Dmitry Bashkirov (Dmitri Bashkirov) |

Dmitry Bashkirov

Abaculi abaningi abasebasha ababehlangana ekuqaleni kweminyaka engamashumi amahlanu e-Moscow Conservatory cishe bakhumbula ukubonakala kokuqala emaphasishi ekilasi lensizwa emfishane, ezacile enyakaza amawala kanye nesimo sobuso esijabulisayo ebusweni obuhambayo, obucacile. Igama lakhe kwakunguDmitry Bashkirov, abangane bakhe ngokushesha baqala ukumbiza ngokuthi nje Delik. Kuncane okwakwaziwa ngaye. Kuthiwa waphothula esikoleni somculo saseTbilisi seminyaka eyishumi ngaphansi kuka-Anastasia Davidovna Virsaladze. Ngesinye isikhathi, kwesinye sezivivinyo, u-Alexander Borisovich Goldenweiser wamuzwa - wezwa, wajabula futhi wameluleka ukuba aqedele imfundo yakhe enhloko-dolobha.

Umfundi omusha kaGoldenweiser wayenekhono kakhulu; ukumbheka - umuntu oqondile, ongumuntu wemizwa oyivelakancane - kwakungenzima ukuqaphela: ngakho ngentshiseko nangokuzidela, ngokuphana okunjalo, imvelo enesiphiwo sangempela kuphela engasabela emvelweni njengaye ...

UDmitry Aleksandrovich Bashkirov waziwa kabanzi njengomculi wekhonsathi phakathi neminyaka. Emuva ngo-1955, wathola i-Grand Prix emqhudelwaneni we-M. Long - J. Thibault eParis; lokhu kwethule umsebenzi wakhe wasesiteji. Manje unamakhulu emidlalo ngemuva kwakhe, washayelwa ihlombe eNovosibirsk naseLas Palmas, eChisinau nasePhiladelphia, emadolobheni amancane aseVolga nasemahholo amakhulu, adumile emhlabeni wonke. Isikhathi sesishintshe kakhulu empilweni yakhe. Kakhulu ngesimilo sakhe. Yena, njengakuqala, uyashesha, sengathi i-quicksilver iyashintsha futhi iyashesha, njalo ngomzuzu ulungele ukuthatheka ngokuthile, ukubamba umlilo ...

Izakhiwo zemvelo ye-Bashkir, ezishiwo, zibonakala ngokucacile kubuciko bakhe. Imibala yalolu buciko ayizange iphele futhi iphele eminyakeni edlule, ayizange ilahlekelwe ukucebile, ukuqina, i-iridescence. Umdlali wepiyano uyadlala, njengakuqala, ujabule; kungenjalo, wayengakhathazeka kanjani? Mhlawumbe kwakungekho icala lokuthi noma ubani ahlambalaze u-Bashkirov umculi ngokunganaki, ukunganaki okungokomoya, ukusutha ngokusesha kokudala. Ngenxa yalokhu, akaphumuli kakhulu njengomuntu nomdwebi, evutha njalo ngohlobo oluthile lomlilo wangaphakathi ongacimeki. Lokhu kungase kube yisizathu sokungaphumeleli kwakhe esiteji. Ngokungangabazeki, ngakolunye uhlangothi, isuka lapha ngokuqondile, kusukela ekungaphumulini kokudala kanye neziningi zezimpumelelo zakhe.

Emakhasini omshini wokunyathelisa obalulekile womculo, u-Bashkirov uvame ukubizwa ngokuthi umculi womculo wothando. Ngempela, umelela ngokucacile yesimanje uthando lothando. (U-VV Sofronitsky, ekhuluma no-V. Yu. Delson, wehlile: "Phela, kukhona futhi i-romanticism yesimanje, futhi hhayi kuphela uthando lwekhulu lesi-XNUMX, uyavuma?" (Izinkumbulo zikaSofronitsky. S. 199.)). Noma ngabe yimuphi umqambi u-Bashkirov ahumushayo - u-Bach noma u-Schumann, u-Haydn noma u-Brahms - uzwa umculo sengathi udalwe namuhla. Kubathandi bekhonsathi bohlobo lwakhe, umbhali uhlala ephila ngesikhathi esifanayo: imizwa yakhe iyaziwa njengeyakhe, imicabango yakhe iba eyakhe. Akukho lutho olungaziwa kulaba bantu bamakhonsathi kunesitayela, "ukumelela", inkohliso ye-archaic, ukuboniswa kwensalela yemnyuziyamu. Lokhu kuyinto eyodwa: umuzwa womculo womculi yethu inkathi, bakithi izinsuku. Kukhona enye into, esivumela futhi ukuthi sikhulume nge-Bashkirov njengommeleli ojwayelekile wobuciko bokudlala besimanje.

Unopiyano onembile, oklanywe ngobuciko. Kudala kukholakala ukuthi ukwenza umculo wothando kuwukuthambekela okungalawuleki, ukuqubuka kwemizwa okuzenzakalelayo, isiphithiphithi esinemibala egqamile, nakuba inomsindo ongamile. Abaqaphi babhale ukuthi abaculi bothando badonsela “ekungacacile, okuluhlaza, okungabonakali kanye nenkungu”, ukuthi “abakude nokudweba ubucwebe bezinto ezincane” (Martins KA Individual upiano technique. – M., 1966. S. 105, 108.). Manje izikhathi zishintshile. Imibandela, ukwahlulela, okuthandwayo kushintshiwe. Esikhathini sokuqoshwa kwegilamafoni okuqinile ngokungenakuvinjelwa, ukusakazwa komsakazo nomabonakude, umsindo othi “i-nebulae” kanye “nokungacacile” akuthethelelwa yinoma ubani, kunoma ubani futhi ngaphansi kwanoma yiziphi izimo. I-Bashkirov, i-romantic yezinsuku zethu, yesimanje, phakathi kwezinye izinto, "ngokwenziwe" ngokucophelela kwemishini yakhe yokwenza, ukulungisa iphutha ngekhono layo yonke imininingwane nezixhumanisi zayo.

Yingakho umculo wakhe muhle, udinga ukuphelela okungenamibandela komhlobiso wangaphandle, "ukudweba ubucwebe bezinto ezincane". Uhlu lwempumelelo yakhe yokucula luvulwa izinto ezifana nezandulela zikaDebussy, ama-mazurka ka-Chopin, “Fleeting” kanye ne-Fourth Sonata ka-Prokofiev, “Amaqabunga Anemibala” ka-Schumann, i-Fantasia ne-F-sharp-minor novelette, okuningi okuvela ku-Schubert, Liszt, Ravel Scria . Kunezinto eziningi ezithakazelisayo eziheha abalaleli ku-repertoire yakhe yakudala - u-Bach (ikhonsathi ye-F-minor), u-Haydn (i-E-flat major sonata), u-Mozart (amakhonsathi: Owesishiyagalolunye, Oweshumi Nane, Oweshumi Nesikhombisa, Amashumi Amabili Nane), u-Beethoven (sonatas: " Lunar” , “Pastoral”, Ishumi nesishiyagalombili, amakhonsathi: Eyokuqala, Eyesithathu, Eyesihlanu). Ngamafuphi, yonke into ewinayo ekudluliselweni kwesiteji se-Bashkirov yilapho ngaphambili kunephethini yomsindo enhle necacile, ukujaha okuhle kokuthungwa kwezinsimbi.

(Phambilini kwakuthiwe labo abadlala upiyano, njengabadwebi, basebenzisa amasu ahlukene "okubhala": abanye bathanda ipensela yomsindo ocijile, abanye bathanda i-gouache noma i-watercolor, kanti abanye bathanda amapende kawoyela asindayo. I-Bashkirov ivame ukuhlotshaniswa ngomculi wopiyano: iphethini yomsindo omncane kungemuva elikhanyayo lemizwa…)

Njengabantu abaningi abanesiphiwo ngempela, i-Bashkirov ishintsha injabulo yokudala. Uyakwazi ukuzigxeka: “Ngicabanga ukuthi ngiphumelele kulo mdlalo,” ungezwa ngaye ngemva kwekhonsathi, “kodwa lona awuphumelelanga. Injabulo yangena endleleni ... Okuthile "okushintshile", kwavela "kungagxilile" - hhayi ngendlela okwakuhloswe ngayo. Kuyaziwa ukuthi injabulo iphazamisa wonke umuntu - abadlali bokuqala kanye nezingcweti, abaculi, abadlali kanye nababhali. “Umzuzu lapho mina ngokwami ​​ngijabule kakhulu akuwona lowo engingabhala ngawo izinto ezithinta umbukeli,” kuvuma uStendhal; unanela kulokhu ngamaphimbo amaningi. Nokho, kwabanye, injabulo igcwele izithiyo ezinkulu nezinkinga, kwabanye, kancane. Imvelo ejabulisayo, enovalo, enwebekayo inesikhathi esinzima.

Ngezikhathi zenjabulo enkulu esiteji, u-Bashkirov, naphezu kwentando yakhe, uyasheshisa ukusebenza, uwela ekujabuleleni okuthile. Lokhu kuvame ukwenzeka ekuqaleni kwemidlalo yakhe. Nokho, kancane kancane, ukudlala kwakhe kuba okuvamile, amafomu omsindo athola ukucaca, imigqa - ukuzethemba nokunemba; onendlebe enolwazi, umuntu angabamba njalo lapho umdlali wopiyano ekwazile ukwehlisa igagasi lokukhathazeka okwedlulele esiteji. Ukuhlolwa okuthakazelisayo kwasungulwa ngenhlanhla ngobusuku obunye buka-Bashkirov. Udlale umculo ofanayo kabili kulandelana – isiphetho se-Mozart’s Fourteenth Piano Concerto. Isikhathi sokuqala - kancane ngokuxhamazela nangenjabulo, okwesibili (okwe-encore) - ukuvinjelwa okwengeziwe ngejubane, ngokuzola okwengeziwe nokuzithiba. Kwakujabulisa ukubona ukuthi isimo sasinjanisusa injabulo“Siguqule umdlalo, sanikeza umphumela ohlukile, osezingeni eliphezulu kwezobuciko.

Ukuhumusha kukaBashkirov kuncane okufanayo nama-stencil ajwayelekile, amasampula okusebenza ajwayelekile; lokhu kuyinzuzo yabo esobala. Zingaba (futhi) zibe yimpikiswano, kodwa zingabi nambala, zibe ne-subjective kakhulu, kodwa hhayi insipid. Emakhonsathini omculi, cishe akunakwenzeka ukuhlangana nabantu abangenandaba, akabhekiselwanga nalezo zindumiso ezihloniphekile nezingabalulekile ezivame ukunikezwa ku-mediocrity. Ubuciko bukaBashkirov bungamukelwa ngemfudumalo nangomdlandla, noma, ngaphandle kwentshiseko nentshisekelo encane, baxoxisana nomdlali wepiyano, bengavumelani naye ngezindlela ezithile futhi bengavumelani naye. Njengomculi, ujwayelene "nokuphikisa" kokudala; empeleni, lokhu kungenziwa futhi kufanele kunikezwe udumo.

Abanye bathi: emdlalweni kaBashkirov, bathi, kuningi kwangaphandle; kwesinye isikhathi uba yimidlalo yaseshashalazini, uyazenzisa… Mhlawumbe, emazwini anjalo, ngaphandle nje kokuhluka okungokwemvelo kokuthandwa, kunokungaqondi kahle uhlobo lomsebenzi wakhe. Kungenzeka yini ukuthi ungacabangeli izici ze-typological zalokhu noma lokho kwezobuciko | ubuntu? I-Bashkirov ikhonsathi - injalo imvelo yakhe - ihlale "ibukeka" ngokuphumelelayo kusukela ngaphandle; wazibonakalisa ngokukhanyayo nangokukhanyayo ngaphandle; okungaba ukubukisa kwesiteji noma ukushayelwa omunye, unokuvezwa okuphilayo nemvelo kuphela kokudala kwakhe okuthi “I”. (Ithiyetha yomhlaba ikhumbula u-Sarah Bernhardt ngemikhuba yakhe ecishe ibe yi-eccentric yasesiteji, ukhumbula i-Olga Osipovna Sadovskaya enesizotha, ngezinye izikhathi engabonakali ngaphandle - kuzo zombili izimo kwakungokoqobo, ubuciko obukhulu.) kuholela esihlokweni esikude, esicishe singabonakali. Uma sizothatha isikhundla sokugxeka, khona-ke esikhundleni esihlukile.

Yebo, ubuciko bomdlali wopiyano bunikeza izethameli imizwelo evulekile nenamandla. Ikhwalithi enhle! Esiteji sekhonsathi, uvame ukuhlangana nokushoda kwayo, kunokudlulela. (Ngokuvamile "bawela" ekuboniseni imizwa, hhayi ngokuphambene nalokho.) Kodwa-ke, ezimeni zakhe ezingokwengqondo - injabulo ejabulisayo, i-impulsiveness, njll - u-Bashkirov ngezinye izikhathi, okungenani ngaphambili, wayefana nomfaniswano. Umuntu angacaphuna njengomfanekiso incazelo yakhe ye-sonata encane ye-Glazunov ye-B: yenzeka ngokuntula okukhulu, ububanzi. Noma i-Concerto Yesibili ye-Brahms - ngemuva kweziqhumane ezikhazimulayo zentshiseko, eminyakeni edlule, ukucabangisisa kweciko bekungahlale kuzwakala kuyo. Kusukela ekuchazeni kuka-Bashkirov kwakukhona inkulumo ebomvu-eshisayo, i-current of high nervous tension. Futhi umlaleli ngezinye izikhathi wayeqala ukuzwa ukulangazelela ukushintshashintsha kwezinye, imizwa ekude kakhulu yemizwa, kwezinye, izigaba zemizwa ezihluke kakhulu.

Nokho, ukukhuluma manje mayelana ngaphambili eyokuqala. Abantu abajwayelene kahle nobuciko be-Bashkirov bahlala bethola izinguquko, amashifu, nokuguqulwa okuthakazelisayo kwezobuciko. Kuphakathi kokuthi umuntu angabona ukukhethwa kwe-repertoire yomdwebi kunembe kakhudlwana, noma kuyembulwa izindlela ezazingajwayelekile zokuveza (eminyakeni yakamuva, ngokwesibonelo, izingxenye ezihamba kancane zemijikelezo ye-sonata yakudala ngandlela thile zizwakala zihlanzekile futhi zinomphefumulo). Ngokungangabazeki, ubuciko bakhe bunothiswe ngezinto ezintsha ezitholakele, eziyinkimbinkimbi kakhulu nezihlukahlukene zemizwa. Lokhu kungabonakala, ikakhulukazi, ekusebenzeni kuka-Bashkirov kwamakhonsathi ka-KFE , Fantasia no-Sonata ku-C minor ka-Mozart, inguqulo yepiyano ye-Violin Concerto, i-Op. 1987 nguBeethoven, njll.)

UBashkirov ungumbungazi ovelele. Ngokwemvelo uyathanda ukwazi futhi uyafuna ukwazi; unesithakazelo ezintweni eziningi; namuhla, njengasebusheni bakhe, ubheka eduze yonke into ehlangene nobuciko, nokuphila. Ngaphezu kwalokho, u-Bashkirov uyazi ukuthi angayenza kanjani ngokucacile nangokucacile imicabango yakhe - akukhona nje ukuthi washicilela izihloko eziningana ngezinkinga zokusebenza komculo.

"Bengilokhu ngithi," uDmitry Alexandrovich wake waphawula engxoxweni, "ukuthi esiteji sokusungula into eyinhloko futhi ebaluleke kakhulu inqunywa inqolobane yethalenta lomdwebi - yakhe. izici zomuntu ngamunye kanye nezakhiwo. Kungalokhu lapho indlela umenzi enza ngayo izinto ezithile zobuciko, ukuchazwa kwemisebenzi ngayinye, ixhunywe. Abagxeki kanye nengxenye yomphakathi, kwesinye isikhathi, abasicabangeli lesi simo - bahlulela umdlalo weciko ngokusobala, ngokusekelwe endleleni abawenza ngayo. by Ngingathanda ukuzwa umculo odlalwayo. Lokhu kungamanga ngokuphelele.

Ngokuhamba kweminyaka, ngivame ukukholelwa kancane kancane ebukhoneni bamafomula athile aqandisiwe futhi angaqondakali. Isibonelo - kudingekile kanjani (noma, ngokuphambene nalokho, akudingekile) ukuhumusha umbhali onjalo, lowo nalowo mbhalo. Ukuzijwayeza kubonisa ukuthi izinqumo zokusebenza zingahluka kakhulu futhi zikholise ngokulinganayo. Nakuba lokhu akusho ukuthi, vele, umdwebi unelungelo lokuzenzela noma ukuzenzela umathanda.

Omunye umbuzo. Ingabe kuyadingeka ngesikhathi sokuvuthwa, ukuba neminyaka engu-20-30 yokuhlangenwe nakho kochwepheshe ngemuva kwakhe, ukudlala upiyano? Okuningikunasebusheni? Noma ngokuphambene nalokho - ingabe kunengqondo kakhulu ukunciphisa ukushuba kwemisebenzi ngokukhula? Kunemibono nemibono eyehlukene kulokhu. "Kimina kubonakala sengathi impendulo lapha kungaba umuntu kuphela," kukholelwa Bashkirov. “Kunabaculi esibabiza ngama-born virtuosos; ngokuqinisekile badinga umzamo omncane ukuze bazigcine besesimweni sokwenza kahle. Futhi kukhona abanye. Labo abangakaze banikezwe noma yini efana naleyo, yebo, ngaphandle komzamo. Ngokwemvelo, kufanele basebenze ngokungakhathali ukuphila kwabo konke. Futhi eminyakeni yakamuva ngisho nangaphezulu kunasebusheni.

Empeleni, kufanele ngisho ukuthi phakathi kwabaculi abakhulu, cishe angikaze ngihlangane nalabo, phakathi neminyaka, ubudala, ababezokwenza buthaka izimfuno zabo kubo. Ngokuvamile kwenzeka okuphambene.”

Kusukela ngo-1957, uBashkirov ubefundisa eMoscow Conservatory. Ngaphezu kwalokho, ngokuhamba kwesikhathi, indima nokubaluleka kwe-pedagogy kuye kuyanda. “Ebusheni bami, ngangivame ukubukisa ngokuthi, bathi, nganginesikhathi sayo yonke into - ukufundisa nokulungiselela amakhonsathi. Futhi lokho akusona nje isithiyo komunye, kodwa mhlawumbe ngokuphambene nalokho: enye isekela, iqinisa enye. Namuhla, ngeke ngikuphikise lokhu … Isikhathi neminyaka zisazenzela okwabo ukulungisa – awukwazi ukuhlola okuthile ngendlela ehlukile. Namuhla, ngivame ukucabanga ukuthi ukufundisa kudala ubunzima obuthile ekusebenzeni kwekhonsathi, kuyakukhawulela. Nakhu ukungqubuzana ozama ukukuxazulula njalo, futhi, ngeshwa, hhayi njalo ngempumelelo.

Yebo, lokhu osekushiwo ngenhla akusho ukuthi ngingabaza isidingo noma ukufaneleka komsebenzi wokufundisa kimina. Akunakwenzeka! Sekuyinto ebaluleke kakhulu, eyingxenye yokuphila kwami ​​kangangokuthi azikho izingqinamba ngakho. Ngikhuluma nje amaqiniso njengoba enjalo.”

Njengamanje, i-Bashkirov inikeza amakhonsathi angaba ngu-55 ngesizini ngayinye. Lesi sibalo sizinzile kuye futhi cishe asishintshile iminyaka eminingana. “Ngiyazi ukuthi kunabantu abenza okuningi. Angiboni lutho olumangazayo kulokhu: wonke umuntu unemithombo ehlukene yamandla, ukubekezela, amandla angokomzimba nengqondo. Into esemqoka, ngicabanga, akuyona ukuthi ingakanani ukudlala, kodwa kanjani. Okungukuthi, ukubaluleka kobuciko bemidlalo kubalulekile kuqala kukho konke. Ngoba umuzwa wokuzibophezela ngalokho okwenzayo esiteji ukhula njalo.

Namuhla, u-Dmitry Aleksandrovich uyaqhubeka, kunzima kakhulu ukuthatha indawo efanelekayo emculweni wamazwe ngamazwe kanye nesiteji somculo. Udinga ukudlala kaningi ngokwanele; ukudlala emadolobheni ahlukene nasemazweni; sebenzisa izinhlelo ezahlukene. Futhi-ke, nikela ngakho konke. ezingeni eliphezulu kakhulu lochwepheshe. Kuphela ngaphansi kwezimo ezinjalo, umculi, njengoba besho, uzobe ebonakala. Yiqiniso, kumuntu omatasatasa, lokhu kunzima kakhulu kunomuntu ongeyena uthisha. Ngakho-ke, intsha eningi eya emakhonsathini ayikunaki ukufundisa. Futhi endaweni ethile zingaqondwa - uma kubhekwa ukuncintisana okwanda njalo emhlabeni wobuciko ... "

Ebuyela engxoxweni mayelana nomsebenzi wakhe wokufundisa, u-Bashkirov uthi ngokuvamile uzizwa ejabule ngokuphelele kuyo. Ujabule ngoba unabafundi, ukuxhumana okuhlakaniphile okumlethele - futhi uyaqhubeka nokuletha - injabulo enkulu. “Uma ubheka abangcono kakhulu kubo, kumele uvume ukuthi indlela eya odumo ayizange igcwale ama-roses kunoma ngubani. Uma kukhona abakuzuzile, ikakhulukazi ngemizamo yabo. Futhi ikhono ukuzithuthukisa ngobuciko (engiyithatha njengebaluleke kakhulu kumculi). Eyami ukusebenza kwezobuciko azifakanga ngenombolo ye-serial kulo mqhudelwano noma lowaya, kodwa ngokuthi zidlala namuhla ezitejini zamazwe amaningi omhlaba.

Ngingathanda ukusho igama elikhethekile ngabanye babafundi bami. Kafushane impela. Ngokwezwi nezwi ngamagama ambalwa.

UDmitry Alekseev. Ngiyayithanda kuyo ukungqubuzana kwangaphakathiengikwazi kahle njengomfundisi wakhe. Ukungqubuzana ngomqondo omuhle wegama. Kungase kungabonakali kakhulu ekuqaleni kokubona - kunokuba kufihlwe kunokuba kubonakale, kodwa kukhona, kukhona, futhi lokhu kubaluleke kakhulu. U-Alekseev wazi kahle amandla nobuthakathaka bakhe, uyaqonda ukuthi umzabalazo phakathi kwabo kanye kusho ukuqhubekela phambili emsebenzini wethu. Lokhu kunyakaza kungageleza kanye naye, njengabanye, ngokushelela nangokulinganayo, noma kungathatha uhlobo lwezinkinga kanye nokuphumelela okungalindelekile emikhakheni emisha yokudala. Akunandaba ukuthi kanjani. Kubalulekile ukuthi umculi aye phambili. Mayelana noDmitry Alekseev, kubonakala kimi, lokhu kungashiwo ngaphandle kokwesaba ukuwela ihaba. Ukuhlonishwa kwakhe emhlabeni jikelele akukona ngengozi.

Nikolai Demidenko. Kwake kwaba khona isimo sengqondo sokumeyisa ngandlela thize. Abanye babengakholelwa ekusaseni lakhe kwezobuciko. Ngingathini ngalokhu? Kuyaziwa ukuthi abanye abadlali bavuthwa ngaphambi kwesikhathi, ngokushesha (kwesinye isikhathi baze bavuthwe ngokushesha, njengamanye ama-geek avutha isikhathi eside, okwamanje), kwabanye le nqubo ihamba kancane, ngokuzola. Kuthatha iminyaka ukuthi bathuthuke ngokugcwele, bavuthwe, bazimele, baveze okungcono kakhulu abanakho… Namuhla, u-Nikolay Demidenko unomkhuba ocebile, udlala kakhulu emadolobheni ahlukahlukene ezwe lakithi naphesheya. Angijwayele ukumuzwa, kodwa uma ngiya emidlalweni yakhe, ngiyabona ukuthi izinto eziningi azenzayo manje azisafani nakuqala. Ngezinye izikhathi cishe angiboni ekuchazeni kwakhe lezo zincwadi esiziphase ekilasini. Futhi kimina njengothisha, lona umvuzo omkhulu kunayo yonke...

Sergey Erokhin. Emncintiswaneni we-VIII Tchaikovsky, wayephakathi kwabaphumelele, kodwa isimo kulo mncintiswano sasinzima kakhulu kuye: wayesanda kudilizwa ezinhlwini zeSoviet Army futhi, ngokwemvelo, wayekude nefomu lakhe lokudala elihle kakhulu. Esikhathini esidlule kusukela emncintiswaneni, uSergei wenze, kubonakala kimi, impumelelo enkulu kakhulu. Ake nginikhumbuze okungenani ngomklomelo wakhe wesibili emqhudelwaneni owawuseSantander (eSpain), elinye lamaphephandaba anethonya laseMadrid elabhala ngawo: “Imidlalo kaSergey Erokhin yayingafaneleki nje umklomelo wokuqala, kodwa wonke umqhudelwano.” Ngamafuphi, angingabazi ukuthi uSergei unekusasa eliqhakazile lobuciko. Ngaphezu kwalokho, wazalelwa, ngombono wami, hhayi ngenxa yemincintiswano, kodwa esiteji sekhonsathi.

Alexander Bonduryansky. Wazinikela ngokuphelele emculweni we-chamber. Iminyaka eminingana, u-Alexander ubelokhu edlala njengengxenye yeMoscow Trio, eyiqinisa ngentando yakhe, umdlandla, ukuzinikela, ukuzinikela, kanye nobuchwepheshe obuphezulu. Ngilandela imisebenzi yakhe ngentshisekelo, ngiyaqiniseka kaningi ukuthi kubaluleke kangakanani ukuthi umculi azitholele eyakhe indlela. Ngingathanda ukucabanga ukuthi isiqalo sentshisekelo kaBonduryansky ekwenzeni umculo we-chamber ensemble kwaba ukuqaphela kwakhe umsebenzi wami wokudala ohlanganyelwe eqenjini labathathu no-I. Bezrodny kanye noM. Khomitser.

Eiro Heinonen. Ekhaya, eFinland, ungomunye wabadlali bopiyano nothisha abadume kakhulu (manje usenguprofesa eSibelius Academy eHelsinki). Ngikhumbula ngenjabulo imihlangano yami naye.

UDang Thai Sean. Ngafunda naye lapho esengumfundi oneziqu eMoscow Conservatory; wahlangana naye kamuva. Ngibe nokuvela okumnandi ngokwedlulele kokuxhumana noSean - umuntu kanye neciko. Uhlakaniphile, uhlakaniphile, uyathandeka futhi unekhono elimangalisayo. Kunesikhathi lapho ahlangabezana khona nento enjengesimo esibucayi: wazithola esendaweni evalekile yesitayela esisodwa, futhi nalapho ngezinye izikhathi wayebukeka engahlukanga kakhulu futhi enezici eziningi ... USean wayesinqoba kakhulu lesi sikhathi esibucayi; ukujula kokucabanga, izinga lemizwa, idrama yavela ekudlaleni kwakhe ... Unesipho esihle sopiyano futhi, ngokungangabazeki, nekusasa elingathandeki elincane.

Kukhona abanye abaculi abancane abathokozisayo, abathembisayo ekilasini lami namuhla. Kodwa basakhula. Ngakho-ke, ngizoyeka ukukhuluma ngabo.

Njengawo wonke uthisha onekhono, uBashkirov unesitayela sakhe sokusebenza nabafundi. Akathandi ukuphendukela ezigabeni ezingaqondakali kanye nemiqondo ekilasini, akathandi ukuya kude nomsebenzi ofundwayo. Ngokungavamile usebenzisa, ngamazwi akhe, ukufana nobunye ubuciko, njengoba kwenza abanye ozakwabo. Usuka eqinisweni lokuthi umculo, okudlula zonke izinhlobo zobuciko emhlabeni wonke, unemithetho yawo, “imithetho” yawo, izici zawo zobuciko; ngakho-ke, imizamo yokuholela umfundi esixazululweni somculo kuphela ngokusebenzisa inkundla okungezona ezomculo ngandlela-thile zokwenziwa. Ngokuqondene nama-analogies nezincwadi, imidwebo, njll., anganikeza umfutho ekuqondeni isithombe somculo, kodwa angasishintshi ngokunye. Kuyenzeka ukuthi lezi zifaniso nezifanisi zibangele umonakalo othile emculweni - ziwenza ube lula ... “Ngicabanga ukuthi kungcono ukuchazela umfundi ukuthi yini oyifunayo ngosizo lwesimo sobuso, ukuthinta komqhubi kanye, vele, nombukiso obukhoma ikhibhodi.

Kodwa-ke, ungafundisa ngale ndlela nangaleya ndlela… Futhi, angeke kube nefomula eyodwa neyomhlaba wonke kuleli cala.”

Ubuyela njalo futhi ephikelela kulo mcabango: akukho lutho olubi ngaphezu kokuchema, i-dogmatism, i-dimensionality eyodwa endleleni yobuciko. “Umhlaba womculo, ikakhulukazi ukusebenza nokufundisa, wehluke kakhulu. Lapha, izindawo ezihluke kakhulu zenani, amaqiniso obuciko, nezixazululo ezithile zokudala zingahlala futhi kufanele zibe khona ngokugcwele. Kuyenzeka ukuthi abanye abantu baphikisane kanje: Ngiyayithanda – kusho ukuthi yinhle; Uma ungakuthandi, kubi impela. Okunjalo, ngomqondo ongokomfanekiso, ukucabanga okunengqondo kuyinto engaziwa kakhulu kimi. Ngizama ukukwenza kungaziwa nakubafundi bami.”

... Ngenhla, u-Bashkirov ukhulume ngengxabano yangaphakathi yomfundi wakhe uDmitry Alekseev - ukungqubuzana "ngomqondo omuhle wegama", okusho ukuthi "ukuqhubekela phambili emsebenzini wethu." Labo abazi uDmitry Alexandrovich eduze bazovuma ukuthi, okokuqala, ukungqubuzana okunjalo kubonakala kuye. Nguye owathi, kuhlanganiswe nokuqina okuqinile kuye (Ngesinye isikhathi, eminyakeni engu-7-8 edlule, uBashkirov wathi wayevame ukuzinikeza okuthile okufana namamaki omdlalo: "Amaphuzu, ukukhuluma iqiniso, ngokuvamile aphansi ... Ngeneliseke kakhulu ngabambalwa ... “Kulokhu, isiqephu esizifikela mathupha engqondweni, uGG Neuhaus athanda ukusikhumbula:” uLeopold Godovsky, uthisha wami omuhle, wake wangitshela: nginikeze kule sizini amakhonsathi angu-83, futhi niyazi ukuthi bangaki engijabule ngabo? - abathathu! (I-Neigauz GG Reflections, izinkumbulo, idayari // Izindatshana ezikhethiwe. Izincwadi eziya kubazali. P. 107).) – futhi wamsiza ukuba abe ngomunye wabantu abavelele ekushayeni upiyano esizukulwaneni sakhe; nguyena ozoletha umdwebi, akungabazeki, ukutholwa okuningi kokudala.

G. Tsypin, 1990