I-semi-acoustic guitar: izici zomculo, umlando, izinhlobo, ukusetshenziswa

Selokhu sasungulwa, isiginci sesaduma kubaculi abasebenza ezinhlotsheni ezahlukene. Ukuvela kwensimbi yomculo kuye kwaholela ekuveleni kwezinhlobo ezintsha, futhi i-semi-acoustic isiphenduke inketho yenguquko phakathi kwegitala le-acoustic nelikagesi. Isetshenziswa ngokulinganayo njengabadlali be-pop, idwala, insimbi, umculo wesintu.

Uyini umehluko phakathi kwesiginci se-semi-acoustic nesigingci se-electro-acoustic?

Abadlali abasafufusa abangafundile kwezomculo ezicashile bavame ukudida lezi zinhlobo ezimbili, kodwa empeleni umehluko wabo ubalulekile. Isiginci sikagesi senziwa iphutha njenge-semi-acoustic ngenxa yezinto ezingeziwe ezivamile: ama-pickup, izilawuli zevolumu, i-timbre, kanye nekhono lokuxhuma ku-combo amplifier.

Umehluko omkhulu phakathi kwesiginci se-electro-acoustic kanye nesiginci se-semi-acoustic usesakhiwo somzimba. Esimweni sesibili, ayinalutho, njengesiginci esivamile, noma i-semi-hollow.

Ukwandisa ukuqina, imigodi engenalutho iyakhiwa eduze nendawo eqinile. Ama-Effs anqunywa ezingxenyeni ezisemaceleni, ububanzi bomzimba buncane kunenguqulo yokuqala, umsindo ugqamile futhi ubukhali.

Omunye umehluko ukuthi isiginci sikagesi asikwazi ukudlalwa ngaphandle kokuxhunywa ku-amplifier yomsindo. Ngakho-ke, ayifanele neze ama-bards nabaculi basemgwaqweni. Umsindo wensimbi uvela ngenxa yokuguqulwa kokudlidliza kwezintambo zibe ukudlidliza kwamandla kagesi.

Izinzuzo ze-semi-acoustic guitar:

• ikhono lokuletha umsindo ocacile ngisho nakumxube we-polyphonic;
• isisindo esilula kunesiginci sikagesi esingenalutho;
• izitayela ezihlukahlukene, ukuhlolwa ngokubukeka akuwoni umsindo;
• ukuvunyelwa kwesethi ephelele yama-pickup ahlukahlukene.

Isiginci se-semi-acoustic iyinsimbi engu-2 koku-1. Okusho ukuthi, ingasetshenziswa kokubili uma ixhunywe kumthombo wamanje kagesi futhi ngaphandle kwayo, njengama-acoustics ajwayelekile.

Umlando

Umnikelo omkhulu ekuveleni nasekudumeni kweziginci ze-semi-acoustic wenziwa yinkampani yaseMelika i-Gibson, umkhiqizo omkhulu kakhulu okhiqiza izinsimbi zomculo. Ngama-30s wekhulu leminyaka elidlule, abaculi babhekene nenkinga yomthamo onganele we-acoustics. Lokhu kwakuzwa ikakhulukazi amalungu eqembu le-jazz nama-orchestra amakhulu, lapho isiginci "sacwila", salahlekelwa umsindo ocebile wezinye izinsimbi.

Umkhiqizi wenze umzamo wokukhulisa umsindo ngokuxhuma ama-acoustics kumbhobho kagesi. Ukusikwa okumise okuka-F kuvele ekesini. Ibhokisi le-resonator elinama-efs linikeze umsindo onothile, ongathuthukiswa ngokuthwebula. Umsindo wazwakala uzwakala kakhulu.

Bambalwa abantu abaziyo ukuthi uGibson akazange azimisele ukwenza isiginci se-semi-acoustic. Ukuhlola ngayo kwakuwukuhlola kuphela ukuthi kungenzeka yini ukukhiqizwa nokukhiqizwa kwe-serial kweziginci zikagesi ezinomzimba oqinile.

Abaculi babekwazisa ukutholakala kwezinsimbi eziqinile, kodwa phakathi kwabo kwakukhona nabalandeli abaningi beziginci ezinohlobo lwendabuko lwama-acoustics. Ngo-1958, inkampani yakhipha uchungechunge lwe "semi-hollow body" enomzimba ongenalutho.

Ngawo lowo nyaka, omunye umkhiqizi, u-Rickenbacker, wenza izinguquko zakhe kumodeli owawuthola ukuthandwa, ulungisa ama-cutouts nokuhlobisa icala nge-coating laminated. Ama-Pickups abe yindawo yonke, afakwe kumamodeli ahlukene.

izinhlobo

Ukuhlolwa kwabakhiqizi kuholele ekuveleni kwenani lezinhlobonhlobo zeziginci ze-semi-acoustic:

• ngomzimba ohlangene ngokuphelele;
• nge-block eqinile, lapho amapuleti okhuni akhiwe khona, isici esihlukile siwumsindo okhanyayo;
• i-cavity ene-efs - ibe ne-velvety timbre kanye nokusekela okufushane;
• ama-archtop guitar anamakhono acoustic abuthakathaka;
• i-jazz - ayinalutho ngokuphelele, eklanyelwe ukudlalwa nge-amplifier.

Abakhiqizi besimanje basalungisa ukwakheka kwesiginci se-acoustic. Abakhathaleli kuphela izakhi zesakhiwo, kodwa futhi nomklamo wangaphandle nesitayela. Ngakho-ke, esikhundleni sezimbobo zendabuko ezimise okwe-f, ama-semi-acoustics angaba "namehlo ekati", futhi umzimba ongenalutho wenziwa ngendlela yomumo wejometri oyinqaba.

Ukusebenzisa

Abaculi be-Jazz babe ngabokuqala ukwazisa zonke izinzuzo zensimbi. Babewuthanda umsindo ofudumele, ocacile. Ukungabi namandla kakhulu kunesigingci se-acoustic kwenze kwaba lula ukuhamba esiteji, ngakho-ke samukelwa ngokushesha ngabaculi be-pop. Ekuqaleni kwawo-70s, ama-semi-acoustics asevele eqhudelana ngenkuthalo "nezihlobo" zikagesi. Yaba insimbi eyintandokazi kaJohn Lennon, BB King, yasetshenziswa abameleli abadumile be-Pearl Jam grunge movement.

Ithuluzi kufanelekile Wabasaqalayo. Ukudlala akudingi umthelela oqinile ezintanjeni, ngisho nokuthintwa okuncane kubenza baphendule ngomsindo othambile, othambile. Futhi amathuba we-semi-acoustics akuvumela ukuthi wenze ngcono ngezitayela ezahlukene.