Kaludi Kaludov |

Kaludi Kaludov

Ngajwayelana nomsebenzi we-tenor Kaludi Kaludov okokuqala ngqa ekurekhodweni kwe-opera kaPuccini ethi Manon Lescaut.

Namuhla ngithanda ukunikezela imigqa embalwa kulo mculi omangalisayo, owenza ngempumelelo ezigabeni eziningi zaseYurophu. Udumo lukaKaludov, ngokubona kwami, aluhambisani neze nekhwalithi yezwi lalo mculi. Kubi! Ngokuba izwi lakhe linezinzuzo eziningi ezingangabazeki, ezingekho ngaphansi kwalezo zozakwabo abaningi "abanyusiwe" be-tenor. Lokhu kuvamile ezweni lanamuhla le-opera "ibhizinisi". Kuwo wonke "amakhona" ungezwa amagama ka-Alanya noma u-Kura, intshiseko ngoGaluzin noma uLarin. Kodwa ngasizathu simbe, abantu abambalwa baxoxa, ngokwesibonelo, izimfanelo ze-tenors ezikhanyayo njengoWilliam Matteuzzi noma uRobert Gambill (umuntu angasho inombolo yamanye amagama).

Izwi likaKaludov lihlanganisa ngempumelelo iqhwa nomlilo, ubuchwepheshe kanye nesilinganiso, futhi amandla anele awasithezi ukukhanya kwesiliva kwe-timbre. Indlela yomculi yokukhiqiza umsindo igxilile futhi ngesikhathi esifanayo ayimile.

Njengoba eqale ukudlala eSofia ngo-1978, ngokuhamba kwesikhathi wadlala ezigabeni ezihamba phambili emhlabeni, okubalwa kuzo iVienna, iMilan, iBerlin, iChicago nezinye. U-Alvaro ku-The Force of Destiny, uDon Carlos, uRadamès, uDe Grieux, uCavaradossi, uPinkerton, njll.), nakuba i-repertoire yakhe ibanzi kakhulu (wacula ku-Eugene Onegin, naku-Boris Godunov, naku- ” Flying Dutchman ). Ngo-1997 ngakwazi ukumuzwa e-Savonlinna Festival njengoTuriddu. Umuntu angase (ngokufanisa noManon Lescaut) acabange ukuthi lokhu kwakuyindima yakhe, kodwa iqiniso lidlule okwakulindelwe. Umdwebi, owayesesimweni esihle kakhulu, wahlabelela ngokuphefumulelwa, ngesilinganiso esidingekayo sokukhuluma, okudingeka kakhulu kule ngxenye, ukuze inhlekelele ingaphenduki ibe yi-farce.

Sekuyiminyaka engaba yishumi kusukela ngaqala ukuzwa ukuqoshwa kwe-“Manon Lescaut” noKaludov noGauci. Kodwa kuze kube manje, inkumbulo igcina umbono ongenakuvinjelwa owawenza kimi.

E. Tsodokov