UJacques Thibaud |

UJacques Thibaud

NgoSepthemba 1, 1953, umhlaba womculo washaqeka ngezindaba zokuthi esendleleni eya eJapan, uJacques Thibault, ongomunye wabadlali beviolin abavelele ekhulwini lesi-XNUMX, inhloko eyaziwayo yesikole se-violin yaseFrance, washona ngenxa yesigameko. ukuphahlazeka kwendiza ngaseMount Semet eduze kwaseBarcelona.

U-Thibaut wayengumFulentshi weqiniso, futhi uma umuntu engase acabange ukubonakaliswa okuhle kakhulu kobuciko be-violin yesiFulentshi, khona-ke kwakufakwe kuye ngokuqondile, ukudlala kwakhe, ukubukeka kobuciko, indawo yokugcina impahla ekhethekile yobuntu bakhe bobuciko. UJean-Pierre Dorian wabhala encwadini ngoThibaut: “UKreisler wake wangitshela ukuthi uThibault wayengumdlali wevayolini omkhulu kunabo bonke emhlabeni. Ngokungangabazeki, wayengumdlali wevayolini omkhulu kunabo bonke eFrance, futhi lapho edlala, kwakubonakala sengathi uzwe ingxenye yeFrance ngokwayo icula.

“UTibaut ubengeyena nje umculi ogqugquzelwe. Wayeyindoda eqotho-ecacile, ephilayo, ehlakaniphile, ebukekayo - umFulentshi wangempela. Ukusebenza kwakhe, okugcwele ububele obuqotho, ithemba ngomqondo omuhle kakhulu wegama, wazalwa ngaphansi kweminwe yomculi owathola injabulo yokudala ngokuxhumana okuqondile nezilaleli. - Lena yindlela uDavid Oistrakh aphendule ngayo ekufeni kukaThibault.

Noma ubani oke wezwa imisebenzi yevayolini kaSaint-Saens, Lalo, Franck eyenziwa nguThibault akasoze akukhohlwa lokhu. Ngomusa ongenangqondo wezwakala isiphetho se-symphony kaLalo yaseSpain; ngepulasitiki emangalisayo, ejaha ukuphelela kwebinzana ngalinye, wadlulisa izingoma ezidakayo zaseSaint-Saens; muhle ngokwedlulele, owenziwe ubuntu ngokomoya uvele phambi komlaleli we-Sonata kaFranck.

“Ukuhumusha kwakhe ama-classics akuzange kuvinjwe uhlaka lwemfundo eyomile, futhi ukusebenza komculo wesiFulentshi kwakungenakulinganiswa. Wembula ngendlela entsha imisebenzi efana ne-Third Concerto, Rondo Capriccioso kanye ne-Havanaise kaSaint-Saens, i-Lalo's Symphony yaseSpain, Inkondlo ka-Chausson, i-sonatas kaFauré kanye ne-Franck, njll. Ukuhumusha kwakhe le misebenzi kwaba imodeli ezizukulwaneni ezalandela zama-violinists.

UThibault wazalwa ngoSepthemba 27, 1881 eBordeaux. Uyise, umdlali we-violini ovelele, wasebenza eqenjini le-opera. Kodwa ngisho nangaphambi kokuzalwa kukaJacques, umsebenzi kayise we-violin waphela ngenxa ye-atrophy yomunwe wesine wesandla sakhe sobunxele. Kwakungekho okunye okwakungenziwa ngaphandle kokutadisha i-pedagogy, hhayi i-violin kuphela, kodwa nopiyano. Ngokumangazayo, wakwazi ngempumelelo yomibili imikhakha yobuciko bomculo kanye ne-pedagogical. Kunoma ikuphi, waziswa kakhulu edolobheni. UJacques wayengamkhumbuli unina, njengoba ashona enonyaka nesigamu kuphela ubudala.

UJacques wayeyindodana yesikhombisa emndenini futhi enguthunjana. Omunye wabafowabo ushone eneminyaka engu-2, omunye eneminyaka engu-6. Abasindile bahlukaniswa ngomculo omkhulu. U-Alphonse Thibaut, umshayi wopiyano omuhle kakhulu, wathola umklomelo wokuqala eParis Conservatory eneminyaka engu-12. Iminyaka eminingi wayengumuntu ovelele emculweni e-Argentina, lapho afika khona ngemva nje kokuqeda imfundo yakhe. UJoseph Thibaut, ongumdlali wopiyano, waba uprofesa endaweni yokugcina izinto eBordeaux; wafunda noLouis Diemer eParis, uCortot wathola idatha emangalisayo kuye. Umfowethu wesithathu, uFrancis, uyi-cellist futhi ngemuva kwalokho wasebenza njengomqondisi we-conservatory e-Oran. U-Hippolyte, umdlali wevayolini, umfundi waseMassard, ngeshwa owashona ngaphambi kwesikhathi ngenxa yokudliwa, wayenesiphiwo esikhethekile.

Okuxakayo ukuthi uyise kaJacques ekuqaleni (lapho eneminyaka engu-5) waqala ukufundisa upiyano, noJoseph ivayolini. Kodwa ngokushesha izindima zashintsha. Ngemva kokushona kukaHippolyte, uJacques wacela imvume kuyise yokushintshela ku-violin, eyamkhanga kakhulu kunopiyano.

Umkhaya wawuvame ukudlala umculo. UJacques ukhumbula izikhathi zakusihlwa ze-quartet, lapho izingxenye zazo zonke izinsimbi zazidlalwa abazalwane. Ngesinye isikhathi, ngaphambi nje kokufa kuka-Hippolyte, badlala i-b-moll trio ka-Schubert, umsebenzi wobuciko wesikhathi esizayo we-Thibaut-Cortot-Casals ensemble. Incwadi yezinkumbulo "Un violon parle" ikhomba othandweni olungavamile lukaJacques omncane ngomculo weMozart, kuphinde kuthiwe "ihhashi" lakhe, elavusa ukuthakaselwa njalo kwezilaleli, kwakuyi-Romance (F) Beethoven. Konke lokhu kubonisa kakhulu ubuntu bobuciko bukaThibaut. Ukuvumelana komdlali wevayolini ngokwemvelo kwahlatshwa umxhwele uMozart ngokucaca, ukucolisiswa kwesitayela, kanye nezingoma ezithambile zobuciko bakhe.

UThibaut wahlala impilo yakhe yonke kude nanoma yini engahambisani nobuciko; Amandla ashukumisayo, injabulo yokubonisa kanye nokwethuka kwamzonda. Ukusebenza kwakhe kwakuhlala kucacile, kunobuntu futhi kungokomoya. Ngakho-ke ukukhangwa ku-Schubert, kamuva ku-Frank, futhi kusukela efeni lika-Beethoven - kuya emisebenzini yakhe enezingoma eziningi - ezothando ze-violin, lapho isimo sokuziphatha esiphezulu sikhona, kuyilapho u-Beethoven "oyiqhawe" wayenzima kakhulu. Uma sithuthukisa ngokwengeziwe incazelo yesithombe sobuciko sikaThibault, kuzodingeka sivume ukuthi wayengeyena isazi sefilosofi emculweni, akazange ahlabeke umxhwele ngokusebenza kwemisebenzi kaBach, ukungezwani okumangalisayo kobuciko bukaBrahms kwakungavamile kuye. Kodwa ku-Schubert, i-Mozart, i-Lalo's Spanish Symphony kanye ne-Sonata ka-Franck, ukunotha okumangalisayo kokomoya kanye nobuhlakani obucwengekile balo mculi ongenakuqhathaniswa kwembulwe ngokuphelela okukhulu. Ukuma kwakhe kobuhle kwaqala ukunqunywa esemncane, lapho, khona-ke, umkhathi wobuciko owawubusa endlini kayise wadlala indima enkulu.

Lapho eneminyaka engu-11, uThibault wavela okokuqala emphakathini. Impumelelo yaba ukuthi uyise wamthatha e-Bordeaux waya e-Angers, lapho, ngemva kokudlala kwe-violinist osemusha, bonke abathandi bomculo bakhuluma ngaye ngentshiseko. Lapho ebuyela eBordeaux, uyise wabela uJacques kwelinye lamaqembu omculo wezinsimbi edolobheni. Ngaleso sikhathi, u-Eugene Ysaye wafika lapha. Ngemva kokulalela umfana, wahlatshwa umxhwele ubusha kanye nokuvela kwethalente lakhe. “Udinga ukufundiswa,” u-Izai etshela uyise. Futhi umBelgian wenza umbono kuJacques kangangokuthi waqala ukuncenga uyise ukuba amthumele eBrussels, lapho uYsaye efundisa khona esikoleni. Nokho, ubaba wenqaba, njengoba wayesexoxile kakade ngendodana yakhe noMartin Marsik, uprofesa eParis Conservatory. Kodwa nokho, njengoba uThibault ngokwakhe kamuva abonisa, u-Izai wadlala indima enkulu ekubunjweni kwakhe kwezobuciko futhi wathatha izinto eziningi ezibalulekile kuye. Njengoba esevele engumculi omkhulu, u-Thibault wagcina ukuxhumana njalo no-Izaya, wayevame ukuvakashela i-villa yakhe e-Belgium futhi wayenguzakwethu oqhubekayo kuma-ensembles no-Kreisler no-Casals.

Ngo-1893, lapho uJacques eneminyaka engu-13 ubudala, wathunyelwa eParis. Esiteshini, uyise nabafowabo bambona ehamba, futhi esitimeleni, owesifazane onozwela wamnakekela, ekhathazekile ngokuthi umfana wayehamba yedwa. EParis, uThibault wayelinde umfowabo kayise, isisebenzi sasefektri esigijimayo esakha imikhumbi yezempi. Ukuhlala kukamalume eFaubourg Saint-Denis, umsebenzi wakhe wansuku zonke nesimo somsebenzi ongajabulisi kwamcindezela uJacques. Ngemva kokufuduka kumalume wakhe, waqasha igumbi elincane esitezi sesihlanu e-Rue Ramey, e-Montmartre.

Ngosuku olungemva kokufika kwakhe eParis, waya endaweni yokugcina izingane eMarsik futhi wamukelwa ekilasini lakhe. Lapho ebuzwa uMarsik ukuthi yimuphi kubaqambi uJacques amthanda kakhulu, umculi osemusha waphendula ngaphandle kokungabaza - uMozart.

UThibaut wafunda ekilasini likaMarsik iminyaka emi-3. Wayenguthisha ovelele owaqeqesha uCarl Flesch, uGeorge Enescu, uValerio Franchetti kanye nabanye abadlali be-violin abaphawulekayo. UThibaut waphatha uthisha ngenhlonipho.

Phakathi nezifundo zakhe e-conservatory, wayephila kabi kakhulu. Ubaba wayengakwazi ukuthumela imali eyanele - umndeni wawumkhulu, futhi umholo wawumncane. U-Jacques kwadingeka athole imali eyengeziwe ngokudlala kuma-orchestra amancane: ku-cafe Rouge e-Latin Quarter, i-orchestra ye-Variety Theatre. Kamuva, wavuma ukuthi akazange azisole ngalesi sikole esinzima sobusha bakhe kanye nokusebenza okungu-180 ne-orchestra ehlukahlukene, lapho edlala khona ku-console yesibili ye-violin. Akazange azisole ngokuphila ku-attic ye-Rue Ramey, lapho ahlala khona nama-conservatives amabili, uJacques Capdeville nomfowabo uFeliksi. Ngezinye izikhathi babejoyinwa uCharles Mancier, futhi babechitha ubusuku bonke bedlala umculo.

UThibaut uthweswe iziqu ku-conservatory ngo-1896, wawina umklomelo wokuqala kanye nendondo yegolide. Umsebenzi wakhe emibuthanweni yomculo waseParis wabe esehlanganiswa nokudlalwa yedwa emakhonsathini e-Chatelet, futhi ngo-1898 ne-orchestra ka-Edouard Colonne. Kusukela manje kuqhubeke, uyintandokazi yaseParis, futhi imidlalo ye-Variety Theatre ihlala ngemuva. U-Enescu usishiyele imigqa egqamile mayelana nomuzwa owadalwa wumdlalo kaThibault phakathi nalesi sikhathi kubalaleli.

“Wafunda ngaphambi kwami,” kubhala u-Enescu, “noMarsik. Ngangineminyaka eyishumi nanhlanu lapho ngiqala ukukuzwa; Uma ngikhuluma iqiniso, kwangithatha umoya. ngangigcwele injabulo. Bekukusha, kungajwayelekile!. I-Paris enqotshiwe yambiza ngokuthi iNkosana Ethandekayo futhi yayithatheka kuye, njengowesifazane othandweni. U-Thibault ube ngowokuqala kubadlali beviolin ukuvezela umphakathi umsindo omusha ngokuphelele - umphumela wobunye obuphelele besandla kanye nentambo eluliwe. Ukudlala kwakhe bekuthambile futhi kunothando ngendlela emangalisayo. Uma kuqhathaniswa naye, i-Sarasate iwukuphelela okubandayo. NgokukaViardot, lena yi-nightingale eyimishini, kuyilapho uThibaut, ikakhulukazi ejabule kakhulu, wayeyi-nightingale ephilayo.

Ekuqaleni kwekhulu le-1901, uThibault waya eBrussels, lapho enza khona amakhonsathi e-symphony; Kuqhuba u-Izayi. Lapha kwaqala ubungane babo obukhulu, obaqhubeka kwaze kwaba sekufeni komdlali weviolini omkhulu waseBelgium. Ukusuka eBrussels, uThibaut waya eBerlin, lapho ahlangana khona noJoachim, futhi ngo-December 29 wafika eRussia okokuqala ukuze ahlanganyele ekhonsathini enikezelwe kumculo wabaqambi baseFrance. Udlala nomdlali wepiyano u-L. Würmser kanye nombhidisi u-A. Bruno. Ikhonsathi, eyaba ngo-December 1902 eSt. Petersburg, yaba yimpumelelo enkulu. Ngaphandle kwempumelelo encane, uThibaut unikeza amakhonsathi ekuqaleni kuka-XNUMX eMoscow. Ubusuku bekamelo lakhe nomculi we-cellist A. Brandukov kanye nomdlali wepiyano uMazurina, uhlelo lwakhe lwaluhlanganisa i-Tchaikovsky Trio, ujabule u-N. Kashkin: , futhi okwesibili, ngomculo oqinile nohlakaniphile wokusebenza kwakhe. Umculi osemusha ugwema noma yikuphi ukuthinteka okukhethekile kwe-virtuoso, kodwa uyazi ukuthi angathatha kanjani konke okusemandleni ekwakhiweni. Isibonelo, asizange sizwe kunoma ubani i-Rondo Capriccioso edlalwe ngomusa nobuhlakani obunjalo, nakuba ngesikhathi esifanayo yayingenasici mayelana nobukhulu bomlingiswa wokusebenza.

Ngo-1903, uThibault wenza uhambo lwakhe lokuqala lokuya e-United States futhi wayevame ukunikeza amakhonsathi eNgilandi ngalesi sikhathi. Ekuqaleni, wadlala ivayolini kaCarlo Bergonzi, kamuva kwaba iStradivarius emangalisayo, eyake yaba ngowevayolini waseFrance ovelele wasekuqaleni kwekhulu lesi-XNUMX uP. Baio.

Lapho ngo-January 1906 u-Thibaut emenywa ngu-A. Siloti e-St. Petersburg ukuze athole amakhonsathi, wachazwa njengomdlali wevayolini onethalente elimangalisayo owabonisa kokubili ubuciko obuphelele kanye nobumnandi obumangalisayo bomnsalo. Kulokhu kuvakasha, uThibault wawunqoba ngokuphelele umphakathi waseRussia.

UThibaut wayeseRussia ngaphambi kweMpi Yezwe Yokuqala izikhathi ezimbili ngaphezulu - ngo-Okthoba 1911 nangesizini ka-1912/13. Emakhonsathini ka-1911 wenza i-Concerto ka-Mozart ku-E flat major, i-symphony kaLalo yaseSpain, i-Beethoven's ne-Saint-Saens sonatas. U-Thibault unikeze ubusuku be-sonata ne-Siloti.

Ku-Russian Musical Newspaper babhale ngaye: “UTibault uyiciko elisezingeni eliphezulu, elindizayo. Ubuhlakani, amandla, ingoma - lezi yizici eziyinhloko zomdlalo wakhe: "Prelude et Allegro" kaPunyani, "Rondo" kaSaint-Saens, edlalwa, noma kunalokho yaculwa, ngokukhululeka okuphawulekayo, umusa. UThibaut ungumdlali ohamba yedwa osezingeni eliphezulu kunomdlali wasegunjini, nakuba i-sonata kaBeethoven ayidlala neSiloti ihambe kahle.

Ukuphawula kokugcina kuyamangaza, ngoba ukuba khona kwe-trio edumile, eyasungulwa nguye ngo-1905 noCortot noCasals, ixhunywe negama likaThibaut. UCasals ukhumbule laba abathathu eminyakeni eminingi kamuva ngemfudumalo efudumele. Engxoxweni noCorredor, wathi leli qembu laqala ukusebenza eminyakeni embalwa ngaphambi kwempi ka-1914 futhi amalungu alo ahlanganiswa ubungane bobuzalwane. “Kulobu bungani lapho kwazalwa khona abathathu. Zingaki uhambo oluya eYurophu! Yeka injabulo esayithola ngobungane nomculo!” Futhi ngokuqhubekayo: “Sasenza i-B-flat trio ka-Schubert kaningi. Ngaphezu kwalokho, kwavela iqembu lethu likaHaydn, uBeethoven, uMendelssohn, uSchumann noRavel.”

Ngaphambi kweMpi Yezwe Yokuqala, kwahlelwa olunye uhambo lwaseThibault oluya eRussia. Amakhonsathi ahlelelwe uNovemba 1914. Ukugqashuka kwempi kwavimbela ukuqaliswa kwezinhloso zikaThibault.

Phakathi neMpi Yezwe Yokuqala, uThibaut wabuthelwa ebuthweni. Ulwe eMarne ngaseVerdun, walimala esandleni wacishe walahlekelwa yithuba lokudlala. Kodwa-ke, isiphetho saba sihle - akasindisanga impilo yakhe kuphela, kodwa futhi nomsebenzi wakhe. Ngo-1916, u-Thibaut waxoshwa futhi ngokushesha wabamba iqhaza elikhulu ku-"National Matines" enkulu. Ngo-1916, uHenri Casadesus, encwadini ayibhalela iSiloti, ubala amagama kaCapet, uCortot, u-Evitte, uThibaut noRiesler futhi uyabhala: “Sibheke ikusasa ngokholo olujulile futhi sifuna, ngisho nangesikhathi sethu sempi, ukuba nengxenye ekwandeni. yobuciko bethu.”

Ukuphela kwempi kwaqondana neminyaka yokuvuthwa kwenkosi. Uyisikhulu esaziwayo, inhloko yobuciko be-violin yaseFrance. Ngo-1920, kanye nomdlali wepiyano uMarguerite Long, wasungula i-Ecole Normal de Musique, isikole esiphakeme somculo eParis.

Unyaka we-1935 wawuphawulwe injabulo enkulu kuThibault - umfundi wakhe u-Ginette Neve wazuza umklomelo wokuqala ku-Henryk Wieniawski International Competition eWarsaw, ehlula izimbangi ezesabekayo njengoDavid Oistrakh no-Boris Goldstein.

Ngo-April 1936, uThibaut wafika eSoviet Union ehamba noCortot. Abaculi abakhulu kunawo wonke basabela emisebenzini yakhe - G. Neuhaus, L. Zeitlin nabanye. G. Neuhaus wabhala: “UThibaut udlala ivayolini ngendlela efanele. Akukho nesisodwa isihlamba esingaphonswa endleleni yakhe yevayolini. UThibault "unomsindo omnandi" ngomqondo ongcono kakhulu wegama, akalokothi awele emizwelweni nasebumnandini. I-sonatas kaGabriel Fauré noCaesar Franck, eyenziwa nguye kanye noCortot, kusukela kulo mbono, yayithakazelisa ikakhulukazi. UThibaut unomusa, ivayolini yakhe iyacula; U-Thibault ungumuntu wothando, umsindo we-violin yakhe uthambile ngendlela engavamile, isimo sakhe sengqondo siyiqiniso, singokoqobo, siyathelelana; ubuqotho bokusebenza kukaThibaut, ubuhle bendlela yakhe engavamile, kukhanga isilaleli kuze kube phakade ... "

U-Neuhaus ubeka u-Thibaut ngokungenamibandela phakathi kwezithandani, ngaphandle kokuchaza ngokuqondile ukuthi unomuzwa wokuthi uthando lwakhe luyini. Uma lokhu kubhekisela ekuqalekeni kwesitayela sakhe sokwenza, esikhanyiswa ubuqotho, ububele, khona-ke umuntu angavumelana ngokugcwele nesahlulelo esinjalo. I-romanticism kaThibault kuphela okungeyona "i-Listovian", futhi ngisho nangaphezulu akuyona "i-Pagannian", kodwa "i-Frankish", evela kumoya kanye nokuzithoba kukaCesar Franck. Uthando lwakhe lwaluhambisana ngezindlela eziningi nezothando luka-Izaya, kodwa lwalucwengekile futhi luhlakaniphe kakhulu.

Ngesikhathi ehlala eMoscow ngo-1936, uThibaut waba nesithakazelo esikhulu esikoleni se-violin yaseSoviet. Wabiza inhloko-dolobha yethu ngokuthi "idolobha lama-violinists" futhi wezwakalisa ukuthakasela kwakhe ukudlala kwalowo owayesemusha uBoris Goldstein, uMarina Kozolupova, uGalina Barinova nabanye. "umphefumulo wokusebenza", futhi okungafani kakhulu neqiniso lethu laseNtshonalanga Yurophu ", futhi lokhu kuyisici sikaThibaut, lapho "umphefumulo wokusebenza" bekulokhu kuyinto eyinhloko kwezobuciko.

Ukunaka kwabagxeki baseSoviet kwakhangwa indlela yokudlala yomdlali wevayolini waseFrance, amasu akhe evayolini. I. Yampolsky wawabhala esihlokweni sakhe. Ubhala ukuthi lapho uThibaut edlala, wayebonakala ngokuthi: ukuhamba komzimba okuhlotshaniswa nokuhlangenwe nakho okungokomzwelo, ukubamba okuphansi nokuphansi kwe-violin, indololwane ephakeme endaweni yesandla sokunene kanye nokubamba umnsalo ngeminwe. zihamba kakhulu ngenduku. U-Thiebaud wadlala ngezingcezu ezincane zomnsalo, imininingwane eminyene, evame ukusetshenziswa esitokisini; Ngisebenzise isikhundla sokuqala futhi ngivule izintambo kakhulu.

UThibaut wayibona iMpi Yezwe II njengokugconwa kwesintu nosongo empucukweni. I-Fascism nobuqaba bayo yayingajwayelekile kuThibaut, indlalifa kanye nomgcini wamasiko aphuculwe kakhulu amasiko omculo aseYurophu - isiko lesiFulentshi. UMarguerite Long ukhumbula ukuthi ekuqaleni kwempi, yena noThibaut, umculi weselula uPierre Fournier kanye nomphathi wekhonsathi weGrand Opera Orchestra uMaurice Villot babelungiselela iquartet yepiyano kaFauré ukuze isebenze, ukwakheka okwabhalwa ngo-1886 futhi akuzange kwenziwe. I-quartet bekufanele iqoshwe kwirekhodi legramophone. Ukuqoshwa kwakuhlelwe ngoJuni 10, 1940, kodwa ekuseni amaJalimane angena eHolland.

“Sithukile, sangena estudiyo,” kukhumbula uLong. - Ngezwa ukulangazelela okubambe uThibault: indodana yakhe uRoger yalwa phambili. Phakathi nempi, injabulo yethu yafinyelela umvuthwandaba wayo. Kimina kubonakala sengathi irekhodi libonise lokhu ngendlela efanele nangokuzwela. Ngosuku olulandelayo, uRoger Thibault wafa ngendlela eyiqhawe.”

Phakathi nempi, uThibaut, kanye noMarguerite Long, bahlala eParis ephethwe, futhi lapha ngo-1943 bahlela umqhudelwano we-French National Piano kanye ne-Violin. Imiqhudelwano eyaba yindabuko ngemva kwempi yaqanjwa kamuva.

Nokho, owokuqala wemiqhudelwano, owawuseParis ngonyaka wesithathu wokubuswa kwamaJalimane, wawuyisenzo sobuqhawe ngempela futhi wawunokubaluleka okukhulu kokuziphatha kumaFulentshi. Ngo-1943, lapho kubonakala sengathi amabutho aphilayo aseFrance ayekhubazekile, abadwebi ababili baseFrance banquma ukubonisa ukuthi umphefumulo weFrance elimele wawungenakunqotshwa. Naphezu kobunzima, obubonakala bungenakunqotshwa, behlome ngokholo kuphela, uMarguerite Long noJacques Thibault basungula umncintiswano kazwelonke.

Futhi ubunzima babububi kakhulu. Uma sibheka indaba kaLong, edluliselwe encwadini kaS. Khentova, kwakudingeka ukuthulisa ukuqapha kwamaNazi, ukwethula umncintiswano njengento engenangozi yamasiko; kwakudingekile ukuba kutholwe imali, ekugcineni eyanikezwa inkampani yokuqopha i-Pate-Macconi, eyathatha imisebenzi yenhlangano, kanye nokuxhasa ingxenye yemiklomelo. Ngo-June 1943, umncintiswano ekugcineni wenzeka. Abaphumelele kuyona umshayi wopiyano uSamson Francois kanye nomdlali wevayolini uMichel Auclair.

Umncintiswano olandelayo waba ngemva kwempi, ngo-1946. Uhulumeni waseFrance waba nengxenye ekuhleleni kwawo. Imincintiswano isiphenduke insakavukela kazwelonke kanye nenkulu emhlabeni jikelele. Amakhulu ama-violinist avela emhlabeni wonke abambe iqhaza emiqhudelwaneni emihlanu, eyenzeka kusukela ngesikhathi isungulwa kwaze kwaba sekufeni kukaThibaut.

Ngo-1949, uThibaut washaqeka ngokushona komfundi wakhe amthandayo uGinette Neve, owashona engozini yendiza. Emncintiswaneni olandelayo, kwanikezwa umklomelo egameni lakhe. Ngokuvamile, imiklomelo yomuntu siqu isiphenduke isiko lemiqhudelwano yaseParis - i-Maurice Ravel Memorial Prize, i-Yehudi Menuhin Prize (1951).

Esikhathini sangemva kwempi, imisebenzi yesikole somculo, esasungulwa nguMarguerite Long noJacques Thibault, yaqina. Izizathu eziholele ekutheni badale lesi sikhungo wukungagculiseki ngokuqhutshwa kwemfundo yomculo eParis Conservatoire.

Ngama-40s, iSikole sasinamakilasi amabili - ikilasi lepiyano, elaliholwa nguLong, kanye nekilasi levayolini, likaJacques Thibault. Basizwa abafundi babo. Izimiso zeSikole - isiyalo esiqinile emsebenzini, ukuhlaziywa okuphelele komdlalo womuntu siqu, ukuntuleka kokulawula ku-repertoire ukuze kuthuthukiswe ngokukhululekile ubuntu babafundi, kodwa okubaluleke kakhulu - ithuba lokufunda nabaculi abavelele abanjalo lakhanga abaningi. abafundi eSikoleni. Abafundi Besikole bethulwa, ngaphezu kwemisebenzi yakudala, kuzo zonke izigigaba ezinkulu zezincwadi zomculo zesimanje. Ekilasini likaThibaut, kwafundwa imisebenzi kaHonegger, u-Orik, uMilhaud, uProkofiev, uShostakovich, uKabalevsky nabanye.

Umsebenzi kaThibaut wokufundisa owakhula waphazanyiswa ukufa kabuhlungu. Udlule emhlabeni egcwele izimanga futhi usesekude nokuphelelwa amandla. Imiqhudelwano ayisungula kanye neSikole kuseyisikhumbuzo sakhe esingapheli. Kodwa kulabo ababemazi mathupha, usazoqhubeka eyindoda enosonhlamvukazi, elula ngendlela ekhangayo, enomusa, enomusa, ethembekile ngokungenakonakala futhi enenjongo ekwahluleleni kwakhe ngabanye abaculi, emsulwa ngokwedlulele emibonweni yakhe yobuciko.

L. Raaben