululekile nenhle kakhulu okunzima kakhulu ukuyihlasela.

Konke lokhu kwenza uCecilia enakwa yizinkampani ezinkulu zokuqopha, okubalwa kuzo iDecca, Teldec kanye nePhilips. Inkampani iDecca imnakekela ngokukhethekile umculi. Njengamanje, i-discography kaCecilia Bartoli ihlanganisa ama-CD angaphezu kuka-20. Uqophe ama-arias amadala, ama-arias ka-Mozart noRossini, i-Stabat Mater kaRossini, igumbi elisebenza ngabaqambi base-Italy nabase-French, ama-opera aphelele. Manje icwecwe elisha elibizwa ngokuthi i-Sacrificio (Umhlatshelo) liyathengiswa - i-arias evela kuchungechunge lwama-castrati ake akhulekelwa.

Kodwa kuyadingeka ukukhuluma iqiniso lonke: Izwi likaBartoli yizwi elibizwa ngokuthi "izwi elincane". Udlala indima ebaluleke kakhulu kuma-CD nasehholo lekhonsathi kunasesiteji se-opera. Ngokufanayo, ukuqoshwa kwakhe kwama-opera aphelele kungaphansi kokurekhodwa kwezinhlelo eziyedwa. Uhlangothi oluqine kakhulu lobuciko bukaBartoli yisikhathi sokuhumusha. Uhlale enakisisa kakhulu akwenzayo futhi ekwenza ngekhono eliphezulu. Lokhu kumhlukanisa kahle nesizinda sabahlabeleli abaningi besimanje, mhlawumbe ngamazwi angemahle kangako, kodwa anamandla kunalawo kaBartoli, kodwa abakwazi ukunqoba ukuphakama kokuzwakalisa. I-repertoire kaCecilia ifakazela ingqondo yakhe ejulile: ngokusobala uyazi kahle imingcele yalokho imvelo emnike yona futhi ukhetha imisebenzi edinga ubuqili nobuhle, kunokuba amandla ezwi lakhe kanye nomoya ovuthayo. Ezindimeni ezinjengo-Amneris noma uDelila, ubengeke athole imiphumela emihle. Senza isiqiniseko sokuthi akaqinisekisi ukubukeka kwakhe endimeni kaCarmen, ngoba angalokotha nje acule le ngxenye ehholo elincane, futhi lokhu akulona iqiniso.

Kubonakala sengathi umkhankaso wokukhangisa owenziwe ngekhono wadlala indima ebalulekile ekudaleni isithombe esihle sobuhle baseMedithera. Eqinisweni, uCecilia mncane futhi ukhuluphele, futhi ubuso bakhe abuhlukaniswa ngobuhle obuvelele. Abalandeli bathi ubukeka emude kakhulu esiteji noma ku-TV, futhi udumisa ngentshiseko izinwele zakhe ezimnyama ezicwebezelayo namehlo aveza ngendlela engavamile. Nansi indlela esinye sezihloko eziningi ze- New York Times simchaza ngayo: “Lona ungumuntu ophile saka; ecabanga kakhulu ngomsebenzi wakhe, kodwa engalokothi aqhoshe. Unelukuluku lokwazi futhi uhlale ekulungele ukuhleka. Ngekhulu lama-1860, ubonakala esekhaya, kodwa akuthathi umcabango ongako ukumcabanga eParis ekhazimulayo ngawo-XNUMX: isimo sakhe sowesifazane, amahlombe anokhilimu, igagasi lezinwele ezimnyama eziwayo zikwenza ucabange ngokucwayiza kwamakhandlela. kanye nokukhangayo kwabayengayo bakudala.

Isikhathi eside, uCecilia wayehlala nomndeni wakhe eRoma, kodwa eminyakeni embalwa edlule "wabhalisa" ngokusemthethweni e-Monte Carlo (njengama-VIP amaningi akhetha inhloko-dolobha ye-Principal of Monaco ngenxa yengcindezi yentela eqinile ezweni lakubo). Inja okuthiwa uFigaro ihlala naye. Lapho uCecilia ebuzwa ngomsebenzi wakhe, uyaphendula: “Izikhathi zobuhle nenjabulo yilokho engifuna ukukunikeza abantu. USomandla unginike ithuba lokwenza lokhu ngibonga insimbi yami. Uma sibhekisa amabombo enkundleni yemidlalo yeshashalazi, ngifuna sishiye izwe esilijwayele siphuthume ezweni elisha.