Isigqi esinamachashazi |

kusuka ku-lat. i-punctum – ichashazi

Ukushintshaniswa kwesigqi esiqinile esibude nesifinyeziwe esibuthakathaka. Amafomu P.r. ezihlukahlukene. Ukwelulwa kwesikhathi esiqinile kuboniswa ngokwengeza ichashazi kokuyinhloko. ubude besikhathi (inothi), okwandisa ubude bayo ngesigamu, noma amaphuzu amabili, okwandisa isabelo esinamandla ngezingxenye ezintathu kwezine zenhloko yalo. ubude besikhathi. Kulokhu, i-accent ewela phezu kwesigqi esinamandla iba bukhali. Ngezinye izikhathi, i-P. nayo iyasetshenziswa. ngamachashazi ama-3. Ngezinye izikhathi ichashazi lithathelwa indawo yikhefu elilingana nobude balo; Umlingiswa ka-P. lokhu akulahlekile. Kukhona i-P. p., lapho isikhathi esibuthakathaka sihlukaniswa ngamanothi amaningana amafushane. R. esetshenziswa ezinhlotsheni zomculo, i-premier solemn, umdanso, nabanye abalingiswa beselula.

Kuze kube ser. Ikhulu le-18 ekubhalweni komculo, uphawu olulodwa kuphela lwabhalwa, kodwa izibalo ezifakiwe zenziwa ngokukhululekile - ngokuhambisana nemvelo yama-muses. umdlalo ovezwa kuwo ngokuthinta (bheka. Affect theory).

L. Beethoven. I-Sonata yepiyano No 5, ingxenye yokuqala.

J. Haydn. 2nd "London" symphony, isingeniso.

F. Chopin. I-Polonaise ye-fp. op. 40 nxa 1.

Ngokuvamile, ikakhulukazi ezingxenyeni ze-slonso-tempo, izibalo zezimpawu zokubhala, ngokuphambene nombhalo wazo womculo, zazilolwa, futhi ikhefu elingabonisiwe kumanothi lalingase lifakwe phakathi kwenothi elide nelifushane; isibalo siphenduke noma nabanye. Ngokwemibandela yokuqoshwa esikhathini esedlule izibalo zika-P. r. bafakaza ezimweni eziningi lapho imisindo yabo emifushane emeshayo iqoshwa nge-diff. amazwi ami elinye ngaphezu kwamanye amanothi obude obuhlukene. Kodwa ngisho nasezimweni lapho amanothi anjalo ayengabhalwanga ngaphansi komunye, ngokusho kobufakazi babaculi abavelele kakhulu besikhathi esidlule, banikezwa ngesikhathi esifanayo. ukusebenza (ngokufushaniswa komsindo omfushane owandisiwe). Isibonelo, ngokusho kuka-DG Türk, leli gama bekufanele lenziwe kanje:

Emidlalweni esheshayo ye-polyphonic, izimpawu zokubhala, ngokuphambene nalokho, zazivame ukuthambisa, ukuze isibalo siphenduke sibe . Emculweni wokuqala, kunezimo lapho umsindo wokugcina we-triplet ngezwi elilodwa uhambisana nomsindo wokugcina wesibalo esinezimpawu zokubhala kwelinye.

F. Chopin. Isandulela se-fp. op. 28 nxa9.

Ezikhathini ezalandela, ikakhulukazi ngenkathi ye-romanticism, "ifanele" komunye nomunye ngesikhathi esifanayo. izibalo ezinomsindo ezinamachashazi zilahlekelwe incazelo yazo yangaphambili; umehluko wangempela phakathi kwezibalo ezinjalo ngokuvamile uyisisho esibalulekile. umphumela onikezwe umqambi. Bheka nelithi Isigqi.

References: I-Turk DG, isikole sepiyano, i-Lpz.-Halle, 1789, 1802, переизд. E. Р Якоби, в кн.: Documenta musicologica, vol. 1, TI 23, Kassel (ua), 1962; Ваbitz S., Inkinga yesigqi kumculo we-Baroque, «MQ», 1952, vol. 38, No. 4; Harisch-Schneider E., Mayelana nokulungiswa kokubheka ama-semiquavers kuya kuma-triplets, «Mf», 1959, vol. 12, H. 1; Jaсkоbi EE, Izindaba embuzweni othi «Izigqi ezinamachashaza ngokumelene nama-triple…», в ​​кн.: Bach yearbook, vol. 49, 1962; Neumann Fr., La note pointé et la soi-disant «Maniere française», «RM», 1965, vol. 51; Collins M., Ukusebenza kwama-triplets ekhulwini le-17 nele-18, "JAMS", 1966, v. 19

VA Vakhromeev