I-arias edumile evela kuma-opera ka-Verdi

UGiuseppe Verdi uyingcweti yedrama yomculo. Inhlekelele itholakala kuma-opera akhe: aqukethe uthando olubulalayo noma unxantathu wothando, isiqalekiso nokuziphindiselela, ukukhetha kokuziphatha nokukhaphela, imizwa ecacile kanye nokufa okucishe kube okuqinisekile kweqhawe elilodwa noma ngisho namaqhawe amaningana ekugcineni.

Umqambi ubambelele esikweni elisungulwe ku-opera yesiNtaliyane - ukuncika ezwini eliculayo esenzweni sokusebenza. Ngokuvamile izingxenye ze-opera zadalwa ngokukhethekile kubadlali abathile, bese beqala ukuphila impilo yabo, bedlula uhlaka lwemidlalo yaseshashalazini. Lawa futhi amaningi ama-arias avela kuma-opera ka-Verdi, afakwe ohlwini lwabahlabeleli abavelele njengezinombolo zomculo ezizimele. Nazi ezinye zazo.

"I-Ritorna vincitor!" (“Buyela kithi ngokunqoba…”) – Ingoma ka-Aida evela ku-opera ethi “Aida”

Lapho uVerdi enikezwa ukubhala i-opera yokuvulwa kweSuez Canal, ekuqaleni wenqaba, kodwa wabe eseshintsha umqondo, futhi ezinyangeni ezimbalwa nje "u-Aida" wavela - inganekwane edabukisayo ngothando lomholi wezempi waseGibhithe. URadamesi nencekukazi u-Aida, indodakazi yenkosi yaseTopiya, bamelene neGibhithe.

Uthando luphazanyiswa yimpi phakathi kwezifunda namaqhinga endodakazi yenkosi yaseGibhithe u-Amneris, naye othanda uRadames. Ukuphela kwe-opera kubuhlungu - abathandi bafa ndawonye.

I-aria ethi “Buyela kithi ngokunqoba…” izwakala ekugcineni kwesigcawu sokuqala sesenzo sokuqala. UFaro uqoka uRadames umkhuzi webutho, u-Amneris umbiza ukuthi abuye enqobile. U-Aida usenkingeni: isithandwa sakhe sizolwa noyise, kodwa bobabili bathandeka ngokufanayo kuye. Unxusa onkulunkulu ngomthandazo ukuba bamsindise kulokhu kuhlushwa.

“Hlala phansi!” (“I-Flame is Burning”) – ingoma ka-Azucena ekwi-opera ethi “Il Trovatore”

I-“Troubadour” iwukuhlonipha komqambi ukuthambekela kwezothando. I-opera ihlukaniswa ngesakhiwo esiyinkimbinkimbi esithinta okungaqondakali: ngokomela ukuziphindiselela, ukufaka izingane esikhundleni, ukulwa, ukubulawa, ukufa ngobuthi nezinkanuko ezinobudlova. Bala u-di Luna kanye no-troubadour Manrico, abakhuliswe yi-gypsy Azucena, baphenduke abazalwane nezimbangi zothando lweLeonora enhle.

Phakathi kwama-arias avela kuma-opera ka-Verdi umuntu angaphinda afake ingoma ka-Azucena evela esigcawini sokuqala sesenzo sesibili. Ikamu lamaGypsy emlilweni. Uma ebuka umlilo, umjikijelwa ukhumbula indlela unina ashiswa ngayo esigxotsheni.

“Addio, del passato” (“Ngithethelele, kuze kube phakade…”) – Ingoma ka-Violetta evela ku-opera ethi “La Traviata”

Isakhiwo se-opera sisekelwe emdlalweni othi “The Lady of the Camellias” ka-A. Dumas the Son. Ubaba wale nsizwa uyangenelela ebudlelwaneni obuphakathi kuka-Alfred Germont nenkantolo uVioletta, efuna bahlukane nobudlelwano obubi. Ngenxa yodadewabo othandekayo, u-Violetta uyavuma ukuhlukana naye. Uqinisekisa u-Alfred ukuthi usethandana nomunye umuntu, le nsizwa imthuka ngesihluku.

Enye ye-arias esuka enhliziyweni evela kuma-opera ka-Verdi i-Violetta's aria kusukela esenzweni sesithathu se-opera. Iqhawekazi eligulela ukufa lishonela efulethini laseParis. Ngemva kokufunda incwadi evela kuGermont Sr., intombazane ithola ukuthi u-Alfred uselitholile iqiniso futhi uyeza kuye. Kodwa u-Violetta uyaqonda ukuthi usalelwe amahora ambalwa nje ukuba aphile.

“Ijubane, ijubane, mio ​​Dio!” (“Ukuthula, ukuthula, oh Nkulunkulu…”) – Ingoma ka-Leonora evela ku-opera ethi “Force of Destiny”

I-opera yabhalwa umqambi ngesicelo se-Mariinsky Theatre, futhi i-Premiere yayo yenzeke eRussia.

U-Alvaro ubulala ubaba kaLeonora othandekayo wakhe, futhi umfowabo uCarlos ufunga ukuziphindiselela kubo bobabili. Izindaba eziyinkimbinkimbi zihlanganisa u-Alvaro noCarlos, okwamanje abangazi ukuthi ikusasa labo lixhunywe kanjani, futhi intombazane ihlala njengendawo yokuhlala emhumeni oseduze nesigodlo, lapho isithandwa sayo siba yimfundamakhwela.

I-aria izwakala esigcawini sesi-2 sesenzo sesine. UCarlos uthola u-Alvaro esigodlweni sezindela. Lapho amadoda elwa ephethe izinkemba, uLeonora endlini yakhe ukhumbula isithandwa sakhe futhi uthandaza kuNkulunkulu ukuba amthumelele ukuthula.

Yiqiniso, i-arias evela kuma-operas ka-Verdi ayenziwa nje ngamaqhawekazi, kodwa futhi namaqhawe. Wonke umuntu uyazi, isibonelo, ingoma yoMbusi waseMantua waseRigoletto, kodwa khumbula enye i-aria emangalisayo evela kule opera.

“Cortigiani, vil razza” (“Courtisans, fiends of vice…”) – Rigoletto's aria from the opera “Rigoletto”

I-opera isuselwe emdlalweni ka-V. Hugo “The King Amuses himself”. Ngisho nalapho esebenza ku-opera, ukucwaninga, ngenxa yokwesaba izinkulumo zezombangazwe, kwaphoqa uVerdi ukuthi ashintshe i-libretto. Ngakho inkosi yaba umbusi, futhi isenzo sathuthelwa e-Italy.

I-Duke, i-rake edumile, yenza u-Gilda, indodakazi ethandekayo ye-jester, i-hunchback u-Rigoletto, amthande, lapho u-jester efunga ukuthi uzoziphindiselela kumnikazi. Naphezu kweqiniso lokuthi intombazane uqiniseka frivolity isithandwa sakhe, uyamsindisa ukuziphindiselela uyise ngezindleko zokuphila kwakhe.

I-aria izwakala kusenzo sesithathu (noma sesibili, kuye ngokukhiqiza). Abasebenzi basenkantolo bathumbe uGilda emzini wakhe bamyisa esigodlweni. UDuke noSizi bayamfuna. Okokuqala, uMbusi uthola ukuthi usenqabeni, bese kuba nguRigoletto. U-hunchback uncenga izinceku zenkantolo ukuba zibuyisele indodakazi yakhe kuye.

“Ngiyabonga!” (“Cha, ubengangithandi…”) – Ingoma yeNkosi uPhilip evela ku-opera ethi “Don Carlos”

I-libretto ye-opera isuselwe kudrama yegama elifanayo ka-IF Schiller. Umugqa wothando (iNkosi uPhilip - indodana yakhe uDon Carlos, ethandana nomama wakhe ongamzali - iNdlovukazi u-Elizabeth) lapha ihlangana nezombusazwe - umzabalazo wenkululeko yeFlanders.

I-aria enkulu kaPhilip iqala isenzo sesithathu se-opera. Inkosi iyacabanga emakamelweni ayo. Kumzwisa ubuhlungu ukuzivumela ukuthi inhliziyo yomkakhe ivaliwe futhi unesizungu.