Radu Lupu (Radu Lupu) |

Radu Lupu

Ekuqaleni komsebenzi wakhe, umdlali wopiyano waseRomania wayengomunye wabashampeni bokuncintisana: engxenyeni yesibili ye-60s, bambalwa ababengaqhathanisa naye mayelana nenani lemiklomelo etholiwe. Kusukela ngo-1965 ngomklomelo wesihlanu ku-Beethoven Competition e-Vienna, wabe esewina ngokulandelana “imiqhudelwano” enamandla kakhulu e-Fort Worth (1966), eBucharest (1967) naseLeeds (1969). Lolu chungechunge lokunqoba lwalusekelwe esisekelweni esiqinile: kusukela eneminyaka eyisithupha wafunda noProfesa L. Busuyochanu, kamuva wathatha izifundo zokuvumelana nokuphikisana no-V. Bikerich, futhi ngemva kwalokho wafunda eBucharest Conservatory. C. Porumbescu ngaphansi kokuqondisa kukaF. Muzycescu noC. Delavrance (upiyano), D. Alexandrescu (umqambi). Ekugcineni, "ukuphela" kokugcina kwamakhono akhe kwenzeka eMoscow, okokuqala ekilasini likaG. Neuhaus, bese kuba indodana yakhe uSt. Neuhaus. Ngakho-ke impumelelo yokuncintisana yayingokwemvelo futhi ayizange ibamangaze labo ababejwayele amakhono kaLupu. Kuyaphawuleka ukuthi kakade ngo-1966 waqala umsebenzi wobuciko asebenzayo, futhi isenzakalo esiphawuleka kakhulu esigabeni salo sokuqala kwakungelona ngisho ukusebenza ukuncintisana, kodwa ukusebenza kwakhe kusihlwa ezimbili wonke amakhonsathi Beethoven e Bucharest (nge orchestra eqhutshwa I. Koit) . Kwakuyilezi zikhathi zakusihlwa ezabonisa ngokucacile izimfanelo eziphezulu zokudlala komdlali wopiyano - ukuqina kwesu, ikhono “lokucula kupiyano”, ukuzwela kwesitayela. Yena ngokwakhe ikakhulukazi uthi lezi zimfanelo ezinhle ezifundweni zakhe eMoscow.

Iminyaka eyishumi nengxenye edlule iphendule u-Radu Lupu waba usaziwayo womhlaba. Uhlu lwezindondo zakhe selugcwaliswe ngemiklomelo emisha - imiklomelo yokuqopha okuhle kakhulu. Eminyakeni embalwa edlule, uhlu lwemibuzo kumagazini waseLondon i-Music and Music yambeka phakathi kwabadlali bopiyano “abahlanu” abahamba phambili emhlabeni; kukho konke okujwayelekile kwesigaba sezemidlalo esinjalo, ngempela, bambalwa abaculi abangaqhudelana naye ngokuduma. Lokhu kuduma kusekelwe ngokuyinhloko ekuchazeni kwakhe umculo we-Viennese enkulu - uBeethoven, uSchubert noBrahms. Kusekusebenzeni kwamakhonsathi kaBeethoven kanye ne-sonatas kaSchubert lapho ithalenta lomculi lembulwa ngokugcwele. Ngo-1977, ngemva kwamakhonsathi akhe okunqoba ePrague Spring, umgxeki ovelele waseCzech uV. Pospisil wabhala: “URadu Lupu wafakazela ngokudlala kwakhe yedwa uhlelo kanye neConcerto Yesithathu kaBeethoven ukuthi ungomunye wabadlali bopiyano abahlanu noma abayisithupha abahamba phambili emhlabeni. , futhi hhayi esizukulwaneni sakhe kuphela. U-Beethoven wakhe ungowesimanje ngomqondo ongcono kakhulu wegama, ngaphandle kokutuswa kwemizwelo ngemininingwane engabalulekile - okujabulisayo ngokushesha, okuzolile, okusankondlo kanye nomculo omnandi ezingxenyeni zomculo nezikhululekile.

Azikho izimpendulo ezikhombisa umdlandla ezidalwe wumjikelezo wakhe kaSchubert wamakhonsathi ayisithupha, owawuseLondon ngesizini ka-1978/79; iningi lemisebenzi yopiyano yomqambi yenziwa kuzo. Omunye umhlaziyi odumile oyiNgisi waphawula: “Into ekhangayo yezincazelo zalo mdlali wopiyano osemusha omangalisayo iwumphumela we-alchemy ecashe kakhulu ukuba ingachazwa ngamagama. Uyashintsha futhi akabikezeli, ubeka ukunyakaza okuncane kanye namandla abalulekile agxilile emdlalweni wakhe. Upiyano lwakhe luqinisekile (futhi lusekelwe esisekelweni esihle kakhulu sesikole saseRussia) kangangokuthi awuboni nhlobo. Isici sokuzithiba sidlala indima ebalulekile emvelweni yakhe yobuciko, futhi izimpawu ezithile zokuzincisha injabulo ziyinto iningi labadlali bopiyano abasebasha, abafuna ukuhlaba umxhwele, ngokuvamile abayinaki.

Phakathi kwezinzuzo ze-Lupu futhi ukungabi nandaba okuphelele kwemiphumela yangaphandle. Ukugxila kokwenziwa komculo, ukucabangela okucashile kwama-nuances, inhlanganisela yamandla okuveza nokucabanga, ikhono “lokucabanga ngopiyano” kwamenzela idumela “lomdlali wopiyano oneminwe ezwela kakhulu” esizukulwaneni sakhe. .

Ngesikhathi esifanayo, kufanele kuqashelwe ukuthi ochwepheshe, ngisho nalabo ababonga kakhulu ithalenta likaLupu, abahlali bevumelana ngazwi linye ekuncomeni kwabo mayelana nempumelelo yakhe ethile yokudala. Izincazelo ezinjengokuthi “okuguquguqukayo” kanye “nokungabikezeleki” ngokuvamile kuhambisana namazwi agxekayo. Uma sibheka ukuthi ukubuyekezwa kwamakhonsathi akhe kuphikisana kangakanani, singaphetha ngokuthi ukwakheka kwesithombe sakhe sobuciko akukakapheli, futhi ukusebenza okuphumelelayo ngezinye izikhathi kuyashintshana nokuhlukana. Ngokwesibonelo, umgxeki waseNtshonalanga Jalimane u-K. Schumann wake wambiza ngokuthi “umfanekiso wokuzwela”, wengeza ngokuthi “uLupu udlala umculo ngendlela uWerther ayezowudlala ngayo ngobusuku bangaphambi kokuba athulule isibhamu ethempelini lakhe.” Kodwa cishe ngesikhathi esifanayo, uzakwabo kaSchumann uM. Meyer waphikisa ngokuthi uLupu “konke kubalwa kusengaphambili.” Ungavamisile ukuzwa izikhalazo mayelana ne-repertoire yomdwebi ewumngcingo: U-Mozart no-Haydn bangezwa kuphela kumagama amathathu ashiwo ngezikhathi ezithile. Kodwa ngokuvamile, akekho ophikayo ukuthi ngaphakathi kohlaka lwale repertoire, impumelelo yomculi iyamangalisa kakhulu. Futhi umuntu akanakuvumelana nombuyekezi osanda kusho ukuthi “omunye wabadlali bopiyano abangabikezeleki emhlabeni, uRadu Lupu angabizwa kufanele ngokuthi ungomunye wabadlali abaphoqelela kakhulu lapho esezingeni eliphezulu.”

Grigoriev L., Platek Ya., 1990