Georges Auric |

Georges Auric

Ilungu le-Institute of France (1962). Wafunda eMontpellier Conservatory (ipiano), wabe eseParis Conservatory (ikilasi le-counterpoint kanye ne-fugue no-J. Cossade), ngesikhathi esifanayo ngo-1914-16 - eSchola Cantorum no-V. d'Andy (ikilasi lokuqamba) . Kakade eneminyaka engu-10 waqala ukuqamba, lapho eneminyaka engu-15 wenza i-debut yakhe njengomqambi (ngo-1914, uthando lwakhe lwenziwa kumakhonsathi we-National Musical Society).

Ngeminyaka yawo-1920 kwakungoweSithupha. Njengamanye amalungu ale nhlangano, u-Orik wasabela ngokucacile emikhubeni emisha yaleli khulu leminyaka. Isibonelo, amathonya e-jazz azwakala ku-foxtrot yakhe ethi "Farewell, New York" ("Adieu, New York", 1920). Umqambi osemusha (J. Cocteau wanikezela kuye ipheshana elithi Rooster and Harlequin, 1918) wayeyithanda imidlalo yaseshashalazini nehholo lomculo. Eminyakeni yama-20s. wabhala umculo wemidlalo eminingi emangalisayo: I-Molière's Boring (kamuva eyashintshwa yaba yi-ballet), i-Marriage of Figaro ka-Beaumarchais, i-Ashar's Malbrook, iZimmer's Birds kanye ne-Meunier ngemva kuka-Aristophanes; "Owesifazane Othule" ka-Ashar noBen-Johnson nabanye.

Phakathi nale minyaka, waqala ukusebenzisana no-SP Diaghilev kanye neqembu lakhe elithi "Russian Ballet", elidlala i-ballet ka-Orik ethi "Troublesome" (1924), futhi libhalelwe ngokukhethekile ama-ballet akhe "Sailors" (1925), "Pastoral" (1926). ) , “Imaginary” (1934). Ngokufika kwe-cinema yomsindo, u-Orik, othathwe yilolu buciko obukhulu, wabhala umculo wamafilimu, kuhlanganise neGazi Lembongi (1930), Freedom for Us (1932), Caesar and Cleopatra (1946), Beauty and the Beast "( 1946)," Orpheus "(1950).

Wayeyilungu lebhodi le-People's Musical Federation (kusukela ngo-1935), wabamba iqhaza embuthweni wokulwa nobufascist. Wakha inqwaba yezingoma, kuhlanganise nethi "Cula, amantombazane" (amagama ka-L. Moussinac), okwakuwuhlobo lweculo lentsha yaseFrance eminyakeni engaphambi kweMpi Yezwe II. Kusukela ekupheleni kwama-2s. U-Orik ubhala okuncane uma kuqhathaniswa. Kusukela ngo-50, uMongameli weNhlangano Yokuvikelwa Kwamalungelo Amalungelo Abaqambi kanye Nokushicilela Umculo, ngo-1954-1957 uMongameli weLamoureux Concerts, ngo-60-1962 uMqondisi Jikelele weNational Opera Houses (Grand Opera kanye ne-Opera Comic).

Iciko lesintu, u-Auric ungomunye wabaqambi abahamba phambili besikhathi samanje baseFrance. Uhlukaniswa ngesipho esicebile se-melodic, i-penchant yamahlaya abukhali nokuhlekisa. Umculo ka-Orik ubonakala ngokucaca kwephethini yomculo, ubulula obugcizelelwe bolimi oluvumelanayo. Imisebenzi yakhe efana neZihlabelelo Ezine Zokuhlupheka France (eya kumazwi ka-L. Aragon, J. Superville, P. Eluard, 1947), umjikelezo wezinkondlo ezingu-6 ukuya kokulandelayo, zigcwele izindlela zobuntu. U-Eluara (1948). Phakathi kwezingoma ze-chamber-instrumental, i-dramatic upiyano sonata F-dur (1931) igqamile. Omunye wemisebenzi yakhe ebaluleke kakhulu i-ballet Phaedra (esekelwe embhalweni kaCocteau, 1950), abagxeki baseFrance abawubiza ngokuthi “inhlekelele yokuqopha umlando.”

Ukwakhiwa:

ama-ballets - Boring (Les facheux, 1924, Monte Carlo); Amatilosi (Les matelots, 1925, Paris), Pastoral (1926, ibid.), Charms of Alcina (Les enchantements d'Alcine 1929, ibid.), Rivalry (La concurrence, 1932, Monte Carlo), Imaginary (Les imaginaires, 1934) , ibid.), The Artist and His Model (Le peintre et son model, 1949, Paris), Phaedra (1950, Florence), The Path of Light (Le chemin de lumiere, 1952), The Room (La chambre, 1955, Paris), amasela ebhola (Le bal des voleurs, 1960, Nervi); kwe-orc. – overture (1938), suite from the ballet Phaedra (1950), symphony. suite (1960) nabanye; i-suite yesiginci ne-orchestra; chamber-instr. ama-ensembles; kwe fp. – izandulela, sonata F-dur (1931), impromptu, 3 abelusi, Partita (for 2 fp., 1955); ezothando, izingoma, umculo wamadrama. yaseshashalazini nasesinema. Lit. cit.: I-autobiography, ku: Bruor J., L'écran des musiciens, P., [1930]; Isaziso sur la vie et les travaux de J. Ibert, P., 1963

Imisebenzi yemibhalo: I-autobiography, ku: Bruyr J., L'écran des musiciens, P., (1930); Isaziso sur la vie et les travaux de J. Ibert, P., 1963

References: Umculo Omusha WesiFulentshi. “Ayisithupha”. NgoMgqibelo. Art. I. Glebov, S. Ginzburg noD. Milo, L., 1926; Schneerson G., umculo wesiFulentshi wekhulu lama-XX, M., 1964, 1970; wakhe, Two of the “Six”, “MF”, 1974, No 4; U-Kosacheva R., uGeorges Auric kanye nama-ballet akhe okuqala, "SM", 1970, No 9; Landormy R., La musique française apris Débussy, (P., 1943); Rostand C, La musique française contemporaine, P., 1952, 1957; Jour-dan-Morhange J., Mes amis musiciens, P., (1955) (Ukuhunyushwa kwesiRashiya - E. Jourdan-Morhange, Abangane bami bomculo, M., 1966); Golia A., G. Auric, P., (1); Dumesni1958 R., Histoire de la musique des origines a nos Jours, v. 1 – La première moitié du XXe sícle, P., 5 (Ukuhunyushwa kwesi-Russian kwesiqephu esisuka emsebenzini – R. Dumesnil, Abaqambi be-Modern French French of the Six Group , L., 1960); Poulenc F., Moi et mes amis, P.-Gen., (1964) (Ukuhunyushwa kwesiRashiya - Poulenc R., Mina nabangane bami, L., 1963).

I-Medvedeva