Leonid Kogan |

Leonid Kogan

Ubuciko bukaKogan baziwa, baziswa futhi bayathandwa cishe kuwo wonke amazwe omhlaba - eYurophu nase-Asia, e-USA naseCanada, eNingizimu Melika nase-Australia.

U-Kogan uyithalente eliqinile, elimangalisayo. Ngokwemvelo kanye nobuntu bobuciko, uphambene no-Oistrakh. Ngokuhlangene bakha, njengokungathi, izigxobo eziphambene zesikole se-violin yaseSoviet, ezibonisa "ubude" bayo ngokwesitayela nobuhle. Ngokuguquguquka kwesivunguvungu, injabulo edabukisayo, ukungqubuzana okugcizelelwe, umehluko onesibindi, umdlalo ka-Kogan ubonakala uhambisana ngokumangazayo nenkathi yethu. Lo mculi ungowesimanjemanje, uphila nezinxushunxushu zanamuhla, ukhombisa ngokuzwela okwenzeka nezinkathazo zomhlaba omzungezile. Umdlali osondelene naye, ongaziwa ekusheleleni, u-Kogan ubonakala elwela ukulwa nezingxabano, enqaba ngokuqinile ukuvumelana. Ku-dynamics yomdlalo, ku-tart accents, kudrama ejabulisayo yephimbo, uhlobene no-Heifetz.

Izibuyekezo zivame ukusho ukuthi i-Kogan ifinyeleleka ngokulinganayo ezithombeni ezikhanyayo ze-Mozart, ubuqhawe nezindlela ezidabukisayo ze-Beethoven, kanye nokukhanya okumnandi kweKhachaturian. Kodwa ukusho kanjalo, ngaphandle kokufiphaza izici zokusebenza, kusho ukungaboni ubuntu bomculi. Maqondana ne-Kogan, lokhu akwamukelekile ikakhulukazi. U-Kogan ungumculi ogqame kakhulu. Ekudlaleni kwakhe, ngomqondo ohlukile wesitayela somculo awuculayo, into ehlukile eyakhe, ethi “Kogan”, ehlala iheha, ukubhala kwakhe ngesandla kuqinile, kuqinile, kunikeza impumuzo ecacile emushweni ngamunye, imilolozelo yamamelos.

Okuhlabayo yisigqi emdlalweni ka-Kogan, osebenza njengethuluzi elinamandla kuye. Ijahe, igcwele impilo, ukungezwani “kwemizwa” kanye “nethoni,” isigqi sika-Kogan silakha ngempela ifomu, silinikeze ukuphelela kobuciko, futhi sinike amandla nentando ekuthuthukisweni komculo. Isigqi ngumphefumulo, impilo yomsebenzi. Isigqi ngokwaso siwumusho womculo kanye nento esenelisa ngayo izidingo zobuhle zomphakathi, esithonya ngayo. Kokubili umlingiswa womqondo nesithombe - konke kwenziwa ngesigqi, "u-Kogan ngokwakhe ukhuluma ngesigqi.

Kunoma yikuphi ukubuyekezwa komdlalo ka-Kogan, ukunquma, ubudoda, imizwa kanye nedrama yobuciko bakhe kuhlala kugqama kwasekuqaleni. "Ukwenza kuka-Kogan kuwukulandisa okuxokozelayo, okugomelayo, okuvusa inkanuko, inkulumo egeleza ishubile nangomdlandla." "Ukusebenza kuka-Kogan kugadla ngamandla angaphakathi, umfutho oshisayo womzwelo futhi ngesikhathi esifanayo ngokuthambile nezinhlobonhlobo zemithunzi," lezi yizici ezijwayelekile.

I-Kogan ayijwayelekile kufilosofi nokuzindla, ijwayelekile kubadlali abaningi besimanje. Ufuna ukuveza emculweni ikakhulukazi ukusebenza kwawo okumangalisayo kanye nemizwa futhi ngawo ukuze afinyelele incazelo yefilosofi yangaphakathi. Yeka ukuthi embuleka kanjani ngalo mqondo amazwi akhe ngoBach: "Kunemfudumalo nobuntu obuningi kuye," kusho uKogan, kunalokho ochwepheshe abake bakucabange, becabanga uBach "njengesazi sefilosofi esikhulu sekhulu lesi-XNUMX." Ngingathanda ukungaphuthelwa yithuba lokudlulisa umculo wakhe ngokomzwelo, njengoba kuwufanele.

U-Kogan unomcabango wobuciko ocebe kakhulu, ozalwa ngokuhlangenwe nakho okuqondile komculo: "Ngaso sonke isikhathi lapho ethola emsebenzini ubuhle obungabonakali obungaziwa futhi ukholelwa ngabo kubalaleli. Ngakho-ke, kubonakala sengathi i-Kogan ayenzi umculo, kodwa, njengokungathi, idala futhi.

Ukuzwela, isimo sengqondo esishisayo, imizwa esheshayo, amaphupho othando akuvimbeli ubuciko buka-Kogan ekubeni bulula kakhulu futhi buqine. Umdlalo wakhe awunakho ukuzenzisa, imikhuba, futhi ikakhulukazi imizwa, unesibindi ngomqondo ogcwele wegama. U-Kogan uyingcweti yempilo yengqondo emangalisayo, umbono onethemba ngempilo, obonakala ekusebenzeni kwakhe komculo obuhlungu kakhulu.

Imvamisa, ababhali bomlando kaKogan bahlukanisa izinkathi ezimbili zokukhula kwakhe kokudala: eyokuqala egxile kakhulu ezincwadini ezisezingeni eliphakeme (iPaganini, Ernst, Venyavsky, Vietanne) neyesibili egcizelela kabusha uhla olubanzi lwezincwadi ze-violin zasendulo nezanamuhla. , ngenkathi igcina umugqa wokusebenza we-virtuoso.

I-Kogan iyi-virtuoso yezinga eliphezulu kakhulu. Ikhonsathi yokuqala kaPaganini (enguqulweni yombhali ene-cadenza enzima kakhulu ka-E. Sore), i-capricci yakhe engu-24 eyadlalwa ngobusuku obubodwa, ifakazela ubuciko obufinyelelwa abambalwa kuphela ekutolikeni kwevayolini emhlabeni. UKogan uthi, phakathi nenkathi yokukhula, ngathonywa kakhulu imisebenzi kaPaganini. “Babe nesandla ekuguquleni isandla sokunxele sihambisane nebhodi le-fretboard, ekuqondeni amasu okusebenzisa iminwe ayengewona 'avamile'. Ngidlala ngomunwe wami okhethekile, ohlukile kowamukelekile. Futhi lokhu ngikwenza ngokusekelwe emandleni e-timbre ye-violin namagama, nakuba ngokuvamile kungeyona yonke into lapha eyamukelekayo ngokwendlela yokusebenza. "

Kodwa hhayi esikhathini esidlule noma esikhathini samanje uKogan wayethanda ubuhle "obumsulwa". "I-virtuoso ehlakaniphile, eyaba nobuchule obukhulu ngisho nasebuntwaneni nasebusheni bakhe, u-Kogan wakhula futhi wavuthwa ngokuvumelana kakhulu. Waqonda iqiniso elihlakaniphile lokuthi indlela edabukisayo kakhulu kanye nokufaneleka kobuciko obuphakeme akufani, nokuthi eyokuqala kufanele ihambe “enkonzweni” iye kweyesibili. Ekusebenzeni kwakhe, umculo kaPaganini uthole idrama engakaze izwakale. U-Kogan uzizwa ngokuphelele "izingxenye" ​​zomsebenzi wokudala we-Italian ekhaliphile - ifantasy ecacile yothando; ukungafani kwama-melos, agcwaliswe ngomkhuleko nosizi, noma ngama-oratorical pathos; ukuthuthukiswa kwesici, izici zedramaturgy ezinomvuthwandaba ofinyelela umkhawulo wokucindezeleka ngokomzwelo. I-Kogan kanye ne-virtuosity yangena "ekujuleni" komculo, ngakho-ke ukuqala kwenkathi yesibili kwafika njengokuqhubeka kwemvelo kokuqala. Indlela yokuthuthukiswa kobuciko be-violinist empeleni yanqunywa ngaphambili kakhulu.

Kogan wazalwa ngo-November 14, 1924 e Dnepropetrovsk. Waqala ukufunda ukudlala ivayolini eneminyaka eyisikhombisa esikoleni somculo sendawo. Uthisha wakhe wokuqala kwakunguF. Yampolsky, afunda naye iminyaka emithathu. Ngo-1934 uKogan walethwa eMoscow. Lapha wamukelwa eqenjini lezingane ezikhethekile ze-Moscow Conservatory, ekilasini likaProfesa A. Yampolsky. Ngo-1935, leli qembu lakha umnyombo oyinhloko weSikole Somculo Wezingane esasisanda kuvulwa saseMoscow State Conservatory.

Ikhono likaKogan lakhanga ngokushesha. U-Yampolsky wamkhetha kubo bonke abafundi bakhe. Uprofesa wayenentshiseko futhi enamathele ku-Kogan kangangokuthi wamhlalisa emzini wakhe. Ukuxhumana njalo nothisha kwanikeza okuningi kumculi wesikhathi esizayo. Wayenethuba lokusebenzisa iseluleko sakhe nsuku zonke, hhayi ekilasini kuphela, kodwa nangesikhathi somsebenzi wesikole. U-Kogan ngokubuza wabheka izindlela zika-Yampolsky emsebenzini wakhe nabafundi, kamuva okwaba nomphumela onenzuzo emsebenzini wakhe wokufundisa. U-Yampolsky, omunye wabafundisi abavelele baseSoviet, akazange nje athuthukiswe e-Kogan indlela ehlakaniphile nobuhle obumangaza umphakathi wanamuhla, oyinkimbinkimbi, kodwa futhi wabeka izimiso eziphakeme zokusebenza kuye. Into eyinhloko ukuthi uthisha wakha kahle ubuntu bomfundi, noma ukuvimbela izifiso zemvelo yakhe yangamabomu, noma ukukhuthaza umsebenzi wakhe. Kakade eminyakeni yokufunda e-Kogan, ukuthambekela kwesitayela esikhulu sekhonsathi, isikhumbuzo, i-dramatic-strong-willed, indawo yokugcina isibindi yomdlalo yembulwa.

Baqala ukukhuluma ngo-Kogan emibuthanweni yomculo ngokushesha kakhulu - ngokoqobo ngemva kokucula kokuqala emkhosini wabafundi bezikole zomculo wezingane ngo-1937. U-Yampolsky wasebenzisa wonke amathuba ukuze anikeze amakhonsathi ayithandayo, futhi kakade ngo-1940 uKogan wadlala i-Brahms Concerto okokuqala nge-orchestra. Ngesikhathi engena eMoscow Conservatory (1943), uKogan wayaziwa kakhulu emibuthanweni yomculo.

Ngo-1944 waba umculi oyedwa we-Moscow Philharmonic futhi wenza izinkambo zekhonsathi ezweni lonke. Impi ayikapheli, kodwa isivele isendleleni eya eLeningrad, esanda kukhululwa ekuvinjweni. Udlala eKyiv, Kharkov, Odessa, Lvov, Chernivtsi, Baku, Tbilisi, Yerevan, Riga, Tallinn, Voronezh, amadolobha aseSiberia naseMpumalanga Ekude, efinyelela e-Ulaanbaatar. Ubuhle bakhe nobuciko bakhe obumangalisayo buyamangalisa, buyakhanga, bujabulisa abalaleli yonke indawo.

Ekwindla ka-1947, u-Kogan wabamba iqhaza ku-I World Festival of Democratic Youth ePrague, ewina (kanye no-Y. Sitkovetsky kanye no-I. Bezrodny) umklomelo wokuqala; entwasahlobo ka-1948 wathola iziqu Conservatory, futhi ngo-1949 wangena graduate esikoleni.

Ucwaningo lwe-postgraduate lwembula esinye isici ku-Kogan - isifiso sokufunda umculo owenziwe. Akagcini nje ngokudlala, kodwa ubhala i-dissertation ngomsebenzi ka-Henryk Wieniawski futhi uthatha lo msebenzi njengento ebaluleke kakhulu.

Ngonyaka wokuqala wezifundo zakhe ze-postgraduate, u-Kogan wamangaza izilaleli zakhe ngokudlala kwe-24 Paganini Capricci ngobusuku obubodwa. Izithakazelo zomculi kulesi sikhathi zigxile ezincwadini ze-virtuoso kanye nezingcweti zobuciko be-virtuoso.

Isigaba esilandelayo ekuphileni kukaKogan kwaba uMncintiswano weNdlovukazi u-Elizabeth eBrussels, okwenzeka ngoMeyi 1951. Iphephandaba lomhlaba lakhuluma ngoKogan noVayman, abathola imiklomelo yokuqala neyesibili, kanye nalabo abanikezwa izindondo zegolide. Ngemva kokunqoba okumangalisayo kwama-violinists aseSoviet ngo-1937 eBrussels, owaqoka u-Oistrakh ezinhlwini zama-violinists bokuqala emhlabeni, mhlawumbe lokhu kwaba ukunqoba okugqamile kakhulu kweSoviet "violin weapon".

Ngo-March 1955, Kogan waya eParis. Ukusebenza kwakhe kuthathwa njengomcimbi omkhulu empilweni yomculo wenhloko-dolobha yaseFrance. "Manje kukhona abaculi abambalwa emhlabeni wonke abangaqhathanisa noKogan mayelana nokuphelela kobuchwepheshe bokusebenza kanye nokucebile kwephalethi yakhe yomsindo," kubhala umgxeki wephephandaba elithi "Nouvelle Litterer". E-Paris, u-Kogan wathenga ivayolin emnandi ye-Guarneri del Gesu (1726), abelokhu eyidlala kusukela ngaleso sikhathi.

U-Kogan unikeze amakhonsathi amabili eHholo likaChaillot. Bahanjelwe abantu abangaphezu kuka-5000 - amalungu ebhodi lezombusazwe, amalungu ephalamende, kanye nezivakashi ezijwayelekile. Kuqhutshwa nguCharles Bruck. Amakhonsathi kaMozart (G major), Brahms kanye nePaganini ayenziwa. Ngokudlala kwePaganini Concerto, uKogan washaqisa izethameli. Uyidlale yonke, nawo wonke ama-cadence ethusa abadlali bevayolini abaningi. Iphephandaba i-Le Figaro labhala: “Ngokuvala amehlo akho, ungase ube nomuzwa wokuthi kukhona umthakathi wangempela odlala phambi kwakho.” Leli phephandaba laphawula ukuthi “ubuciko obuqinile, ukuhlanzeka komsindo, ukunotha kwezwi kwajabulisa izilaleli ikakhulukazi phakathi nengoma ye-Brahms Concerto.”

Ake sinake uhlelo: Ikhonsathi Yesithathu kaMozart, Ikhonsathi kaBrahms kanye nekhonsathi kaPaganini. Lona umjikelezo wemisebenzi ovame ukwenziwa ngu-Kogan ngokulandelayo (kuze kube namuhla). Ngenxa yalokho, "isigaba sesibili" - isikhathi sokuvuthwa kokusebenza kuka-Kogan - saqala phakathi nawo-50s. Kakade hhayi kuphela Paganini, kodwa futhi Mozart, Brahms abe "amahhashi" akhe. Kusukela ngaleso sikhathi, ukudlala kwamakhonsathi amathathu ngobusuku obubodwa kuyinto evamile emsebenzini wakhe wekhonsathi. Lokho omunye umculi akwenza njengokuhlukile, ku-Kogan okujwayelekile. Uthanda imijikelezo - ama-sonata ayisithupha ka-Bach, amakhonsathi amathathu! Ngaphezu kwalokho, amakhonsathi afakwe ohlelweni lobusuku obunye, njengomthetho, ahluke kakhulu ngesitayela. I-Mozart iqhathaniswa ne-Brahms ne-Paganini. Ezinhlanganisela eziyingozi kakhulu, u-Kogan uhlala ephuma engowinile, ejabulisa abalaleli ngomqondo ocashile wesitayela, ubuciko bokuguqulwa kobuciko.

Engxenyeni yokuqala ye-50s, u-Kogan wayematasa kakhulu ekhulisa i-repertoire yakhe, futhi isiphetho sale nqubo kwaba umjikelezo omkhulu "Ukuthuthukiswa kwe-Violin Concerto", eyanikezwa nguye ngesizini ka-1956/57. Lo mjikelezo wawuhlanganisa ubusuku obuyisithupha, lapho kwenziwa khona amakhonsathi angu-18. Ngaphambi kweKogan, umjikelezo ofanayo wenziwa ngu-Oistrakh ngo-1946-1947.

Njengoba ngokwemvelo yethalente lakhe umculi wecebo elikhulu lekhonsathi, uKogan uqala ukunaka kakhulu izinhlobo zegumbi. Bakha iqembu labathathu no-Emil Gilels noMstislav Rostropovich, benza ubusuku obuvulekile begumbi.

Ukuhlangana kwakhe unomphela no-Elizaveta Gilels, umdlali wevayolini ogqamile, owawina umncintiswano wokuqala waseBrussels, owaba umkakhe ngeminyaka yama-50s, muhle kakhulu. I-Sonatas ka-Y. Levitin, M. Weinberg nabanye yayibhalelwe ikakhulukazi iqoqo labo. Njengamanje, lo mhlangano womndeni ucetshiswe elinye ilungu - indodana yakhe uPavel, owalandela ezinyathelweni zabazali bakhe, waba umdlali we-violinist. Umndeni wonke unikeza amakhonsathi ahlangene. Ngo-March 1966, ukusebenza kwabo kokuqala kwe-Concerto yamaviolin amathathu ngumqambi wase-Italy uFranco Mannino kwenzeka eMoscow; Umbhali wandizela ngokukhethekile i-premiere esuka e-Italy. Ukunqoba kwase kuphelele. U-Leonid Kogan unobudlelwane bokudala obude nobuqinile ne-Moscow Chamber Orchestra eholwa nguRudolf Barshai. Iphelezelwa yile orchestra, ukudlala kuka-Kogan kwekhonsathi ye-Bach ne-Vivaldi kuthole ubunye obuphelele, umsindo wobuciko obuphezulu.

Ngo-1956 iNingizimu Melika yalalela uKogan. Wandizela lapho maphakathi no-April nomdlali wopiyano u-A. Mytnik. Babenomzila - i-Argentina, i-Uruguay, i-Chile, futhi lapho bebuyela emuva - isitobhi esifushane eParis. Kwakuwuhambo olungasoze lwalibaleka. U-Kogan udlale e-Buenos Aires e-South American Cordoba endala, wenza imisebenzi ye-Brahms, i-Bach's Chaconne, i-Millau's Brazilian Dances, kanye negeyimu ethi Cueca yomqambi wase-Argentina u-Aguirre. E-Uruguay wethule abalaleli i-Concerto kaKhachaturian, edlalwe okokuqala ngqa ezwenikazi laseNingizimu Melika. E-Chile, wahlangana nomlobi wezinkondlo u-Pablo Neruda, futhi endaweni yokudlela yasehhotela lapho yena noMytnik behlala khona, wezwa umdlalo omangalisayo we-guitarist odumile u-Allan. Ngemva kokuqaphela abaculi baseSoviet, u-Allan wabenzela ingxenye yokuqala ye-Beethoven's Moonlight Sonata, izingcezu zikaGranados no-Albeniz. Wayevakashele u-Lolita Torres. Endleleni ebuyela eParis, waya emkhosini wokugubha iminyaka engu-Marguerite Long. Ekhonsathini yakhe phakathi kwezithameli kwakukhona u-Arthur Rubinstein, umculi we-cell uCharles Fournier, umdlali wevayolini kanye nomhlaziyi womculo u-Helene Jourdan-Morrange nabanye.

Ngesizini ka-1957/58 wavakashela eNyakatho Melika. Kwakuyi-debut yakhe yase-US. ECarnegie Hall wenze i-Brahms Concerto, eqhutshwa nguPierre Monte. “Wayethukile ngokusobala, njengoba noma yimuphi umculi ocula okokuqala eNew York kufanele abe njalo,” kubhala uHoward Taubman kuThe New York Times. - Kodwa ngokushesha nje lapho ukushaywa kokuqala komnsalo ezintanjeni kuzwakala, kwacaca kuwo wonke umuntu - sinenkosi ephelile phambi kwethu. Isu elihle likaKogan alazi ubunzima. Ezikhundleni eziphakeme kakhulu nezinzima kakhulu, umsindo wakhe uhlala ucacile futhi ulalela ngokuphelele noma yiziphi izinhloso zomculo zomculi. Umqondo wakhe weConcerto ubanzi futhi mncane. Ingxenye yokuqala idlalwe ngokukhalipha nokujula, eyesibili yacula ngendlela engasoze yalibaleka, eyesithathu yashanela ngomdanso wenjabulo.

“Angikaze ngilalele umshayi wevayolini owenza okuncane kangaka ukujabulisa abalaleli nokuze adlulise umculo awudlalayo. Unesici sakhe kuphela, ubunkondlo obungavamile, nomculo ocolisisiwe, ”kubhala u-Alfred Frankenstein. Abantu baseMelika baphawula isizotha somculi, imfudumalo nobuntu bokudlala kwakhe, ukungabibikho kwanoma yini ewubukhazikhazi, inkululeko emangalisayo yobuciko kanye nokuphelela kwemisho. Ukunqoba kwase kuphelele.

Kuyaphawuleka ukuthi abagxeki baseMelika badonsele ukunaka kuntando yeningi yomdwebi, ubulula bakhe, isizotha, kanye nomdlalo - ekungabibikho kwanoma yiziphi izici zobuhle. Futhi lena yi-Kogan ngamabomu. Esitatimendeni sakhe, isikhala esiningi sinikezwa ubuhlobo phakathi komdwebi nomphakathi, ukholelwa ukuthi ngenkathi elalela izidingo zayo zobuciko ngangokunokwenzeka, umuntu kufanele ngesikhathi esifanayo athwale endaweni yomculo onzima, ngo. amandla okwenza ukuqiniseka. Ubumnene bakhe, obuhlanganiswe nentando, busiza ukufeza umphumela onjalo.

Lapho, ngemva kwe-United States of America, ecula eJapane (1958), babhala ngaye: “Edlalwa uKogan, umculo wasezulwini kaBeethoven, uBrahms waba ngowasemhlabeni, ophilayo, obambekayo.” Esikhundleni samakhonsathi ayishumi nanhlanu, wanikeza ayishumi nesikhombisa. Ukufika kwakhe kukalwe njengomcimbi omkhulu kunayo yonke kule sizini yomculo.

Ngo-1960, ukuvulwa koMbukiso weSayensi yeSoviet, Ubuchwepheshe Namasiko kwenzeka eHavana, inhloko-dolobha yaseCuba. U-Kogan nomkakhe uLisa Gilels kanye nomqambi u-A. Khachaturian beza bezovakashela abaseCuba, okuphuma emisebenzini yabo uhlelo lwekhonsathi ye-gala. Abantu baseCuba abathukuthele bacishe baphihliza ihholo ngenjabulo. Ukusuka eHavana, abaculi baya eBogota, inhloko-dolobha yaseColombia. Ngenxa yokuvakasha kwabo, umphakathi wase-Columbia-USSR wahlelwa lapho. Kwabe sekulandela iVenezuela futhi endleleni ebuyela ezweni lakubo - eParis.

Ohambweni olwalandela lukaKogan, uhambo oluya eNew Zealand luyagqama, lapho anikeza khona amakhonsathi noLisa Gilels izinyanga ezimbili kanye nohambo lwesibili lwaseMelika ngo-1965.

INew Zealand yabhala: “Akungabazeki ukuthi uLeonid Kogan ungumdlali wevayolini omkhulu kunabo bonke abake bavakashela izwe lakithi.” Ubekwe endaweni efanayo noMenuhin, u-Oistrakh. Ukusebenza okuhlanganyelwe kwe-Kogan noGiles nakho kubangela injabulo.

Kwenzeke isigameko esihlekisayo eNew Zealand, esichazwe ngokuhlekisa yiphephandaba i-Sun. Iqembu lebhola lezinyawo lahlala ehhotela elilodwa no-Kogan. Elungiselela ikhonsathi, uKogan wasebenza ubusuku bonke. Ngo-23 ntambama, omunye wabadlali, owayesezolala, ethukuthele wathi kumamukeli wokwamukela izivakashi: “Tshela umdlali wevayolini ohlala ekugcineni kwephaseji ukuba ayeke ukudlala.”

“Mnumzane,” kuphendula umlindisango ngokucasuka, “ukhuluma kanjalo ngomunye wabashayi bevayolini abakhulu kakhulu emhlabeni!”

Njengoba bengaphumelelanga ukufeza isicelo sabo kumphathi, abadlali baya eKogan. Iphini likakaputeni weqembu lalingazi ukuthi uKogan wayengasikhulumi isiNgisi futhi wakhuluma naye ngala mazwi alandelayo “amagama ase-Australia”:

– Hey, mfowethu, ngeke uyeke ukudlala nge-balaika yakho? Woza ekugcineni, goqa silale.

Engaqondi lutho futhi ekholelwa ukuthi usebenzisana nomunye umthandi womculo owayecele ukumdlalela okuthile okukhethekile, u-Kogan “wasabela ngomusa esicelweni sokuthi" aqedele" ngokucula kuqala i-cadenza ekhaliphile, kwase kulandela ingoma ye-Mozart ejabulisayo. Iqembu lebhola lihlehlile ngokudideka.”

Intshisekelo kaKogan emculweni waseSoviet ibalulekile. Uhlala edlala amakhonsathi kaShostakovich noKhachaturian. T. Khrennikov, M. Weinberg, ikhonsathi ethi "Rhapsody" ka-A. Khachaturian, Sonata ka-A. Nikolaev, "Aria" kaG. Galynin banikezela amakhonsathi abo kuye.

U-Kogan ucule nabaculi abakhulu emhlabeni - abaqhubi bakaPierre Monte, uCharles Munsch, uCharles Bruck, abadlali bopiyano u-Emil Gilels, u-Arthur Rubinstein, nabanye. “Ngithanda kakhulu ukudlala no-Arthur Rubinstein,” kusho uKogan. “Kuletha injabulo enkulu njalo. ENew York, ngaba nenhlanhla yokudlala naye ama-sonata amabili kaBrahms kanye nekaBeethoven ethi Sonata Yesishiyagalombili ngobusuku Bangaphambi Kukancibijane. Ngihlabeke umxhwele ngomqondo wokuhlanganisa nesigqi salo mculi, ikhono lakhe lokungena ngokushesha umnyombo wenhloso yombhali ... "

U-Kogan futhi uzibonakalisa njengothisha onekhono, uprofesa e-Moscow Conservatory. Laba abalandelayo bakhulela ekilasini likaKogan: umdlali wevayolini waseJapane u-Ekko Sato, owawina isicoco soMncintiswano Wamazwe Ngamazwe we-III Tchaikovsky eMoscow ngo-1966; Abadlali bevayolini baseYugoslavia A. Stajic, V. Shkerlak nabanye. Njengekilasi lika-Oistrakh, ikilasi likaKogan laheha abafundi abavela emazweni ahlukene.

Umculi Wabantu we-USSR Kogan ngo-1965 waklonyeliswa ngesihloko esiphezulu somklomelo weLenin Prize.

Ngingathanda ukuqedela indaba emayelana nalo mculi ongumculi omangalisayo ngamazwi ka-D. Shostakovich: “Uzwa ukubonga okujulile kuye ngenjabulo oyitholayo lapho ungena emhlabeni omangalisayo, ogqamile womculo kanye nomshayi wevayolini. ”

L. Raaben, 1967

Ngawo-1960-1970, uKogan wathola zonke izihloko nemiklomelo. Uklonyeliswa ngesihloko esithi UProfesa kanye Umculi Wabantu we-RSFSR kanye ne-USSR, kanye noMklomelo weLenin. Ngo-1969, umculi waqokwa inhloko yomnyango violin eMoscow Conservatory. Amafilimu amaningana enziwa mayelana nomdlali wevayolini.

Iminyaka emibili yokugcina yokuphila kukaLeonid Borisovich Kogan yayiyimidlalo ejabulisayo. Ukhale ngokuthi akanaso isikhathi sokuphumula.

Ngo-1982, kwadlalwa okokuqala ngqa komsebenzi wokugcina ka-Kogan, othi The Four Seasons ka-A. Vivaldi. Ngawo lowo nyaka, i-maestro ihola ijaji lama-violinists ku-VII International PI Tchaikovsky. Ubamba iqhaza ekuqoshweni kwefilimu ekhuluma ngePaganini. U-Kogan uqokwe njenge-Honorary Academician ye-Italian National Academy "Santa Cecilia". Uvakashela eCzechoslovakia, Italy, Yugoslavia, Greece, France.

NgoDisemba 11-15, amakhonsathi wokugcina we-violinist ayenzeka eVienna, lapho enza khona i-Beethoven Concerto. NgoDisemba 17, uLeonid Borisovich Kogan wafa ngokuzumayo endleleni esuka eMoscow eya emakhonsathini eYaroslavl.

Inkosi yashiya abafundi abaningi - abahlonishwayo bemincintiswano yonke ye-Union kanye namazwe ngamazwe, abadlali abadumile kanye nothisha: V. Zhuk, N. Yashvili, S. Kravchenko, A. Korsakov, E. Tatevosyan, I. Medvedev, I. Kaler nabanye. Ama-violinist angaphandle afunda no-Kogan: E. Sato, M. Fujikawa, I. Flory, A. Shestakova.