Henryk Szeryng (Henryk Szeryng) |
Henryk Szeryng
Umdlali wevayolini wasePoland owayehlala futhi esebenza eMexico kusukela maphakathi nawo-1940.
USchering wafunda upiyano esemncane, kodwa ngokushesha wathatha ivayolini. Ngokunconywa komshayi weviyolini odumile uBronislaw Huberman, ngo-1928 waya eBerlin, lapho afunda khona noCarl Flesch, kwathi ngo-1933 uSchering waba nengoma yakhe yokuqala eyedwa eyedwa: eWarsaw, wenza i-Beethoven's Violin Concerto ne-orchestra eyayiqhutshwa uBruno Walter. . Ngawo lowo nyaka, wathuthela eParis, lapho athuthukisa khona amakhono akhe (ngokusho kuka-Schering ngokwakhe, uGeorge Enescu noJacques Thibaut baba nethonya elikhulu kuye), futhi wathatha izifundo zangasese ekuqanjweni kukaNadia Boulanger iminyaka eyisithupha.
Ekuqaleni kweMpi Yezwe II, uSchering, owayezikhuluma kahle izilimi eziyisikhombisa, wakwazi ukuthola isikhundla sokuba umhumushi kuhulumeni “waseLondon” wasePoland futhi, ngokusekelwa uWladyslaw Sikorsky, wasiza amakhulu ababaleki basePoland ukuba bathuthele. Mexico. Izimali ezivela kumakhonsathi amaningi (ngaphezu kuka-300) awadlala ngesikhathi sempi eYurophu, e-Asia, e-Afrika, eMelika, e-Schering edonswe ukusiza umfelandawonye ka-Anti-Hitler. Ngemva kwelinye lamakhonsathi eMexico ngo-1943, uSchering wanikezwa isikhundla sokuba usihlalo womnyango wezinsimbi zomculo ezinezintambo e-University of Mexico City. Ekupheleni kwempi u-Schering waqala imisebenzi yakhe emisha.
Ngemva kokwamukela ubuzwe baseMexico, iminyaka eyishumi, uSchering wayematasa cishe ekufundiseni. Kuphela ngo-1956, ngokusikisela kuka-Arthur Rubinstein, ukusebenza kokuqala kwe-violinist eNew York kwenzeka ngemva kwekhefu elide, okwambuyisela udumo emhlabeni. Eminyakeni engamashumi amathathu eyalandela, kwaze kwaba sekufeni kwakhe, uSchering wahlanganisa ukufundisa nomsebenzi wekhonsathi osebenzayo. Ushone esavakasha eKassel futhi wangcwatshwa eMexico City.
U-Shering wayenobuhle obuphezulu nobuhle bokusebenza, umuzwa omuhle wesitayela. I-repertoire yakhe yayihlanganisa kokubili izingoma ze-violin zakudala kanye nemisebenzi yabaqambi besikhathi samanje, okuhlanganisa abaqambi baseMexico, izingoma zabo azikhuthaza ngentshiseko. U-Schering wayengumculi wokuqala wezingoma ezinikezelwe kuye nguBruno Maderna no-Krzysztof Penderecki, ngo-1971 waqala ukwenza i-Third Violin Concerto kaNiccolo Paganini, amaphuzu athathwa njengelahlekile iminyaka eminingi futhi atholakala kuphela ngawo-1960.
I-discography ka-Schering ibanzi kakhulu futhi ihlanganisa i-anthology yomculo we-violin ka-Mozart no-Beethoven, kanye namakhonsathi ka-Bach, Mendelssohn, Brahms, Khachaturian, Schoenberg, Bartok, Berg, imisebenzi eminingi ye-chamber, njll. Ngo-1974 no-1975, u-Schering wathola I-Grammy Award ngokudlala kwezingoma ezintathu zepiyano zika-Schubert no-Brahms kanye no-Arthur Rubinstein no-Pierre Fournier.
U-Henryk Schering ungomunye wabadlali abakubheka njengeminye yezibopho zabo ezibaluleke kakhulu ukukhuthaza umculo omusha ovela emazweni ahlukene kanye nezitayela. Engxoxweni nentatheli yaseParis uPierre Vidal, uvumile ukuthi, ekwenzeni lo msebenzi owenziwe ngokuzithandela, uzizwa enomthwalo wemfanelo omkhulu womphakathi nowobuntu. Phela, uvame ukuphendukela emisebenzini ye-"extreme left", "avant-garde", ngaphezu kwalokho, eyababhali abangaziwa noma abangaziwa, futhi isiphetho sabo, eqinisweni, sincike kuye.
Kodwa ukuze wamukele ngempela umhlaba womculo wesimanje, kuyadingeka wakhe ukufunda; udinga ulwazi olujulile, imfundo ehlukahlukene yomculo, futhi okubaluleke kakhulu - "umuzwa omusha", ikhono lokuqonda izivivinyo "eziyingozi" kakhulu zabaqambi besimanje, ukusika i-mediocre, embozwe kuphela ngezinto ezintsha zemfashini, nokuthola ubuciko ngempela, abanamakhono. Nokho, lokhu akwanele: “Ukuze umuntu abe ummeli wendaba, kumelwe futhi ayithande.” Kusobala ekudlaleni kuka-Schering ukuthi akagcini ngokuzizwa futhi eqonda ngokujulile umculo omusha, kodwa futhi uthanda ngobuqotho isimanje somculo, nakho konke ukungabaza nokusesha, ukuphazamiseka kanye nezimpumelelo.
I-repertoire yomdlali we-violini mayelana nomculo omusha itholakala emhlabeni wonke ngempela. Nansi I-Concert Rhapsody yeNgisi u-Peter Racine-Frikker, ebhalwe ngesitayela se-dodecaphonic (“nakuba ingaqinile kakhulu”); kanye ne-American Benjamin Lee Concert; kanye Nokulandelana kwe-Israel Roman Haubenstock-Ramati, eyenziwe ngokohlelo lwe-serial; kanye nomFulentshi uJean Martinon, owanikezela i-Second Violin Concerto ku-Scering; kanye noCamargo Guarnieri waseBrazil, owabhala i-Concerto Yesibili yeViolin ne-Orchestra ikakhulukazi ye-Schering; kanye nabaseMexico uSylvester Revueltas noCarlos Chavets nabanye. Njengesakhamuzi saseMexico, uSchering wenza okuningi ukwazisa umsebenzi wabaqambi baseMexico. Nguye owacula okokuqala eParis ikhonsathi yevayolini kaManuel Ponce, ongowaseMexico (ngokusho kukaSchering) cishe ngendlela efanayo nekaSibelius yaseFinland. Ukuze baqonde ngempela ubunjalo lokusungula Mexican, wafunda inganekwane yezwe, hhayi kuphela eMexico, kodwa abantu baseLatin America bebonke.
Ukwahlulela kwakhe ngobuciko bomculo balaba bantu kuthakazelisa ngendlela emangalisayo. Engxoxweni noVidal, ukhuluma nge-synthesis eyinkimbinkimbi yenganekwane yaseMexico yamaculo namaphimbo asendulo, ahlehlela emuva, mhlawumbe, kubuciko bamaMaya nama-Aztec, anamaphimbo avela eSpanishi; futhi uyayizwa inganekwane yaseBrazil, ekwazisa kakhulu ukuphikiswa kwayo emsebenzini kaCamargo Guarnieri. Kulokhu kwakamuva, uthi “uyisazi sezinganekwane esinenhloko-dolobha F… njengoba eqiniseka njengoVila Lobos, uhlobo lukaDarius Milho waseBrazil.”
Futhi lokhu kungenye yezinhlangothi zesithombe sika-Schering sokucula nomculo esinezinhlangothi eziningi. Akukhona nje kuphela ukuthi "indawo yonke" ekuhlanganiseni kwayo izigigaba zamanje, kodwa futhi ayifani neze nendawo yonke ekuhlanganiseni kwayo izinkathi. Ubani ongakhumbuli incazelo yakhe ye-sonatas ka-Bach kanye nezikolo zevayolini eyedwa, okuhlase umxhwele izethameli nge-filigree yezwi elihamba phambili, ukuqina kwakudala kwenkulumo engokomfanekiso? Futhi kanye no-Bach, uMendelssohn onomusa kanye no-Schumann onomfutho, owavuselelwa ngokoqobo ikhonsathi ye-violin uSchering.
Noma ekhonsathini ye-Brahms: I-Schering ayinakho ukuguquguquka kwe-titanic, okufingqiwe ngokuzwakalayo kwe-Yasha Heifetz, noma ukukhathazeka okungokomoya nedrama enothando ka-Yehudi Menuhin, kodwa kukhona okuthile kokubili kowokuqala nowesibili. E-Brahms, uthatha indawo emaphakathi phakathi kwe-Menuhin ne-Heifetz, egcizelela ngokulinganayo izimiso zakudala nezothando ezihlangene kakhulu kule ndalo emangalisayo yobuciko bevayolini bomhlaba.
Izenza izwakale ekubukeni kwe-Schering kanye nemvelaphi yakhe yasePoland. Izibonakalisa othandweni olukhethekile lobuciko besizwe sasePoland. Wazisa kakhulu futhi uzwa ngobuqili umculo ka-Karol Szymanowski. Ikhonsathi yesibili edlalwa kaningi. Ngokubona kwakhe, i-Concerto Yesibili iphakathi kwemisebenzi engcono kakhulu yale klasi yakudala yasePoland - efana ne-"King Roger", i-Stabat mater, i-Symphony Concerto ye-Piano ne-Okhestra, enikezelwe ku-Arthur Rubinstein.
Ukudlala kuka-Shering kuyakhanga ngokucebile kwemibala nokusetshenziswa kwezinsimbi okuphelele. Ufana nomdwebi futhi ngesikhathi esifanayo ungumqophi, egqokisa umsebenzi ngamunye owenziwe ngendlela enhle ngokungenakusoleka, evumelanayo. Ngesikhathi esifanayo, ekusebenzeni kwakhe, "okungokomfanekiso", njengoba kubonakala kithi, ngisho nokunqoba "okucacile". Kodwa ubuciko bukhulu kangangokuthi njalo buletha injabulo enkulu yobuhle. Iningi lalezi zimfanelo zaphawulwa ababuyekezi Soviet ngemva amakhonsathi Schering e-USSR.
Waqala ukufika ezweni lethu ngo-1961 futhi ngokushesha wazuza uzwela oluqinile lwezithameli. “Uyingcweti esezingeni eliphakeme,” yindlela abezindaba baseMoscow abamlinganise ngayo. “Imfihlo yobuhle bakhe ilele ... kumuntu ngamunye, izici zangempela zokubukeka kwakhe: ebukhosini nobulula, amandla nobuqotho, ekuhlanganisweni kwenjabulo yothando oluvuthayo kanye nokuzibamba ngesibindi. I-Schering inokunambitheka okuhle. Iphalethi yakhe ye-timbre igcwele imibala, kodwa uyayisebenzisa (kanye namakhono akhe amakhulu obuchwepheshe) ngaphandle kokubukisa okubukisayo - ngobuhle, ngokuqinile, ngokonga.
Futhi ngokuqhubekayo, umbuyekezi ukhipha u-Bach kukho konke okudlalwa umdlali wevayolini. Yebo, ngempela, u-Schering uzwa umculo ka-Bach ngokujule ngendlela emangalisayo. “Umdlalo wakhe we-Bach's Partita in D minor weviolin eyedwa (yona kanye egcina ngoChaconne odumile) waphefumula ngokushesha okumangalisayo. Ibinzana ngalinye laligcwele ukuvezwa okungena ngaphakathi futhi ngesikhathi esifanayo lifakwe phakathi nokugeleza kokuthuthukiswa komculo - ukushaya ngamandla, ukugeleza ngokukhululekile. Indlela yezingcezu ngazinye yayiphawuleka ngokuguquguquka kwayo okuhle nokuphelela, kodwa wonke umjikelezo ukusuka ekudlaleni ukuya ekudlaleni, njengokungathi, wakhula usuka kuhlamvu olulodwa waba okuphelele okuvumelanayo, okuhlangene. Umpetha onethalente kuphela ongadlala uBach kanjalo.” Ephawula ngokuqhubekayo ikhono lomqondo ocashile nophilayo wombala wesizwe kaManuel Ponce “Short Sonata”, emdlalweni kaRavel “Gypsy”, weSarasate, umbuyekezi ubuza lo mbuzo: “Akukona yini ukuxhumana nempilo yomculo yaseMexico, ithathe izinto eziningi zomlando waseSpain, u-Shering ukweleta lobo bumnandi, ukuguquguquka nokubekeka kalula lapho imidlalo ye-Ravel ne-Sarasate, edlalwa kahle kuzo zonke izigaba zomhlaba, iphile ngaphansi komnsalo wakhe?
Amakhonsathi ka-Schering e-USSR ngo-1961 aba yimpumelelo emangalisayo. NgoNovemba 17, lapho eMoscow eHholo Elikhulu le-Conservatory ne-State Symphony Orchestra yase-USSR wadlala amakhonsathi amathathu ohlelweni olulodwa - M. Poncet, S. Prokofiev (No. 2) noP. Tchaikovsky, umgxeki wabhala. : “Kwakuwukunqoba kwengcweti engenakuqhathaniswa nomdali weciko ogqugquzelwe… Udlala kalula, ngokukhululeka, njengokungathi ngokuncokola unqoba zonke izinkinga zobuchwepheshe. Futhi naphezu kwakho konke lokho - ukuhlanzeka okuphelele kwephimbo ... Kurejista ephakeme kakhulu, ezindimeni eziyinkimbinkimbi kakhulu, kuma-harmonics namanothi amabili adlalwa ngokushesha, iphimbo lihlala licacile futhi lingenasici futhi akukho hlangothi, "izindawo ezifile. "Ekudlaleni kwakhe, yonke into izwakala ngesasasa, ngokusobala, ukufutheka komdlali we-violinist kunqoba ngamandla wonke umuntu ongaphansi kwethonya lokudlala kwakhe alalelayo ... ngesikhathi sethu.
Ukuvakasha kwesibili kukaSchering eSoviet Union kwenzeka ekwindla ka-1965. Ithoni evamile yokubuyekezwa ayizange ishintshe. Umdlali wevayolini uphinde ahlangatshezwe ngesasasa elikhulu. Esihlokweni esibucayi esanyatheliswa kumagazini ka-September we-Musical Life, umbuyekezi u-A. Volkov waqhathanisa u-Schering no-Heifetz, ephawula ukunemba kwakhe okufanayo nokunemba kwesu kanye nobuhle obungavamile bomsindo, "ukufudumala nokushuba kakhulu (u-Schering ukhetha ukucindezelwa komnsalo okuqinile. ngisho nakupiyano ye-mezzo). Umgxeki uhlaziya ngokucophelela ukusebenza kuka-Schering kwe-violin sonatas kanye nekhonsathi ka-Beethoven, ekholelwa ukuthi uyasuka encazelweni evamile yalezi zingoma. "Ukuze sisebenzise inkulumo eyaziwa kakhulu ka-Romain Rolland, singasho ukuthi isiteshi se-granite sase-Beethovenian e-Schering sigciniwe, futhi umfudlana onamandla ugijima ngokushesha kulo mzila, kodwa ubungashisi. Kwakukhona amandla, intando, ukusebenza kahle - kwakungekho uthando oluvuthayo.
Izahlulelo zalolu hlobo ziphonselwa inselele kalula, ngoba zingahlala ziqukethe izakhi zombono we-subjective, kodwa kulokhu umbuyekezi ulungile. Ukwabelana kungumenzi wohlelo olunamandla, oluguqukayo. I-Juiciness, imibala "enamandla", ubuhle obuhle kakhulu buhlanganiswe kuye nobunzima obuthile bokuqamba amabinzana, okwenziwa ikakhulukazi "i-dynamics of action", hhayi ukucabanga.
Kodwa noma kunjalo, i-Schering ingase ibe nomlilo, ephawulekayo, yothando, enothando, ebonakaliswa ngokucacile emculweni wakhe we-Brahms. Ngakho-ke, imvelo yencazelo yakhe ye-Beethoven inqunywa izifiso zobuhle eziqaphela ngokugcwele. Ugcizelela ku-Beethoven isimiso sobuqhawe kanye nombono “wakudala”, i-sublimity, “injongo”.
Useduze nokuba yisakhamuzi sobuqhawe buka-Beethoven nobudoda kunohlangothi lwezimiso zokuziphatha kanye nengoma ethi, u-Menuhin ayigcizelela emculweni ka-Beethoven. Naphezu kwesitayela "sokuhlobisa", i-Schering ayifani nezinhlobonhlobo ezimangalisayo. Futhi ngifuna ukujoyina uVolkov lapho ebhala ukuthi "kukho konke ukwethembeka kwenqubo kaSchering", "ubuhlakani", ubuhle bokushisa akuyona into yakhe. Ukuhlela akuvimbi neze i-virtuoso repertoire, kodwa umculo we-virtuoso awuwona amandla akhe. U-Bach, u-Beethoven, u-Brahms - lokhu kuyisisekelo se-repertoire yakhe.
Isitayela sokudlala sika-Shering siyamangaza impela. Yiqiniso, kokunye ukubuyekezwa kulotshiwe: “Isitayela somculi sibonakala ngokuyinhloko ukungabi bikho kwemiphumela yangaphandle. Wazi “izimfihlo” eziningi “nezimangaliso” ze-violin, kodwa akazibukisi…” Konke lokhu kuyiqiniso, futhi ngesikhathi esifanayo, i-Schering ine-plastique eningi yangaphandle. Ukuma kwakhe, ukunyakaza kwezandla (ikakhulukazi okulungile) kuletha injabulo yobuhle futhi "kwamehlo" - kunhle kakhulu.
Ulwazi lwe-biography mayelana ne-Schering aluhambisani. I-Riemann Dictionary ithi wazalwa ngo-September 22, 1918 eWarsaw, ukuthi ungumfundi kaW. Hess, K. Flesch, J. Thibaut noN. Boulanger. Cishe okufanayo kuphindaphindwa uM. Sabinina: “Ngazalwa ngo-1918 eWarsaw; wafunda nomdlali wevayolini odumile waseHungary u-Flesh kanye no-Thibault odumile eParis.
Ekugcineni, idatha efanayo iyatholakala kumagazini waseMelika "Music and Musicians" ngo-February 1963: wazalelwa e-Warsaw, wafunda upiyano nomama wakhe kusukela eneminyaka emihlanu, kodwa ngemva kweminyaka embalwa washintshela ku-violin. Lapho eneminyaka engu-10 ubudala, uBronislav Huberman wamuzwa futhi wameluleka ukuba amthumele eBerlin e-K. Flesch. Lokhu kwaziswa kunembile, njengoba uFlesch ngokwakhe ebika ukuthi ngo-1928 uSchering wafunda kuye. Lapho eneminyaka eyishumi nanhlanu (ngo-1933) uShering wayesekulungele ukukhuluma esidlangalaleni. Ngokuphumelela, unikeza amakhonsathi eParis, eVienna, eBucharest, eWarsaw, kodwa abazali bakhe banquma ngokuhlakanipha ukuthi wayengakakulungeli futhi kufanele abuyele emakilasini. Phakathi nempi, akanalo izingxoxo, futhi uphoqeleka ukuthi anikeze izinsizakalo kumabutho ahlangene, ekhuluma ezindaweni ezingaphezu kuka-300. Ngemva kwempi, wakhetha iMexico njengendawo yakhe yokuhlala.
Engxoxweni nentatheli yaseParis uNicole Hirsch Schering ubika imininingwane ehlukile. Ngokusho kwakhe, akazalelwanga eWarsaw, kodwa eZhelyazova Wola. Abazali bakhe babengabeqembu elicebile lonxiwankulu bezimboni - babenenkampani yezindwangu. Impi, eyayidlanga ngesikhathi lapho yayizozalwa, yaphoqelela umama we-violinist yesikhathi esizayo ukuba ashiye idolobha, futhi ngenxa yalesi sizathu uHenryk omncane waba ngumuntu wezwe we-Chopin enkulu. Ukukhula kwakhe kwadlula ngenjabulo, emndenini obumbene kakhulu, owawuzifela ngomculo. Umama wayengumdlali wopiyano osezingeni eliphezulu. Njengoba eyingane ethukile futhi ephakeme, wehlisa umoya ngokushesha lapho unina ehlala phansi ophiyanoni. Unina waqala ukudlala le nsimbi ngokushesha nje lapho iminyaka yakhe imvumela ukuthi afinyelele okhiye. Nokho, ipiyano ayizange imthande futhi umfana wacela ukuthenga ivayolini. Isifiso sakhe safezeka. Ku-violin, waqala ukuthuthuka ngokushesha kangangokuthi uthisha weluleka uyise ukuba amqeqeshe njengomculi okhokhelwayo. Njengoba kuvame ukwenzeka, ubaba waphikisa. Kubazali, izifundo zomculo zazibonakala zijabulisa, ikhefu ebhizinisini "langempela", ngakho-ke ubaba waphikelela ukuthi indodana yakhe iqhubeke nemfundo yayo evamile.
Noma kunjalo, intuthuko yayiphawuleka kangangokuthi lapho eneminyaka engu-13, uHenryk wacula obala ne-Brahms Concerto, futhi i-orchestra yayiqondiswa umbhidisi odumile waseRomania uGeorgescu. Ihlatshwe umxhwele ikhono lalo mfana, umpetha waphikelela ukuba le khonsathi iphindwe eBucharest futhi wethula umculi osemusha enkantolo.
Impumelelo enkulu esobala kaHenryk yaphoqa abazali bakhe ukuthi bashintshe isimo sabo sengqondo ngendima yakhe yobuciko. Kwanqunywa ukuthi uHenryk aye eParis ukuze athuthukise i-violin yakhe. U-Schering wafunda eParis ngo-1936-1937 futhi ukhumbula lesi sikhathi ngemfudumalo ethile. Wahlala lapho nonina; wafunda ukuqamba noNadia Boulanger. Nalapha futhi kukhona ukungezwani nedatha yesichazamazwi sikaRiemann. Akazange abe ngumfundi kaJean Thibault, futhi uGabriel Bouillon waba uthisha wakhe we-violin, uJacques Thibault amthumele kuye. Ekuqaleni, unina wazama ngempela ukumnika inhloko ehloniphekile yesikole se-violin saseFrance, kodwa uThibaut wenqaba ngaphansi kwesizathu sokuthi wayegwema ukunikeza izifundo. Maqondana noGabriel Bouillon, uSchering wagcina umuzwa wenhlonipho ejulile impilo yakhe yonke. Ngonyaka wokuqala ehlala ekilasini lakhe e-conservatory, lapho u-Schering ephumelele khona izivivinyo ngemibalabala, umdlali wevayolini osemusha wadlula kuzo zonke izincwadi ze-violin zesiFulentshi. "Ngangicwile emculweni wesiFulentshi kwaze kwaba sekupheleni!" Ekupheleni konyaka, wathola umklomelo wokuqala emiqhudelwaneni yendabuko ye-conservatory.
Kwagqashuka iMpi Yezwe Yesibili. Wathola uHenryk nomama wakhe eParis. Umama wahamba waya e-Isère, lapho ahlala khona kwaze kwaba sekukhululweni, kuyilapho indodana yazinikela ebuthweni lasePoland, elalisakhiwa eFrance. Esesimweni sesosha, wanikeza amakhonsathi akhe okuqala. Ngemva kokumiswa kwezikhali ngo-1940, egameni likaMongameli wasePoland uSikorski, uSchering waqashelwa “njengokunamathisela” komculo okusemthethweni emabuthweni asePoland: “Ngazizwa ngiziqhenya kakhulu futhi nginamahloni kakhulu,” kusho uSchering. “Ngangingumncane kunabo bonke futhi ngingenalwazi kunabo bonke abaculi ababehambela amabhayisikobho zempi. Ozakwethu kwakunguMenuhin, uRubinshtein. Ngesikhathi esifanayo, angikaze kamuva ngibe nomuzwa wokwaneliseka okuphelele kwezobuciko njengangaleso sikhathi: saletha injabulo emsulwa futhi savula imiphefumulo nezinhliziyo emculweni owawuvalekile kuwo. Kungaleso sikhathi lapho ngabona khona ukuthi iyiphi indima yomculo ongayidlala empilweni yomuntu nokuthi uletha maphi amandla kulabo abakwaziyo ukuwubona.”
Kodwa futhi kwafika usizi: ubaba, owasala ePoland, kanye nezihlobo eziseduze zomndeni, babulawa ngesihluku amaNazi. Izindaba zokushona kukayise zamshaqisa uHenryk. Akazange azitholele indawo; akusekho okumhlanganisa nezwe lakubo. Usuka eYurophu alibangise e-United States. Kodwa ukudalelwa akumoyizeli - baningi kakhulu abaculi ezweni. Ngenhlanhla, wamenywa ekhonsathini eMexico, lapho athola khona isipho esinenzuzo sokuhlela ikilasi le-violin eNyuvesi yaseMexico futhi ngaleyo ndlela abeke izisekelo zesikole sikazwelonke saseMexico se-violinists. Kusukela manje kuqhubeke, uSchering uba yisakhamuzi saseMexico.
Ekuqaleni, umsebenzi wokufundisa uwuthatha ngokuphelele. Usebenza nabafundi amahora angu-12 ngosuku. Futhi yini enye esele kuye? Kunamakhonsathi ambalwa, azikho izinkontileka ezinemali elindelekile, ngoba akaziwa nhlobo. Izimo zesikhathi sempi zamvimbela ekuzuzeni ukuthandwa, futhi ama-impresarios amakhulu awahlangene nomshayi wevayolini owaziwa kancane.
U-Artur Rubinstein wenza ushintsho olujabulisayo esiphethweni sakhe. Lapho ezwa ngokufika komdlali wopiyano omkhulu eDolobheni laseMexico, uSchering uya ehhotela lakhe amcele ukuba alalele. Ehlatshwe ukuphelela kokudlala kwevayolini, uRubinstein akamyeki. Umenza umlingani wakhe kuma-ensembles e-chamber, wenza naye kusihlwa se-sonata, badlala umculo amahora amaningi ekhaya. I-Rubinstein ngokwezwi nezwi "ivula" i-Schering emhlabeni. Uxhuma umculi osemusha ne-American impresario yakhe, ngaye amafemu e-gramophone aphetha izinkontileka zokuqala nge-Schering; uncoma u-Schering ku-impresario waseFrance odumile uMaurice Dandel, osiza umculi osemusha ukuhlela amakhonsathi abalulekile eYurophu. I-schering ivula amathuba amakhonsathi emhlabeni wonke.
Yiqiniso, lokhu akuzange kwenzeke ngokushesha, futhi uSchering wayenamathele ngokuqinile eNyuvesi yaseMexico isikhathi esithile. Kungemva kokuba uThibault ememe ukuthi athathe indawo yelungu eliphelele lejaji emiqhudelwaneni yamazwe omhlaba ebizwa ngoJacques Thibault noMarguerite Long, uSchering washiya lesi sikhundla. Nokho, hhayi ngempela, ngoba wayengeke avume ukuhlukana ngokuphelele eyunivesithi kanye ikilasi violin wadala kuwo nganoma yini emhlabeni. Amasonto amaningana ngonyaka, ngokuqinisekile uqhuba izikhathi zokweluleka nabafundi lapho. U-Shering wenza izifundo zokufundisa ngokuzithandela. Ngaphandle kweNyuvesi yaseMexico, ufundisa ezifundweni zasehlobo ze-Academy e-Nice eyasungulwa ngu-Anabel Massis noFernand Ubradus. Labo abaye baba nethuba lokutadisha noma lokuthintana no-Schering njalo bakhuluma nge-pedagogy yakhe ngenhlonipho ejulile. Ezincazelweni zakhe, umuntu angazizwa erudition enkulu, ulwazi oluhle kakhulu lwezincwadi ze-violin.
Umsebenzi wekhonsathi kaSchering ushubile kakhulu. Ngaphezu kokudlala esidlangalaleni, uvame ukudlala emsakazweni futhi aqophe amarekhodi. Umklomelo omkhulu wokuqopha okuhle kakhulu (“Grand Prix du Disc”) waklonyeliswa kabili eParis (1955 kanye no-1957).
Ukwabelana kufundiswe kakhulu; uyazi kahle izilimi eziyisikhombisa (isiJalimane, isiFulentshi, isiNgisi, isiNtaliyane, iSpanishi, isiPolish, isiRashiya), ofunde kahle kakhulu, uthanda izincwadi, izinkondlo futhi ikakhulukazi umlando. Ngalo lonke ikhono lakhe lobuchwepheshe, uyasiphika isidingo sokuzivocavoca isikhathi eside: amahora angaphezu kwamane ngosuku. “Ngaphandle kwalokho, kuyakhathaza!”
UShering akashadile. Umndeni wakhe uqukethe unina nomfowabo, ahlala naye amasonto ambalwa unyaka ngamunye e-Isère noma e-Nice. Ukhangwa ikakhulukazi u-Ysere othule: “Ngemva kokuzulazula kwami, ngikwazisa kakhulu ukuthula kwezinkundla zaseFrance.”
Uthando lwakhe oluyinhloko noludla konke umculo. Ungowakhe - ulwandle lonke - alunamkhawulo futhi luyaheha phakade.
L. Raaben, 1969
