Vera Vasilievna Gornostayeva (Vera Gornostayeva) |
abadlali bopiyano

Vera Vasilievna Gornostayeva (Vera Gornostayeva) |

Vera Gornostayeva

Usuku lokuzalwa
01.10.1929
Usuku lokufa
19.01.2015
ubungcweti
umdlali wopiyano, uthisha
Izwe
ERussia, e-USSR

Vera Vasilievna Gornostayeva (Vera Gornostayeva) |

U-Vera Vasilievna Gornostaeva weza ekwenzeni umsebenzi, ngamazwi akhe, "ngokufundisa" - indlela ayiyona into evamile. Ngokuvamile, kwenzeka okuphambene: bathola udumo esiteji sekhonsathi futhi, njengesinyathelo esilandelayo, baqala ukufundisa. Izibonelo zalokhu ziyi-biographies ka-Oborin, Gilels, Flier, Zach nabanye abaculi abadumile. Ukuya kolunye uhlangothi kuyivelakancane kakhulu, icala likaGornostaeva lingenye yalezo ezihlukile eziqinisekisa umthetho.

Umama wakhe wayenguthisha womculo ozinikele ngokuphelele ekusebenzeni nezingane; "Uthisha wezingane", nezici zakhe ezihlekisayo, ukhuluma ngomsebenzi kamama kaGornostaev. Umdlali wopiyano uthi: “Ngathola izifundo zami zokuqala zopiyano ekhaya, ngabe sengifunda eMoscow Central Music School nothisha okhaliphile nomuntu obukekayo u-Ekaterina Klavdievna Nikolaeva. Esikhungweni sokufundela izingane, uthisha wami kwakunguHeinrich Gustavovich Neuhaus.

Ngo-1950, uGornostaeva wadlala emncintiswaneni wamazwe ngamazwe wabaculi abacula ePrague futhi wawina isihloko somklomelo. Kodwa ngemva kwalokho akafikanga esiteji sekhonsathi, njengoba kungaba ngokwemvelo, kodwa Gnessin Musical and Pedagogical Institute. Eminyakeni embalwa kamuva, kusukela ngo-1959, waqala ukusebenza eMoscow Conservatory; Ufundisa khona kuze kube namuhla.

"Ngokuvamile kukholakala ukuthi i-pedagogy idala izithiyo ezinkulu ekusebenzeni kwekhonsathi," kusho uGornostaeva. “Yebo, amakilasi ekilasini ahambisana nokulahleka kwesikhathi okukhulu. Kodwa masingakhohlwa! — futhi ngenzuzo enkulu kofundisayo. Ikakhulukazi uma unenhlanhla yokusebenza nomfundi onamandla, onekhono. Kufanele ube seqophelweni eliphezulu lesikhundla sakho, akunjalo? — okusho ukuthi kufanele uhlale ucabanga, usesha, ucwaninga, uhlaziye. Futhi hhayi nje ukusesha - Bheka; phela akukona ukusesha uqobo okubalulekile emsebenzini wethu, yizinto ezitholakele ezibalulekile. Ngiyaqiniseka ukuthi kwakuyi-pedagogy, engangena kuyo iminyaka eminingi ngokuthanda kwezimo, ngakha umculi kimi, kwangenza ngaba yilokho engiyikho ... Sesifikile isikhathi lapho ngabona khona ukuthi Ngiyakwazi ungadlali: kunzima kakhulu ukuthula uma kukhona ukuthi ukutshela. Ngasekuqaleni kwawo-XNUMX, ngaqala ukudlala njalo. Okunye okwengeziwe; manje ngihamba kakhulu, ngivakasha emadolobheni ahlukahlukene, ngiqopha amarekhodi.

Umdlali ngamunye wekhonsathi (ngaphandle kovamile, yebo) uphawuleka ngendlela yakhe. UGornostaeva unentshisekelo, okokuqala, njengoba ubuntu – okwangempela, okuyisici, ngobuso obuphilayo nobuthakaselayo bokudala. Akukona ukushaya kwakhe upiyano ngokwako okuheha ukunaka; hhayi izesekeli zokusebenza zangaphandle. Mhlawumbe abanye abafundi banamuhla (noma bayizolo) baseGornostaeva bazokwazi ukwenza umbono ongcono esiteji kunothisha wabo. Yilo lonke leli phuzu - bona, ngokuzethemba kwabo, ukuqina, ukulunga kwabo, bazohlaba umxhwele kakhulu Ukunqoba; ijulile futhi ibaluleke kakhulu.

Ngesinye isikhathi, ekhuluma emaphephandabeni, uGornostaeva wathi: "Ubuchwepheshe kwezobuciko buyindlela umuntu aveza ngayo izwe lakhe elingaphakathi. Futhi sihlala sizwa okuqukethwe kwalo mhlaba wangaphakathi eqoqweni lezinkondlo, emdlalweni wombhali wemidlalo yeshashalazi, kanye nasezwini lomdlali wopiyano. Ungakwazi ukuzwa izinga lamasiko, ukunambitheka, imizwa, ubuhlakani, umlingiswa ” (Eqanjwe ngo-Tchaikovsky: Ukuqoqwa kwezihloko kanye nemibhalo mayelana Nomncintiswano Wesithathu Wamazwe Ngamazwe Wabaculi-Abaculi abaqanjwe ngo-PI Tchaikovsky. – M 1970. S. 209.). Konke kulungile lapha, wonke amazwi. Akuwona ama-roulades kuphela noma umusa, imisho noma ukupedalisa okuzwakala ekhonsathini - ingxenye yezethameli engenalwazi kuphela ecabanga kanjalo. Ezinye izinto zizwakala futhi ...

NgoGornostaeva, umdlali wopiyano, isibonelo, "ukuzwa" ingqondo yakhe akunzima. Ukhona yonke indawo, ukucabanga kwakhe kukho konke. Ngokungangabazeki umkweleta okungcono kakhulu ekusebenzeni kwakhe. Kulabo, okokuqala, ukuthi uzizwa ngokuphelele imithetho yokuzwakala komculo: uyazi kahle upiyano, uyazi. chego ongafinyelela kukho futhi as kwenzeni. Futhi yeka ukuthi uwasebenzisa ngobuciko kangakanani amakhono akhe okushaya upiyano! Bangaki ozakwabo abaqaphela kancane, ngandlela thize, ukuthi imvelo ibanikeze ini? U-Gornostaeva wembula ngokugcwele amakhono akhe okwenza - isibonakaliso sabo bobabili abalingiswa abaqinile futhi (okubaluleke kakhulu!) Izingqondo ezivelele. Lokhu kucabanga okungajwayelekile, ikilasi layo eliphezulu elichwepheshile lizwakala ikakhulukazi ezingxenyeni ezingcono kakhulu zomculo wopiyano – ama-mazurka nama-waltzes, ama-ballads nama-sonata ka-Chopin, ama-rhapsodies (op. 79) kanye ne-intermezzo (ikhasi 117 kanye ne-119) ka-Brahms, “Ukubhuqa ” kanye nomjikelezo othi “Romeo and Juliet” kaProkofiev, Izandulela zikaShostakovich.

Kunabaculi bamakhonsathi abaheha izethameli ngamandla imizwa yabo, evuthayo ngentshiseko evuthayo, umthelela wokukhuluma inkulumo. UGornostaeva uhlukile. Ekuhlangenwe nakho kwakhe kwesiteji, into esemqoka ayikho inani isici (iqine kangakanani, ikhanya kangakanani ...), kanye kufanelekile - leyo ebonakala kuma-epithets "okucwengisisiwe", "okucwengisisiwe", "i-aristocratic", njll. Ngikhumbula, isibonelo, izinhlelo zakhe ze-Beethoven - "Pathetic", "Appassionata", "Lunar", "Isikhombisa noma Amashumi Amathathu Nesibili". i-sonatas. Akuzona izinto ezinamandla ezenziwa yingcweti yalo mculo, noma umfutho, ingcindezi enamandla, noma izinkanuko zesivunguvungu. Ngakolunye uhlangothi, i-shades yemizwa ecashile, ecwengisisiwe, isiko eliphezulu lokuhlangenwe nakho - ikakhulukazi ezingxenyeni ezihamba kancane, eziqephuni zemvelo ye-lyrical-contemplative.

Yiqiniso, ukuntuleka "kobuningi" emdlalweni we-Gornostaeva ngezinye izikhathi kuzwakala kuzwakala. Akulula kuye ekuphakameni komvuthwandaba, emculweni odinga i-fortissimo eminyene, enothile; amathuba angokomzimba womdwebi anomkhawulo, futhi ngezinye izikhathi kuyabonakala! Kufanele aqinise iphimbo lakhe lomculo wopiyano. Ku-Beethoven's Pathetique, uvame ukuphumelela ngaphezu kwakho konke ukunyakaza kwesibili, i-Adagio ezolile. Ezithombeni zika-Mussorgsky Embukisweni, i-Gornostaeva's melancholic Old Castle yinhle kakhulu futhi i-Bogatyr Gates ayibukeki kangako.

Nokho, uma sikhumbula iphuzu kwezobuciko bomdlali wopiyano, kufanele sikhulume ngokunye. M. Gorky, ekhuluma noB. Asafiev, wake waphawula; abaculi bangempela bahlukile ngokuthi bangezwa hhayi umculo kuphela. (Masikhumbule uBruno Walter: “Umculi kuphela ongumculi omncane.”) UGornostaeva, ngamazwi kaGorky, unikezwa ukuzwa kwezobuciko bomculo hhayi umculo kuphela; ngale ndlela aliwine ngayo ilungelo lokungena esiteji sekhonsathi. Uzwa “ngokuqhubekayo”, “ngokubanzi”, “kujule”, njengoba kuvame ukuba yingxenye yabantu abanombono oguquguqukayo ongokomoya, izidingo ezicebile zobuhlakani, indawo ethuthukisiwe engokomfanekiso-ehlangene - ngamafuphi, labo abakwaziyo ukubona umhlaba isiphiwo somculo...

Ngomlingisi onjengoGornostaeva, ngokusabela kwakhe okusebenzayo kukho konke okuzungezile, kwakungeke kwenzeke ukuhola indlela yokuphila ehlangothini olulodwa nevaliwe. Kukhona abantu ngokwemvelo "contraindicated" ukwenza into eyodwa; badinga ukushintsha izinto zokuzilibazisa zokudala, ukushintsha izinhlobo zomsebenzi; ukuqhathanisa kwalolu hlobo akubakhathazi nakancane, kodwa kunalokho kuyabajabulisa. Kukho konke ukuphila kwakhe, Gornostaeva wahlanganyela izinhlobo ezahlukene zabasebenzi.

Ubhala kahle, ngobunyoninco. Kwabaningi bozakwabo, lokhu akuwona umsebenzi olula; Sekuyisikhathi eside uGornostaeva ekhangwa kuye nokuthambekela. Ungumuntu onesiphiwo sokubhala, onomqondo omuhle kakhulu wobuhlakani bolimi, uyazi ukuthi agqokise kanjani imicabango yakhe ngendlela ejabulisayo, enhle, engeyona ejwayelekile. Wanyatheliswa ngokuphindaphindiwe emaphephandabeni amaphakathi, izihloko zakhe eziningi zaziwa kabanzi - "Svyatoslav Richter", "Izindla Ehholo Lekhonsathi", "Indoda Ethweswe Iziqu E-Conservatory", "Ingabe Uzoba Umculi?" nabanye.

Esitatimendeni sakhe somphakathi, izihloko nezingxoxo, u-Gornostaev ubhekana nezinhlobonhlobo zezinkinga. Nokho zikhona izihloko ezimjabulisa kakhulu kunanoma ubani omunye. Lezi, okokuqala, iziphetho ezinhle zentsha yokudala. Yini evimbela abafundi abakhanyayo, abanesiphiwo, abaningi babo ezikhungweni zethu zemfundo, ukuthi, ngezinye izikhathi, akubavumeli ukuba bakhule babe ngamakhosi amakhulu? Ngokwezinga elithile - ameva okuphila kwekhonsathi, ezinye izikhathi ezinomthunzi enhlanganweni yokuphila kwe-philharmonic. UGornostaeva, oye wahamba futhi waqaphela okuningi, uyazi ngabo futhi ngokukhululekile (uyazi ukuthi angakhuluma kanjani, uma kunesidingo, futhi abukhali) wakhuluma ngale ndaba esihlokweni esithi "Ingabe umqondisi womculo we-philharmonic uyawuthanda?". Ngaphezu kwalokho, uphikisana nempumelelo yangaphambi kwesikhathi futhi esheshayo esiteji sekhonsathi - aqukethe izingozi eziningi ezingaba khona, izinsongo ezifihliwe. Lapho u-Eteri Anjaparidze, omunye wabafundi bakhe, ethola uMklomelo we-IV eMqhudelwaneni weTchaikovsky eneminyaka eyishumi nesikhombisa, u-Gornostaeva akazange akubheke njengokungafaneleki ukumemezela obala (ngokwentshisekelo ka-Anjaparidze ngokwakhe) ukuthi lokhu kwakuwumklomelo "ophakeme kakhulu" iminyaka yakhe. Wake wabhala: “Impumelelo nayo kumelwe ifike ngesikhathi esifanele. Ithuluzi elinamandla kakhulu. ”… (Gornostaeva V. Ingabe uzoba umculi? // Isiko lamaSoviet. 1969 29 pairs.).

Kodwa into eyingozi kakhulu, u-Vera Vasilievna uphinda ngokuphindaphindiwe, lapho beyeka ukuba nesithakazelo kunoma yini enye ngaphandle kobuciko, bephishekela kuphela izinhloso eziseduze, ngezinye izikhathi zokusiza. Khona-ke, ngokusho kwakhe, abaculi abasebasha, “ngisho nokuba nethalente lokucula elingenamibandela, alikhuli nakancane libe ubuntu bobuciko obukhazimulayo, futhi bahlale bengochwepheshe abalinganiselwe kuze kube sekupheleni kwezinsuku zabo, asebelahlekelwe ukusha nokuzenzakalela kobusha ngenxa yomculo. iminyaka, kodwa angizange ngithole umculi odingeka kakhulu wekhono lokucabanga ngokuzimela, ngomqondo ongokomfanekiso, isipiliyoni esingokomoya ” (Ibid.).

Muva nje, amakhasi ephephandaba i-Sovetskaya Kultura ashicilele imidwebo yemibhalo ebucayi eyenziwe nguMikhail Pletnev no-Yuri Bashmet, abaculi uGornostaeva abaphatha ngenhlonipho enkulu. Ngesikhathi sokugubha iminyaka eyi-100 yokuzalwa kuka-GG Neuhaus, indaba yakhe ethi "Master Heinrich" yanyatheliswa, eyayinomsindo omkhulu emibuthanweni yomculo. I-resonance enkulu nakakhulu - kanye nempikiswano enkulu nakakhulu - yabangelwa isihloko esithi "Who Owns Art", lapho uGornostaeva ethinta izici ezidabukisayo zesikhathi esidlule somculo wethu ("I-Soviet Culture", May 12, 1988).

Nokho, akubona abafundi kuphela abajwayelene noGornostaeva; bobabili abalaleli bomsakazo nababukeli be-TV bayakwazi. Okokuqala, sibonga imijikelezo yezinhlelo zomculo nezemfundo lapho ethatha khona umsebenzi onzima wokukhuluma ngabaqambi abavelele besikhathi esidlule (Chopin, Schumann, Rachmaninov, Mussorgsky) - noma mayelana nemisebenzi ebhalwe yibo; ngesikhathi esifanayo ukhombisa inkulumo yakhe ophiyano. Ngaleso sikhathi, umabonakude ka-Gornostaeva othi “Ukwethula Abancane”, okwamnika ithuba lokujwayelana nomphakathi jikelele nabanye abaqalayo benkundla yekhonsathi yanamuhla, kwavusa isithakazelo esikhulu. Ngesizini ka-1987/88, uchungechunge lwethelevishini i-Open Piano lwaba ngoluphambili kuye.

Ekugcineni, u-Gornostaeva ungumhlanganyeli obalulekile ezingqungqutheleni ezihlukahlukene nezinkomfa mayelana nokusebenza komculo kanye ne-pedagogy. Uletha imibiko, imiyalezo, izifundo ezivulekile. Uma kungenzeka, ubonisa abafundi bekilasi lakhe. Futhi-ke, uphendula imibuzo eminingi, ubonisana, unikeza izeluleko. “Kwadingeka ngihambele izingqungquthela ezinjalo nezimbizo (zibizwa ngokuhlukile) eWeimar, Oslo, Zagreb, Dubrovnik, Bratislava nakwamanye amadolobha aseYurophu. Kodwa, ngokungananazi, engikuthanda kakhulu kunakho konke imihlangano enjalo nozakwethu ezweni lakithi - eSverdlovsk, Tbilisi, Kazan ... Futhi hhayi kuphela ngoba lapha babonisa isithakazelo esikhulu, njengoba kufakazelwa amahholo aminyene kanye nomoya ngokwawo, obusa. emicimbini enjalo. Iqiniso liwukuthi kuma-conservatories ethu, lona kanye izinga lokuxoxisana ngezinkinga zobuchwepheshe, ngokubona kwami, liphakeme kunanoma iyiphi enye indawo. Futhi lokhu akukwazi kodwa ukujabula ...

Ngizizwa ngiwusizo kakhulu lapha kunanoma yiliphi elinye izwe. Futhi asikho isithiyo solimi.”

Ukwabelana ngesipiliyoni somsebenzi wakhe wokufundisa, uGornostaeva akakhathali ukugcizelela ukuthi into esemqoka akuyona ukuphoqelela izinqumo zokuhumusha kumfundi. ngaphandle, ngendlela yokuqondisa. Futhi ungamphoqeleli ukuba adlale umsebenzi awufundayo ngendlela uthisha wakhe azowudlala ngayo. “Into ebaluleke kakhulu ukwakha umqondo wokusebenza maqondana nobuntu bomfundi, okungukuthi, ngokuhambisana nezici zakhe zemvelo, ukuthambekela, namandla. Kuthisha wangempela, empeleni, ayikho enye indlela. ”

… Phakathi neminyaka eminingi u-Gornostaeva ayinikela ekufundiseni, inqwaba yabafundi yadlula ezandleni zakhe. Akubona bonke ababenethuba lokuwina emiqhudelwaneni yokwenza, njengo-A. Slobodyanik noma u-E. Andzhaparidze, D. Ioffe noma u-P. Egorov, M. Ermolaev noma u-A. Paley. Kodwa konke ngaphandle kokukhetha, ukuxhumana naye phakathi namakilasi, wahlangana nezwe lamasiko aphezulu angokomoya kanye professional. Futhi lena into ebaluleke kakhulu umfundi angayithola kwezobuciko kuthisha.

* * *

Ezinhlelweni zamakhonsathi ezidlalwa uGornostaeva eminyakeni yamuva nje, ezinye ziye zadonsa ukunaka okukhethekile. Isibonelo, ama-sonata amathathu kaChopin (isizini 1985/86). Noma, ama-piano miniatures ka-Schubert (isizini ka-1987/88), okukhona kuwo ama-Musical Moments ayengavamile ukwenziwa, i-Op. 94. Izilaleli zahlangana ngokuthakazelisa i-Clavierabend enikezelwe ku-Mozart - Fantasia no-Sonata ku-C minor, kanye ne-Sonata ku-D Major yamapiyano amabili, edlalwa u-Vera Vasilievna kanye nendodakazi yakhe, u-K. Knorre (isizini 1987/88) .

U-Gornostaeva ubuyisele izingoma eziningi ku-repertoire yakhe ngemuva kwekhefu elide - wacabanga kabusha ngandlela-thile, wadlala ngendlela ehlukile. Umuntu angabhekisela kulokhu kuxhumana okungenani ku-Prelude kaShostakovich.

U-PI Tchaikovsky umdonsa kakhulu. Udlale “I-albhamu Yezingane” izikhathi ezingaphezu kwesisodwa engxenyeni yesibili yeminyaka yamashumi ayisishiyagalombili, ezinhlelweni zethelevishini nasemakhonsathini.

“Uthando lwalo mqambi cishe lusegazini lami. Namuhla nginomuzwa wokuthi ngeke ngikwazi ukudlala umculo wakhe - njengoba kwenzeka, umuntu akakwazi kodwa ukusho okuthile, uma kukhona - ukuthi ... Ezinye izingcezu zikaTchaikovsky zinginyakazisa izinyembezi - yona kanye le "Sentimental Waltz", engike ngaba kuyo. othandweni kusukela ebuntwaneni. Kwenzeka kuphela ngomculo omnandi: ukwazi impilo yakho yonke - futhi uwuncoma impilo yakho yonke ... "

Ukukhumbula ukusebenza kukaGornostaeva eminyakeni yamuva, umuntu akanakuhluleka ukubiza enye, mhlawumbe ebaluleke kakhulu futhi enomthwalo wemfanelo. Yenzeka eHholo Elincane Le-Conservatory yaseMoscow ngo-April 1988 njengengxenye yomkhosi onikezelwe esikhumbuzweni seminyaka eyi-100 sokuzalwa kuka-GG Neuhaus. UGornostaeva wadlala uChopin ngalobo busuku. Futhi wadlala kahle ngendlela emangalisayo...

“Lapho nginikeza amakhonsathi isikhathi eside, kulapho ngiqiniseka ngokwengeziwe ngokubaluleka kwezinto ezimbili,” kusho uGornostaeva. “Okokuqala, umculi uzihlanganisa ngamuphi umgomo izinhlelo zakhe, futhi unazo nhlobo izimiso zalolu hlobo. Okwesibili, ukuthi ngabe uyayicabangela yini imininingwane yendima ayidlalayo. Ingabe uyazazi ukuthi unamandla ngani, yini ayikho, kuphi wakhe indawo ku-piano repertoire, nalapho - hhayi eyakhe.

Mayelana nokulungiswa kwezinhlelo, into ebaluleke kakhulu kimina namuhla ukuthola umongo othile we-semantic kuzo. Okubalulekile lapha akukhona kuphela ukukhethwa kwababhali abathile noma imisebenzi ethile. Yona kanye inhlanganisela yazo ibalulekile, ukulandelana kwazo ekhonsathini; ngamanye amazwi, ukulandelana kokushintshana kwezithombe zomculo, izimo zengqondo, amanuances angokwengqondo… Ngisho nohlelo olujwayelekile lwetonal lwemisebenzi ezwakalayo ngokulandelana phakathi nezindaba zakusihlwa.

Manje mayelana nalokho engikuqoke ngegama lokudlala indima. Itemu, vele, linemibandela, liyalinganiselwa, kodwa ... Wonke umculi wekhonsathi kufanele, ngokubona kwami, abe nohlobo oluthile lomqondo wokonga ongamtshela ukuthi yini esondelene naye ngokufanelekile nokuthi yini engekho. Kulokho angakwazi ukuzibonakalisa kangcono, nokuthi yini abengaba ngcono ukukugwema. Ngamunye wethu ngokwemvelo “unobubanzi bezwi elidlalayo” futhi akunangqondo okungenani ukungakunaki lokhu.

Yebo, uhlale ufuna ukudlala izinto eziningi - kokubili lokhu nalokhuya, kanye nesithathu ... Isifiso singokwemvelo kuwo wonke umculi wangempela. Awu, ungafunda konke. Kodwa kude nakho konke kufanele kukhishwe esiteji. Isibonelo, ngidlala izingoma ezihlukene ekhaya - zombili lezo engifuna ukuzidlala mina nalezo ezilethwa abafundi bami ekilasini. Nokho, ezinhlelweni zezinkulumo zami zasobala, ngibeka ingxenye ethile kuphela yalokho engikufundile.

Amakhonsathi kaGornostaeva ngokuvamile aqala ngokuphawula kwakhe ngamazwi ngezingcezu azenzayo. UVera Vasilievna usenesikhathi eside ekwenza lokhu. Kodwa eminyakeni yamuva, igama eliqondiswe ezilalelini, mhlawumbe, liye lazuza incazelo ekhethekile kuye. Ngendlela, yena ngokwakhe ukholelwa ukuthi uGennady Nikolaevich Rozhdestvensky wamthonya lapha ngandlela-thile; isibonelo sakhe saphinda samqinisekisa ekwazini ukubaluleka nesidingo sale ndaba.

Nokho, izingxoxo zikaGornostaeva nomphakathi azifani neze nalokho abanye abakwenzayo mayelana nalokhu. Kuye, akulona ulwazi mayelana nemisebenzi eyenziwayo olubalulekile ngokwalo, hhayi i-factology, hhayi ulwazi lomlando nelomculo. Into eyinhloko ukudala isimo sengqondo esithile ehholo, ukwethula abalaleli emkhathini ongokomfanekiso wezinkondlo zomculo - "ukulahla" ekuboneni kwayo, njengoba kusho uVera Vasilievna. Ngakho-ke indlela yakhe ekhethekile yokukhuluma nezithameli - kuyimfihlo, ngokwemvelo, engenakho ukululekwa, izindlela zomfundisi. Kungaba ngamakhulu abantu ehholo; ngamunye wabo uzoba nomuzwa wokuthi u-Gornostaeva ubhekisela kuye ngokuqondile, hhayi "kumuntu wesithathu" ongaqondakali. Uvame ukufunda izinkondlo ngenkathi ekhuluma nezilaleli. Futhi hhayi kuphela ngoba yena ngokwakhe uyabathanda, kodwa ngenxa yesizathu esilula ukuthi bamsiza ukuletha abalaleli eduze umculo.

Yiqiniso, uGornostaeva akalokothi, ngaphansi kwanoma yiziphi izimo, afunde ephepheni. Ukuphawula kwakhe ngamazwi ezinhlelweni ezisebenzisekayo kuhlala kwenziwa ngcono. Kodwa improvisation yomuntu owazi ngokucacile futhi ngokunembile lokho afuna ukukusho.

Kunobunzima obuthile ohlotsheni lokukhuluma esidlangalaleni uGornostaeva azikhethele lona. Ubunzima bokushintsha kusuka ekukhangiseni ngamazwi kuya ezilalelini - kuya emdlalweni futhi ngokuphambene nalokho. “Ngaphambili, lokhu bekuyinkinga enkulu kimi,” kusho uVera Vasilievna. “Ngibe sengijwayela kancane. Kodwa noma kunjalo, lowo ocabanga ukuthi ukukhuluma nokudlala, ukushintshanisa omunye nomunye, kulula - unephutha kakhulu.

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Ukwanda okungokwemvelo kuvela: kanjani i-Gornostaeva ikwazi ukwenza konke? Futhi, okubaluleke kakhulu, ukuthi konke kunjani kuye ijika? Ungumuntu osebenzayo, ohlelekile, onamandla - lena into yokuqala. Okwesibili, akubalulekile kangako, unguchwepheshe omuhle kakhulu, umculi we-erudition ocebile, obone okuningi, wafunda, waphinda wafunda, washintsha umqondo wakhe, futhi, ekugcineni, okubaluleke kakhulu, unethalente. Hhayi entweni eyodwa, yendawo, inqunyelwe uhlaka lokuthi “kusuka” kanye “nokuya”; abanethalente jikelele - ngobubanzi, emhlabeni wonke, ngokugcwele. Akunakwenzeka nje ukuthi ungamniki udumo kulokhu ...

G. Tsypin, 1990

shiya impendulo