URudolf Richardovich Kerer (Rudolf Kehrer) |
URudolph Kehrer
Iziphetho zobuciko esikhathini sethu zivame ukufana nomunye - okungenani ekuqaleni. Kodwa i-biography yokudala kaRudolf Richardovich Kerer ifana kakhulu nabanye. Kwanele ukusho ukuthi kuze kube yilapho eneminyaka engamashumi amathathu nesishiyagalombili (!) Wahlala ekusithekeni okuphelele njengomdlali wekhonsathi; babazi ngaye kuphela eTashkent Conservatory, lapho ayefundisa khona. Kodwa ngolunye usuku oluhle - sizokhuluma ngaye phambili - igama lakhe laziwa cishe yibo bonke abathanda umculo ezweni lakithi. Noma iqiniso elinjalo. Wonke umdlali waziwa ukuthi unekhefu ekusebenzeni lapho isivalo sensimbi sihlala sivaliwe isikhathi esithile. UKerer naye waba nekhefu elinjalo. Yahlala kuphela, hhayi ngaphezulu noma ngaphansi kweminyaka eyishumi nantathu ...
- Umculo wepiyano esitolo se-inthanethi se-Ozon →
URudolf Richardovich Kerer wazalelwa eTbilisi. Uyise wayengumculi wepiyano noma, njengoba ayebizwa kanjalo, umpetha womculo. Wazama ukuhlala enolwazi ngazo zonke izenzakalo ezithakazelisayo empilweni yekhonsathi yedolobha; wethulwa emculweni kanye nendodana yakhe. UKerer ukhumbula ukudlala kuka-E. Petri, A. Borovsky, ukhumbula abanye abadlali abadumile abayizivakashi abafika eTbilisi ngaleyo minyaka.
U-Erna Karlovna Krause waba uthisha wakhe wokuqala wepiyano. UKehrer uthi: “Cishe bonke abafundi baka-Erna Karlovna babehlukaniswa ngendlela enomona. “Ekilasini bekukhuthazwa ukudlala okusheshayo, okuqinile nokunembayo. Nokho, ngokushesha ngashintshela kuthisha omusha, u-Anna Ivanovna Tulashvili, futhi konke okwakungizungezile kwashintsha ngokushesha. U-Anna Ivanovna wayengumculi ophefumulelwe futhi onezinkondlo, izifundo naye zenziwa endaweni yenjabulo yemikhosi ... "UKerer wafunda noTulashvili iminyaka eminingana - okokuqala eqenjini" lezingane ezinesiphiwo "eTbilisi Conservatory, kwase kuba se-conservatory ngokwayo. Khona-ke impi yaphula yonke into. “Ngokuthanda kwezimo, ngagcina ngikude neTbilisi,” kuqhubeka uKerer. “Umkhaya wakithi, njengeminye imindeni eminingi yaseJalimane ngaleyo minyaka, kwadingeka uhlale e-Asia Ephakathi, bude buduze neTashkent. Babengekho abaculi eduze kwami, futhi kwakunzima ngensimbi yomculo, ngakho izifundo zepiyano ngandlela thile zazima zodwa. Ngangena eChimkent Pedagogical Institute eFaculty of Physics and Mathematics. Ngemva kokuphothula, waya emsebenzini esikoleni - wafundisa izibalo esikoleni esiphakeme. Lokhu kwaqhubeka iminyaka eminingana. Ukunemba - kuze kube ngu-1954. Futhi-ke nganquma ukuzama inhlanhla yami (ngemuva kwakho konke, "i-nostalgia" yomculo ayizange iyeke ukungihlukumeza) - ukudlulisa izivivinyo zokungena e-Tashkent Conservatory. Futhi wamukelwa onyakeni wesithathu.
Wabhaliswa ekilasini lepiyano likathisha 3. Sh. U-Tamarkina, u-Kerer angayeki ukumkhumbula ngenhlonipho ejulile nangozwela (“umculi osezingeni eliphezulu, ukwazile ukuboniswa ensimbini ngendlela emangalisayo …”). Wafunda okuningi futhi emihlanganweni no-VI Slonim (“i-erudite eyivelakancane … naye ngathola ukuqonda imithetho yokuzwakala komculo, phambilini ngangiqagela ngobukhona babo”).
Bobabili othisha basize u-Kerer ukuvala izikhala emfundweni yakhe ekhethekile; sibonga Tamarkina futhi Slonim, akazange nje kuphela ngempumelelo iziqu Conservatory, kodwa futhi washiywa lapho ukuze afundise. Bona, abeluleki nabangane bomdlali wopiyano osemncane, bameluleke ukuthi avivinye amandla akhe emqhudelwaneni i-All-Union Competition of Performing Musicians owamenyezelwa ngo-1961.
“Njengoba ngase nginqume ukuya eMoscow, angizange ngizikhohlise ngamathemba akhethekile,” kukhumbula uKerer. Mhlawumbe, lesi simo sengqondo esingokwengqondo, esingasiwo umthwalo ngenxa yokukhathazeka ngokweqile noma injabulo eqeda umphefumulo, sangisiza ngaleso sikhathi. Kamuva, ngangivame ukucabanga ngeqiniso lokuthi abaculi abasebasha abadlala emiqhudelwaneni kwesinye isikhathi bayehliswa ukugxila kwabo kokuqala emklomelweni owodwa noma komunye. Kuyabophela, kwenza umuntu asindwe umthwalo womthwalo wemfanelo, agqilaze ngokomzwelo: umdlalo ulahlekelwa ukulula kwawo, imvelo, ukukhululeka ... Ngo-1961 angizange ngicabange nganoma yimiphi imiklomelo - futhi ngenza ngempumelelo. Nokho, mayelana nendawo yokuqala kanye nesihloko somklomelo, lesi simangaliso sasijabulisa kakhulu kimi ... "
Ukumangala kokunqoba kukaKerer akubanga kuyena kuphela. Umculi oneminyaka engu-38 ubudala, cishe engaziwa kunoma ubani, ukubamba iqhaza kwakhe emncintiswaneni, ngendlela, kwakudinga imvume ekhethekile (umkhawulo weminyaka yabaqhudelana wawunqunyelwe, ngokwemithetho, kuya eminyakeni engama-32), ngempumelelo yakhe emangalisayo. yachitha zonke izibikezelo ezishiwo ngaphambilini, yeqa zonke izinto ebezicatshangelwa kanye nokucatshangelwa kwayo. “Ezinsukwini ezimbalwa nje, uRudolf Kerer wazuza udumo olunomsindo,” kuphawula abezindaba zomculo. “Ikhonsathi yakhe yokuqala ngqa eMoscow yaphela, esimweni sempumelelo ejabulisayo. Izinkulumo zikaKerer bezisakazwa emisakazweni nakumabonakude. Abezindaba baphendule ngokuzwelana kakhulu nokuqala kwakhe. Waba isihloko sezingxoxo ezishisayo phakathi kochwepheshe kanye nezimfundamakhwela ezikwazile ukumhlukanisa phakathi kwabadlali bopiyano abakhulu baseSoviet ... " (Rabinovich D. Rudolf Kerer // Impilo Yomculo. 1961. No. 6. P. 6.).
Isivakashi saseTashkent sizihlabe umxhwele kanjani izethameli zedolobha elikhulu eziyinkimbinkimbi? Inkululeko nokungakhethi kwezitatimende zakhe zasesiteji, isilinganiso semibono yakhe, imvelo yokuqala yokwenza umculo. Akazange amele noma yiziphi izikole zepiyano ezaziwa kakhulu - hhayi eMoscow noma eLeningrad; akazange “amele” muntu nhlobo, kodwa wayezimele yena kuphela. Ubuhle bakhe babuhlaba umxhwele. Yena, mhlawumbe, wayentula isicwebezelisi sangaphandle, kodwa omunye wazizwa kukho kokubili amandla akhe okuqala, nesibindi, kanye nobubanzi obunamandla. UKerer ujabulile ngokwenza kwakhe imisebenzi enzima efana neka-Liszt ethi “Mephisto Waltz” kanye ne-F-minor (“Transcendental”) Etude, “Itimu Nokuhlukahluka” ka-Glazunov kanye nekhonsathi yokuqala ka-Prokofiev. Kodwa ngaphezu kwanoma yini enye - ukweqa "Tannhäuser" nguWagner - Liszt; Ukugxekwa kweMoscow kwasabela ekuchazeni kwakhe le nto njengesimangaliso sezimangaliso.
Ngakho-ke, kwakukhona izizathu ezanele zobungcweti zokuwina indawo yokuqala ku-Kerer. Nokho isizathu sangempela sokunqoba kwakhe kwakungokunye.
U-Kehrer wayenesipiliyoni sokuphila esigcwele, esicebile, esiyinkimbinkimbi kunalabo ababencintisana naye, futhi lokhu kwabonakala ngokucacile emdlalweni wakhe. Iminyaka yomdlali wepiyano, ukusonteka okubukhali kwesiphetho akuzange kumvimbele nje ukuncintisana nentsha ehlakaniphile yobuciko, kodwa, mhlawumbe, basiza ngandlela-thile. “Umculo,” kusho uBruno Walter, “uhlale “ungumqhubi wobuntu” balowo owuculayo: njengoba nje, adweba isifaniso, “indlela insimbi ewumqhubi wokushisa” (Ubuciko bokwenza amazwe angaphandle. – M., 1962. Ukukhishwa kwe-IC 71.). Kusukela emculweni owawuzwakala ekuchazeni u-Kehrer, kusukela kumuntu wakhe wobuciko, kwakukhona umoya wento engavamile kakhulu esiteji sokuncintisana. Abalaleli, kanye namalungu ejaji, phambi kwabo abazange babone umdlali wokuqala owayesanda kushiya isikhathi esingaguquki sokuqeqeshelwa umsebenzi, kodwa eyiciko elivuthiwe neliqinile. Emdlalweni wakhe - obucayi, kwesinye isikhathi upendwe ngamathoni anokhahlo namangalisayo - umuntu wayeqagela lokho okubizwa ngokuthi ukuguquguquka kwengqondo ... Yilokhu okwaheha uzwela ku-Kerer.
Isikhathi sesidlulile. Izinto ezithokozisayo ezitholwe kanye nemizwa yomncintiswano wango-1961 kwasala ngemuva. Ngemva kokudlulela phambili ekuculeni upiyano lwaseSoviet, u-Kerer sekuyisikhathi eside ethatha indawo efanelekile phakathi kwabaculi bekhonsathi akanye nabo. Bajwayelana nomsebenzi wakhe ngokugcwele nangemininingwane - ngaphandle kwe-hype, evame ukuhambisana nezimangaliso. Sahlangana kokubili emadolobheni amaningi ase-USSR nakwamanye amazwe - e-GDR, Poland, Czechoslovakia, Bulgaria, Romania, Japan. Amandla amaningi noma amancane wendlela yakhe yasesiteji nawo afundwa. Bayini? Uyini umculi namuhla?
Okokuqala, kudingekile ukusho ngaye njengengcweti yefomu elikhulu kwezobuciko bokwenza; njengeciko elinethalente eliziveza ngokuzethemba kumakhanvasi omculo ayisikhumbuzo. I-Kerer ivamise ukudinga izikhala zomsindo ezinkulu lapho engakwazi khona kancane kancane ukwakha ukungezwani okunamandla, aphawule ukukhululeka kwesenzo somculo nge-stroke enkulu, aveze ngokucacile iziphetho; imisebenzi yakhe yasesiteji ibonakala kangcono uma ibhekwa njengokungathi iyasuka kude nayo, isuka kude. Akuyona into engaqondakali ukuthi phakathi kwempumelelo yakhe yokuhumusha kukhona ama-opus afana ne-Opus 'First Piano Concerto, I-Beethoven's Fifth, eyokuqala kaTchaikovsky, eyokuqala kaShostakovich, eyesibili kaRachmaninov, imijikelezo ye-sonata kaProkofiev, uKhachaturian, uSviridov.
Imisebenzi yamafomu amakhulu ihlanganisa cishe bonke abadlali bamakhonsathi ku-repertoire yabo. Nokho, akuzona ezabo bonke abantu. Kumuntu othile, kuyenzeka kuphume iyunithi yezinhlamvu kuphela, i-kaleidoscope yezikhathi zomsindo ocwebezelayo ... Lokhu akwenzeki nge-Kerer. Umculo ubonakala uthathwa yi-iron hoop evela kuye: kungakhathaliseki ukuthi udlala ini - ikhonsathi ka-Bach D-minor noma i-sonata ka-Mozart ye-A-minor, "Symphonic etudes" ka-Schumann noma ama-preludes ka-Shostakovich kanye nama-fugues - yonke indawo ngohlelo lwakhe lokusebenza, isiyalo sangaphakathi, izinto zokunqoba inhlangano eqinile. Wake waba uthisha wezibalo, akakalahlekelwa indlela yakhe yokucabanga, amaphethini esakhiwo, nokwakhiwa okucacile emculweni. Injalo inqolobane yokucabanga kwakhe kokudala, izimo zakhe zobuciko zinjalo.
Ngokusho kwabagxeki abaningi, uKehrer uthola impumelelo enkulu ekuchazeni uBeethoven. Ngempela, imisebenzi yalo mbhali ithatha enye yezindawo eziyinhloko kumaphosta omdlali wepiyano. Yona kanye ukwakheka komculo ka-Beethoven – umlingiswa wawo onesibindi futhi onesifiso esiqinile, iphimbo elibalulekile, umehluko oqinile womzwelo – uhambisana nobuntu bobuciko buka-Kerer; usenesikhathi eside ezizwa enobizo lwalo mculo, wathola indawo yakhe yangempela yokulingisa kuwo. Kwezinye izikhathi ezijabulisayo emdlalweni wakhe, umuntu angazizwa ehlangene ngokuphelele futhi ehlangene nomcabango wobuciko kaBeethoven - lobo bunye obungokomoya nomlobi, lolo “symbiosis” yokudala u-KS Stanislavsky ayichaza ngokuthi “Ngikhona”: “Ngikhona, ngikhona. phila , ngizizwa futhi ngicabanga okufanayo ngendima ” (Stanislavsky KS Umsebenzi womlingisi kuye // Imisebenzi eqoqwe - M., 1954. T. 2. Ingxenye 1. S. 203.). Phakathi “kwezindima” ezithakazelisa kakhulu ze-repertoire ka-Kehrer ka-Beethoven yi-Sonatas Yeshumi Nesikhombisa Neshumi Nesishiyagalombili, i-Pathetique, i-Aurora, i-Fifth Concerto kanye, yiqiniso, i-Appassionata. (Njengoba nazi, umdlali wopiyano wake walingisa ifilimu i-Appassionata, okwenza incazelo yakhe yalo msebenzi itholakale ezilalelini eziyizigidi.) Kuyaphawuleka ukuthi izinto ezidalwe uBeethoven azihambisani nje kuphela nezici zobuntu bukaKerer, indoda kanye nothile. umculi, kodwa futhi nezinto ezingavamile zomculo wakhe wopiyano. Ukukhiqizwa komsindo okuqinile nokuqinisekile (hhayi ngaphandle kwesabelo "somthelela"), isitayela sokusebenza kwe-fresco - konke lokhu kusiza iciko ukuthi lifinyelele ukuncenga okuphakeme kobuciko ku-“Pathetique”, naku-“Appassionata”, nakwamanye amaphiyano amaningi ka-Beethoven. opus.
Kukhona nomqambi ocishe aphumelele njalo ngo-Kerer-Sergei Prokofiev. Umqambi oseduze naye ngezindlela eziningi: nge-lyricism yakhe, evinjelwe futhi e-laconic, ene-penchant ye-toccato yezinsimbi, yomdlalo omile futhi ogqamile. Ngaphezu kwalokho, u-Prokofiev usondelene noKerer cishe nawo wonke amaqoqo akhe ezindlela ezicacile: "ukucindezela kwezinhlobo ze-metrical ezinenkani", "ubulula kanye nesigqi sesigqi", "ukukhathazeka ngezithombe zomculo ezingapheli, eziwunxande", "izinto ezibonakalayo" zokuthungwa. , “i-inertia yezibalo ezicacile ezikhula kancane kancane” (SE Feinberg) (Feinberg SE Sergei Prokofiev: Izici Zesitayela // I-Pianoism njenge-Art. 2nd ed. – M., 1969. P. 134, 138, 550.). Akuqondanga ukuthi umuntu abone u-Prokofiev osemncane emsuka wokunqoba kobuciko kuka-Kerer - i-First Piano Concerto. Phakathi kwezimpumelelo ezivunyiwe zomdlali wopiyano kukhona i-Sonata ka-Prokofiev Yesibili, Yesithathu Neyesikhombisa, i-Delusions, eyandulela ku-C major, imashi edumile evela emdlalweni we-opera othi The Love for Three Oranges.
UKerer uvame ukudlala i-Chopin. Kukhona imisebenzi kaScriabin noDebussy ezinhlelweni zakhe. Mhlawumbe lezi yizigaba eziphikisana kakhulu ze-repertoire yakhe. Ngempumelelo engangabazeki yomdlali wopiyano njengotolika – i-Chopin’s Second Sonata, i-Scriabin’s Third Sonata… – yilaba babhali abaphinde baveze izinhlangothi ezimnyama kubuciko bakhe. Kulapha, kuma-waltzes amahle ka-Chopin nama-preludes, ezithombeni ezincane ezintekenteke zika-Scriabin, emazwini amahle kaDebussy, lapho umuntu aqaphela khona ukuthi ukudlala kuka-Kerer ngezinye izikhathi akunasici, ukuthi kwezinye izindawo kunokhahlo. Futhi ukuthi ngeke kube kubi ukubona kuyo ukucaciswa okunekhono okwengeziwe kwemininingwane, i-nuance enemibala ecwengekile futhi enemibala. Mhlawumbe, wonke umdlali wopiyano, ngisho novelele kakhulu, uma ethanda, angasho izingcezu ezingezona ezopiyano “lwakhe”; U-Kerr akahlukile.
Kuyenzeka ukuthi izincazelo zomdlali wopiyano zintule izinkondlo – ngendlela yokuthi zaziqondwa futhi zizwiwe abaqambi bothando. Sizama ukwenza isinqumo esingabambeki. Ubuciko babaculi-abadlali, futhi mhlawumbe abaqambi, njengobuciko babalobi, bayazi kokubili "izimbongi" zayo kanye "nababhali be-prose". (Kungenzeka yini kumuntu emhlabeni wababhali ukuthi aphikise ukuthi yiluphi kulezi zinhlobo “olungcono” nokuthi yikuphi “okubi kakhulu”? Cha, kunjalo.) Uhlobo lokuqala lwaziwa futhi lwafundwa ngokugcwele, sicabanga ngolwesibili kancane. kaningi; futhi uma, isibonelo, umqondo othi "imbongi yopiyano" uzwakala njengendabuko, khona-ke lokhu akukwazi ukusho "ngababhali be-prose bepiyano". Phakathi naleso sikhathi, phakathi kwabo kukhona amakhosi amaningi athakazelisayo - angathí sina, ahlakaniphile, anenjongo ngokomoya. Kwesinye isikhathi, nokho, abanye babo bangathanda ukuchaza imikhawulo ye-repertoire yabo ngokunembe kakhudlwana nangokuqinile, bekhetha imisebenzi ethile, beshiya eminye…
Phakathi kozakwethu, u-Kerer waziwa hhayi nje njengomculi wekhonsathi. Kusukela ngo-1961 ubefundisa eMoscow Conservatory. Phakathi kwabafundi bakhe kukhona ophumelele uMqhudelwano we-IV Tchaikovsky, umculi odumile waseBrazil u-A. Moreira-Lima, umdlali wepiyano waseCzech u-Bozhena Steinerova, ophumelele uMqhudelwano we-VIII Tchaikovsky u-Irina Plotnikova, kanye nenani labanye abadlali abasha baseSoviet nabangaphandle. “Nginesiqiniseko sokuthi uma umculi ezuze okuthile emsebenzini wakhe, udinga ukufundiswa,” kusho uKerer. “Njengoba sinesibopho sokukhulisa ukulandelana kongcweti bokudweba, yaseshashalazini, yasesinema - bonke labo esibabiza ngokuthi “abaculi” . Futhi akuyona nje indaba yesibopho sokuziphatha. Uma uzibandakanya kwezokufundisa, uzwa indlela amehlo akho evuleka ngayo ezintweni eziningi ... "
Ngesikhathi esifanayo, kukhona okucasula u-Kerer uthisha namuhla. Ngokusho kwakhe, kuphazamisa ukusebenza nobuhlakani obusobala bentsha yanamuhla yobuciko. Ikhono lebhizinisi eliqine ngokweqile. Futhi hhayi kuphela eMoscow Conservatory, lapho esebenza khona, kodwa nakwamanye amanyuvesi omculo wezwe, lapho kufanele avakashele khona. “Ubuka abanye abashayi bopiyano abasebasha uyabona ukuthi abacabangi kakhulu ngezifundo zabo kodwa bacabanga ngemisebenzi yabo. Futhi abafuni othisha kuphela, kodwa ababheki abanethonya, abaxhasi abangase bakwazi ukunakekela intuthuko yabo eyengeziwe, bangasiza, njengoba besho, ukuthi bame ngezinyawo zabo.
Yiqiniso, intsha kufanele ikhathazeke ngekusasa layo. Lokhu kungokwemvelo ngokuphelele, ngiqonda yonke into ngokuphelele. Noma kunjalo… Njengomculi, angikwazi ukuzibamba kodwa ngiyazisola ngokubona ukuthi izisho azikho lapho engicabanga ukuthi kufanele zibe khona. Angikwazi ukuzibamba ngicasulwa ukuthi izinto eziza kuqala ekuphileni nasemsebenzini zibuyiselwa emuva. Mhlawumbe nginephutha…”
Uqinisile, kunjalo, futhi ukwazi kahle kakhulu. Akafuni nje, ngokusobala, ukuthi kube khona ozomsola ngokubhoka kwekhehla elinjalo, ngokukhononda okungaka nokuncane kangako entsheni “yamanje”.
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Ngezinkathi zonyaka ka-1986/87 kanye neka-1987/88, izihloko ezimbalwa ezintsha zavela ezinhlelweni zika-Kerer – i-Bach's Partita in B flat major and Suite in A minor, Liszt's Obermann Valley and Funeral Procession, Grieg's Piano Concerto, ezinye zezingcezu zika-Rachmaninoff. Akakufihli ukuthi eminyakeni yakhe kuya ngokuya kuba nzima ukufunda izinto ezintsha, ukuziletha emphakathini. Kodwa - kuyadingeka, ngokusho kwakhe. Kudingekile ngokuphelele ukuthi ungabambeki endaweni eyodwa, ungafanelekile ngendlela yokudala; ukuzwa okufanayo zamanje umculi wekhonsathi. Kuyadingeka, ngamafuphi, kokubili ngokomsebenzi nangokomqondo. Futhi eyesibili ayibalulekile kangako kuneyokuqala.
Ngesikhathi esifanayo, u-Kerer naye uhlanganyela emsebenzini "wokubuyisela" - uphinda okuthile okuvela ku-repertoire yeminyaka edlule, akubuyisele empilweni yakhe yekhonsathi. “Kwesinye isikhathi kuyathakazelisa kakhulu ukubona ukuthi izimo zengqondo mayelana nezincazelo zangaphambili zishintsha kanjani. Ngenxa yalokho, uzishintsha kanjani. Ngiqinisekile ukuthi kunemisebenzi ezincwadini zomculo zomhlaba ezifuna ukubuyiselwa kuzo ngezikhathi ezithile, imisebenzi edinga ukubuyekezwa ngezikhathi ezithile futhi icatshangwe kabusha. Bacebile kakhulu ngokuqukethwe kwabo kwangaphakathi, ngakho ezihlukeneukuthi kuzo zonke izigaba zohambo lwempilo yomuntu ngokuqinisekile uzothola kuzo into ebingakaze ibonwe, engakaze ibonwe, ephuthelwe…” Ngo-1987, u-Kerer waqala kabusha i-sonata ka-Liszt ethi B minor ku-repertoire yakhe, eyadlalwa iminyaka engaphezu kwamashumi amabili.
Ngesikhathi esifanayo, u-Kerer manje uzama ukungahlali isikhathi eside entweni eyodwa - yithi, emisebenzini yomlobi oyedwa, kungakhathaliseki ukuthi useduze kangakanani futhi uthandeka kangakanani. Uthi: “Ngiye ngaphawula ukuthi ukushintsha izitayela zomculo, izitayela ezihlukahlukene zokuqamba kuyasiza ekulondolozeni ithoni engokomzwelo emsebenzini. Futhi lokhu kubaluleke kakhulu. Lapho ngemuva kweminyaka eminingi yokusebenza kanzima, imidlalo eminingi yekhonsathi, into ebaluleke kakhulu ukungalahlekelwa ukunambitheka kokudlala upiyano. Futhi lapha ukushintshaniswa komculo ohlukile, ohlukahlukene ovelayo kuyangisiza mathupha kakhulu - kunikeza uhlobo oluthile lokuvuselela kwangaphakathi, kuqabula imizwa, kuqede ukukhathala.
Kuwo wonke umculi, kufika isikhathi, unezela uRudolf Rikhardovich, lapho eqala ukuqonda ukuthi kunemisebenzi eminingi angeke ayifunde futhi ayidlale esiteji. Akukabi yisikhathi ... Kuyadabukisa, kunjalo, kodwa akukho okumele kwenziwe. Ngicabanga ngokuzisola, isibonelo, ukuthi kungakananiAngizange ngidlale empilweni yakhe imisebenzi kaSchubert, Brahms, Scriabin, nabanye abaqambi abakhulu. Okungcono ufuna ukwenza lokhu okwenzayo namuhla.
Bathi ochwepheshe (ikakhulukazi ozakwabo) ngezinye izikhathi bangenza amaphutha ekuhloleni nasekuboneni kwabo; umphakathi jikelele ku ekugcineni neze okungalungile. “Isilaleli ngasinye ngezinye izikhathi asiqondi lutho,” kuphawula uVladimir Horowitz, “kodwa lapho behlangene, bayaqonda!” Cishe iminyaka engamashumi amathathu, ubuciko buka-Kerer buthokozele ukunakwa ngabalaleli abambona njengomculi omkhulu, othembekile, ongenangqondo esezingeni. Futhi bona hhayi iphutha...
G. Tsypin, 1990
