U-Alexander Ivanovich Orlov (u-Alexander Orlov).

Alexander Orlov

Umculi Wabantu we-RSFSR (1945). Uhambo lwekhulunyaka kwezobuciko… Kunzima ukubiza umqambi omisebenzi yakhe engeke ifakwe kuqoqo lwalo mculi. Ngenkululeko efanayo yobungcweti, wama ku-console kokubili esiteji se-opera nasehholo lekhonsathi. Ngama-30s no-40s, igama lika-Alexander Ivanovich Orlov lalizwakala cishe nsuku zonke ezinhlelweni ze-All-Union Radio.

U-Orlov wafika eMoscow, esehambe ibanga elide njengomculi okhokhelwayo. Waqala umsebenzi wakhe wokuba umqhubi ngo-1902 njengomuntu othweswe iziqu e-St. Ngemva kweminyaka emine yokusebenza eKuban Military Symphony Orchestra, u-Orlov waya eBerlin, lapho athuthuka khona ngaphansi kokuqondisa kukaP. Yuon, futhi lapho ebuyela ezweni lakubo wasebenza njengomqhubi we-symphony (Odessa, Yalta, Rostov-on- Don, Kyiv, Kislovodsk, njll) futhi njengenkundla yeshashalazi (inkampani ye-opera kaM. Maksakov, i-opera kaS. Zimin, njll.). Kamuva (1912-1917) waba umbhidisi unomphela we-orchestra ka-S. Koussevitzky.

Ikhasi elisha ku-biography umqhubi lixhunywe eMoscow City Council Opera House, lapho asebenza khona eminyakeni yokuqala yenguquko. U-Orlov wenza umnikelo obalulekile ekwakhiweni kwamasiko ezwe elincane laseSoviet; umsebenzi wakhe wokufundisa amayunithi Red Army kwakubalulekile.

E-Kyiv (1925-1929) u-Orlov wahlanganisa imisebenzi yakhe yobuciko njengomqhubi oyinhloko we-Kyiv Opera nokufundisa njengoprofesa e-conservatory (phakathi kwabafundi bakhe - N. Rakhlin). Ekugcineni, kusukela ngo-1930 kwaze kwaba izinsuku zokugcina zokuphila kwakhe, u-Orlov wayengumqhubi we-All-Union Radio Committee. Amaqembu omsakazo aholwa ngu-Orlov adlale imidlalo efana nekaBeethoven ethi Fidelio, Rienzi kaWagner, Oresteia kaTaneyev, ekaNicolai ethi The Merry Wives of Windsor, Taras Bulba kaLysenko, Umgexo kaMadonna ka-Wolf-Ferrari neminye. Ngokokuqala ngqá, ngaphansi kokuqondisa kwakhe, i-Ninth Symphony kaBeethoven nekaBerlioz ethi Romeo and Julia Symphony zadlalwa emsakazweni wethu.

U-Orlov wayengumdlali omuhle kakhulu we-ensemble. Bonke abadlali abahamba phambili baseSoviet benza ngokuzithandela naye. D. Oistrakh uyakhumbula: “Iphuzu alikona nje kuphela ukuthi, ukucula ekhonsathini, lapho u-AI Orlov esesitendi somqhubi, ngangikwazi ukudlala ngokukhululekile ngaso sonke isikhathi, okungukuthi, ngangingaqiniseka ukuthi u-Orlov wayezoyiqonda ngokushesha inhloso yami yokudala. Ekusebenzelaneni no-Orlov, kwadalwa umoya omuhle wokudala, onethemba lokuhle njalo, owaphakamisa abadlali. Kulolu hlangothi, lesi sici emsebenzini wakhe kufanele sithathwe njengesibaluleke kakhulu.

Ingcweti enolwazi onombono obanzi wokudala, u-Orlov wayenguthisha ocabangayo futhi onesineke wabaculi be-orchestra, owayehlale ekholelwa ekunambithekeni kwakhe kobuciko okuhle nesiko lobuciko eliphakeme.

Lit.: A. Tishchenko. AI Orlov. “SM”, 1941, No. 5; V. Kochetov. AI Orlov. "SM", 1948, No. 10.

L. Grigoriev, J. Platek