U-Alexey Borisovich Lyubimov (Alexei Lubimov) |

U-Alexei Lubimov

U-Aleksey Lyubimov akayena umuntu ojwayelekile endaweni yaseMoscow yomculo nokwenza. Waqala umsebenzi wakhe njengomdlali wopiyano, kodwa namuhla azikho izizathu ezimbalwa zokumbiza ngokuthi i-harpsichordist (noma i-oganist). Wazuza udumo njengomuntu ocula yedwa; manje usecishe abe ngumdlali weqembu elikhokhelwayo. Njengomthetho, akadlali lokho abanye abadlalayo - isibonelo, kuze kube maphakathi neminyaka eyisishiyagalombili engakaze enze imisebenzi kaLiszt, wadlala uChopin izikhathi ezimbili noma ezintathu kuphela - kodwa ufaka ezinhlelweni zakhe okungekho muntu ngaphandle kwakhe ozenzayo. .

U-Alexei Borisovich Lyubimov wazalelwa eMoscow. Kwenzeka ukuthi phakathi komakhelwane bomndeni wakwaLyubimov ekhaya kwakukhona uthisha owaziwayo - umculi wepiyano u-Anna Danilovna Artobolevskaya. Wadonsela ukunakekela kumfana, wathola amakhono akhe. Khona-ke wagcina e-Central Music School, phakathi kwabafundi baka-AD Artobolevskaya, ngaphansi kokuqondisa kwakhe afunda iminyaka engaphezu kweyishumi - kusukela ebangeni lokuqala kuya kweleshumi nanye.

"Ngisazikhumbula ngenjabulo izifundo zika-Alyosha Lyubimov," kusho u-AD Artobolevskaya. - Ngikhumbula lapho eqala ukuza ekilasini lami, wayengenangqondo, ehlakaniphile, eqondile. Njengezingane eziningi ezinesiphiwo, wayehlukaniswa ngokusabela okujabulisayo nokusheshayo emibonweni yomculo. Ngenjabulo, wafunda izingcezu ezihlukahlukene eziceliwe kuye, wazama ukuqamba okuthile ngokwakhe.

Cishe iminyaka engu-13-14 ubudala, ukuphuka kwangaphakathi kwaqala ukubonakala e-Alyosha. Kwavuka ukulangazelela okusha kuye, okungazange kumshiye kamuva. Wathandana ngentshiseko noProkofiev, waqala ukubheka eduze kwesimanje somculo. Ngiyaqiniseka ukuthi uMaria Veniaminovna Yudina waba nethonya elikhulu kuye kulokhu.

U-MV Yudina Lyubimov ufana "nomzukulu" wokufundisa: uthisha wakhe, AD Artobolevskaya, wathatha izifundo kumdlali wopiyano ovelele waseSoviet ebusheni bakhe. Kodwa cishe u-Yudina waqaphela u-Alyosha Lyubimov futhi wamkhetha phakathi kwabanye hhayi ngenxa yalesi sizathu kuphela. Wamhlaba umxhwele ngayo kanye inqolobane yendalo yakhe yokudala; naye, wabona kuye, emisebenzini yakhe, into eseduze futhi efana naye. "Imidlalo yekhonsathi kaMaria Veniaminovna, kanye nokuxhumana komuntu siqu naye, kwaba umfutho omkhulu womculo kimi ebusheni bami," kusho uLyubimov. Esibonelweni sikaYudina, wafunda ubuqotho bobuciko obuphezulu, engayekethisi ezindabeni zokudala. Mhlawumbe, ngokwengxenye evela kuye kanye nokuthanda kwakhe izinto ezintsha zomculo, ukungesabi ukubhekana nendalo enesibindi yomqondo womqambi wesimanje (sizokhuluma ngalokhu kamuva). Ekugcineni, kusukela Yudina futhi okuthile ngendlela ukudlala Lyubimov. Akabonanga kuphela umculi esiteji, kodwa futhi wahlangana naye endlini AD Artobolevskaya; wayazi kahle upiyano Maria Veniaminovna.

E-Moscow Conservatory, uLyubimov wafunda isikhathi esithile noGG Neuhaus, futhi ngemva kokufa kwakhe noLN Naumov. Ukukhuluma iqiniso, yena, njengomuntu ngamunye wobuciko - kanye noLyubimov beza enyuvesi njengomuntu osevele esungulwe - akazange ahlangane kakhulu nesikole sothando saseNeuhaus. Noma kunjalo, ukholelwa ukuthi ufunde okuningi kothisha bakhe abalandela imithetho. Lokhu kwenzeka kwezobuciko, futhi kaningi: ukucebisa ngoxhumana nabo ngokuphambene nobuciko...

Ngo-1961, uLyubimov wabamba iqhaza emncintiswaneni we-All-Russian wabaculi abaculayo futhi wathola indawo yokuqala. Ukunqoba kwakhe okulandelayo - eRio de Janeiro emqhudelwaneni wamazwe omhlaba wabashayi bezinsimbi (1965), - umklomelo wokuqala. Bese - Montreal, umncintiswano wepiyano (1968), umklomelo wesine. Kuyathakazelisa ukuthi eRio de Janeiro naseMontreal, uthola imiklomelo ekhethekile ngokusebenza kahle kakhulu komculo wesimanje; iphrofayili yakhe yobuciko ngalesi sikhathi ivela kuzo zonke izici zayo.

Ngemva kokuphothula e-Conservatory (1968), uLyubimov wahlala isikhathi esithile ngaphakathi kwezindonga zayo, emukela isikhundla sokuba uthisha weqembu le-ensemble. Kodwa ngo-1975 uyawushiya lo msebenzi. "Ngabona ukuthi kufanele ngigxile entweni eyodwa ..."

Kodwa-ke, manje impilo yakhe ikhula ngendlela yokuthi "ihlakazekile", futhi ngenhloso. Oxhumana nabo abavamile bokudala basungulwa neqembu elikhulu labaculi - O. Kagan, N. Gutman, T. Grindenko, P. Davydova, V. Ivanova, L. Mikhailov, M. Tolpygo, M. Pechersky ... Amakhonsathi ahlangene ahleliwe emahholo aseMoscow nakwamanye amadolobha ezwe, kumenyezelwa uchungechunge lokuthakazelisa, njalo ngandlela thize ngandlela thile kusihlwa okunetimu yangempela. Ama-ensembles ahlukahlukene wokubunjwa ayakhiwa; ULyubimov uvame ukwenza njengomholi wabo noma, njengoba amaphosta asho ngezinye izikhathi, "Umxhumanisi womculo". Ukunqotshwa kwakhe kwe-repertory kuyenziwa ngokujulile nangokwengeziwe: ngakolunye uhlangothi, uhlala ehlola emathunjini omculo wakuqala, ephethe izindinganiso zobuciko ezidalwe kudala ngaphambi kuka-JS Bach; ngakolunye uhlangothi, ugomela igunya lakhe njengochwepheshe kanye nochwepheshe emkhakheni wesimanjemanje somculo, owazi izici zayo ezihlukahlukene kakhulu - kuze kufike kumculo we-rock kanye nokuhlolwa kwe-electronic, okuhlangene. Kufanele futhi kushiwo ngothando lukaLyubimov lwezinsimbi zasendulo, eziye zakhula phakathi neminyaka. Ingabe konke lokhu kwehlukahlukana okusobala kwezinhlobo nezindlela zokusebenza kunomqondo wako wangaphakathi? Ngokungangabazeki. Kukhona kokubili okuphelele kanye ne-organicity. Ukuze uqonde lokhu, umuntu kufanele, okungenani ngokwemibandela evamile, ajwayelane nemibono kaLyubimov ngobuciko bokuhumusha. Kwezinye izindawo ziyahlukana nalezo ezijwayelekile.

Akathatheki kakhulu (akakufihli) enza njengomkhakha ozimele womsebenzi wokudala. Lapha ubambe, ngokungangabazeki, esikhundleni esikhethekile phakathi kozakwabo. Kubukeka cishe kwangempela namuhla, lapho, ngokusho kukaGN Rozhdestvensky, "izilaleli ziza ekhonsathini ye-symphony ukuze zilalele umqhubi, naseshashalazini - ukulalela umculi noma ukubheka i-ballerina" (Imicabango ye-Rozhdestvensky GN ngomculo. - M., 1975. P. 34.). ULyubimov ugcizelela ukuthi unesithakazelo emculweni ngokwawo - njengenhlangano yobuciko, isenzakalo, isenzakalo - hhayi ohlwini oluthile lwezinkinga ezihlobene nokwenzeka kwezincazelo zawo ezihlukahlukene zesiteji. Akubalulekile kuyena ukuthi kumele angene esiteji ecula yedwa noma cha. Kubalulekile ukuba "ngaphakathi komculo", njengoba eke wakubeka engxoxweni. Ngakho-ke ukukhangwa kwakhe ekwenzeni umculo okuhlanganyelwe, ohlotsheni lwe-chamber-ensemble.

Kodwa akugcini lapho. Kukhona omunye. Kunama-stencil amaningi kakhulu esiteji sekhonsathi yanamuhla, amanothi kaLyubimov. “Kimina, akukho okubi okwedlula isitembu ..." Lokhu kubonakala ikakhulukazi uma kusetshenziswa kubabhali abamele izitayela ezidume kakhulu kwezobuciko bomculo, ababhala, bathi, ngekhulu lesi-XNUMX noma ekuqaleni kwele-XNUMX. Yini ekhangayo kubantu besikhathi sikaLyubimov - Shostakovich noma Boulez, Cage noma Stockhausen, Schnittke noma Denisov? Iqiniso lokuthi maqondana nomsebenzi wabo azikho izinkolelo-mbono zokuhumusha okwamanje. "Isimo sokusebenza komculo siqala lapha ngokungalindelekile kumlaleli, sivela ngokuvumelana nemithetho engalindelekile kusengaphambili ..." kusho uLyubimov. Okufanayo, ngokuvamile, emculweni wenkathi yangaphambi kwe-Bach. Kungani uvame ukuthola izibonelo zobuciko zekhulu lesi-XNUMX leminyaka ezinhlelweni zakhe? Ngoba amasiko abawenza kudala alahleka. Ngoba badinga izindlela ezintsha zokuhumusha. New - KuLyubimov, lokhu kubaluleke kakhulu.

Ekugcineni, kunesinye isici esinquma isiqondiso somsebenzi wawo. Uqinisekile ukuthi umculo kufanele uculwe ngezinsimbi odalelwe zona. Eminye imisebenzi ikupiyano, eminye ku-harpsichord noma i-virginal. Namuhla kuthathwa kalula ukudlala izingcezu zamakhosi amadala kupiyano yomklamo wesimanje. ULyubimov umelene nalokhu; Uthi lokhu kuhlanekezela ukubukeka kobuciko komculo uqobo kanye nalabo abawubhalile, uyaphikisana. Zihlala zingavezwanga, izinto eziningi ezicashile - isitayela, i-timbre-coloristic - ezitholakala ezincwadini zezinkondlo zesikhathi esidlule, zehliswa zaba yize. Ukudlala, ngokombono wakhe, kufanele kube sezinsimbi zomculo zangempela noma amakhophi enziwe ngobuchule. Wenza i-Rameau ne-Couperin ku-harpsichord, i-Bull, i-Byrd, i-Gibbons, i-Farneby ku-virginal, u-Haydn no-Mozart ku-piano yesando (hammerklavier), umculo womculo ka-Bach, Kunau, uFrescobaldi kanye nabaphila nabo e-ogani. Uma kunesidingo, angaphendukela kwamanye amathuluzi amaningi, njengoba kwenzeka ekusebenzeni kwakhe, futhi izikhathi ezingaphezu kwesisodwa. Kuyacaca ukuthi ngokuhamba kwesikhathi lokhu kuyamqhelelanisa nomculo wopiyano njengomkhakha wokulingisa wakuleli.

Kusukela kulokho okushiwo, akunzima ukuphetha ngokuthi uLyubimov ungumculi onemibono yakhe, imibono nezimiso zakhe. Okuthile okungavamile, ngezinye izikhathi okuyindida, ukumsusa ezindleleni ezivamile, ezinyathelwe kahle kwezobuciko bokudlala. (Akukona nje ukuqondana, siyaphinda futhi, ukuthi ebusheni bakhe wayeseduze noMaria Veniaminovna Yudina, akukhona nje ukuqondana ukuthi wammaka ngokunaka kwakhe.) Konke lokhu kukodwa kuyala inhlonipho.

Yize engakhombisi ukuthambekela okuthile endimeni yomculi oyedwa, kusafanele enze izinombolo eziyedwa. Kungakhathaliseki ukuthi uzimisele kangakanani ukuzicwilisa ngokuphelele "ngaphakathi komculo", ukuze azifihle, ukubukeka kwakhe kobuciko, lapho esesiteji, kukhanya ngokusebenza ngakho konke ukucaca.

Uyavinjelwa ngemuva kwensimbi, eqoqwe ngaphakathi, uyalwa ngemizwa. Mhlawumbe kuvalwe kancane. (Ngezinye izikhathi umuntu kufanele ezwe ngaye – “imvelo evaliwe”.) Alien kunoma yikuphi ukuxhamazela ezitatimendeni zasesiteji; umkhakha wemizwelo yakhe uhlelwe ngokuqinile njengoba kunengqondo. Ngemuva kwakho konke akwenzayo, kunomqondo womculo ocatshangelwe kahle. Ngokusobala, okuningi kule nkimbinkimbi yobuciko kuvela ezimfanelweni zemvelo, zomuntu siqu zikaLyubimov. Kodwa hhayi kuphela kubo. Emdlalweni wakhe - ocacile, olinganiswe ngokucophelela, onengqondo ngomqondo ophakeme wegama - umuntu angabona futhi isimiso esicacile sobuhle.

Umculo, njengoba wazi, ngezinye izikhathi uqhathaniswa nezakhiwo, abaculi nabadwebi bezakhiwo. ULyubimov endleleni yakhe yokudala ifana ngempela neyokugcina. Ngesikhathi edlala, ubonakala ezakha izingoma zomculo. Njengokungathi umisa izakhiwo zomsindo endaweni nesikhathi. Ukugxeka okuphawulwe ngaleso sikhathi ukuthi “isici esakhayo” sibusa ekuchazeni kwakhe; kwaba njalo futhi kusasele. Kukho konke umdlali wopiyano unokulingana, ukubala kwe-architectonic, ukulingana okuqinile. Uma sivumelana noB. Walter ukuthi "isisekelo sabo bonke ubuciko ukuhleleka", umuntu akakwazi kodwa ukuvuma ukuthi izisekelo zobuciko bukaLyubimov zinethemba futhi ziqinile ...

Ngokuvamile abaculi besitolo sakhe babegcizelela Injongo endleleni yakhe yomculo ohunyushiwe. ULyubimov uye waphika isikhathi eside futhi ngokuyisisekelo ukuthi wenza ukuzimela kanye nesiyaluyalu. (Ngokujwayelekile, ukholelwa ukuthi indlela yasesiteji, esekelwe encazelweni yomuntu siqu yemisebenzi yobuciko eyenziwe ngumdlali wekhonsathi, izoba yinto yesikhathi esidlule, futhi ukuphikiswana kwalesi sahlulelo akumkhathazi nakancane.) umbhali kuye uyisiqalo nesiphetho sayo yonke inqubo yokuhumusha, yazo zonke izinkinga eziphakamayo kulokhu kuhlobana. . Ukuthinta okuthakazelisayo. A. Schnittke, ngemva kokuba ebhale ukubukeza kokudlala komdlali wopiyano (izingoma zikaMozart zazisohlelweni), “wamangala lapho ethola ukuthi yena (buyekeza.— XNUMX. UMnu. C.) hhayi kakhulu ngekhonsathi kaLyubimov njengomculo kaMozart " (Schnittke A. Amanothi e-Subjective ekusebenzeni okunenjongo // Sov. Music. 1974. No. 2. P. 65.). A. Schnittke wafinyelela isiphetho esinengqondo sokuthi “ungabi

ukusebenza okunjalo, abalaleli bebengeke babe nemicabango eminingi kangaka ngalo mculo. Mhlawumbe ubuhle obuphakeme bomculi wukuqinisekisa umculo awudlalayo, hhayi yena. (Ibid.). Konke lokhu okungenhla kuyichaza ngokucacile indima nokubaluleka isici sobuhlakani emisebenzini kaLyubimov. Ungowesigaba sabaculi abaphawuleka kakhulu ngomcabango wabo wobuciko - onembile, onekhono, ongajwayelekile. Bunjalo ubuntu bakhe (ngisho noma yena ngokwakhe emelene nokubonakaliswa kwakho ngokwezigaba ngokweqile); ngaphezu kwalokho, mhlawumbe uhlangothi lwayo oluqine kakhulu. E. Ansermet, umqambi nombhidisi ovelele waseSwitzerland, mhlawumbe wayengekho kude neqiniso lapho ethi “kunokufana okungenamibandela phakathi komculo nezibalo” (Anserme E. Izingxoxo ngomculo. – L., 1976. S. 21.). Ezenzweni zokudala zabanye abaculi, noma babhala umculo noma bayawenza, lokhu kusobala impela. Ikakhulukazi, uLyubimov.

Yiqiniso, akuyona yonke indawo indlela yakhe ekholisa ngendlela efanayo. Akubona bonke abagxeki abanelisekile, isibonelo, ngokusebenza kwakhe kuka-Schubert - impromptu, ama-waltzes, imidanso yaseJalimane. Kufanele sizwe ukuthi lo mqambi eLyubimov ngezinye izikhathi unomzwelo, ukuthi akanalo ubulula benhliziyo, uthando oluqotho, imfudumalo lapha ... Mhlawumbe lokhu kunjalo. Kodwa, ngokuvamile, u-Lyubimov uvame ukunemba ezifisweni zakhe ze-repertory, ekukhetheni nasekuhlanganiseni izinhlelo. Wazi kahle lapho wakhe izinto ezitholakalayo, futhi lapho amathuba okwehluleka angeke akhishwe. Labo babhali abhekisela kubo, kungakhathaliseki ukuthi baphila ngesikhathi sethu noma amakhosi amadala, ngokuvamile abangqubuzani nendlela yakhe yokwenza.

Nokuthinta okumbalwa okwengeziwe kusithombe somdlali wepiyano - ukuze uthole umdwebo ongcono wamakhontoyutha angawodwana nezici. ULyubimov unamandla; njengomthetho, kulula kuye ukuba aqhube inkulumo yomculo ekuhambeni, i-tempos enamandla. Unokushaya kweminwe okuqinile, okuqinisekile—“ukukhuluma” okuhle kakhulu, ukuze asebenzise inkulumo evame ukusetshenziselwa ukukhombisa izimfanelo ezibalulekile zabadlali njengezichazamazwi ezicacile nendlela eqondakalayo yokuphimisela esiteji. Unamandla kunabo bonke, mhlawumbe, ohlelweni lomculo. Kancane kancane - ngomsindo oqoshiwe we-watercolor. “Into ehlaba umxhwele kakhulu ngokudlala kwakhe i-toccato efakwe ugesi” (Ordzhonikidze G. Spring Meetings with Music//Sov. Music. 1966. No. 9. P. 109.), omunye wabahlaziyi bomculo wabhala maphakathi nawo-XNUMX. Ngezinga elikhulu, lokhu kuyiqiniso namuhla.

Engxenyeni yesibili yama-XNUMXs, uLyubimov wanikeza enye isimanga kubalaleli ababebonakala bejwayele zonke izinhlobo zezimanga ezinhlelweni zakhe.

Phambilini kwakuthiwa akakwamukeli lokho abaculi abaningi bamakhonsathi abakuhlohlayo, ekhetha ukufundelwa kancane, uma kungenjalo izindawo ze-repertoire ezingakahlolisiswa ngokuphelele. Kuthiwa isikhathi eside akazange athinte imisebenzi Chopin futhi Liszt. Ngakho, kungazelelwe, konke kwashintsha. ULyubimov waqala ukunikela cishe wonke ama-clavirabends kumculo walaba baqambi. Ngo-1987, isibonelo, wadlala eMoscow nakwamanye amadolobha ezwe ezintathu Sonnets of Petrarch, Forgotten Waltz No. 1 futhi Liszt sika F-minor (ekhonsathini) etude, kanye Barcarolle, ballads, nocturnes kanye mazurkas by Chopin. ; isifundo esifanayo saqhubeka ngesizini elandelayo. Abanye abantu bathatha lokhu njengokunye futhi ubuhlakani bomdlali wopiyano - awukwazi ukuthi bangaki kubo, bathi, abaku-akhawunti yakhe ... kulokho akwenza: “Sekunesikhathi eside ngiqhelelene nalo mculo, ukuthi angiboni lutho olumangazayo ekuthandeni kwami ​​​​kungazelelwe kuwo. Ngifuna ukusho ngokuqiniseka: ukuphendukela ku-Chopin no-Liszt kwakungelona uhlobo oluthile lokuqagela, isinqumo “sekhanda” engxenyeni yami – isikhathi eside, bathi, angizange ngidlale laba babhali, bekufanele ngidlale … ​​Cha , cha, ngavele ngakhangwa kubo. Konke kwavela ndawana thize ngaphakathi, ngokomzwelo nje kuphela.

U-Chopin, isibonelo, usephenduke cishe umqambi okhohliwe kimi. Ngingasho ukuthi ngizitholele yona ngokwami ​​- njengoba ngezinye izikhathi kutholwa imisebenzi yobuciko yakudala engasifanele. Mhlawumbe yingakho ngivuse umuzwa ovuthayo, onamandla kangaka ngaye. Futhi okubaluleke kakhulu, ngaba nomuzwa wokuthi anginawo ama-cliches okuhumusha aqinile maqondana nomculo kaChopin - ngakho-ke, ngiyakwazi ukuwudlala.

Kwenzeka okufanayo nakuLiszt. Ikakhulukazi eduze kwami ​​namuhla u-Liszt ongasekho, nemvelo yakhe yefilosofi, umhlaba wayo ongokomoya oyinkimbinkimbi futhi ophakeme, i-mysticism. Futhi, yiqiniso, ngombala wayo wokuqala nocwengisisiwe womsindo. Kuyinjabulo enkulu ukuthi manje sengidlala iGrey Clouds, i-Bagatelles without Key, neminye imisebenzi ka-Liszt yenkathi yokugcina yomsebenzi wakhe.

Mhlawumbe isicelo sami kuChopin noLiszt sasinesizinda esinjalo. Sekuyisikhathi eside ngabona, ngenza imisebenzi yababhali bekhulu lesi-XNUMX, ukuthi abaningi babo banomfanekiso ocacile wothando. Kunoma ikuphi, ngikubona kahle lokhu kucabanga - kungakhathaliseki ukuthi kuyindida kangakanani ekuqaleni - emculweni kaSilvestrov, Schnittke, Ligeti, Berio ... wakholwa. Lapho ngigcwele lo mcabango, ngakhangwa, ngomqondo ongokomfanekiso, emithonjeni eyinhloko - enkathini okwasuka kuyo okuningi, ngathola ukuthuthukiswa kwayo okwalandela.

Phela, angikhangwa namuhla hhayi kuphela izinkanyiso zothando - uChopin, uLiszt, uBrahms ... futhi nginentshisekelo enkulu kubantu ababephila nabo abancane, abaqambi bekhulu lokuqala lesithathu lekhulu lesi-XNUMX, abasebenze ekuqaleni kweminyaka emibili. ama-eras - i-classicism kanye ne-romanticism, exhumanisa nomunye nomunye. Manje senginabo ababhali abanjengoMuzio Clementi, Johann Hummel, Jan Dussek. Kuningi futhi ezingomeni zabo okusiza ukuqonda ezinye izindlela zokuthuthukisa isiko lomculo lomhlaba. Okubaluleke kakhulu, baningi abantu abaqhakazile, abanamakhono abangakalahlekelwa ukubaluleka kwabo kwezobuciko nanamuhla.”

Ngo-1987, uLyubimov wadlala i-Symphony Concerto yamapiyano amabili ne-orchestra kaDussek (ingxenye yepiyano yesibili yenziwa ngu-V. Sakharov, ehambisana ne-orchestra eqhutshwa u-G. Rozhdestvensky) - futhi lo msebenzi, njengoba ayelindele, wavusa isithakazelo esikhulu. phakathi kwezilaleli.

Futhi enye into yokuzilibazisa kaLyubimov kufanele kuqashelwe futhi kuchazwe. Okuncane, uma bekungalindelekile, kunokuthatheka kwakhe ngezothando zaseNtshonalanga Yurophu. Lona uthando oludala, umculi uViktoria Ivanovna "amtholile" muva nje. “Empeleni, ingqikithi ayikho kanjalo kwezothando. Ngokuvamile ngikhangwa umculo owawuzwakala kumasaluni asebukhosini maphakathi nekhulunyaka elidlule. Phela, yasebenza njengendlela enhle kakhulu yokuxhumana okungokomoya phakathi kwabantu, yenza kwaba nokwenzeka ukudlulisa okuhlangenwe nakho okujulile nokujulile. Ngezindlela eziningi, kuphambene nomculo owadlalwa esiteji esikhulu sekhonsathi - ukuqhosha, phezulu, ukucwebezela ngezingubo zomsindo ogqamile, zikanokusho. Kodwa kwezobuciko be-salon - uma kuyiqiniso ngempela, ubuciko obuphezulu - ungazizwa ucashile kakhulu othinta imizwa oyisici sakho. Yingakho liyigugu kimina.”

Ngesikhathi esifanayo, uLyubimov akayeki ukudlala umculo owawuseduze naye eminyakeni edlule. Ukunamathela emandulo elikude, akashintshi futhi ngeke ashintshe. Ngokwesibonelo, ngo-1986 wethula uchungechunge lwamakhonsathi lwe-Golden Age of the Harpsichord, olwaluhlelelwe iminyaka eminingana ngaphambili. Njengengxenye yalo mjikelezo, wenza i-Suite in D minor ka-L. Marchand, i-suite "Imigubho ye-Menestrand enkulu neyasendulo" ka-F. Couperin, kanye nenani leminye imidlalo yalo mbhali. Okuthakazelisayo ngokungangabazeki emphakathini kwakuwuhlelo oluthi "Imikhosi ye-Gallant e-Versailles", lapho uLyubimov ehlanganisa izinsimbi ezincane zikaF. Dandrieu, LK Daken, JB de Boismortier, J. Dufly nabanye abaqambi baseFrance. Kufanele futhi sikhulume ngokudlala okuhlangene okuqhubekayo kukaLyubimov no-T. Grindenko (izingoma ze-violin zika-A. Corelli, FM Veracini, JJ Mondonville), O. Khudyakov (ama-suites omtshingo namabhesi edijithali ka-A. Dornell kanye noM. de la Barra ); umuntu akakwazi kodwa ukukhumbula, ekugcineni, ubusuku bomculo obunikezelwe ku-FE Bach ...

Kodwa-ke, ingqikithi yalolu daba ayikho enanini elitholakala ezinqolobaneni futhi elidlalwa esidlangalaleni. Into eyinhloko ukuthi uLyubimov namuhla uzibonakalisa, njengangaphambili, "njengomvuseleli" onekhono nolwazi lwasendulo, ebuyisela ngobuciko esimweni sawo sokuqala - ubuhle obuhle bezinhlobo zayo, i-gallantry yokuhlobisa umsindo, ubuqili obukhethekile kanye nobuciko. ubumnandi bezitatimende zomculo.

… Eminyakeni yakamuva, uLyubimov ube nohambo oluningana oluthokozisayo phesheya. Mangisho ukuthi ngaphambili, phambi kwabo, isikhathi eside impela (cishe iminyaka engu-6) akazange ahambe ngaphandle kwezwe nhlobo. Futhi kuphela ngenxa yokuthi, ngokombono wezikhulu ezithile ezazihola isiko lomculo ngasekupheleni kweminyaka engamashumi ayisikhombisa namashumi ayisishiyagalombili, wenza "hhayi leyo" imisebenzi okufanele ngabe yenziwe. Ukubikezela kwakhe abaqambi besikhathi samanje, okubizwa ngokuthi "i-avant-garde" - uSchnittke, uGubaidulina, uSylvestrov, uCage, nabanye - abazange, ukubeka kancane, ukuzwelana "phezulu". Ukuphoqelelwa kwasekhaya ekuqaleni kwamcasula uLyubimov. Futhi ubani kubaculi bamakhonsathi ongeke acasuke esikhundleni sakhe? Nokho, imizwa yadamba kamuva. “Ngabona ukuthi kukhona okuhle kulesi simo. Kwakungenzeka ukugxila ngokuphelele emsebenzini, ekufundeni izinto ezintsha, ngoba akukho ukungabikho ekhaya okude nesikhathi eside okwakungiphazamisa. Futhi ngempela, phakathi neminyaka engangiyiciko “elinemikhawulo yokuhamba,” ngakwazi ukufunda izinhlelo eziningi ezintsha. Ngakho abukho ububi ngaphandle kokuhle.

Manje, njengoba beshilo, uLyubimov usephinde waqala kabusha impilo yakhe evamile yokuvakasha. Muva nje, kanye ne-orchestra eqhutshwa nguL. Isakadze, wadlala i-Mozart Concerto eFinland, wanikeza ama-clavirabends amaningana e-solo ku-GDR, Holland, Belgium, Austria, njll.

Njengazo zonke izingcweti zangempela, ezinkulu, uLyubimov unazo siqu umphakathi. Ngokwezinga elikhulu, laba ngabantu abasha - izethameli aziphumuli, zihahela ukuguqulwa kwemibono kanye nezinqubo ezintsha zobuciko ezihlukahlukene. Zuza uzwelo ezifana emphakathini, ukujabulela ukunakwa kwayo okuqinile iminyaka eminingana akuwona umsebenzi olula. ULyubimov wakwazi ukukwenza. Ingabe sisekhona isidingo sokuqinisekisa ukuthi ubuciko bakhe ngempela buphethe okuthile okubalulekile nokudingekayo kubantu?

G. Tsypin, 1990