Evgeny Igorevich Kissin |

Evgeny Kissin

Umphakathi jikelele waqala ukufunda ngo-Evgeny Kisin ngo-1984, lapho edlala ne-orchestra eyenziwa nguDm. Kitayenko amakhonsathi epiyano amabili ka-Chopin. Lesi senzakalo senzeke eHholo Elikhulu le-Conservatory yaseMoscow futhi sakha umuzwa wangempela. Umshayi wopiyano oneminyaka eyishumi nantathu, ofunda ibanga lesithupha eGnessin Secondary Special Music School, kwakhulunywa ngaye njengesimangaliso ngokushesha. Ngaphezu kwalokho, akubona nje kuphela abathandi bomculo abakhohlisayo nabangenalwazi abakhuluma, kodwa nabachwepheshe. Ngempela, okwenziwa yilo mfana ophiyano kwakufana nesimangaliso ...

U-Zhenya wazalwa ngo-1971, eMoscow, emndenini okungathiwa uyingxenye yomculo. (Unina unguthisha wesikole somculo ekilasini lepiyano; udadewabo omdala, naye ongumdlali wopiyano, wake wafunda e-Central Music School e-Conservatory.) Ekuqaleni, kwanqunywa ukumkhulula ezifundweni zomculo - ngokwanele, bathi. , ingane eyodwa ayizange ibe nengane evamile, makabe okungenani eyesibili. Ubaba womfana ungunjiniyela, kungani kungafanele alandele indlela efanayo ekugcineni? … Nokho, kwenzeka ngendlela ehlukile. Ngisho esewusana, uZhenya wayekwazi ukulalela umdlalo kadadewabo amahora amaningi ngaphandle kokuma. Wabe eseqala ukucula - ngokunembile nangokucacile - konke okwafika endlebeni yakhe, kungakhathaliseki ukuthi kwakuyi-fugues ka-Bach noma i-Rondo ka-Beethoven ethi "Fury over a Lost Penny." Lapho eneminyaka emithathu, waqala ukwenza okuthile, ecosha izingoma azithandayo ophiyano. Ngamafuphi, kwacaca ukuthi kwakungenakwenzeka ukungamfundisi umculo. Nokuthi wayengadalelwe ukuba unjiniyela.

Umfana wayeneminyaka engaba yisithupha lapho elethwa ku-AP Kantor, uthisha owaziwa kakhulu eMuscovites wesikole saseGnessin. “Kusukela siqala ukuhlangana, waqala ukungimangaza,” kukhumbula u-Anna Pavlovna, “engimangaza njalo, kuzo zonke izifundo. Uma ngikhuluma iqiniso, ngezinye izikhathi akayeki ukungimangaza nanamuhla, nakuba sekudlule iminyaka eminingi kusukela ngosuku esahlangana ngalo. Yeka indlela ayethuthuke ngayo ekhibhodi! Angikwazi ukukutshela ngakho, bekufanele ngikuzwe ... ngisakhumbula ukuthi “wahamba” kanjani ngokukhululeka ngokwemvelo okhiye abahlukahlukene kakhulu (futhi lokhu ngaphandle kokwazi noma iyiphi ithiyori, noma yimiphi imithetho!), Futhi ekugcineni wayezokwenza. ngokuqinisekile buyela ku-tonic. Futhi konke kwaphuma kuye ngokuvumelana, ngokunengqondo, kahle! Umculo wazalelwa ekhanda lakhe nangaphansi kweminwe yakhe, njalo okwesikhashana; esinye isisusa ngokushesha sathathelwa indawo esinye. Kungakhathaliseki ukuthi ngangimcela kangakanani ukuthi ayiphinde le nto asanda kuyidlala, wenqaba. “Kodwa angikhumbuli…” Futhi ngokushesha waqala ukucabanga into entsha ngokuphelele.

Ngibe nabafundi abaningi eminyakeni yami engamashumi amane yokufundisa. Okuningi. Kubandakanya abanekhono ngempela, njengokuthi, isibonelo, N. Demidenko noma A. Batagov (manje bangabadlali bopiyano abaziwayo, abawinile emiqhudelwaneni). Kodwa angikaze ngihlangane nento efana noZhenya Kisin ngaphambili. Akukhona ukuthi unendlebe enkulu emculweni; phela akuvamile. Into esemqoka ukuthi la mahemuhemu azibonakalisa kanjani! Yeka ukuthi iphupho elingakanani, inganekwane yokudala, umcabango umfana anawo!

… Umbuzo waphakama ngokushesha phambi kwami: ungayifundisa kanjani? Ukwenza ngcono, ukukhetha ngendlebe - konke lokhu kuhle kakhulu. Kodwa futhi udinga ulwazi lokufunda nomculo, nalokho esikubiza ngokuthi inhlangano yobuchwepheshe yomdlalo. Kudingekile ukuba namakhono namakhono okwenza okuthile - futhi ube nakho ngendlela ongakwazi ngayo ... Kumele ngisho ukuthi angikubekezeleli ukufunda nokunganaki ekilasini lami; kimina, i-pianism ine-aesthetics yayo siqu, futhi iyathandeka kimi.

Ngamafuphi, ngangingafuni, futhi ngangingakwazi, ukuyeka okungenani okuthile ngezisekelo zemfundo. Kodwa futhi kwakungenakwenzeka "ukomisa" amakilasi ... "

Kumele kuvunywe ukuthi i-AP Kantor ibhekane nezinkinga ezinzima kakhulu. Wonke umuntu oye kwadingeka abhekane ne-pedagogy yomculo uyazi: umfundi onekhono kakhulu, kunzima kakhulu (futhi akulula, njengoba kukholelwa ngokungazi) uthisha. Uma kufanele ubonise ukuguquguquka okwengeziwe kanye nobuhlakani ekilasini. Lokhu kungaphansi kwezimo ezijwayelekile, nabafundi abanesiphiwo esingaphezulu noma esincane esijwayelekile. Futhi lapha? Uzakha kanjani izifundo ingane enjalo? Isiphi isitayela somsebenzi okufanele usilandele? Indlela yokuxhumana? Liyini ijubane lokufunda? I-repertoire ikhethwa ngasiphi isisekelo? Izilinganiso, izivivinyo ezikhethekile, njll. - indlela yokubhekana nazo? Yonke le mibuzo ka-AP Kantor, naphezu kweminyaka eminingi yokuhlangenwe nakho kwakhe kokufundisa, kwadingeka ixazululwe cishe kabusha. Zazingekho izibonelo kuleli cala. I-Pedagogy yayingakaze ifinyelele izinga elinjalo kuye. lokusungulanjengalesi sikhathi.

“Okwangijabulisa kakhulu, ukuthi uZhenya wakwazi “ubuchwepheshe” bokudlala upiyano ngokushesha. Amanothi omculo, inhlangano yomculo we-metro-rhythmic, amakhono ayisisekelo wepiyano namakhono - konke lokhu wanikezwa ngaphandle kobunzima obuncane. Sengathi useyazi kanye manje useyakhumbula nje. Ngafunda ukufunda umculo ngokushesha okukhulu. Wabe eseqhubeka - futhi ngasiphi isivinini!

Ekupheleni konyaka wokuqala wokufunda, uKissin wadlala cishe yonke “I-albhamu Yezingane” kaTchaikovsky, ama-sonatas alula kaHaydn, okusungulwe yizingxenye ezintathu zikaBach. Ebangeni lesithathu, izinhlelo zakhe zazihlanganisa ama-fugues ka-Bach anamazwi amathathu namane, ama-sonata kaMozart, ama-mazurka ka-Chopin; ngemva konyaka – i-toccata ka-Bach's E-minor, i-Moszkowski's etudes, i-sonatas ka-Beethoven, ikhonsathi ka-Chopin's F-minor upiyano… Bathi ingane ehlakaniphile ihlala njalo. phambili amathuba atholakala eminyakeni yengane; “igijima phambili” kulokhu noma lolo hlobo lomsebenzi. UZhenya Kissin, owayeyisibonelo sakudala sengane ehlakaniphile, unyaka ngamunye ngokuphawulekayo nangokushesha wayeshiya ontanga yakhe. Futhi hhayi kuphela ngokuya ngobunkimbinkimbi bezobuchwepheshe bemisebenzi eyenziwe. Wadlula ontanga yakhe ekujuleni kokungena emculweni, esakhiweni sawo esingokomfanekiso nesinkondlo, ingqikithi yawo. Lokhu, nokho, kuzoxoxwa ngakho kamuva.

Wayaziwa kakade emibuthanweni yomculo yaseMoscow. Ngandlela-thile, lapho esengumfundi webanga lesihlanu, kwanqunywa ukuhlela ikhonsathi yakhe yedwa - kokubili okuwusizo kumfana futhi okuthakazelisayo kwabanye. Kunzima ukusho ukuthi lokhu kwaziwa kanjani ngaphandle kwesikole sase-Gnessin - ngaphandle kwephosta eyodwa, encane, ebhalwe ngesandla, azikho ezinye izaziso mayelana nomcimbi ozayo. Noma kunjalo, lapho kuqala ukuhlwa, isikole saseGnessin sasichichima abantu. Abantu baphithizela emaphaseji, bema odongeni oluminyene eziphasejini, bagibela phezu kwamatafula nezihlalo, baminyene emafasiteleni ... Engxenyeni yokuqala, uKissin wayedlala i-Concerto ka-Bach-Marcello ku-D minor, i-Prelude ka-Mendelssohn ne-Fugue, i-variations ka-Schumann ethi “Abegg ”, ama-mazurka amaningi kaChopin, “Ukuzinikela » Uhlu lwe-Schumann. I-Chopin's Concerto in F minor yenziwa engxenyeni yesibili. (U-Anna Pavlovna ukhumbula ukuthi ngesikhathi sokuphumula uZhenya wayelokhu emnqoba ngombuzo othi: "Hhayi-ke, ingxenye yesibili izoqala nini! Hhayi-ke, izokhala nini insimbi! " - wathola injabulo enjalo ngenkathi esesiteji, wadlala kalula futhi kahle. . )

Impumelelo yakusihlwa yayinkulu. Futhi ngemva kwesikhashana, lokho kusebenza okufanayo okuhlangene no-D. Kitaenko ku-BZK (amakhonsathi amabili wepiyano ka-Chopin), osekushiwo kakade ngenhla, kwalandelwa. UZhenya Kissin waba usaziwayo…

Wazihlaba umxhwele kanjani izilaleli zasemadolobheni amakhulu? Enye ingxenye yayo - ngeqiniso lokusebenza kwemisebenzi eyinkimbinkimbi, ngokucacile "okungeyona ingane". Leli bhungu elizacile, elintekenteke, cishe ingane, eselivele lithintekile ngokuvela kwalo esiteji - lijikijelwe ikhanda emuva ikhanda, amehlo avuleke, lihlukaniswe nakho konke okusemhlabeni ... - konke kuvele ngobuhlakani, ngokushelela kakhulu kukhibhodi ukuthi kwakungenakwenzeka nje ukungababazi. Ngeziqephu ezinzima kakhulu futhi "ezikhohlisayo", wabhekana ngokukhululekile, ngaphandle komzamo obonakalayo - ngokuzikhandla ngomqondo ongokoqobo nongokomfanekiso wegama.

Nokho, ochwepheshe abazange banake kuphela, futhi hhayi kangako ngisho nalokhu. Bamangala lapho bebona ukuthi umfana “wayenikezwe” ukungena ezindaweni ezigcinelwe kakhulu nasezindaweni eziyimfihlo zomculo, ezingcweleni zayo ezingcwele; sibonile ukuthi lo mfana wesikole uyakwazi ukuzwa - futhi adlulisele ekusebenzeni kwakhe - into ebaluleke kakhulu emculweni: its umqondo wobuciko, ngamunye ingqikithi evezayo… Ngenkathi uKissin edlala amakhonsathi kaChopin neqembu le-orchestra laseKitayenko, kwaba sengathi yena ngokwakhe I-Chopin, ephilayo futhi eyiqiniso ezicini zakhe ezincane kunazo zonke, i-Chopin, hhayi into efana naye, njengoba kuvame ukuba njalo. Futhi lokhu kwakumangalisa kakhulu ngoba lapho ngineminyaka eyishumi nantathu ukuqonda ezifana izenzakalo kwezobuciko zibonakala zisaqala ngokucacile ... Kunegama kwezesayensi - "ukulindela", okusho ukulindela, ukubikezela komuntu ngento engekho ekuphileni kwakhe siqu. (“Imbongi yeqiniso, uGoethe wayekholelwa ukuthi, unolwazi lwangaphakathi lwempilo, futhi ukuliveza akadingi ulwazi oluningi noma izinto ezisetshenziswayo…” (Izingxoxo zika-Eckerman IP noGoethe eminyakeni yokugcina yokuphila kwakhe. – M., 1981 S. 112).. U-Kissin cishe kusukela ekuqaleni wayazi, wazizwa emculweni into ethile, ngokubheka iminyaka yakhe, kwakungafanele "akufanele" azi futhi azizwe. Kwakukhona into engavamile, emangalisayo ngakho; abanye babalaleli, lapho bevakashele imidlalo yomdlali wopiyano osemusha, bavuma ukuthi ngezinye izikhathi babezizwa bengakhululekile ngandlela-thile ...

Futhi, okuphawuleka kakhulu, wawuqonda umculo - ngokuyinhloko ngaphandle kosizo noma isiqondiso sanoma ubani. Ngokungangabazeki, uthisha wakhe, u-AP Kantor, unguchwepheshe ovelele; futhi ukufaneleka kwakhe kuleli cala akunakulinganiswa kakhulu: wakwazi ukuba uZhenya hhayi umeluleki onekhono, kodwa futhi umngane nomeluleki omuhle. Nokho, yini eyenza umdlalo wakhe esiyingqayizivele ngomqondo wangempela wegama, ngisho naye wayengakwazi ukusho. Hhayi yena, hhayi omunye umuntu. Intuition yakhe emangalisayo nje.

… Ukusebenza okumangazayo e-BZK kwalandelwa idlanzana labanye. Ngo-May ngawo lowo nyaka ka-1984, uKissin wadlala ikhonsathi eyedwa eHholo Elincane Le-Conservatory; uhlelo lwaluhlanganisa, ikakhulukazi, i-Chopin's F-minor fantasy. Ake sikhumbule kulokhu kuxhumana ukuthi i-fantasy ingenye yemisebenzi enzima kakhulu ku-repertoire yabadlali bopiyano. Futhi hhayi kuphela mayelana ne-virtuoso-technical - ihamba ngaphandle kokusho; ukuqanjwa kunzima ngenxa yezithombe zayo zobuciko, uhlelo oluyinkimbinkimbi lwemibono yobunkondlo, ukuhlukana kwemizwelo, kanye nedrama ephikisana kakhulu. U-Kissin wenza iphupho likaChopin ngokukholisa okufanayo njengoba enza konke okunye. Kuyathakazelisa ukuqaphela ukuthi wafunda lo msebenzi ngesikhathi esifushane ngokumangalisayo: kwadlula amasonto amathathu kuphela kusukela ekuqaleni komsebenzi kuwo kuya ku-premiere ehholo lekhonsathi. Mhlawumbe, umuntu kufanele abe ngumculi, umdwebi noma uthisha ukuze alazise leli qiniso.

Labo abakhumbula ukuqala komsebenzi kaKissin wasesiteji bazovuma ngokusobala ukuthi ubusha nokugcwala kwemizwa kwamfumbathisa ngaphezu kwakho konke. Kwangithakazelisa lobo buqotho bokuhlangenwe nakho komculo, lokho kuhlanzeka okumsulwa nokunganaki, okutholakala (futhi nangaleso sikhathi okungajwayelekile) phakathi kwabaculi abancane kakhulu. Isiqephu ngasinye somculo sasidlalwa uKissin njengokungathi sithandwa kakhulu futhi sithandwa kakhulu kuye - cishe, kwakunjalo ngempela ... Konke lokhu kwamenza wahluka esiteji sekhonsathi yochwepheshe, ehlukanisa izincazelo zakhe kumasampuli ajwayelekile, atholakala yonke indawo. : okulungile ngaphandle, "kulungile", umsindo wobuchwepheshe. Eduze kukaKissin, abadlali bopiyano abaningi, ngaphandle kokungabandakanyi abanegunya elikhulu, ngokuzumayo baqala ukubonakala beyisicefe, bengenangqondo, bengenambala ngokomzwelo - njengokungathi beyingxenye yobuciko babo ... Akwazi ngempela ukuthi, ngokungafani nabo, ukususa utwayi lwezitembu kahle- amakhanvasi omsindo awaziwayo; futhi lezi ziseyili zaqala ukukhazimula ngemibala yomculo egqamile, ecwebe ngokuhlabayo. Imisebenzi eyaziwa isikhathi eside kubalaleli yaba cishe engajwayelekile; okwazwakala izikhathi eziyinkulungwane kwaba kusha, njengokungathi kwakungakaze kuzwakale ngaphambili...

Wayenjalo uKissin phakathi nawo-XNUMX, unjalo, ngokomthetho, namuhla. Nakuba, kunjalo, eminyakeni yamuva nje uye washintsha ngokuphawulekayo, wavuthwa. Manje lona akuseyena umfana, kodwa useyinsizwa esencane, esezokhula.

Njengoba ehlala futhi kukho konke eveza ngokwedlulele, uKissin ngesikhathi esifanayo ubekelwe ithuluzi. Ungalokothi weqe imingcele yesilinganiso nokunambitha. Kunzima ukusho ukuthi iphi imiphumela yemizamo yokufundisa ka-Anna Pavlovna, futhi ikuphi ukubonakaliswa kwemvelo yakhe yobuciko obungenaphutha. Noma ngabe kunjalo, iqiniso lihlala likhona: ukhuliswe kahle. Ukugqama - ukuzwakalisa, umdlandla - umdlandla, kodwa ukubonakaliswa komdlalo akukho lapho okweqa khona imingcele kuye, lapho "ukunyakaza" okudlalayo kungase kuqale ... Kuyathakazelisa: ukudalelwa kubonakala sengathi bekunake ukufiphaza lesi sici sokubukeka kwakhe esiteji. Kanye naye, isikhathi esithile, elinye ithalente lemvelo elikhanyayo lalikhona esiteji sekhonsathi - uPolina Osetinskaya osemusha. NjengoKissin, naye wayephakathi kokunakwa kochwepheshe kanye nomphakathi jikelele; bakhuluma kakhulu ngaye nangaye, beqhathanisa ngandlela thize, bedweba ukufana nezifaniso. Khona-ke izingxoxo zalolu hlobo ngandlela-thile zazima zodwa, zoma. Kuqinisekisiwe (okweshumi nambili!) ukuthi ukuqashelwa emibuthanweni yobungcweti kudinga, nangakho konke ukuhlelwa ngokwezigaba, ukugcinwa kwemithetho yokunambitheka okuhle kwezobuciko. Kudinga ikhono lokuziphatha kahle, ngokuhloniphekile, ngendlela efanele esiteji. U-Kissin wayengenasici kulokhu. Yingakho engazange aqhudelane nontanga yakhe.

Wakwazi ukumelana nolunye uvivinyo, olunzima futhi olunomthwalo wemfanelo. Akazange anikeze isizathu sokuzihlambalaza ngokuzibonisa yena, ngokunaka ngokweqile umuntu wakhe siqu, okuyiziphiwo ezivame ukukona. Ngaphezu kwalokho, ziyizintandokazi zomphakathi jikelele ... "Lapho ukhuphuka izitebhisi zobuciko, ungangqongqozi ngezithende zakho," umlingisi ophawulekayo waseSoviet u-O. Androvskaya wake waphawula ngokuhlakaniphile. “Ukushaya izithende” kukaKissin akuzange kuzwakale. Ngoba akadlali "hhayi yena", kodwa uMlobi. Nalapha futhi, lokhu bekungeke kumangaze ikakhulukazi ukube bekungeyona iminyaka yakhe.

… UKissin waqala umsebenzi wakhe wasesiteji, njengoba basho, noChopin. Futhi hhayi ngenhlanhla, kunjalo. Unesipho sothando; kungaphezu kokusobala. Umuntu angakhumbula, isibonelo, ama-mazurkas kaChopin ayenziwa nguye - athambile, anephunga elimnandi njengezimbali ezintsha. Imisebenzi kaSchumann (Arabesques, C main fantasy, Symphonic etudes), Liszt (rhapsodies, etudes, njll.), Schubert (sonata in C minor) iseduze noKissin ngezinga elifanayo. Konke akwenzayo ophiyano, etolika ezothando, ngokuvamile kubukeka kungokwemvelo, njengokuhogela kanye nokukhipha umoya.

Kodwa-ke, u-AP Kantor uqinisekile ukuthi indima ka-Kissin, ngokomthetho, ibanzi futhi inezici eziningi. Ekuqinisekiseni, uyamvumela ukuthi azizame ezingxenyeni ezihlukahlukene kakhulu zomculo wepiyano. Udlale imisebenzi eminingi kaMozart, eminyakeni yamuva wayevame ukwenza umculo weShostakovich (Ikhonsathi Yokuqala Yepiyano), Prokofiev (Ikhonsathi Yesithathu Yepiyano, I-Sonata Yesithupha, "Fleeting", izinombolo ezihlukene ezivela ku-suite "Romeo noJuliet"). Ama-classics aseRussia azimise ngokuqinile ezinhlelweni zakhe - u-Rachmaninov (Ikhonsathi Yesibili Yepiyano, izandulela, izithombe ze-etudes), i-Scriabin (i-Sonata Yesithathu, izandulela, i-etudes, imidlalo ethi "Fragility", "Inkondlo Ephefumulelwe", "Umdanso Wokulangazelela") . Futhi lapha, kule repertoire, Kisin uhlala Kisin - khuluma Iqiniso futhi lutho ngaphandle Iqiniso. Futhi lapha ayidlulisi incwadi kuphela, kodwa umoya womculo. Nokho, umuntu akanakuqaphela ukuthi abaculi bopiyano abambalwa manje “ababhekana” nemisebenzi kaRachmaninov noma kaProkofiev; kunoma yikuphi, ukusebenza kwezinga eliphezulu kwale misebenzi akuvamile. Enye into ngu-Schumann noma u-Chopin ... "Ama-Chopinists" kulezi zinsuku angabalwa ngokoqobo eminwe. Futhi lapho umculo womqambi uzwakala kaningi emahholo ekhonsathi, kulapho udonsa amehlo. Kungenzeka ukuthi yingakho u-Kissin eveza uzwela olunjalo emphakathini, futhi izinhlelo zakhe ezivela emisebenzini yothando zihlangene nomdlandla onjalo.

Kusukela maphakathi nawo-XNUMX, Kissin waqala ukuya phesheya. Kuze kube manje, usevele wavakashela, futhi izikhathi ezingaphezu kwesisodwa, eNgilandi, e-Italy, eSpain, e-Austria, eJapane, nakwamanye amazwe amaningana. Waqashelwa futhi wathandwa phesheya; izimemo zokuhambela ukuvakasha seziza kuye ngamanani akhula njalo; mhlawumbe, wayezovuma kaningi uma kungenjalo ngezifundo zakhe.

Ngaphandle, nasekhaya, uKissin uvame ukunikeza amakhonsathi no-V. Spivakov kanye ne-orchestra yakhe. U-Spivakov, kufanele simnikeze okumfanele, ngokuvamile uthatha ingxenye eshisekayo esiphethweni somfana; wenze futhi usaqhubeka nokumenzela okuningi mathupha, ngomsebenzi wakhe wobungcweti.

Phakathi nolunye lohambo, ngo-August 1988, eSalzburg, uKissin wethulwa kuHerbert Karajan. Bathi umaestro oneminyaka engamashumi ayisishiyagalombili wehluleka ukuzibamba izinyembezi ngesikhathi eqala ukuzwa le nsizwa idlala. Ngokushesha wamcela ukuba bakhulume ndawonye. Ngempela, ngemva kwezinyanga ezimbalwa, ngo-December 30 wonyaka ofanayo, uKissin noHerbert Karaja badlala i-First Piano Concerto kaTchaikovsky eNtshonalanga Berlin. Umabonakude wasakaza lokhu kudlala kulo lonke elaseJalimane. Ngobusuku obulandelayo, ngobusuku obandulela uNcibijane, umdlalo waphindwa; Kulokhu ukusakazwa kwaya emazweni amaningi aseYurophu nase-USA. Ezinyangeni ezimbalwa kamuva, ikhonsathi yenziwa nguKissin noKarayan ku-Central Television.

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U-Valery Bryusov wake wathi: “… Ithalente lobunkondlo linikeza okuningi uma lihlanganiswe nokunambitheka okuhle futhi liqondiswa umcabango onamandla. Ukuze ubuciko bobuciko buzuze ukunqoba okukhulu, ama-horizons abanzi engqondo ayadingeka kuwo. Isiko lengqondo kuphela elenza isiko lomoya lenzeke. " (Ababhali baseRussia mayelana nomsebenzi wokubhala. - L., 1956. S. 332.).

U-Kissin akazizwa nje kuphela ngokuqinile nangokucacile kwezobuciko; umuntu uzwa kokubili ubuhlakani obufuna ukwazi kanye nesiphiwo esingokomoya esinezinhlobonhlobo eziningi - "ubuhlakani", ngokusho kwegama lezazi zokusebenza kwengqondo zaseNtshonalanga. Uthanda izincwadi, uzazi kahle izinkondlo; izihlobo zifakaza ukuthi angakwazi ukufunda wonke amakhasi ngekhanda kusukela Pushkin, Lermontov, Blok, Mayakovsky. Ukufunda esikoleni ngaso sonke isikhathi wayenikezwa ngaphandle kobunzima obuningi, nakuba ngezinye izikhathi kwakudingeka athathe ikhefu elinzima ezifundweni zakhe. Unento yokuzilibazisa - chess.

Kunzima kubantu bangaphandle ukuxhumana naye. U-laconic - "uthule", njengoba u-Anna Pavlovna esho. Kodwa-ke, kule "ndoda ethule", ngokusobala, kunomsebenzi wangaphakathi oqhubekayo, ongapheli, onamandla futhi oyinkimbinkimbi kakhulu. Ukuqinisekiswa okuhle kakhulu kwalokhu umdlalo wakhe.

Kunzima nokucabanga ukuthi kuzoba nzima kangakanani kuKissin esikhathini esizayo. Phela, "isicelo" esenziwe nguye - futhi okuyinto! – kumele kuthethelelwe. Kanye namathemba omphakathi, owamamukela ngemfudumalo lo mculi osemusha, wakholwa kuye. Kusuka kungabikho muntu, mhlawumbe, balindele okuningi namuhla njengaseKisin. Akunakwenzeka ukuthi ahlale ngendlela ayeyiyo eminyakeni emibili noma emithathu edlule - noma ngisho nasezingeni lamanje. Yebo, cishe akunakwenzeka. Lapha “noma – noma” … Kusho ukuthi akanayo enye indlela ngaphandle kokuya phambili, njalo eziphindaphinda, ngesizini entsha ngayinye, uhlelo olusha.

Ngaphezu kwalokho, ngendlela, uKissin unezinkinga ezidinga ukubhekwana nazo. Kukhona okumele kusetshenzwe kukho, okuthize “okuphindaphindeka”. Kungakhathaliseki ukuthi zingaki imizwa yomdlandla umdlalo wakhe uvusa, ngemva kokuwubheka ngokucophelela nangokucophelela, uqala ukuhlukanisa amaphutha athile, ukushiyeka, izingqinamba. Isibonelo, u-Kissin akayena neze umlawuli ongenasici wokwenza kwakhe siqu: esiteji, ngezinye izikhathi uyasheshisa ngokuzenzakalelayo, "ushayela phezulu", njengoba besho ezimweni ezinjalo; upiyano lwakhe ngezinye izikhathi luzwakala ludlondlobala, lune-viscous, “lugcwele kakhulu”; indwangu yomculo ngezinye izikhathi imbozwa ngamabala aminyene agqagqene kakhulu. Muva nje, ngokwesibonelo, ngesizini ka-1988/89, udlale uhlelo eHholo Elikhulu le-Conservatory, lapho, kanye nezinye izinto, kwakukhona i-sonata encane ye-Chopin B. Ubulungiswa bufuna ukusho ukuthi amaphutha okukhulunywe ngenhla asobala kuwo.

Uhlelo olufanayo lwekhonsathi, ngendlela, lwaluhlanganisa ama-Arabesque kaSchumann. Babeyizinombolo zokuqala, bavula kusihlwa futhi, ngokungananazi, abazange bavele kahle kakhulu. "I-Arabesques" ibonise ukuthi u-Kissin akagcini nje, hhayi kusukela emaminithini okuqala okusebenza "ungena" umculo - udinga isikhathi esithile ukuze afudumale ngokomzwelo, ukuze athole isimo sesiteji esifunayo. Yiqiniso, akukho okunye okuvame kakhulu, okuvame kakhulu ekusebenzeni kokwenza ngobuningi. Lokhu kwenzeka cishe kuwo wonke umuntu. Kodwa noma kunjalo… Cishe, kodwa hhayi nawo wonke umuntu. Yingakho kungenakwenzeka ukukhomba lesi sithende se-Achille somdlali wopiyano osemusha.

Enye into futhi. Mhlawumbe ebaluleke kakhulu. Sekuvele kuphawulwe ngaphambili: ku-Kissin azikho izithiyo ezingenakunqotshwa ze-virtuoso-technical, ubhekana nanoma yiziphi izinkinga zepiyano ngaphandle komzamo obonakalayo. Lokhu, nokho, akusho ukuthi angakwazi ukuzwa noma yikuphi ukuzola nokunganaki mayelana "nobuchwepheshe". Okokuqala, njengoba kushiwo ngaphambili, yena (“ubuchwepheshe”) akenzeki kunoma ubani. ngokweqile, kungashoda kuphela. Futhi ngempela, kukhona ukuntuleka njalo kwabaculi abakhulu nabafunayo; ngaphezu kwalokho, lapho okubaluleke kakhulu, kuba nesibindi imibono yabo yokudala, bayantula kakhulu. Kodwa akukhona lokho kuphela. Kumele kushiwo ngokuqondile, upiyano lukaKisin ngokwayo ayikameli inani elivelele lobuhle - lokho inani langaphakathi, evame ukuhlukanisa amakhosi asezingeni eliphezulu, isebenza njengesibonakaliso sesici sabo. Ake sikhumbule abaculi abadume kakhulu besikhathi sethu (isipho sikaKissin sinikeza ilungelo lokuqhathanisa okunjalo): ochwepheshe babo ikhono injabulo, ithinta ngokwayo, kanjalo, kungakhathaliseki ukuthi yini enye. Lokhu ngeke kushiwo ngoKisin okwamanje. Kusamele anyukele phezulu kangaka. Uma, kunjalo, sicabanga ngomculo womhlaba kanye nokwenza i-Olympus.

Futhi ngokujwayelekile, umbono wukuthi kuze kube manje izinto eziningi ekudlaleni upiyano zize kalula kuye. Mhlawumbe ngisho kulula kakhulu; yingakho ama-pluses kanye nama-minuses awaziwayo obuciko bakhe. Namuhla, okokuqala, lokho okuvela ethalenteni lakhe lemvelo eliyingqayizivele liyaphawulwa. Futhi lokhu kuhle, kunjalo, kodwa okwamanje kuphela. Esikhathini esizayo, nakanjani kuzomele kushintshe okuthile. Ini? Kanjani? Nini? Konke kuncike…

G. Tsypin, 1990