Edison Vasilyevich Denisov |

Edison Denisov

Ubuhle obungaboli bemisebenzi emikhulu yobuciko buphila ngesikhathi sako, buba yiqiniso eliphakeme kakhulu. E. Denisov

Umculo waseRussia wosuku lwethu umelwe inani lezibalo ezinkulu. Phakathi kwabokuqala kubo Muscovite E. Denisov. Ngemva kokufunda ukudlala upiyano (i-Tomsk Music College, 1950) kanye nemfundo yaseyunivesithi (i-Physics neMathematics Faculty yaseTomsk University, 1951), umqambi oneminyaka engamashumi amabili nambili wangena e-Moscow Conservatory ku-V. Shebalin. Iminyaka yokufuna ngemva kokuphothula i-conservatory (1956) kanye nesikole se-graduate (1959) yaphawulwa ithonya lika-D. Shostakovich, owasekela ikhono lomqambi osemusha futhi uDenisov waba abangane bakhe ngaleso sikhathi. Eqaphela ukuthi i-conservatory yamfundisa ukuthi abhale kanjani, hhayi ukuthi abhale kanjani, umqambi osemusha waqala ukuqonda izindlela zesimanje zokuqamba futhi afune indlela yakhe. UDenisov wafunda u-I. Stravinsky, B. Bartok (i-Second String Quartet - i-1961 inikezelwe enkumbulweni yakhe), uP. Hindemith ("futhi wamqeda"), C. Debussy, A. Schoenberg, A. Webern.

Isitayela sikaDenisov siqu sithatha ukuma kancane kancane ekuqanjweni kwe-60s yokuqala. Ukukhishwa kokuqala okugqamile kwesitayela esisha kwaba “Ilanga Lama-Inca” kumculo we-soprano nezinsimbi eziyi-11 (1964, umbhalo kaG. Mistral): izinkondlo zemvelo, ezinamananelo ezithombe zakudala ze-animist, zivela Ingubo yemibala yomculo e-sonorous iridescent ejulile. Olunye uhlangothi lwesitayela luseZiqephu Ezintathu ze-cello nopiyano (1967): ezingxenyeni ezidlulele umculo we-lyrical concentration, i-cello cantilena eshubile enemisindo ethambile yopiyano kurejista ephezulu, ngokungafani amandla amakhulu anesigqi "amaphoyinti, izimpiko, izimpama", ngisho "namashothi" omdlalo omaphakathi. I-Piano Yesibili ye-Trio (1971) nayo ihambisana lapha - umculo wenhliziyo, ocashile, oyinkondlo, obalulekile ngokomqondo.

Isitayela sikaDenisov siyahlukahluka. Kodwa uyenqaba okuningi kwamanje, okusemfashinini emculweni wesimanje - ukulingisa isitayela somunye umuntu, i-neo-primitivism, i-aestheticization ye-banality, i-conformist omnivorousness. Umqambi uthi: “Ubuhle bungomunye wemiqondo ebaluleke kakhulu kwezobuciko.” Esikhathini sethu, abaqambi abaningi banesifiso esibonakalayo sokufuna ubuhle obusha. Ezingcezu ezi-5 zomtshingo, amapiyano amabili nokushaywa, ama-Silhouettes (1969), izithombe zezithombe zabesifazane ezidumile zivela endwangu yomsindo e-motley - uDonna Anna (ovela ku-WA ​​Mozart's Don Juan), uLyudmila kaGlinka, uLisa (ovela ku-Queen of I-Spades) P. Tchaikovsky), u-Lorelei (kusukela engomeni ka-F. Liszt), u-Maria (ovela ku-A. Berg's Wozzeck). I-birdsong yophiyano olulungisiwe kanye ne-tape (1969) iletha iphunga lehlathi laseRussia, amazwi ezinyoni, ukutshiyoza neminye imisindo yemvelo ehholo lekhonsathi, umthombo wempilo ehlanzekile nekhululekile. “Ngivumelana noDebussy ukuthi ukubona ukuphuma kwelanga kunganikeza umqambi okungaphezu kokulalela i-Beethoven’s Pastoral Symphony.” Emdlalweni othi "DSCH" (1969), obhalwe ngokuhlonipha uShostakovich (isihloko singu-initials), ingqikithi yencwadi isetshenziswa (uJosquin Despres, JS Bach, uShostakovich ngokwakhe waqamba umculo ngezindikimba ezinjalo). Kweminye imisebenzi, uDenisov usebenzisa kabanzi iphimbo le-chromatic EDS, elizwakala kabili egameni lakhe nesibongo: EDiSon DEniSov. UDenisov wathonywa kakhulu ukuxhumana okuqondile nenganekwane yaseRussia. Mayelana nomjikelezo othi “Izililo” we-soprano, i-percussion nopiyano (1966), umqambi uthi: “Awukho nowodwa umculo wesintu lapha, kodwa wonke umugqa wephimbo (ngokuvamile, ngisho nowezinsimbi) uxhunywe ngendlela eqondile Inganekwane yaseRussia ngaphandle kwanoma yiziphi izikhathi zesitayela futhi ngaphandle kwanoma yiziphi izingcaphuno ”.

Inhlanganisela emangalisayo yobuhle obumangalisayo bemisindo ecolisisiwe kanye nombhalo ongenangqondo ithoni eyinhloko yomjikelezo wokunyakaza okuyishumi "Blue Notebook" (emigqeni ka-A. Vvedensky kanye no-D. Kharms, 1984) ye-soprano, umfundi, i-violin, i-cello , amapiyano amabili namaqembu amathathu ezinsimbi. Ngokusebenzisa i-alogism emangalisayo futhi ehlabayo (“UNkulunkulu wabuna ekhejini ngaphandle kwamehlo, kungenazingalo, ngaphandle kwemilenze …” – No. 3), izisusa ezibuhlungu ziqhamuka ngokuzumayo (“Ngibona izwe elihlanekezelwe, ngizwa ukuhlebeza okungaqondakali amahabhu” – No. 10).

Kusukela ngeminyaka yama-70s. ngokuya uDenisov uphendukela amafomu amakhulu. Lawa amakhonsathi wezinsimbi (St. 10), a Requiem emangalisayo (1980), kodwa kunalokho inkondlo ephakeme yefilosofi ngempilo yomuntu. Izimpumelelo ezinhle kakhulu zihlanganisa i-Violin Concerto (1977), i-Cello Concerto (1972), i-Concerto piccolo yoqobo (1977) yomdlali we-saxophonist (odlala ama-saxophone ahlukene) kanye ne-orchestra enkulu yokushaywa (amaqembu ayi-6), i-ballet "Confession". ” ka-A. Musset (okuthunyelwe . 1984), i-opera ethi “Foam of Days” (esekelwe kunoveli ka-B. Vian, 1981), eyadlalwa ngempumelelo enkulu eParis ngo-March 1986, ethi, “Four Girls” (esekelwe ku-P. Picasso, 1987). Ukuhlanganiswa kwesitayela esivuthiwe kwakuyi-Symphony ye-orchestra enkulu (1987). Amazwi omqambi angase abe isiqephu sayo: “emculweni wami, izingoma zomculo ziyinto ebaluleke kakhulu.” Ububanzi bokuphefumula kwe-symphonic kufinyelelwa ngezinhlobonhlobo ezihlukahlukene ze-lyrical sonorities - kusukela ekuphefumuleni okumnene kakhulu kuya kumagagasi amakhulu okucindezela okuvezayo. Mayelana nokugubha iminyaka engu-1000 yokubhapathizwa kweRussia, uDenisov wadala umsebenzi omkhulu wekhwaya i-cappella ethi "Quiet Light" (1988).

Ubuciko bukaDenisov buhlobene ngokomoya nomugqa othi "Petrine" wesiko laseRussia, isiko lika-A. Pushkin, I. Turgenev, L. Tolstoy. Ukulwela ubuhle obuphezulu, kuphikisa ukuthambekela kokwenza lula okuvame kakhulu esikhathini sethu, ukufinyeleleka okulula okuyinhlamba kakhulu kokucabanga kwe-pop.

Y. Kholopov