I-Largo, i-Largo |

IsiNtaliyane, sikhanya. – kabanzi

Ukuqokwa kwe-tempo ehamba kancane, ngokuvamile ekhombisa uhlobo oluthile lomculo. Ngokuvamile isetshenziswa ekukhiqizeni. ngokubabazekayo, okuzothile, okulilayo, okuhlukaniswa ngokusakazwa okubanzi, okulinganiselwe kwamamyuziyemu. izindwangu, ezinesisindo esigcizelelayo, ama-chordal complexes azwakalayo. Leli gama laziwa kusukela ekuqaleni. Ikhulu le-17 Ngaleso sikhathi, lalisho ijubane elizolile, elimaphakathi futhi labekwa phansi nemidlalo eyenziwa ngesigqi se-sarabande. Kusukela ekuqaleni kwekhulu le-18 ukuqonda kwaleli gama kuye kwashintsha. Emicabangweni yomculo yalesi sikhathi, i-largo yayivame ukubonakala njenge-tempo ehamba kancane, ephindwe kabili njenge-adagio. Nokho, ekusebenzeni, ubuhlobo phakathi kwe-largo ne-adagio abuzange bumiswe ngokuqinile; imvamisa i-largo yayingafani ne-adagio hhayi kakhulu ku-tempo njengasesimweni somsindo. Kwezinye izimo, i-largo isondela eduze negama elithi andante molto cantabile. Kuma-symphonies ka-J. Haydn kanye no-WA ​​Mozart, igama elithi “Largo” libonisa, okokuqala nje, indlela yokuphimisa edwetshelwe. L. Beethoven wahumusha i-largo ngokuthi i-adagio “enesisindo”. Ngokuvamile wayehlanganisa igama elithi “largo” nezincazelo ezicacisayo ezigcizelela izindlela zomsindo: I-Largo appassionato kusonata sepiyano. op. 2, i-Largo con gran espressione ku-sonata yepiyano. op. 7 njll.

LM Ginzburg