Fiorenza Cedolins |

Fiorenza Cedolins

UFiorenza Cedolins wazalelwa e-Anduins, idolobhana elincane esifundazweni sasePordenone (isifunda saseFriuli-Venezia Giulia). Kakade esemncane, u-Chedolins wenza i-debut yakhe esiteji se-opera yochwepheshe (1988). Indima yakhe yokuqala enkulu kwaba nguSantuzza kuMascagni's Rural Honor (Teatro Carlo Felice eGenoa, 1992). Unezwi elithambile ngokwepulasitiki lombala omnyama ongandile kanye nohlu olukhulu, kanye nezikhali ezinamandla zezindlela zobuchwepheshe ezimvumela ukuthi enze zombili izingxenye ze-soprano ene-lyric-dramatic futhi azizwe eqiniseka ngochungechunge olumangalisayo (i-verist), umculi esigabeni sokuqala somsebenzi wakhe ube yimpumelelo amasizini ambalwa alandelana. uhlanganyela njengesivakashi esicula yedwa ngefestivali e-Split (Croatia). Izingxenye ezihlukene ngokwesitayela okufanele zenziwe ngalesi sikhathi ziba yisisekelo sokuqala ongathuthukisa kuso amakhono akho okucula futhi uqongelele ulwazi lobuciko. Ngakho-ke, ngentshiseko enomona, u-Chedolins ungompetha berepertoire ebanzi kakhulu kusukela ku-Monteverdi's Duel of Tancred kanye ne-Clorinda kuya kuCarmina Burana ka-Orff, kusukela eka-Rossini kaMose kuya ku-Salome ka-Richard Strauss.

Njengoba sekushiwo kakade, ukuphenduka okujabulisayo emsebenzini we-Chaedolins kwenzeka ngo-1996. Njengomnqobi we-Luciano Pavarotti International Competition, uthola ithuba lokucula ingoma kaPuccini ethi "Tosca" ePhiladelphia ekusebenzeni okufanayo ne-tenor eyinhloko yeplanethi. . Ngawo lowo nyaka, umculi waba nenye iSantuzza eMkhosini weRavenna (umqhubi - uRiccardo Muti). Ehlobo lango-1997, i-KICCO MUSIC yaqoshwa ku-CD Cilea ethi “Gloria” noCedolins endimeni yesihloko emdlalweni weSan Gimignano Festival. Ekwindla yonyaka ofanayo - futhi i-Santuzza emkhosini we-Mascagni e-Livorno. Ngakho-ke, imvelo yezwi ngokwemvelo inquma isisekelo se-repertoire yomculi ngokuthi "Veristic-Puccini".

Nokho, kusukela ngo-October 1997, uCedolins wenza isinqumo sokubeka uchungechunge lwakhe ekubukezweni okucatshangelwe ngokucophelela. Okuthandwayo manje kunikezwa, okokuqala, kumaqhawekazi esino, kanye nezingxenye zendima yelyrical nedrama, edinga ukuguquguquka okuthile nokuhamba kwezwi kanye nemibala efudumele, ewugqinsi yomsindo nokugcwala kokuthungwa kwezwi. Ama-Forys ku-repertoire ye-verismo kanye "ne-opera enkulu" (kulokhu, leli gama libhekisela ezingxenyeni ezimangalisayo ezigcwele ngokugcwele) kancane kancane ziqala ukulahlekelwa umlingiswa wazo olawulayo.

Kusukela ngaleso sikhathi kuqhubeke, inani lezinkontileka ze-Chedolins likhula njengebhola leqhwa. Ngamunye ngamunye, izigaba ezinkulu ze-opera emhlabeni zizithoba kuye. Izindlela zokuzibandakanya kwakhe zisuka kuMetropolitan Opera yaseNew York ziye eCovent Garden yaseLondon, kusukela eParis' Opera Bastille kuya eLiceu yaseBarcelona, ​​kusukela e-Opera House yaseZurich kuya e-Real Theatre yaseMadrid. Umbhali wale migqa unenhlanhla kabili ukuzwa umculi edlala yaseshashalazini ye-Arena di Verona: kuma-operas ka-Verdi Il trovatore (2001) no-Aida (2002). Futhi-ke, izindlela zokusungula ngokwemvelo ziholela umculi emgwaqeni obanzi ongcwele we-La Scala theatre - i-opera Mecca noma yimuphi umculi aphupha ngokuyinqoba. I-Milan debut ye-Cedolins ihlehlela emuva ku-February 2007: indima enkulu ku-Madam Butterfly ka-Puccini (umqhubi - uMyung-Vun Chung) wenza i-splash.

Enye yezincwadi zabagxeki base-Italy abashisekayo bangaleso sikhathi kumagazini i-Messaggero Veneto, ingxoxo nalo mculi, ibizwa ngokuthi “Igama likaLa Scala nguFiorenza Cedolins.” Nakhu okulotshwe esanduleleni sayo: “Kwakuwukusangana kwangempela komphakathi. Ithempeli le-Italian Opera, enye yezindawo ezihlonishwa kakhulu kunoma yimuphi umculi, lasukuma lasukuma “lamemeza” ngentokozo nangokuvunyelwa. UFiorenza Cedolins, i-soprano esencane, wathinta, wakhangwa, waheha izethameli ze-opera ezinelungelo elikhulu neziphucuzekile - izethameli zethiyetha iLa Scala eMilan - ngokudlala okumangalisayo kwengxenye eyinhloko ... ”Isigaba esilandelayo esibalulekile sokubambisana nale midlalo yaseshashalazini, njengoba sekuphawuliwe ekuqaleni kwamanothi ethu, ukuvulwa kwale sizini eLa Scala. Futhi akungabazeki: oxhumana nabo bokudala naleli thempeli lobuciko nakanjani bazoqhubeka esikhathini esizayo.

Izwi lomculi lijwayeleke kakhulu esikoleni samazwi sase-Italy kangangokuthi ngokuzenzakalelayo kunezinkumbulo zomlando ngezwi lenganekwane u-Renata Tebaldi. Ngaphezu kwalokho, azinasisekelo nakancane. USabino Lenochi, owayemazi mathupha uTebaldi, wabelane ngezinkumbulo zakhe ngesikhathi kuqhubeka isithangami nabezindaba. Komunye wemihlangano no-prima donna omkhulu, wamnika okurekhodiwe kwe-Chedolins ukuthi awalalele - futhi uTebaldi wababaza: "Ekugcineni, ngithole indlalifa yami yokudala!" I-repertoire yamanje ye-Fiorenza Cedolins iyamangalisa kakhulu. Ihlanganisa cishe yonke i-Puccini (ama-opera ayisishiyagalombili kweyishumi). Ama-opera e-Verdi enza ingxenye enkulu yawo. Ake sibale ezimbalwa zazo. Phakathi kwemisebenzi yokuqala kukhona "Lombards in the First Crusade", "Battle of Legnano", "Robbers", "Louise Miller". Phakathi kwama-opuses akamuva kukhona i-Il trovatore, iLa traviata, uSimon Boccanegra, iThe Force of Destiny. Futhi ekugcineni, ama-opera aqeda umsebenzi we-maestro evela eBusseto nguDon Carlos, Aida, Othello noFalstaff.

Ungqimba lwe-romantic operatic bel canto ku-repertoire ye-Cedolins luncane (i-Bellini's Norma, i-Donizetti's Polieucto kanye ne-Lucrezia Borgia), kodwa lokhu kuyinhloso futhi kuyimvelo. Uma kuziwa ekuhumusheni ingoma yothando luka-bel canto wase-Italiya wekhulu lesi-XNUMX, umculi usondela ekukhetheni kwakhe ngokucophelela nangokukhetha, eqinisekisa ngokuqinile ukuthi izwi lakhe lihambisana ngokugcwele nezindinganiso ezingenakunyakaziswa zesitayela, kokubili ku-tessitura kanye ne-tessitura. ezicini zakhe zezinsimbi.