UMaxim Mironov |

UMaxim Mironov

Ukuqala kokuthuthuka okusebenzayo komsebenzi wamazwe omhlaba womunye wabadlali abayingqayizivele kakhulu besikhathi sethu, uMaxim Mironov, wabekwa ngo-2003, lapho umculi osemusha, ngaleso sikhathi owayecula yedwa waseMoscow Theatre "Helikon-Opera". indawo yesibili emqhudelwaneni othi “New Voices” (“Neue Stimen”) eJalimane.

Umculi wesikhathi esizayo wazalelwa eTula futhi ekuqaleni akazange acabange ngomsebenzi wezwi. Ithuba lisize ekuguquleni izinto eziza kuqala ekuphileni. Ukusakazwa kwekhonsathi yabadlali abathathu abavela eParis akubona ngo-1998 kwanquma okuningi: ekuqaleni kuka-2000 - 2001, uMaxim Mironov wahlolwa ngempumelelo eMoscow esikoleni somculo esizimele sikaVladimir Devyatov futhi waba umfundi wakhe. Lapha, ngokokuqala ngqa, uwela ekilasini likaDmitry Vdovin, ogama lakhe lihlotshaniswa nokukhuphuka komculi endaweni ephakeme yokuqashelwa ngamazwe ngamazwe.

Iminyaka yezifundo ezijulile nothisha wakhe - okokuqala esikoleni sikaVladimir Devyatov, bese e-Gnessin State Medical University, lapho umfundi othembisayo angena khona njengokudluliselwa kwesikole sezwi - inikeza isisekelo esiyisisekelo sokuqonda izimfihlo zobuciko bezwi, okuholela umculi empumelelweni yakhe yokuqala - ukunqoba okubaluleke ngokungavamile emqhudelwaneni eJalimane. Kungenxa yakhe ukuthi uwela ngokushesha emkhakheni wokubuka ama-impresarios angaphandle futhi uthola izinkontileka zakhe zokuqala ngaphandle kweRussia.

Lo mculi wenza umdlalo wakhe wokuqala waseWestern Europe ngoNovemba 2004 eParis esiteji seThéâtre des Champs Elysées: bekuyingxenye kaDon Ramiro kuCinderella kaRossini. Kodwa-ke, lokhu akuzange kwandulelwe kuphela ngokufunda esikoleni samagama kanye nasekolishi. Ngaleso sikhathi, umthwalo wokudala womdlali usuvele une-premiere eyodwa yaseshashalazini - "uPeter Omkhulu" kaGretri esiteji se- "Helikon-Opera", eqenjini lapho umculi emukelwa khona, ngenkathi esengumfundi esikoleni. Ukusebenza kwengxenye eyinhloko kule opera kwabangela ukuzwakalisa kwangempela ngo-2002: ngemva kwalokho, wonke umculo waseMoscow waqala ukukhuluma ngokungathí sina mayelana ne-lyric tenor uMaxim Mironov. Unyaka ka-2005 wamlethela enye ingxenye ku-opera kaRossini, kulokhu kuyi-opera seria, futhi wamnika ithuba elingandile lokuthi umculi osafuna ukuhlangana nomqondisi ovelele wase-Italy uPier Luigi Pizzi emkhiqizweni: sikhuluma ngengxenye kaPaolo Erisso. ku-Mohammed Wesibili esiteji seshashalazi edumile yaseVenetian "La Fenice".

Unyaka ka-2005 wabuye waphawulwa uMaxim Mironov ngokubhaliswa esikoleni sasehlobo sabahlabeleli abasha ePesaro (Rossini Academy) e-Rossini Opera Festival, okuthi, njengomkhosi ngokwawo, oholwa ngu-Alberto Zedda. Ngalowo nyaka, umculi waseRussia waphathiswa kabili ukwenza ingxenye ka-Count Liebenskoff ekukhiqizweni komkhosi wentsha we-Rossini's Journey to Reims, futhi ngonyaka olandelayo, ohlelweni oluyinhloko lomkhosi, wahlanganyela ukuze adlale indima ULindor ku-The Italian Girl e-Algiers. UMaxim Mironov waba i-tenor yokuqala yaseRussia emlandweni walo mkhosi ohlonishwayo ukuthola isimemo kuwo, futhi leli qiniso libonakala lihlaba umxhwele nakakhulu ngoba umlando womkhosi ngaleso sikhathi - ngo-2005 - wawuphelele cishe ingxenye yesine yekhulu (ukubalwa kwawo kwehle kuqala ngo-1980). Ngaphambi nje kukaPesaro, waqala ukwenza ingxenye yeLindor emkhosini we-Aix-en-Provence, futhi le ngxenye, eseyicule ngokuphindaphindiwe ezindaweni eziningi zaseshashalazini emhlabeni jikelele, namuhla ingabizwa ngokuzethemba njengengxenye yesignesha yakhe.

Kwakuyingxenye kaLindor ukuthi uMaxim Mironov wabuyela eRussia ngemva kokungabikho kwakhe iminyaka eyisithupha, edlala ngokunqoba emidlalweni emithathu yokuqala esiteji seStanislavsky neNemirovich-Danchenko Moscow Musical Theatre (ekupheleni kukaMeyi - ekuqaleni kukaJuni 2013). .

Kuze kube manje, lo mculi uhlala unomphela e-Italy, futhi ukulinda iminyaka eyisithupha yomhlangano omusha nobuciko bakhe obuphefumulelwe futhi obujabulisayo kwaba yinde kakhulu kubathandi bomculo wasekhaya, ngoba ngaphambi kwe-premiere yaseMoscow ye-Italian Girl e-Algeria. , umphakathi waseMoscow waba nethuba lokugcina lokuzwa lo mculi kuphrojekthi ye-opera yobude obugcwele. ithuba kuphela ngo-2006: kwaba ukusebenza ekhonsathini Cinderella esiteji of the Great Hall of the Conservatory.

Eminyakeni eyedlule selokhu aqala ukuvela eParis e-Cinderella, umculi nomlingisi uMaxim Mironov usephenduke umhumushi onolwazi olunzulu, ocwengiswe ngokwesitayela futhi onomusa ongajwayelekile womculo kaRossini. Engxenyeni ye-Rossini ye-repertoire yomculi, kudlalwa imidlalo yamahlaya yomqambi: Cinderella, The Barber of Seville, The Italian Woman e-Algeria, The Turk in Italy, The Silk Stairs, The Journey to Reims, The Count Ory. Ku-Rossini ebucayi, ngaphezu kuka-Mohammed II, umuntu angaqamba u-Otello (ingxenye kaRodrigo) kanye neNkosazana Yechibi (ingxenye ka-Uberto/Jacob V). Ukugcwaliswa kabusha kwalolu hlu kulindeleke maduze nge-opera ethi "Ricciardo and Zoraida" (ingxenye eyinhloko).

Ukukhethekile kukaRossini yikho okuyinhloko emsebenzini womculi: ububanzi bezwi lakhe kanye namakhono akhe obuchwepheshe buhlangabezana ngokugcwele nezidingo ezithile zalolu hlobo lokusebenza, ngakho-ke uMaxim Mironov angabizwa ngokufanele ngokuthi wangempela. I-Tenor yaseRossini. Futhi, ngokusho komculi, uRossini uyingxenye ye-repertoire yakhe, ukunwetshwa okuwumsebenzi omkhulu kuye. Ngaphezu kwalokho, unentshiseko enkulu ngokufuna okungajwayelekile nge-repertoire encane. Isibonelo, ngesizini edlule kwifestivali yaseRossini in Wildbad eJalimane, udlale ingxenye ye-Ermano kwekaMercadante ethi The Robbers, ingxenye ebhalwe nge-ultra-high tessitura ikakhulukazi uRubini. I-repertoire yomculi ihlanganisa nengxenye yamahlaya e-virtuoso njengengxenye ka-Tonio ku-Donizetti's Daughter of the Regiment.

Ngokuhamba kwesikhathi, umculi wenza izivivinyo emkhakheni we-baroque opera (isibonelo, wacula inguqulo yesiFulentshi ye-Gluck's Orpheus and Eurydice kanye nendima kaCastor ku-Rameau's Castor and Pollux). Uphinde agxile ku-opera yesiFulentshi yomculo wekhulu lesi-XNUMX, ezingxenyeni ezibhalelwe i-tenor yokukhanya okuphezulu (ngokwesibonelo, kungekudala nje wacula ingxenye ye-Alphonse ku-Aubert's Mute yasePortici). Zisembalwa izingxenye ze-Mozart ku-repertoire yomculi (u-Ferrando ku-“Così fan tutte” kanye ne-Belmont ethi “Ukuthunjwa ku-Seraglio”), kodwa lolu ngqimba lomsebenzi wakhe luphinde lusho ukwanda esikhathini esizayo.

UMaxim Mironov wacula ngaphansi kwabaqhubi abanjengo-Alberto Zedda, uDonato Renzetti, uBruno Campanella, u-Evelino Pidó, uVladimir Yurovsky, uMichele Mariotti, uClaudio Shimone, uJesu Lopez-Cobos, uGiuliano Carella, uGianandrea Noseda, uJames Conlon, u-Antonino Fogliani, uRiccardo Frizza. Ngaphezu kwezinkundla zemidlalo yaseshashalazini nemikhosi eshiwo, lo mculi usecule kwezinye izigaba eziningi ezihlonishwayo, njengeTeatro Real eMadrid kanye neVienna State Opera, iParis National Opera kanye neGlyndebourne Festival, iLa Monnay Theatre eBrussels kanye neLas Palmas. I-Opera, iFlemish Opera (eBelgium) kanye neComunale Theatre eBologna, iSan Carlo Theatre eNaples kanye neMassimo Theatre ePalermo, iPetruzzelli Theatre eBari kanye neSemperoper eDresden, iHamburg Opera kanye neLausanne Opera, iComic Opera. eParis naseTheater An der Wien. Ngokuhambisana nalokhu, uMaxim Mironov naye wacula ezitejini zeshashalazi eMelika (Los Angeles) naseJapan (Tokyo).