Alfredo Casella |

U-Alfredo Casella

Umqambi wase-Italy, umdlali wopiyano, umqhubi nombhali womculo. Uzalelwe emndenini wabaculi (uyise wayengumculi we-cellist, uthisha eMusical Lyceum eTurin, unina wayengumdlali wopiyano). Wafunda eTurin noF. Bufaletti (upiyano) kanye noG. Cravero (i-harmony), kusukela ngo-1896 - eParis Conservatory noL. Diemera (ipiano), C. Leroux (i-harmony) kanye no-G. Fauré (ukwakheka).

Waqala umsebenzi wakhe womculo njengomdlali wepiyano kanye nombhidisi. Wavakashela emazweni amaningi aseYurophu (eRussia - ngo-1907, 1909, e-USSR - ngo-1926 no-1935). Ngo-1906-09, wayeyilungu (edlala i-harpsichord) ye-ensemble yezinsimbi zasendulo zika-A. Kazadezyus. Ngo-1912 wasebenza njengomhlaziyi womculo wephephandaba i-L'Homme mahhala. Ngo-1915-22 wafundisa eSanta Cecilia Music Lyceum eRome (ikilasi lopiyano), kusukela ngo-1933 eSanta Cecilia Academy (isifundo sokuthuthukisa upiyano), kanye naseChijana Academy eSiena (inhloko yomnyango wepiyano). ).

Eqhubeka nemisebenzi yakhe yekhonsathi (umshayi wepiyano, umbhidisi, ngeminyaka yama-30s ilungu le-Italian Trio), u-Casella wakhuthaza umculo wanamuhla waseYurophu. Ngo-1917 wasungula i-National Musical Society e-Rome, kamuva eyaguqulwa yaba yi-Italian Society of Modern Music (1919), futhi kusukela ngo-1923 yaba yi-Corporation for New Music (ingxenye ye-International Society for Contemporary Music).

Esikhathini sokuqala sokusungula sathonywa uR. Strauss noG. Mahler. Eminyakeni yama-20s. wathuthela endaweni ye-neoclassicism, ehlanganisa amasu esimanje kanye namafomu asendulo emisebenzini yakhe (i-Scarlattiana yepiyano nezintambo ezingu-32, op. 44, 1926). Umbhali wama-opera, ama-ballet, ama-symphonies; Okulotshiweyo okuningi kwepiyano ka-Casella kube negalelo ekuqalweni kabusha kwentshisekelo kumculo wakudala wesi-Italian. Wabamba iqhaza elibonakalayo ekushicilelweni kwe-classical repertoire yabadlali bopiyano (JS Bach, WA ​​Mozart, L. Beethoven, F. Chopin).

U-Casella ungumnikazi wemisebenzi yomculo, okuhlanganisa. I-eseyi mayelana nokuvela kwe-cadence, ama-monographs ku-IF Stravinsky, JS Bach nabanye. Umhleli wemisebenzi eminingi yepiyano yakudala.

Kusukela ngo-1952, Umncintiswano Wepiyano Wamazwe Ngamazwe oqanjwe ngo-AA Casella (kanye eminyakeni emi-2).

CM Hryshchenko

Ukwakhiwa:

ama-opera – The Snake Woman (La donna serpente, ngemva kwenganekwane kaC. Gozzi, 1928-31, post. 1932, Opera, Rome), The Legend of Orpheus (La favola d'Orfeo, after A. Poliziano, 1932, tr Goldoni, Venice), Ugwadule Lwezilingo (Il deserto tentato, mystery, 1937, tr Comunale, Florence); amabhalethi - choreography, comedy Monastery phezu kwamanzi (Le couvent sur l'eau, 1912-1913, post. ngaphansi kwegama lezindela zaseVenetian, Il convento Veneziano, 1925, tr "La Scala", Milan), Bowl (La giara, ngemva kwesikhashana indaba kaL. Pirandello, 1924, “Tr Champs Elysees”, Paris), Igumbi lemidwebo (La camera dei disegni o Un balletto per fulvia, ballet yezingane, 1940, Tr Arti, Rome), Rose of a Dream (La rosa del sogno, 1943, tr Opera, Rome); ye-orchestra - 3 ama-symphonies (b-moll, op. 5, 1905-06; c-moll, op. 12, 1908-09; op. 63, 1939-1940), Heroic elegy (op. 29, 1916), Village mashi ( Marcia rustica, op. 49, 1929), Isingeniso, i-aria ne-toccata (op. 55, 1933), Paganiniana (op. 65, 1942), ikhonsathi yezintambo, upiyano, i-timpani ne-percussion (op. 69, 1943) nezinye. ; ngezinsimbi (solo) ezine-orchestra – Partita (yepiyano, op. 42, 1924-25), Roman Concerto (yesitho, ithusi, i-timpani nezintambo, op. 43, 1926), Scarlattiana (yepiyano nezintambo ezingu-32, op. 44, 1926) ), ikhonsathi ye-Skr. (a-moll, op. 48, 1928), ikhonsathi yepiyano, skr. kanye ne-VC. (ikhasi 56, 1933), uNocturne kanye ne-tarantella ye-wlc. (ikhasi 54, 1934); ama-ensembles wezinsimbi; izingcezu zepiyano; ezothando; okulotshiweyo, kuhl. Ukuhlelwa kwefantasy yepiyano "Islamey" kaBalakirev.

Imisebenzi yemibhalo: L'evoluzione della musica a traverso la storia della cadenza perfetta, L., 1923; I-Polytonality and atonality, L. 1926 (inguqulo yesiRashiya yesihloko sika-K.); Strawinski and Roma, 1929; Brescia, 1947; 21+26 (ukuqoqwa kwezihloko), Roma, 1930; Il pianoforte, Roma-Mil., 1937, 1954; I segreti della giara, Firenze, 1941 (i-autobiography, translation English – Music in my time. The memoirs, Norman, 1955); GS Bach, Torino, 1942; Beethoven intimo, Firenze, 1949; La tecnica dell'orchestra contemporanea (no-V. Mortari), Mil., 1950, Buc., 1965.

References: И. Глебов, А. Казелла, Л., 1927; Соrtеsе L., A. Casella, Genoa, 1930; A. Casella – Symposium, ehlelwe ngu-GM Gatti kanye noF. d'Amico, Mil., 1958.