Heinz Bongartz (Heinz Bongartz) |

Heinz Bongartz

Ekuqaleni kwekhulu lesi-XNUMX, ubuciko bokudlala baseJalimane bakhiqiza umthala wonke wabaqondisi abamangalisayo. U-Heinz Bongarz, omunye wabaqhubi abakhulu be-German Democratic Republic, naye ungowalesi "sizukulwane samathalenta". Njengabanye amakhosi amakhulu, waba umethuli wezimiso eziyisisekelo zesikole saseJalimane esiqhubayo, ebhodini lapho kwabhalwa khona isidingo seqiniso eliphakeme lobuciko, ukuvezwa kobuciko kanye nobuciko obuphelele.

Lezi zimiso zaqondiswa u-Bongarz phakathi nezifundo zakhe e-Krefeld Conservatory ngaphansi kokuqondisa kuka-Z. Ney, O. Neitzel, F. Steinbach (1908-1914). Ngokushesha ngemva kweMpi Yezwe Yokuqala, umsebenzi wakhe wekhonsathi osebenzayo waqala - okokuqala njengomphathi wekwaya, wabe esengumqhubi we-opera eMönchengladbach (1923) nanjengomqhubi weBerlin Symphony Orchestra (1924-1926). Ngemva kwalokho, uBongarz wasebenza namaqembu amakhulu omculo wezinsimbi eMeiningen, eDarmstadt, eGotha, eKassel, eSaarbrücken nakwezinye izikhungo zamasiko zaseJalimane, futhi wavakashela phesheya. Ngalesi sikhathi, ukwakheka komuntu ngamunye we-Bongarts sekuphelile, i-repertoire yakhe iyanda.

Ukuchuma kwethalenta lombhidisi njengomdlali kwafika eminyakeni yangemva kwempi, lapho ehola i-Dresden Philharmonic Orchestra iminyaka eyishumi nesithupha (1947-1963). Ngaphansi kobuholi bomculi ohlonishwayo, elinye lamaqembu amadala kuleli selifinyelele ezingeni eliphezulu kakhulu kwezobuciko. Omunye wabagxeki abanegunya uthi “i-Orchestra yaseDresden ikweleta umholi wayo zonke izimpumelelo zayo.” Kanye Dresden Orchestra, kanye eyedwa, wenza izinkambo yimpumelelo France, Romania, Italy, Poland nakwamanye amazwe, futhi ngokuphindaphindiwe eyenziwa e-USSR. “Ukufaneleka kukaBongarts kukudalulwa okunembile, okuqinile, futhi ngesikhathi esifanayo okuyiqiniso ngokomzwelo kwenhloso yomqambi,” kubhala umagazini iSoviet Music. "Into esemqoka kuye akukhona ukukhanya kwemininingwane, kodwa ukuthuthuka okungaguquki kombono kanye nengqondo ephelele yokuqamba."

Izimpumelelo eziphakeme kakhulu zomqhubi zihlotshaniswa nokusebenza kwemisebenzi eyisikhumbuzo yama-classics aseJalimane - ama-symphonies kaBeethoven, Schubert, Schumann, Brahms, Bruckner. Ukuhumusha kwakhe i-Fifth Symphony ka-Beethoven, eyesibili ka-Brahms, eka-Schubert ethi “Akukaqediwe” izokhunjulwa izilaleli zethu isikhathi eside ngenxa yokuvumelana kwayo kwakudala kanye nezicukuthwane.

Lokhu osekushiwo akusho ukuthi uBongarts ucheme nohlangothi olulodwa ekudaleni kwakhe. Umqhubi waziwa nangokuthi ungumgqugquzeli okhuthele futhi ongakhathali womsebenzi wababhali besimanje, amaJalimane nabangaphandle. Eminyakeni embalwa edlule, e-GDR, ubambe umjikelezo othakazelisayo wamakhonsathi "Music of the 1953th Century", futhi muva nje, umjikelezo othi "Russian and Soviet Music". Ngemva kokushiya isikhundla sakhe eDresden ngo-XNUMX, umqhubi usaqhubeka nokwenza amakhonsathi nokuvakasha. Igunya lomculi liqiniswa yiqiniso lokuthi yena ngokwakhe ungumqambi othakazelisayo nowangempela. Phakathi kwezingoma zakhe kukhona ama-suites amaningana e-orchestra, umjikelezo wezwi "Intwasahlobo YaseJapane" yezwi ne-orchestra, kanye ne-string quartet. Ingoma yakhe ekhaliphile ethi “Variations and Fugue on a Theme of Mozart” yenziwa ngempumelelo eSoviet Union.

L. Grigoriev, J. Platek, ngo-1969