Imisindo engeyona i-chord |

IsiJalimane akkordfremde noma i-harmoniefremde Töne, isiNgisi. amathoni angenayo i-nonharmonic, amanothi e-French étrangere, ital. inothi accidentali melodiche noma inothi ornamentali

Imisindo engeyona ingxenye yeculo. N. h. enothisa ukuvumelana. ongwaqa, bethula imilolozelo kubo. amandla adonsela phansi, ukushintsha umsindo wamachords, kwakha ukuxhumana okwengeziwe kwe-melodic-functional ebuhlotsheni nabo. N. h. zihlukaniswa ngokuyinhloko kuye ngendlela yokusebenzisana nemisindo ye-chord: do N. z. kusigqi esinzima se-bar, kanye ne-chord kwesilula, noma okuphambene nalokho, kwenza u-N. z. ukubuya? kuyichord yokuqala noma iya kwenye iculo, kungakhathaliseki ukuthi u-N. z uyavela. ngomnyakazo oqhubekayo noma othathwe kungazelelwe, kungakhathaliseki ukuthi u-N. z. ukunyakaza kwesibili noma kuvele kuphonswe, njll. Kukhona okulandelayo okuyinhloko. izinhlobo ze-N. h.:

1) ukuvalelwa (isifinyezo: h); 2) i-appoggiatura (ap); 3) umsindo odlulayo (n); 4) umsindo osizayo (c); 5) i-cambiata (kuya), noma isilekeleli esiphonswe kungazelelwe; I-6) ithoni ye-jump (sk) - ukuboshwa noma umsizi, othathwe ngaphandle kokulungiselela futhi ushiywe. ngaphandle kwemvume; 7) phakamisa (pm) (izibonelo 1-7).

Izinhlobo ze-Nek-ry N. h. ziyafana futhi zakha amakilasi amakhulu:

I - ukugcinwa (ukugcinwa kwangempela kanye ne-appoggiatura, kanye nokugxuma esigqikini esinzima), II - ukudlula, III - insiza (empeleni isiza, i-cambiata, ukweqa ngesigqi esilula), IV- kusengaphambili.

Indima ka-N. h. ikwazi ukwenza amathoni aqhubekayo kumazwi aphezulu naphakathi (isibonelo 8). Ku-N.h. ngezinye izikhathi kukhona N. h. noma N. h. uhlelo lwesibili (isibonelo 9). Inhlanganisela ka-N. ngesinye isikhathi kuzwakala njengokucula okujwayelekile okunamachords (kubizwa ngokuthi iculo elicatshangelwayo, bheka esibonelweni 10 ukubambezeleka okude kunxantathu omkhulu, kuzwakala njengento encane engeyona i-chord; es=dis). Konke N. h. ziphenduke zibe ekugcineni (ngezinye izikhathi ngendlela eyinkimbinkimbi) zisondelene namachordal, ancike kuzo ngokusebenza. Isici esibalulekile sokusebenza sika-N. z. isidingo esibonakalayo sokulungiswa kwazo (bheka izibonelo 1-5, 9-10), ukuthi zihluke kanjani kwenezelwe (ngokukaRameau, “ajoutye”) imisindo noma amathoni aseceleni; amathoni e-jump abonakala exazululwa yimisindo ye-chord kwamanye amazwi; imisindo eqhubekayo ithobela imithetho yephuzu lesitho. Isinqumo N. h. kungase futhi kube yinkimbinkimbi ngokwedlulele (AN Scriabin, 4th sonata, ingxenye 1, vol. 2). N. h. kungenzeka ngesikhathi esisodwa. ngamaphimbo amaningana, kuze kufike ekuphendukeni ohlotsheni olukhethekile lwamaculo omugqa wokusebenza - amachords okulibazisa (L. Beethoven, Adagio of the 9th symphony, vols. 11, 18), edlulayo (JS Bach, 3rd Brandenburg Concerto, ingxenye 1, v. 2 kusukela ekugcineni), osizayo (SS Prokofiev, "Romeo noJuliet", No. 25, ukudansa nama-mandolins), izinyathelo (PI Tchaikovsky, i-sonata yepiyano, v. 1-4). Ukusatshalaliswa kwezinto ezijwayelekile N. z. (ikakhulukazi edlulayo) ku-harmonic. ukulandelana, ukunwetshwa kokuvumelana okusekela isakhiwo kuyakwazi ukuhlobisa futhi ngesikhathi esifanayo kuvame ukuhambisana okuyisisekelo. izinhlanganisela (isibonelo, hambisa i-V-IV kumabha 1-2 yesandulelo sika-Scriabin kokuthi D-dur op. 11). Ithebula H. h.:

References: Rimsky-Korsakov NA, Incwadi ewusizo yokuvumelana, vol. 1-2, St. Petersburg, 1884-85, okufanayo, Poln. khola. usho., vol. IV, M., 1960; I-Taneev S., i-Mobile counterpoint yokubhala okuqinile, i-Leipzig, i-1909, okufanayo, uM., 1959; Catuar G., Inkambo yethiyori yokuvumelana, ingxenye 2, M., 1925; Tyulin Yu. N., Umhlahlandlela osebenzayo wesingeniso sokuhlaziya okuvumelanayo okusekelwe ku-Bach's chorales, L., 1927 (ekhasini lesihloko: Isingeniso …); Sposobin I., Dubovsky I., Evseev S., Inkambo esebenzayo yokuvumelana, ingxenye 2, M., 1935; Riemann H., Katechismus der Harmonielehre, Lpz., 1890; Schenker H., Neue musikalische Theorien und Phantasien, Bd 1, B. – Stuttg., 1906, Bd 3, W., 1935, 1956; Hindemith P., Unterweisung im Tonsatz, Tl 1, Mainz, 1937, neue Ausg., 1940; Piston W., Harmony, NY, 1941; I-Karastoyanov A., I-Polyphonic Harmony, i-Sofia, i-1959 (ngokuhumusha kwesiRashiya - I-Polyphonic Harmony, M., 1964).

Yu. N. Kholopov