Jonas Kaufmann (Jonas Kaufmann) |

Jonas Kaufmann

I-tenor efunwa kakhulu ku-opera yomhlaba, ishejuli yayo ihlelelwe ngokuqinile iminyaka emihlanu ezayo, owine umklomelo wabagxeki base-Italy ngo-2009 kanye nama-Classica Awards ka-2011 ezinkampanini zokuqopha. Iciko eligama lalo kuphosta liqinisekisa indlu egcwele cishe yanoma yisiphi isihloko ezindlini ze-opera ezihamba phambili zaseYurophu nezaseMelika. Kulokhu singangeza ukubukeka kwesiteji okungenakuvinjelwa kanye nokuba khona kwe-charisma edume kabi, etholwe yiwo wonke umuntu ... Isibonelo sesizukulwane esisha, into yomona omnyama nomhlophe kubambangi esikanye nabo - konke lokhu nguye, uJonas Kaufman.

Impumelelo enomsindo yamshaya esikhathini esingengakanani edlule, ngo-2006, ngemuva komdlalo owaba yimpumelelo enkulu eMetropolitan. Kwabaningi kwakubonakala sengathi i-tenor ebukekayo ivele yavela nje, futhi abanye basambheka njengesithandwa sekusasa. Kodwa-ke, umlando kaKaufman uyisibonelo lapho intuthuko eqhubekayo evumelanayo, umsebenzi owakhiwe ngobuhlakani kanye nothando lwangempela lomdwebi ngomsebenzi wakhe kuthele izithelo. “Angikaze ngiqonde ukuthi kungani i-opera ingathandwa kakhulu,” kusho uKaufman. “Kumnandi kakhulu!”

I-Overture

Uthando lwakhe nge-opera nomculo lwaqala esemncane, nakuba abazali bakhe baseMpumalanga Jalimane abazinza eMunich ekuqaleni kwawo-60s babengewona abaculi. Uyise wasebenza njenge-ejenti yomshwalense, unina unguthisha oqeqeshiwe, ngemva kokuzalwa kwengane yakhe yesibili (udadewabo kaJonas umdala kunaye ngeminyaka emihlanu), wazinikela ngokuphelele emndenini nasekukhuliseni izingane. Isitezi ngenhla kwakuhlala umkhulu, umthandi oshisekayo ka-Wagner, owayehlala ehlela endlini yabazukulu bakhe futhi enze ama-opera akhe ayintandokazi ophiyano. UJonas uyakhumbula: “Wakwenza ngenjongo yokuzithokozisa, yena ngokwakhe wacula nge-tenor, ecula izingxenye zabesifazane ku-falsetto, kodwa wafaka intshiseko enkulu kulo mdlalo kangangokuthi kithi zingane wawujabulisa kakhulu futhi ekugcineni ufundisa ngokwengeziwe. kunokulalela i-disc emishinini yezinga lokuqala. Ubaba wabeka amarekhodi omculo we-symphonic wezingane, phakathi kwawo kwakukhona ama-symphonies e-Shostakovich namakhonsathi e-Rachmaninoff, futhi ukuhlonipha okujwayelekile kwama-classic kwakukhulu kangangokuthi isikhathi eside izingane zazingavunyelwe ukuguqula amarekhodi ukuze zingagcini. balimaze bengaqondile.

Lapho eneminyaka emihlanu ubudala, umfana wayiswa emdlalweni we-opera, kwakungeyona neze i-Madam Butterfly yezingane. Lowo mbono wokuqala, ogqame njengokushaywa, umculi usathanda ukuwukhumbula.

Kodwa ngemva kwalokho isikole somculo asizange silandele, futhi imilindelo engapheli yezihluthulelo noma ngomnsalo (nakuba kusukela eneminyaka eyisishiyagalombili uJonas waqala ukufunda upiyano). Abazali abahlakaniphile bathumela indodana yabo e-gymnasium ye-classical eqinile, lapho, ngaphezu kwezifundo ezivamile, bafundisa isiLatini nesiGreki sasendulo, futhi kwakungekho ngisho namantombazane kwaze kwaba sebanga lesi-8. Kodwa ngakolunye uhlangothi, kwakunekhwaya eyayiholwa uthisha osemusha oshisekayo, futhi ukucula lapho kwaze kwaba ikilasi lokuthweswa iziqu kwaba injabulo, umvuzo. Ngisho noguquko oluvamile oluhlobene neminyaka lwadlula kahle futhi ngokungabonakali, ngaphandle kokuphazamisa amakilasi usuku. Ngesikhathi esifanayo, imidlalo yokuqala ekhokhelwayo yenzeke - ukubamba iqhaza emaholidini esonto nedolobha, ekilasini lokugcina, ngisho nokukhonza njenge-chorister e-Prince Regent Theatre.

U-Yoni Ojabule wakhula njengomuntu ojwayelekile: wayedlala ibhola, edlala kancane ezifundweni, enesithakazelo kubuchwepheshe bamuva futhi waze wathengisa nomsakazo. Kodwa ngasikhathi sinye, kwakukhona nokubhaliselwe komndeni ku-Opera yaseBavaria, lapho abaculi nabaqhubi abahamba phambili emhlabeni benza khona ngeminyaka yama-80s, kanye nohambo lwaminyaka yonke lwasehlobo oluya ezindaweni ezihlukahlukene zomlando namasiko e-Italy. Ubaba wayeyisithandwa saseNtaliyane esishisekayo, kakade lapho esekhulile yena ngokwakhe wafunda ulimi lwesiNtaliyane. Kamuva, embuzweni wentatheli: “Ungathanda, Mnu. Kaufman, lapho ulungiselela indawo kaCavaradossi, ukuya eRoma, ubheke iCastel Sant’Angelo, njll.?” UJonas uzomane aphendule: “Kungani uhambe ngamabomu, ngakubona ngiseyingane.”

Kodwa-ke, ekupheleni kwesikole, emkhandlwini womndeni kwanqunywa ukuthi indoda kufanele ithole ubuchwepheshe obuthembekile obuthembekile. Futhi wangena emkhakheni wezibalo weNyuvesi yaseMunich. Wathatha ama-semesters amabili, kodwa ukulangazelela ukucula kwamhlula. Waphuthuma endaweni engaziwa, wayishiya inyuvesi futhi waba umfundi eSikoleni Esiphakeme Somculo eMunich.

Hhayi ejabule kakhulu

Kaufman akathandi ukukhumbula othisha bakhe Conservatory vocal. Ngokusho kwakhe, “babekholelwa ukuthi abaculi baseJalimane kufanele bonke bacule njengoPeter Schreyer, okungukuthi, ngomsindo okhanyayo, okhanyayo. Izwi lami lalifana noMickey Mouse. Yebo, futhi yini ongayifundisa ngempela ezifundweni ezimbili zemizuzu engama-45 ngesonto! Isikole esiphakeme simayelana ne-solfeggio, uthango ne-ballet. " Uthango kanye ne-ballet, nokho, kusazosebenza kahle uKaufman: uSigmund wakhe, uLohengrin noFaust, uDon Carlos noJose abakholisi nje kuphela ngezwi, kodwa futhi nangepulasitiki, kufaka phakathi nezikhali ezandleni zabo.

UProfesa wekilasi legumbi uHelmut Deutsch ukhumbula uKaufman lo mfundi njengensizwa engenangqondo, konke kwakulula kuye, kodwa yena akazange agxile kakhulu ezifundweni zakhe, wajabulela igunya elikhethekile phakathi kwabafundi akanye nabo ngolwazi lwakhe ngazo zonke izifundo. Umculo wakamuva we-pop nowe-rock kanye nekhono lokushesha futhi kuhle ukulungisa noma yisiphi isiqophamazwi noma isidlali. Kodwa-ke, uJonas waphothula eSikoleni Esiphakeme ngo-1994 ngokuhlonishwa ngamakhono amabili ngesikhathi esisodwa - njengomculi we-opera negumbi. NguHelmut Deutsch ozoba nguzakwabo njalo ezinhlelweni zegumbi nokuqoshwa eminyakeni engaphezu kweyishumi.

Kodwa eMunich othandekayo wakubo, akekho owayedinga umfundi omuhle kakhulu ophethe ukukhanya, kodwa i-tenor encane kakhulu. Ngisho nezindima zesiqephu. Inkontileka ehlala njalo yatholwa eSaarbrücken kuphela, enkundleni yemidlalo yeshashalazi engeyona esezingeni elicokeme “eNtshonalanga ngokwedlulele” yaseJalimane. Izinkathi ezimbili zonyaka, ngolimi lwethu, "ngama-walrus" noma amahle, ngendlela yaseYurophu, ekuvumelaneni, izindima ezincane, kodwa ngokuvamile, ngezinye izikhathi nsuku zonke. Ekuqaleni, ukuhleleka okungalungile kwezwi kwazenza kwazwakala. Kwaba nzima ukucula, sekuvele kwavela imicabango yokubuyela kusayensi eqondile. Utshani lokugcina kwaba ukubonakala endimeni yomunye wama-Armigers eWagner's Parsifal, lapho lapho kuqeqeshelwa ingubo umqhubi wathi phambi kwawo wonke umuntu: “Awuzwakali” - futhi kwakungekho zwi nhlobo, ngisho kubuhlungu ukukhuluma.

Uzakwabo, umdlali we-bas osekhulile, waba nesihawu, wanikeza inombolo yocingo kathisha ongumsindisi owayehlala eTrier. Igama lakhe - uMichael Rhodes - ngemuva kokuthi uKaufman manje ukhunjulwa ngokubonga yizinkulungwane zabalandeli bakhe.

IsiGreki ngokuzalwa, u-baritone uMichael Rhodes wacula iminyaka eminingi ezindlini ze-opera ezihlukahlukene e-United States. Akazange enze umsebenzi oncomekayo, kodwa wasiza abaningi ukuba bathole owabo amazwi angempela. Ngesikhathi somhlangano noJonas, uMaestro Rhodes wayeseneminyaka engaphezu kwengama-70, ngakho-ke ukuxhumana naye kwaba yisikole somlando esingandile, esisukela emasikweni asekuqaleni kwekhulu lamashumi amabili. URhodes ngokwakhe wafunda noGiuseppe di Luca (1876-1950), omunye wabafundisi bezwi abaphawuleka kakhulu bekhulu lama-22. Kuye, uRhodes wasebenzisa inqubo yokwandisa i-larynx, evumela izwi ukuthi lizwakale likhululekile, ngaphandle kokucindezeleka. Isibonelo sokucula okunjalo singazwakala kumarekhodi asekhona ka-di Luca, okukhona kuwo ama-duets no-Enrico Caruso. Futhi uma sicabangela iqiniso lokuthi u-di Luca wacula izingxenye eziyinhloko zamasizini ka-1947 elandelana e-Metropolitan, kodwa ngisho nasekhonsathini yakhe yokumvalelisa ngo-73 (lapho umculi eneminyaka engu-XNUMX ubudala) izwi lakhe lalizwakala ligcwele, khona-ke singakwazi. baphetha ngokuthi le nqubo ayinikezi nje kuphela indlela yokukhuluma ephelele, kodwa futhi yandisa impilo yomculi.

UMaestro Rhodes wachazela insizwa yaseJalimane ukuthi inkululeko kanye nekhono lokusabalalisa amandla omuntu yizimfihlo eziyinhloko zesikole esidala sase-Italy. "Ukuze kubonakale sengathi ngemuva kokudlala - ungacula yonke i-opera futhi!" Wakhipha i-baritone timbre yakhe yeqiniso, emnyama, wabeka amanothi aphezulu agqamile, "igolide" kuma-tenors. Kakade ezinyangeni ezimbalwa ngemva kokuqala kwamakilasi, uRhodes wabikezela ngokuzethemba kumfundi: "Uzoba uLohengrin wami."

Ngesinye isikhathi, kwavela ukuthi akunakwenzeka ukuhlanganisa izifundo e-Trier nomsebenzi unomphela e-Saarbrücken, futhi umculi osemusha, owagcina ezizwa njengochwepheshe, wanquma ukuya "ukubhukuda mahhala". Kusukela yaseshashalazini yakhe yokuqala unomphela, iqembu lakhe wagcina imizwa enobungane kakhulu, wathatha hhayi kuphela isipiliyoni, kodwa futhi ehamba phambili mezzo-soprano Margaret Joswig, owaba umkakhe ngokushesha. Amaqembu okuqala amakhulu avele e-Heidelberg (i-operetta ka-Z. Romberg ethi The Prince Student), Würzburg (Tamino in The Magic Flute), Stuttgart (Almaviva in The Barber of Seville).

Iyashesha

Iminyaka ka-1997-98 yaletha uKaufman imisebenzi ebaluleke kakhulu nendlela ehluke kakhulu yokuba khona ku-opera. Kwaba yinhlekelele ngempela umhlangano wango-1997 nenganekwane u-Giorgio Strehler, owakhetha uJonas emakhulwini abafake izicelo zendima kaFerrando ukuze akhiqize entsha ye-Così fan tutte. Sebenza nomphathi wemidlalo yaseshashalazini yaseYurophu, nakuba kufushane ngesikhathi futhi engazange alethwe kowamanqamu yinkosi (uStreler wabulawa yisifo senhliziyo inyanga ngaphambi kokuqala komdlalo), uKaufman ukhumbula ngenjabulo ehlala njalo phambi kwengcweti ekwazile ukunikela. abaculi abasebasha umfutho onamandla wokuthuthuka okumangalisayo ngezivivinyo zakhe ezigcwele zomlilo zobusha, olwazini lweqiniso lomlingisi wokuba khona ezingqungqutheleni ze-opera house. Ukusebenza neqembu labahlabeleli abasha abanamakhono (umlingani kaKaufman kwakuyi-soprano yaseGeorgia u-Eteri Gvazava) yaqoshwa yithelevishini yase-Italy futhi yaba yimpumelelo ohambweni lwaseJapan. Kodwa kwakungekho ukwanda kokuthandwa, inqwaba yeminikelo evela ezinkundleni zemidlalo yaseshashalazini yokuqala yaseYurophu kuya ku-tenor, onayo yonke isamba sezimfanelo ezifiselekayo kumuntu osemusha ongumthandi weqhawe, ayizange ilandele. Kancane kancane, kancane, ngaphandle kokukhathalela ukukhushulwa, ukukhangisa, walungiselela amaqembu amasha.

I-Stuttgart Opera, eyaba “ithiyetha eyisisekelo” kaKaufmann ngaleso sikhathi, yayiyisizinda somcabango othuthuke kakhulu eshashalazini yomculo: uHans Neuenfels, uRuth Berghaus, uJohannes Schaaf, uPeter Moussbach noMartin Kusche badlala lapho. Ukusebenza noKushey ku- "Fidelio" ngo-1998 (Jacquino), ngokusho kwezikhumbuzo zikaKaufman, kwakuyisipiliyoni sokuqala esinamandla semidlalo yeshashalazi yomqondisi, lapho konke ukuphefumula, konke ukuzwakala komculi kungenxa yedrama yomculo kanye nentando yomqondisi. Ngisikhathi esifanayo. Ngendima ka-Edrisi ku-"King Roger" ka-K. Szymanowski, umagazini waseJalimane "Opernwelt" wabiza i-tenor encane ngokuthi "ukutholakala konyaka."

Ngokuhambisana nemidlalo yaseStuttgart, uKaufman uvela eLa Scala (Jacquino, 1999), eSalzburg (Belmont in Abduction from the Seraglio), uqale eLa Monnaie (Belmont) naseZurich Opera (Tamino), ngo-2001 uculela okokuqala eChicago, ngaphandle kokufaka ingozi, nokho, eqala ngokushesha ngendima eyinhloko ku-Othello ka-Verdi, futhi azikhawulele ekudlaleni indima kaCassio (uzokwenza okufanayo nge-debut yakhe yaseParis ngo-2004). Ngaleyo minyaka, ngokwamazwi kaJonas ngokwakhe, akazange aphuphe ngisho nangesikhundla somdlali wokuqala ezitebhisini zeMet noma iCovent Garden: “Nganginjengenyanga phambi kwabo!”

Kancane

Kusukela ngo-2002, uJonas Kaufmann ube ngumculi wesikhathi esigcwele weZurich Opera, ngesikhathi esifanayo, i-geography ne-repertoire yemidlalo yakhe emadolobheni aseJalimane nase-Austria iyanda. Ezinguqulweni zekhonsathi nezimaphakathi, wenza i-Fidelio ka-Beethoven neka-Verdi ethi The Robbers, izingxenye ze-tenor ku-symphony yesi-9, i-oratorio Christ on the Mount of Olives kanye ne-Beethoven's Solem Mass, i-Haydn's Creation kanye neMisa e-E-flat major Schubert, eBerlioz's. I-Requiem ne-Liszt's Faust Symphony; Imijikelezo yegumbi lika-Schubert…

Ngo-2002, kwaba nomhlangano wokuqala no-Antonio Pappano, ngaphansi kokuqondisa kwakhe eLa Monnaie Jonas ebambe iqhaza ekukhiqizeni okungajwayelekile kwesiteji sikaBerlioz i-oratorio ethi The Damnation of Faust. Okumangazayo ukuthi ukwenza kahle kukaKaufmann engxenyeni yesihloko enzima kakhulu, ehlangene nebhesi emnandi uJose Van Damme (Mephistopheles), ayizange ithole impendulo ebanzi emaphephandabeni. Nokho, abezindaba abazange bazitike Kaufman ngaleso sikhathi ukunakwa ngokweqile, kodwa ngenhlanhla, eziningi zemisebenzi yakhe yaleyo minyaka bathunjwa audio kanye nevidiyo.

I-Zurich Opera, eyayiholwa ngaleyo minyaka ngu-Alexander Pereira, yanikeza uKaufman i-repertoire ehlukahlukene kanye nethuba lokuthuthukisa ngezwi kanye nasesiteji, ehlanganisa ingoma yomculo neyodwa enamandla kakhulu. U-Lindor ku-Nina ka-Paisiello, lapho u-Cecilia Bartoli adlala khona indima yesihloko, i-Idomeneo ka-Mozart, uMbusi u-Titus kweyakhe ethi Titus' Mercy, u-Florestan ku-Fidelio ka-Beethoven, kamuva okwaba uphawu lomculi, i-Duke ku-Rigoletto ka-Verdi, i-"Fierrabra" ka-F. Schubert kusukela ekukhohlweni - isithombe ngasinye, ngezwi kanye nokwenza, sigcwele ikhono elivuthiwe, elifanele ukuhlala emlandweni we-opera. Imikhiqizo enelukuluku, iqoqo elinamandla (eduze kweKaufman esiteji kukhona uLaszlo Polgar, uVesselina Kazarova, uCecilia Bartoli, uMichael Folle, uThomas Hampson, esiteji nguNikolaus Arnocourt, uFranz Welser-Möst, uNello Santi…)

Kodwa njengangaphambili, uKaufman usalokhu "eyaziwa kabanzi emibuthanweni emincane" yemidlalo yaseshashalazini yolimi lwesiJalimane. Akukho okushintshile ngisho nokudlala kwakhe okokuqala eCovent Garden yaseLondon ngoSepthemba 2004, ngesikhathi ethatha indawo kaRoberto Alagna owayesethathe umhlalaphansi kungazelelwe ku-G. Puccini ethi The Swallow. Kungaleso sikhathi lapho kwenzeka ukujwayelana no-Prima donna u-Angela Georgiou, owakwazi ukwazisa idatha evelele kanye nokuthembeka komlingani weJalimane osemusha.

Ngezwi eligcwele

"Ihora selifikile" ngoJanuwari 2006. Njengoba abanye besasho ngonya, konke kumane nje kwenzeka nje: owayephethe ngaleso sikhathi weMet, uRolando Villazon, waphazamisa ukusebenza isikhathi eside ngenxa yezinkinga ezinkulu zezwi lakhe, u-Alfred edingekayo ngokuphuthumayo eLa Traviata, eGeorgiou, engenangqondo ekukhetheni ozakwethu, wakhumbula futhi wasikisela uKaufman.

Ukushaya ihlombe ngemva kwesenzo sesi-3 ku-Alfred omusha kwakuvala izindlebe kangangokuthi, njengoba uJonas ekhumbula, imilenze yakhe yacishe yaxega, ngokungathandi wacabanga: “Ingabe ngikwenzile ngempela lokhu?” Izingcezu zalokho kusebenza namuhla zingatholakala ku-YouTube. Umuzwa ongajwayelekile: amazwi agqamile, adlalwa ngokwethukuthela. Kodwa kungani kwaba i-banal u-Alfred, hhayi izindima zakhe ezijulile, ezingaculwanga, ezabeka isisekelo sokuthandwa kwezinkanyezi zikaKaufman? Ngokuyinhloko iphathi yozakwethu, lapho kunomculo omningi omnandi, kodwa akukho lutho oluyisisekelo olungangeniswa emfanekisweni ngamandla entando yombhali, ngoba le opera imayelana naye, mayelana noVioletta. Kodwa mhlawumbe yilo mphumela wokushaqeka okungalindelekile okuvela ku- kakhulu fresh ukusebenza kwengxenye ebonakala ifundwe kahle, futhi ilethe impumelelo ebabazekayo.

Kwakuyi-"La Traviata" lapho kwaqala khona ukuthandwa kwenkanyezi yomculi. Ukusho ukuthi “uvuke edumile” cishe kungaba ukwelula: ukuduma kwe-opera kusekude nokuduma ngezihlabani zamabhayisikobho neze-TV. Kodwa kusukela ngo-2006, izikhungo ezingcono kakhulu ze-opera zaqala ukuzingela lo mculi oneminyaka engu-36 ubudala, nakuba esemncane ngokwezindinganiso zanamuhla, emlinga ngokubanga izinkontileka ezilingayo.

Ngawo lowo nyaka ka-2006, ucula e-Vienna State Opera (The Magic Flute), udlala okokuqala njengoJose eCovent Garden (uCarmen no-Anna Caterina Antonacci, kube yimpumelelo emangazayo, njengoba kuyi-CD ekhishwe ngokudlala, kanye nendima. kaJose iminyaka eminingi izoba enye hhayi nje yisakhiwo sodumo, kodwa futhi othandekayo); ngo-2007 ucula u-Alfred eParis Opera naseLa Scala, ekhipha icwecwe lakhe lokuqala elithi Romantic Arias…

Ngonyaka olandelayo, i-2008, ingeza ohlwini “lwezigcawu zokuqala” ezinqotshiwe eBerlin neLa bohème kanye neLyric Opera eChicago, lapho uKaufman acula khona noNatalie Dessay eManon kaMassenet.

Ngo-December 2008, kuze kube manje kwaba khona ikhonsathi yakhe kuphela eMoscow: Dmitry Hvorostovsky wamema Jonas ohlelweni lwekhonsathi yonyaka e-Kremlin Palace of Congresses "Hvorostovsky nabangane".

Ngo-2009, uKaufman waqashelwa ngabahlengikazi eVienna Opera njengoCavaradossi kuTosca kaPuccini (ukuqala kwakhe kule ndima yesithonjana kwenzeka ngonyaka owedlule eLondon). Ngawo lowo nyaka ka-2009, babuyela endaweni yabo yaseMunich, ngomqondo ongokomfanekiso, hhayi ngehhashi elimhlophe, kodwa bephethe idada elimhlophe - "Lohengrin", basakazwa bukhoma ezikrinini ezinkulu kuMax-Josef Platz phambi kweBavarian Opera, baqoqa izinkulungwane. yabantu bakithi abanomdlandla , behlengezela izinyembezi belalele okungenayo "Ezweni le-fernem". I-romantic knight yaze yaqashelwa ngesikibha kanye namateki ayebekwe umqondisi.

Futhi, ekugcineni, ukuvulwa kwesizini e-La Scala, Disemba 7, 2009. I-Don Jose entsha e-Carmen iwumdlalo oyimpikiswano, kodwa ukunqoba okungenamibandela kwe-tenor yaseBavaria. Ukuqala kuka-2010 - ukunqoba kwamaParisian ensimini yabo, "Werther" e-Bastille Opera, isiFulentshi esingenasici esiqashelwa abagxeki, ukuhlanganiswa okuphelele nomfanekiso we-JW Goethe kanye nesitayela sothando seMassenet.

Ngawo wonke umphefumulo

Ngithanda ukuqaphela ukuthi noma nini lapho i-libretto isuselwe kokwakudala kwesiJalimane, u-Kaufman ukhombisa inhlonipho ekhethekile. Kungakhathaliseki ukuthi u-Don Carlos ka-Verdi eLondon noma kamuva nje ku-Bavarian Opera, ukhumbula ama-nuances avela ku-Schiller, u-Werther ofanayo noma, ikakhulukazi, u-Faust, ovusa njalo abalingisi baka-Goethe. Isithombe sikaDokotela owathengisa umphefumulo wakhe besingenakuhlukaniswa nomculi iminyaka eminingi. Singakhumbula futhi iqhaza lakhe kuDokotela ka-F. Busoni uFaust endimeni yesiqephu soMfundi, kanye nese-Berlioz's Condemnation of Faust esesivele ishiwo, i-Faust Symphony ka-F. Liszt, kanye ne-arias evela ku-A. Boito's Mephistopheles efakwe ku-CD eyedwa "Arias of Verism". Isicelo sakhe sokuqala kuFaust of Ch. I-Gounod ngo-2005 e-Zurich ingahlulelwa kuphela ngevidiyo esebenzayo eqoshiwe evela ethiyetha etholakala kuwebhu. Kodwa imidlalo emibili ehluke kakhulu kule sizini - e-Met, eyasakazwa bukhoma kuma-cinema emhlabeni jikelele, kanye nenhle kakhulu e-Vienna Opera, inikeza umbono womsebenzi oqhubekayo wesithombe esingapheli sama-classics omhlaba. . Ngesikhathi esifanayo, umculi ngokwakhe uyavuma ukuthi ukufaniswa okuphelele kwesithombe sikaFaust kuye ku-Goethe, futhi ukuze kudluliselwe ngokwanele esiteji se-opera, kuzodingeka ivolumu ye-tetralogy kaWagner.

Ngokuvamile, ufunda izincwadi eziningi ezingathí sina, ulandela zakamuva kuma-cinema e-elite. Ingxoxo kaJonas Kaufmann, hhayi kuphela ngesiJalimane sakhe somdabu, kodwa nangesiNgisi, isiNtaliyane, isiFulentshi, ifundeka kamnandi njalo: umculi akaphunyuki emishwaneni evamile, kodwa ukhuluma ngabalingiswa bakhe nangeshashalazi yomculo iyonke ngokulinganisela. nendlela ejulile.

Ukukhulisa

Akunakwenzeka ukusho enye ingxenye yomsebenzi wakhe - ukusebenza kwekamelo nokubamba iqhaza kumakhonsathi e-symphony. Njalo ngonyaka akavilaphi kakhulu ukwenza uhlelo olusha emndenini wakhe uLieder ngokuhambisana noprofesa wangaphambili, futhi manje ungumngane nomlingani ozwelayo uHelmut Deutsch. Ukusondelana, ukungagwegwesi kwesitatimende akuzange kuvimbele ukuwa kuka-2011 ekuqoqeni ihholo eligcwele lezinkulungwane ezingama-4000 leMetropolitan ngobusuku obunjalo begumbi, obungakaze bube lapha iminyaka engu-17, kusukela ikhonsathi eyedwa kaLuciano Pavarotti. "Ubuthakathaka" obukhethekile bukaKaufmann yimisebenzi yegumbi likaGustav Mahler. Ngalo mbhali oyimfihlakalo, uzwa ubuhlobo obukhethekile, abuveze kaningi. Iningi lezothando seliculiwe, "Ingoma Yomhlaba". Muva nje, ikakhulukazi uJonas, umqondisi osemncane we-Birmingham Orchestra, isakhamuzi saseRiga u-Andris Nelsons, uthole inguqulo engakaze yenziwe yezingoma zika-Mahler ezikhuluma ngezingane ezifile emazwini ka-F. Rückert kukhiye we-tenor (ingxenye encane yesithathu ephakeme kune- okwangempela). Ukungena nokungena esakhiweni esingokomfanekiso somsebenzi kaKaufman kuyamangalisa, ukuhumusha kwakhe kuhambisana nokuqoshwa kwakudala kuka-D. Fischer-Dieskau.

Uhlelo lomculi luhlelelwe ngokuqinile kuze kube ngu-2017, wonke umuntu uyamfuna futhi uyamyenga ngokunikezwa okuhlukahlukene. Lo mculi ukhala ngokuthi lokhu kuyayala futhi kuyabopha ngesikhathi esisodwa. “Zama ukubuza umdwebi ukuthi uzosebenzisa maphi amapende futhi ufuna ukuwadweba ini eminyakeni emihlanu? Futhi kufanele sisayine izinkontileka kusenesikhathi!” Abanye bayamthuka ngokuba “omnivorous”, ngokushintshana ngesibindi kakhulu uSigmund ku-“Valkyrie” noRudolf ethi “La Boheme”, kanye noCavaradossi noLohengrin. Kodwa uJonas uphendula kulokhu ukuthi ubona isiqinisekiso sempilo yezwi nokuphila isikhathi eside ekushintsheni izitayela zomculo. Kulokhu, uyisibonelo somngane wakhe omdala uPlacido Domingo, owacula inombolo yokurekhoda yamaqembu ahlukahlukene.

I-totontenore entsha, njengoba amaNtaliyane ayibiza kanjalo (“i-tenor ecula konke”), abanye ithathwa njengeyiJalimane kakhulu kuqoqo lwase-Italy, futhi yenziwe isiNtaliyane kakhulu kuma-opera ka-Wagner. Futhi ku-Faust noma u-Werther, ochwepheshe besitayela sesiFulentshi bancamela ukukhanya kwendabuko okwengeziwe namazwi agqamile. Hhayi-ke, umuntu angaphikisana ngokuthandwa kwezwi isikhathi eside futhi kube nhlanga zimuka nomoya, umbono wezwi lomuntu ophilayo ufana nombono wamaphunga, njengawodwa.

Kunento eyodwa eqinisekile. U-Jonas Kaufman uyiciko lokuqala ku-opera yesimanje i-Olympus, onikezwe inkimbinkimbi eyivelakancane yazo zonke izipho zemvelo. Ukuqhathaniswa njalo ne-tenor yaseJalimane ekhanyayo, uFritz Wunderlich, owashona kungazelelwe eneminyaka engu-36 ubudala, noma "neNkosana ye-Opera" ehlakaniphile uFranco Corelli, naye owayengenalo izwi elimnyama elimangalisayo, kodwa futhi nokubukeka kweHollywood, futhi. futhi no-Nikolai Gedda, i-Domingo efanayo, njll. .d. kubonakala kungenasisekelo. Naphezu kweqiniso lokuthi u-Kaufman ngokwakhe ubona ukuqhathanisa nozakwabo abakhulu besikhathi esidlule njengokuncoma, ngokubonga (okuyinto engavamile phakathi kwabahlabeleli!), Kuyisenzakalo ngokwayo. Ukuhumusha kwakhe abalingisi kwesinye isikhathi abalingiswa abagxilile kungokwangempela futhi kuyakholisa, futhi amazwi akhe ngezikhathi ezingcono kakhulu ayamangaza ngamabinzana aphelele, upiyano olumangalisayo, isichazamazwi esingenasici kanye nokuqondisa komsindo womnsalo ophelele. Yebo, i-timbre yemvelo ngokwayo, mhlawumbe, kumuntu ibonakala ingenawo umbala oyingqayizivele obonakalayo, insimbi. Kodwa le "instrument" iqhathaniswa ne-violas engcono kakhulu noma i-cellos, futhi umnikazi wayo uphefumulelwe ngempela.

UJonas Kaufman unakekela impilo yakhe, ujwayele ukuzijwayeza ukuzivocavoca kwe-yoga, ukuqeqeshwa okuzenzakalelayo. Uthanda ukubhukuda, uthanda ukuqwala izintaba nokuhamba ngebhayisikili, ikakhulukazi ezintabeni zakubo zaseBavaria, ogwini lweLake Starnberg, lapho ikhaya lakhe likhona manje. Unomusa kakhulu emndenini, endodakazini ekhulayo namadodana amabili. Ukhathazekile ngokuthi umsebenzi we-opera womkakhe unikelwe yena nezingane zakhe, futhi ujabulela amakhonsathi ahlanganyelwe angavamile noMargaret Josvig. Ulwela ukuchitha wonke “iholide” elifushane phakathi kwamaphrojekthi nomndeni wakhe, ezinikeza amandla omsebenzi omusha.

Une-pragmatic ngesiJalimane, uthembisa ukucula i-Othello ka-Verdi ngaphambi kokuthi "adlule" e-Il trovatore, e-Un ballo e-maschera nase-The Force of Fate, kodwa akacabangi ngokuqondile ngengxenye ye-Tristan, ekhumbula ngokuhlekisa ukuthi eyokuqala. UTristan washona ngemva kokucula okwesithathu eneminyaka engu-29 ubudala, futhi ufuna ukuphila isikhathi eside futhi aculele abangu-60.

Kubalandeli bakhe abambalwa baseRussia kuze kube manje, amazwi kaKaufman mayelana nentshisekelo yakhe ku-Herman ku-Queen of Spades athakazelisa kakhulu: “Ngifuna ngempela ukudlala lo msangano futhi ngesikhathi esifanayo isiJalimane esiphusile esingene eRussia. Kodwa enye yezingqinamba ukuthi empeleni akaculi ngolimi angalukhulumi. Ake sithembe ukuthi noma uJonas onekhono lolimi ngokushesha uzonqoba "omkhulu futhi onamandla" wethu, noma ngenxa ye-opera ehlakaniphile kaTchaikovsky, uzoyeka isimiso sakhe futhi afunde ingxenye yomqhele we-tenor emangalisayo ye-opera yaseRussia. i-interlinear, njengawo wonke umuntu. Akungabazeki ukuthi uzophumelela. Into esemqoka ukuthi ube namandla anele, isikhathi kanye nempilo yakho konke. Kukholakala ukuthi i-tenor Kaufman isanda kungena endaweni yakhe yokudala!

Tatyana Belova, Tatyana Yelagina

I-Discography:

Ama-albhamu ayedwa

• URichard Strauss. umqaphi. I-Harmonia mundi, 2006 (ne-Helmut Deutsch)
• I-Arias yothando. Decca, 2007 (dir. Marco Armigliato)
• Schubert. Die Schöne Müllerin. Decca, 2009 (noHelmut Deutsch)
• Sehnsucht. Decca, 2009 (dir. Claudio Abbado)
• I-Verismo Arias. Decca, 2010 (dir. Antonio Pappano)

Opera

CD

• abamashi The Vampire. I-Capriccio (DELTA MUSIC), 1999 (d. Froschauer)
• I-Weber. Oberon. Philips (Universal), 2005 (dir. John-Eliot Gardiner)
• Humperdinck. Die Konigskinder. I-Accord, 2005 (eqoshwe ku-Montpellier Festival, dir. Philip Jordan)
• I-Puccini. Madame Butterfly. EMI, 2009 (dir. Antonio Pappano)
• U-Beethoven. Fidelio. Decca, 2011 (dir. Claudio Abbado)

DVD

• I-Paisiello. Nina, noma uhlanya ngothando. U-Arthaus Musik. Opernhaus Zürich, 2002
• Monteverdi. Ukubuya Ulysses ezweni lakubo. U-Arthaus. Opernhaus Zürich, 2002
• Beethoven. Fidelio. Umculo we-art house. I-Zurich Opera House, ngo-2004
• I-Mozart. Isihe sikaTito. EMI zakudala. Opernhaus Zürich, 2005
• Schubert. I-Fierrabras. EMI zakudala. I-Zurich Opera House, ngo-2007
• Bizet. UCarmen. Ngo-Dec. Ku-Royal Opera House, ngo-2007
• Intshe. I-Rosenkavalier. Decca. I-Baden-Baden, ngo-2009
• Wagner. Lohengrin. Decca. I-Bavarian State Opera, 2009
• I-Massenet. Wether. Deca. Paris, Opera Bastille, 2010
• I-Puccini. uDecca. I-Zurich Opera House, ngo-2009
• U-Cilea. U-Adriana Lecouveur. KuDisemba Ku-Royal Opera House, ngo-2011

Qaphela:

I-biography kaJonas Kaufmann ngendlela yengxoxo enemininingwane namazwana avela kozakwabo nezinkanyezi ze-opera zomhlaba yanyatheliswa ngendlela yencwadi: Thomas Voigt. UJonas Kaufmann: "Ingabe ucabangani?" (Henschel Verlag, Leipzig 2010).