Lilli Lehmann |

Lilli Lehmann

umculi ohlakaniphile

Nguye owathi selivulwe ikhethini, wake wathuka umculi “ngembongolo”, washaya umhleli omkhulu welinye iphephandaba elashicilela inhlamba ngaye, wanqamula inkontileka nenkundla yemidlalo yaseshashalazini ngesikhathi wenqaba iholidi elide, waba nenkani futhi waqina, uma kukhona okuphambene nezifiso zakhe, futhi emahholo angcwele aseBayreuth waze walokotha ukuphikisa uCosima Wagner ngokwakhe.

Ngakho-ke, phambi kwethu i-prima donna yangempela? Ngomqondo ophelele wegama. Iminyaka engamashumi amabili uLilly Lehman wayebhekwa njengowesifazane wokuqala ku-opera, okungenani emibuthanweni yokudala yaseJalimane naphesheya kwezilwandle. Ushawa ngezimbali waklonyeliswa ngezicoco, kwaqanjwa izingoma zokudumisa ngaye, wahlonishwa ngazo zonke izinhlobo; futhi nakuba engakaze azuze ukuthandwa okukhulu kukaJenny Lind noma uPatty, ukuhlwithwa ayekhothame ngakho - futhi phakathi kwabalandeli bakaLeman kwakukhona abantu ababaluleke kakhulu - kuphela kwakhula kulokhu.

Abazange bathande izwi lomculi kuphela, kodwa futhi nekhono lakhe nezimfanelo zobuntu. Yiqiniso, kwakungeke kwenzeke kunoma ubani ukuba aphinde amazwi kaRichard Wagner ngaye, ashiwo nge-Schroeder-Devrient enkulu, okuthiwa “ayinazwi.” I-Soprano Lilly Leman ayikwazi ukubizwa ngokuthi isipho semvelo, ngaphambi kwalokho umuntu angakhothama ngokuncoma; izwi le-virtuoso, ubuhle balo kanye nobubanzi, lapho selufinyelele ukuvuthwa kwalo kuyo yonke indlela yokudala, saqhubeka nokudlala indima yokuqala: kodwa hhayi njengesipho esivela phezulu, kodwa ngenxa yomsebenzi ongakhathali. Ngaleso sikhathi, imicabango kaLeman, i-prima yohlobo olulodwa, yathathwa yikhono lokucula, ukwakheka komsindo, i-psychology kanye nokuqondanisa okunembile ekuculeni. Wethula ukucabanga kwakhe encwadini ethi "My Vocal Art", okwathi ngekhulu lamashumi amabili yahlala ingumhlahlandlela obalulekile wokucula isikhathi eside. Umculi ngokwakhe wafakazela ngokuqiniseka ukufaneleka kwemibono yakhe: ngenxa yendlela yakhe enhle, uLeman wagcina amandla nokunwebeka kwezwi lakhe, futhi ngisho nasebudaleni bakhe wabhekana ngokuphelele nengxenye enzima kaDonna Anna!

U-Adeline Patti, iphimbo elimangalisayo, naye wenza kahle kwaze kwaba sekugugeni. Lapho ebuzwa ukuthi iyini imfihlo yokucula, ngokuvamile wayephendula ngokumamatheka: “Awu, angazi!” Emamatheka, efuna ukubonakala engenangqondo. I-Genius ngokwemvelo ivame ukungazi ukuthi "kanjani" ekugcineni kwezobuciko! Yeka umehluko ophawulekayo ngoLilly Lehman nesimo sakhe sengqondo ngokusungula izinto! Uma uPatty "engazi lutho", kodwa azi konke, uLeman wayazi konke, kodwa ngesikhathi esifanayo wayengabaza amakhono akhe.

“Isinyathelo ngesinyathelo ukuphela kwendlela esingathuthuka ngayo. Kodwa ukuze uzuze ikhono eliphakeme kakhulu, ubuciko bokucula bunzima kakhulu, futhi ukuphila kufushane kakhulu. Ukuvuma izono ezinjalo ezindebeni zanoma yimuphi omunye umculi bekuyozwakala njengamazwi amahle encwajaneni yabafundi bakhe. Kumculi nesisebenzi esingakhathali uLilly Lehman, lawa mazwi awalutho ngaphandle kwamaqiniso okuhlangenwe nakho.

Wayengeyena umntwana ohlakaniphile futhi "engakwazi ukuziqhayisa ngezwi elimangalisayo kusukela ebuntwaneni", ngokuphambene nalokho, waba nezwi eliphaphathekile, ngisho nesifuba somoya. Lapho uLilly emukelwa enkundleni yemidlalo yaseshashalazini, wabhalela unina: “Angikaze ngicabange ukuthi kunamazwi angenambala ukwedlula awami, kodwa lapha kunabaculi abayisithupha abanamazwi angenamandla kunawami abahlanganyela nawo.” Yeka indlela ehanjwe eya kuLeonora odumile ovela ku-Fidelio kanye nomculi oyiqhawe we-Wagner's Bayreuth! Kule ndlela, akukho midlalo ehlaba umxhwele noma ukuphakama kwe-meteoric eyayimlindile.

Kuno-Lilly Lehman enkundleni ye-diva kufike umculi ohlakaniphile, ogxile olwazini; ulwazi olutholiwe alugcini nje ekuthuthukisweni kwezwi, kodwa kufana nokuthi lwandisa imibuthano ezungeze isikhungo lapho umuntu oculayo emi khona. Lona wesifazane ohlakaniphile, ozethembayo futhi onamandla ubonakala ngesifiso somhlaba wonke. Njengengxenye yobuciko basesiteji, kufakazelwa ukunotha kweqoqo lokucula. Izolo nje eBerlin, uLehman ucule ingxenye ye-Enkhen ephuma ku-The Free Gunner, futhi namuhla usevele wabonakala esiteji seCovent Garden yaseLondon njengo-Isolde. Kwenzeka kanjani ukuba i-soubrette engenangqondo evela emdlalweni wamahlaya kanye neqhawekazi elimangalisayo laba khona kanjani kumuntu oyedwa? Ukuguquguquka okumangalisayo u-Lehman akugcinile kuyo yonke impilo yakhe. Umlandeli kaWagner, wathola isibindi ekuphakameni kwehlelo laseJalimane likaWagner lokuziveza ukuthi ungumsekeli weLa Traviata kaVerdi futhi akhethe uNorma Bellini njengeqembu lakhe alithandayo; UMozart wayengaphezu kokuncintisana, impilo yakhe yonke wahlala "izwe lakhe lomculo".

Lapho esekhulile, ngemva kwe-opera, u-Leman wanqoba amahholo ekhonsathi njengomculi wekamelo ohlakaniphile, futhi lapho ebona, ezwa futhi efunda, indima ye-prima donna yaphendula isifiso sakhe sokuphelela. Umculi, ngendlela yakhe, wabhekana nobunzima bemidlalo yaseshashalazini eyayibusa ngisho nasezigabeni ezidumile, ekugcineni esebenza njengomqondisi: isenzo esingenakuqhathaniswa nesisha ngaleso sikhathi.

U-Praeceptor Operae Germanicae (Inkosi Ye-Opera YaseJalimane - Lat.), Umculi, umqondisi, umhleli wemikhosi, umethuli wezinguquko azikhuthaza ngomdlandla, umbhali nothisha - konke lokhu kwahlanganiswa owesifazane wendawo yonke. Kusobala ukuthi isibalo sikaLeman asihambisani nemibono yendabuko mayelana ne-prima donna. Amahlazo, izimali ezishisiwe, izindaba zothando ezanikeza ukubukeka kwe-opera divas umthunzi nje wobuwula - akukho okufana nalokhu okungatholakali emsebenzini kaLeman. Ukuphila komculi kwahlukaniswa ngobulula obufanayo negama lakhe elinesizotha. Izifiso ezivusa amadlingozi zikaSchroeder-Devrient, uthando lukaMalibran, amahemuhemu (ngisho noma enza ihaba) mayelana nokuzibulala kwabathandi abaphelelwe ithemba uPatti noma uNilsson - konke lokhu akukwazanga ukuhlanganiswa nalo wesifazane webhizinisi onamandla.

"Ukukhula okuphezulu, amafomu avuthiwe ahloniphekile kanye nokunyakaza okulinganiselwe. Izandla zendlovukazi, ubuhle obungavamile bentamo kanye nokulingana kahle kwekhanda, okutholakala kuphela ezilwaneni ezifuywayo. Zimhlophe ngezinwele ezimpunga, zingafuni ukufihla iminyaka yomnikazi wazo, ukubukeka okubukhali kwamehlo amnyama, ikhala elikhulu, umlomo ochazwe ngokuqinile. Lapho emamatheka, ubuso bakhe obuqinile babumbozwe ukukhanya kwelanga okunesizotha ukuphakama, ukuzithoba kanye nobuqili.

U-L. Andro, othanda ithalente lakhe, wathwebula isalukazi esineminyaka engamashumi ayisithupha emdwebeni wakhe othi “Lilli Leman”. Ungabheka isithombe somculi ngokuningiliziwe, usiqhathanise nezithombe zangaleso sikhathi, ungazama ukuqeda evesini, kodwa isithombe esiqinile se-prima donna sizohlala singashintshiwe. Lona wesifazane osekhulile, kodwa namanje ohloniphekile futhi ozethembayo akakwazi nakancane ukubizwa ngokuthi ugodliwe noma i-phlegmatic. Empilweni yakhe yangasese, umqondo obucayi wamxwayisa ngezenzo ezingenangqondo. Encwadini yakhe ethi My Way, uLehman ukhumbula indlela acishe wafa ngayo lapho, ezivivinyweni eBayreuth, uRichard Wagner emethula, owayesengumlingisi osemusha osemngceleni wodumo, kumsizi womdidiyeli uFritz Brandt. Kwakuwuthando ekuqaleni kokubona, nhlangothi zombili ngakho-ke iqinisekisa impilo futhi yothando, etholakala kuphela kumanoveli amantombazane. Khonamanjalo, le nsizwa kuvele ukuthi isinomona obi, yamhlukumeza futhi yamhlukumeza uLilly ngezinsolo ezingezinhle kwaze kwagcina ngokuthi, emuva kwesikhathi eside imzabalazo yangaphakathi ecishe yambulala, yagqashula ekuthembiseni umshado. Umshado wakhe wawunokuthula no-Paul Kalisch, babevame ukucula ndawonye esiteji esifanayo, ngaphambi kokuba uLeman ashade naye esekhulile.

Lezo zimo ezingavamile lapho umculi eveza imizwa yakhe azihlangene nezifiso ezijwayelekile zama-prima donnas, kodwa zazifihla izizathu ezijulile, ngoba zazithinta ubuciko obuseduze kakhulu. Umhleli wephephandaba laseBerlin, ethembele empumelelweni yaphakade yokuhleba, washicilela isihloko esingamanga esinemininingwane enamanzi evela ekuphileni komculi we-opera osemusha. Lithe uLeman ongashadile kuthiwa ubekhulelwe. Njengonkulunkulukazi wokuziphindiselela, umculi uvele ehhovisi lokuhlela, kodwa lolu hlobo oludabukisayo ngaso sonke isikhathi luzama ukubalekela umthwalo wemfanelo. Okwesithathu uLeman wagijima wangena kuye ezitebhisini wangamgeja. Lapho umhleli eqala ukuphuma ngazo zonke izindlela ehhovisi, engafuni ukuhoxisa okwakushiwo, wamshaya ngempama emnandi ebusweni. “Ngihlengezela izinyembezi, ngabuyela ekhaya, futhi, ngesililo, ngamemeza kuphela kumama: “Uyitholile!” Nomphathi webhendi uLe Mans ambize ngembongolo ohambweni lwaseToronto, eCanada? Wahlanekezela uMozart – akulona icala lelo?

Wayengawaqondi amahlaya uma kuziwa kwezobuciko, ikakhulukazi uma kuziwa kuMozart amthandayo. Angikwazanga ukubekezelela ubudedengu, ubuncane kanye nobuncane, ngobutha obufanayo ngahlangana nokuzenzela umathanda kwabadlali be-narcissistic kanye nokuphishekela ubumina. Ethandana nabaqambi abakhulu, akazange adlale ngothando, kwakuwumuzwa ojulile, ojulile. U-Leman wayehlale ephupha ngokucula uLeonora ku-Beethoven's Fidelio, futhi lapho eqala ukubonakala esiteji kule ndima, edalwe ngokukhumbulekayo nguSchroeder-Devrient, wacishe waquleka ngenxa yenjabulo eyeqile. Ngalesi sikhathi, wayesehlabelele iminyaka engu-14 e-Berlin Court Opera, futhi kuphela ukugula komculi wokuqala omangalisayo kwanikeza uLeman ithuba elabe lilindelwe isikhathi eside. Umbuzo wesisebenzi saseshashalazini, ukuthi angathanda yini ukufaka esikhundleni sakhe, uzwakale njengebhawodi elivela eluhlaza okwesibhakabhaka - "wanyamalala, esethole imvume yami, futhi ngingakwazi ukulawula imizwa yami nokuthuthumela yonke indawo, lapho engangimi khona. , ngikhala kakhulu, ngiguqe ngamadolo, zigeleze izinyembezi zenjabulo ezandleni zami, izandla zigoqe ngibonga umama, umuntu engimkweleta kangaka! Kwathatha isikhathi ngaphambi kokuba ngibuyele ezingqondweni futhi ngibuze ukuthi ngabe lokhu kuyiqiniso?! NginguFidelio eBerlin! Nkulunkulu omkhulu, nginguFidelio!”

Umuntu angacabanga ngokuzikhohlwa, yeka indlela engathi sína engcwele aba nengxenye ngayo! Kusukela ngaleso sikhathi, uLeman akakaze ahlukane nale opera kaBeethoven kuphela. Kamuva, encwadini yakhe, okuyinkambo emfushane yomqondo osebenzayo nolwazi, akazange anikeze ukuhlaziywa kwendima yesihloko kuphela, kodwa kuzo zonke izindima kule opera ngokujwayelekile. Emzamweni wokudlulisa ulwazi lwakhe, ukukhonza ubuciko kanye nemisebenzi yabo, ithalente lokufundisa lomculi liyabonakala. Isihloko se-prima donna samphoqa ukuba enze izimfuno eziphezulu hhayi kuye kuphela, kodwa nakwabanye. Umsebenzi wakhe ubulokhu uhlotshaniswa nemibono efana nomsebenzi nokuzibophezela. “Noma yisiphi isibukeli saneliseka ngakho konke okuhle kakhulu - ikakhulukazi uma kuziwa kwezobuciko ... Umdwebi ubhekene nomsebenzi wokufundisa izethameli, abonise impumelelo yakhe ephakeme kakhulu, ayikhulise futhi, anganaki ukunambitheka kwakhe okubi, ukufeza umsebenzi wakhe. kuze kube sekupheleni,” kubuza yena . "Futhi noma ngubani olindele ingcebo nenjabulo kuphela kwezobuciko maduze uzojwayela ukubona entweni yakhe umuntu oboleka imali, onesikweletu sakhe esizohlala impilo yakhe yonke, futhi lo mbolekisi uzothatha inzalo engenasihawu kuye."

Imfundo, umgomo, umsebenzi wobuciko - hlobo luni lwemicabango i-prima donna enayo! Ingabe zingavela ngempela emlonyeni kaPatti, Pasta noma Catalani? Umnakekeli wama- prima donna ekhulu leshumi nesishiyagalolunye, uGiacomo Rossini, umthandi oqotho kaBach noMozart, wabhala ngaphambi nje kokufa kwakhe: “Ingabe thina maNtaliyane singakhohlwa umzuzwana nje ukuthi injabulo iyimbangela nomgomo oyinhloko womculo.” U-Lilly Lehman wayengesona isiboshwa sobuciko bakhe, futhi umuntu akanakumphika nhlobo ukuthi unamahlaya. “Amahlaya, into enikeza impilo kakhulu kunoma yimuphi umdlalo ... iyisinongo esibalulekile sokudlalwa kwemidlalo yaseshashalazini nasempilweni,” ezikhathini zanamuhla ekuqaleni kwekhulu leminyaka “kugxilwe ngokuphelele ngemuva kuwo wonke ama-opera,” ngokuvamile umculi. wakhononda. Ingabe injabulo iyimbangela nomgomo wokugcina womculo? Cha, kwalasha ongaweleki uyamehlukanisa nenhlese ye-Rossini engenzi lutho, futhi akumangazi ukuthi udumo lukaLeman aluzange lweqe izikhungo zesiko laseJalimane kanye nelase-Anglo-Saxon.

Imibono yayo ibolekwe ngokuphelele ebuntwini baseJalimane. Yebo, eLeman ungabona ummeleli ojwayelekile wonxiwankulu kusukela ngesikhathi soMbusi uWilhelm, owakhuliswa ngamasiko esintu. Waba umfanekiso wezimpawu ezinhle kakhulu zale nkathi. Kusukela esiqongweni sosuku lwethu, esifundiswa isipiliyoni sokuhlanekezelwa okunyantisayo kombono kazwelonke waseJalimane okwenzeka ngaphansi kukaHitler, sinikeza ukuhlaziya okuhle kwezici ezinhle zaleyo nkathi efiselekayo futhi ezicini eziningi zenkathi ye-caricatured, ongqondongqondo abavelele uFriedrich Nietzsche. futhi uJakob Burckhardt wafaka ukukhanya okunonya. Ku-Lilly Lehman ngeke uthole lutho mayelana nokuwohloka kokuziphatha, mayelana ne-German national anti-Semitism, mayelana ne-megalomania engenangqondo, mayelana "nomgomo ofinyelelwe" obulalayo. Wayengumuntu othanda izwe langempela, wamela ukunqoba kwebutho laseJalimane eFrance, walilela ukufa kukaMoltke kanye namaBerliners, kanye nenhlonipho yesihlalo sobukhosi kanye ne-aristocracy, ngenxa yomculi we-opera yasenkantolo yombuso I-Prussia, ngezinye izikhathi yayifiphaza amehlo amahle omculi, ihlakaniphe kakhulu emsebenzini wakhe.<...>

Izinsika zemfundo ezingabhubhi zikaLilly Lehman kwakunguSchiller, uGoethe noShakespeare embhalweni, kanye noMozart, uBeethoven, uSchubert, uWagner noVerdi emculweni. I-Humanism engokomoya yajoyinwa umsebenzi wobuvangeli osebenzayo womculi. U-Lehman wavuselela uMkhosi we-Mozart e-Salzburg, owawusongelwa ubunzima obuyinkulungwane, waba umvikeli wezobuciko futhi omunye wabasunguli balo mkhosi, elwela ngentshiseko nangokungakhathali ukuvikelwa kwezilwane, ezama ukuheha ukunaka kukaBismarck ngokwakhe. Umculi wabona ukubiza kwakhe kweqiniso kulokhu. Umhlaba wezilwane nezitshalo awuzange uhlukaniswe nento yawo engcwele - ubuciko, kodwa wawumelela kuphela olunye uhlangothi lwempilo kukho konke ubunye bokuhlukahluka kwayo. Ngesinye isikhathi indlu yomculi eScharfling eMondsee ngaseSalzburg yayigcwele izikhukhula, kodwa lapho amanzi esebohlile, ngokusobala kwakusenezilwane ezincane emsamo, futhi owesifazane ongumSamariya onesihe wasuthisa amalulwane namavukuzane ngesinkwa nezingcezu zenyama.

NjengoMalibran, Schroeder-Devrient, Sontag, Patti nabanye abaculi abaningi abavelele, uLilly Lehman wazalelwa emndenini wabalingisi. Ubaba wakhe, uKarl August Lehmann, wayengumdlali we-tenor omangalisayo, umama wakhe, u-nee Maria Löw, wayengumdlali wehabhu le-soprano, wadlala iminyaka eminingi enkundleni yemidlalo yaseshashalazini eKassel ngaphansi kokuqondisa kukaLouis Spohr. Kodwa isenzakalo esibaluleke kakhulu ekuphileni kwakhe kwaba ubuhlobo bakhe noRichard Wagner osemusha. Baxhunywe ubungane obuseduze, futhi umqambi omkhulu wabiza uMariya ngokuthi "uthando lwakhe lokuqala". Ngemva komshado, umsebenzi kaMaria Löw waphela. Ukuphila nendoda ebukekayo, kodwa esheshayo futhi ephuzayo ngokushesha kwaphenduka iphupho elibi ngempela. Wanquma isehlukaniso, futhi ngokushesha wanikezwa isikhundla sokuba ngumdlali wehabhu ePrague Theatre, kwathi ngo-1853 le ntokazi yaya enhloko-dolobha yaseBohemia ngeposi, ithatha namadodakazi akhe amabili: uLilly, owazalwa ngoNovemba 24. , ngo-1848 eWürzburg, noMaria, emdala ngeminyaka emithathu kuneyakamuva. zonyaka.

U-Lilly Lehman akazange akhathale ukudumisa uthando lukamama wakhe, ukuzidela nokuqina kwakhe. I-prima donna yayimkweleta hhayi kuphela ubuciko bokucula, kodwa konke okunye; Umama wanikeza izifundo, futhi kusukela ebuntwaneni uLilly wayehamba nabafundi bakhe epiyano, kancane kancane ejwayele umhlaba womculo. Ngakho-ke, ngisho nangaphambi kokuqala kokusebenza okuzimele, wayesevele ene-repertoire ecebile ngokumangalisayo. Babephila ngokuswela okukhulu. Idolobha elimangalisayo elinamakhulu emibhoshongo ngaleso sikhathi laliyisifundazwe somculo. Ukudlala eqenjini le-orchestra yaseshashalazini yendawo kwakungamnikezi imali eyanele, futhi ukuze azondle, kwakudingeka athole izifundo. Sezadlula lezo zikhathi zemilingo lapho u-Mozart enza i-premiere ka-Don Giovanni wakhe lapha, futhi u-Weber wayengumqaphi weqembu. Emikhumbuzweni kaLilly Leman akushiwo lutho mayelana nemvuselelo emculweni waseCzech, alikho igama mayelana nemidlalo yokuqala kaSmetana, mayelana ne-Bartered Bride, mayelana nokwehluleka kukaDalibor, okwajabulisa kakhulu onxiwankulu baseCzech.

U-Lilly Leman ozacile okungathi uneminyaka eyishumi nesikhombisa ngesikhathi eqala ukubonakala esiteji se-Estates Theatre endimeni yeNkosazana Yokuqala ku-Mozart ethi The Magic Flute. Kodwa kudlula amasonto amabili kuphela, futhi novice uLilly ucula ingxenye eyinhloko - ngenhlanhla, esindisa ukusebenza. Maphakathi nomdlalo, umqondisi wemidlalo yaseshashalazini wayedelela kakhulu kumlingisi wendima kaPamina, owayenokudlikizeka ngenxa yokungezwani kwemizwa, kwadingeka abuyiselwe ekhaya. Futhi kungazelelwe kwenzeka okuthile okumangalisayo: umculi wokuqala onamahloni uLilly Lehman wavolontiya ukucula le ngxenye! Ingabe wamfundisa? Hhayi neconsi! U-Leman Sr., ngemva kokuzwa isimemezelo somqondisi oholayo, wagijima esiteji ethukile ukuze athathe indima kaPamina kuFräulein Löw (ngokwesaba ukwehluleka, ngisho nendima encane ye-First Lady, akazange alinge ukuthatha isinyathelo. ngaphansi kwegama lakhe langempela) bese ulondoloza ukusebenza. Kodwa umculi osemusha akazange anqikaze umzuzwana futhi umphakathi wawuthanda, nakuba wayengakulungele ngokuphelele. Kuyodingeka azihlole kangaki ngokushintshanisa esikhathini esizayo! U-Leman ubonise esinye sezibonelo ezinhle kakhulu phakathi nohambo lwakhe eMelika. Ku-Wagnerian tetralogy ethi "Ring of the Nibe-Lung", lapho ayedlala khona uBrunnhilde, umlingisi wendima kaFrikka ku-"Rheingold Gold" wenqaba ukuyidlala. Ngehora lesine ntambama, uLilly wabuzwa ukuthi angaculela uFrikka ngalobo busuku; seligamenxe ihora lesihlanu, uLilly nodadewabo baqala ukubheka ingxenye ayengakaze ayicule ngaphambili; Ngehora lesine kuya kwelesikhombisa ngaya eshashalazini, ngehora lesishiyagalombili ngama esiteji; sasingekho isikhathi esanele sesigcawu sokugcina, futhi umculi wasibamba ngekhanda, emi ngemuva kwesiteji, kuyilapho uWotan, ehambisana noLoge, wehlela eNibelheim. Konke kuhambe kahle. Ngo-1897, umculo kaWagner wawubhekwa njengomculo wesimanje onzima kakhulu. Futhi ake ucabange, kuyo yonke ingxenye uLeman wenza iphutha elilodwa elincane ekukhulumeni. Ukujwayelana kwakhe noRichard Wagner kwenzeka ebusheni bakhe ngo-1863 ePrague, lapho umculi, ezungezwe amahlazo nodumo, enze ikhonsathi yakhe. Unina kaLeman namadodakazi akhe amabili babevakashela emzini womqambi nsuku zonke. “Umuntu ompofu uzungezwe ukuhlonishwa, kodwa akakabi nayo eyanele yokuziphilisa,” kusho unina. Indodakazi yayimthanda uWagner. Akukhona nje kuphela ukubukeka okungavamile komqambi okumkhangayo - "ijazi lendlu eliphuzi elenziwe ngedamaski, uthayi obomvu noma obomvana, i-cape enkulu kasilika emnyama ene-satin lining (lapho eze ukuzozijwayeza) - akekho owayegqoke kanjalo ePrague; Ngabheka emehlweni ngahluleka ukufihla ukumangala kwami. Umculo namazwi kaWagner ashiye umqondo ojulile emphefumulweni wentombazane eneminyaka eyishumi nanhlanu. Ngolunye usuku waculela okuthile kuye, futhi uWagner wajabula ngombono wokumthatha ukuze intombazane yenze yonke imisebenzi yakhe! Njengoba uLilly athola ngokushesha, uPrague wayengasenalutho ayengamnika lona njengomculi. Ngaphandle kokungabaza, ngo-1868 wamukela isimemo Danzig city yaseshashalazini. Kwabusa indlela yokuphila yezinzalamizi lapho, umqondisi wayeyidinga njalo imali, futhi umkakhe, umuntu onenhliziyo enomusa, ngisho nalapho ethunga amahembe, akazange ayeke ukukhuluma ngenhlekelele yaseJalimane edabukisayo. Kwavuleka insimu enkulu ngaphambi kukaLilly osemusha. Njalo ngesonto wafunda indima entsha, kuphela manje kwaba izingxenye eziyinhloko: Zerlina, Elvira, Queen of the Night, Rossini sika Rosina, Verdi sika Gilda futhi Leonora. Edolobheni elisenyakatho lama-patricians, wayehlala isigamu sonyaka kuphela, amathiyetha amakhulu aseqalile ukuzingela intandokazi yomphakathi waseDanzig. ULilly Lehman wakhetha iLeipzig, lapho udadewabo ayesecula khona.

Ehlobo lika-1870, eBerlin: Into yokuqala eyabonwa ngumculi oyedwa osemusha weRoyal Opera enhloko-dolobha yasePrussia kwakuyizinhlelo ezikhethekile zamaphephandaba kanye nezindwendwe zemikhosi phambi kwesigodlo sasebukhosini. Abantu bajabulele izindaba ezivela enkundleni yemidlalo yaseshashalazini yaseFrance, ukuvulwa kwesizini entsha kwaqala ngesenzo sokushisekela izwe esiteji, lapho abalingisi be-opera yasenkantolo bacula iculo lesizwe kanye neNgoma yaseBorussia ekhorasi. Ngaleso sikhathi, iBerlin yayingakabi idolobha lomhlaba, kodwa “i-Opera ngaphansi kweLindens” yayo - inkundla yemidlalo yaseshashalazini emgwaqweni u-Unter den Linden - ngenxa yokuhlanganyela okuyimpumelelo kukaHuelsen nobuholi obubucayi, yayinegama elihle. I-Mozart, i-Meyerbeer, i-Donizetti, i-Rossini, i-Weber idlalwe lapha. Imisebenzi kaRichard Wagner yavela esiteji, inqoba ukuphikiswa okunzima komqondisi. Izizathu zomuntu siqu zadlala indima ebalulekile: ngo-1848, isikhulu uHülsen, isikhulu somndeni ohloniphekile, wabamba iqhaza ekucindezelweni kokuvukela, kuyilapho ohlangothini lwabavukeli, uKapellmeister Wagner osemusha walwa, ephefumulelwe i-alamu yokuvukela umbuso futhi wakhuphuka, uma kungenjalo emigoqweni, khona-ke embhoshongweni wensimbi yesonto ngokuqinisekile. Umqondisi weshashalazi, isicukuthwane, akakukhohlwanga lokhu isikhathi eside.

Ngesikhathi esifanayo, kwakukhona abadlali ababili abavelele e-Wagner eqenjini lakhe: i-tenor yamaqhawe u-Albert Niemann kanye no-Bayreuth Wotan Franz Betz wokuqala. Ku-Lilly Lehman, u-Nieman waphenduka waba isithixo esikhazimulayo, waba “umoya oholayo oholela wonke umuntu”… Ubuhlakani, amandla kanye nekhono kwahlanganiswa negunya. U-Leman akazange abuke ubuciko bozakwabo ngokungaboni, kodwa wayehlale ebaphatha ngenhlonipho. Emikhumbuzweni yakhe, ungafunda amazwi agxekayo mayelana nezimbangi, kodwa hhayi nelilodwa igama elibi. U-Leman ukhuluma ngoPaolina Lucca, okwathi kuye kwatholakala isihloko sokubala siyimpumelelo enkulu yokudala - wayeziqhenya ngakho; ubhala ngamadrama e-soprano u-Mathilde Mallinger no-Wilma von Voggenhuber, kanye no-contralto onekhono eliphezulu u-Marianne Brant.

Ngokuvamile, i-acting fraternity yayihlala ndawonye, ​​nakuba lapha yayingakwazi ukwenza ngaphandle kwamahlazo. Ngakho-ke, u-Mullinger noLucca bazondana, futhi amaqembu abathandi bavutha amalangabi empi. Lapho, ngolunye usuku ngaphambi komdlalo, u-Paolina Lucca edlula udwendwe lombuso, efuna ukukhombisa ukuphakama kwakhe, abalandeli baka-Mullinger babingelela ukuphuma kukaCherubino “Emshadweni We-Figaro” ngempempe evala izindlebe. Kodwa i-prima donna yayingeke iphele. “Ngakho-ke ngicule noma ngingaculi?” ememeza engena ehholo. Futhi lokhu kunganakwa okubandayo kwemikhuba yaseshashalazini yasenkantolo kwaba nomphumela wako: umsindo wehla kangangokuthi uLucca wayesekwazi ukucula. Yiqiniso, lokhu akuzange kuvimbele u-Countess Mullinger, owadlala kulo msebenzi, ekushayeni iCherubino engathandeki ngempama engenangqondo, kodwa enomsindo ngempela ebusweni. Womabili ama-prima donnas ngabe aqulekile ukube abambonanga uLilly Leman ebhokisini lokulingisa, elungele ukushintshwa noma nini - nalapho waduma njengomhlengi. Nokho, akekho noyedwa wezimbangi owayezomnikeza okunye ukunqoba.

Phakathi neminyaka eyishumi nanhlanu ende, uLilly Lehman kancane kancane wazuza umusa womphakathi waseBerlin nabagxeki, futhi ngesikhathi esifanayo i-CEO. U-Huelsen akazange ngisho acabange ukuthi angakwazi ukusuka ku-lyrical Konstanz, Blondchen, Rosin, Filin no-Lortsing soubrettes ezindimeni ezimangalisayo. Okungukuthi, umculi osemusha, ongeyena onolwazi wakhangwa kubo. Emuva ngo-1880, uLeman wakhononda ngokuthi umqondisi we-opera yasenkantolo wayembheka njengomdlali wasesiswini omncane futhi wayenikeza izindima ezinhle kuphela uma abanye abaculi benqaba. Ngalesi sikhathi, wayesevele ephumelele e-Stockholm, eLondon nasezigabeni eziyinhloko ze-opera eJalimane, njengoba kufanele i-prima donna yangempela. Kodwa okubaluleke kakhulu kwakuwumdlalo owawuzoba nomthelela omkhulu emsebenzini wakhe: U-Richard Wagner ukhethe u-Lehman ukuthi adlale okokuqala i-Der Ring des Nibelungen ku-1876 Bayreuth Festival. Waphathiswa indima yokuqala ye-Mermaid ne-Helmwig yaseValkyrie. Yiqiniso, lezi akuzona izingxenye ezimangalisa kakhulu, kodwa hhayi kuWagner noma kuye kwakukhona izindima ezincane ezingabalulekile. Mhlawumbe, umuzwa wokuzibophezela kwezobuciko ngaleso sikhathi wawuyophoqa umculi ukuba ashiye indima kaBrunnhilde. Cishe njalo kusihlwa, uLilly nodadewabo, iMermaid yesibili, babeza eVilla Wanfried. Wagner, Madame Cosima, Liszt, kamuva naye u-Nietzsche – emphakathini ovelele kangaka “ilukuluku lokufuna ukwazi, ukumangala nezingxabano akuzange kuphele, njengoba nje injabulo evamile ingazange idlule. Umculo nodaba kusilethe kancane esimweni senjabulo ... "

Ubukhazikhazi bomlingo bengcweti yesiteji uRichard Wagner khange bube nomthelela omncane kuye kunobuntu bakhe. Wayemphatha njengomngane omdala, wahamba naye ebambene engadini yaseWanfried, futhi wabelana ngemibono yakhe. Ethiyetha yaseBayreuth, ngokusho kukaLilly Lehman, akazange ahlele ukwenza i-Ring kuphela, kodwa futhi nemisebenzi evelele njengoFidelio noDon Giovanni.

Ngesikhathi sokukhiqiza, kwavela ubunzima obumangalisayo, obusha ngokuphelele. Kwadingeka ngilusebenzise kahle umshini wokubhukuda wezinsalela - ngale ndlela uLeman awuchaza ngayo: “O Nkulunkulu wami! Kwakuyisakhiwo esindayo esingunxantathu ezinqwabeni zensimbi ezingaba ngamamitha angu-20 ukuphakama, ekugcineni lapho isikafula se-lattice sibekwe nge-engeli; bekufanele sibaculele!” Ngesibindi nobungozi bokufa, ngemuva komdlalo, u-Wagner wamanga waqinisa uMermaid, owayechiphiza izinyembezi zenjabulo. U-Hans Richter, umqhubi wokuqala we-Bayreuth, u-Albert Niemann, "umoya namandla akhe omzimba, ukubukeka kwakhe okungenakulibaleka, iNkosi noNkulunkulu waseBayreuth, uSigmund wakhe omuhle futhi oyingqayizivele akasoze abuya", kanye no-Amalia Materna - laba ngabantu abakhulumisana nabo. , yebo, ngemuva komdali wemikhosi yaseshashalazini e-Bayreuth, iyingxenye yemibono eqinile kaLeman. Ngemva komkhosi, uWagner wambhalela inothi elizwakalayo lokubonga, elaqala kanje:

“O! Lilly! Lilly!

Ubumuhle kunabo bonke futhi, ngane yami ethandekayo, ubuqinisile ukuthi lokhu ngeke kuphinde kwenzeke! Sathakathwa umlingo wesizathu esivamile, i-Mermaid yami ... "

Akwenzekanga futhi, ukushoda okukhulu kwemali ngemuva “kweRing of the Nibelungen” yokuqala kwenza impinda ingenzeki. Eminyakeni eyisithupha kamuva, ngenhliziyo ebuhlungu, uLeman wenqaba ukuhlanganyela embukisweni womhlaba wonke weParsifal, nakuba uWagner ephikelela ecela; owayeyisoka lakhe uFritz Brand wayebhekele indawo yalo mdlalo. KuLilly kwabonakala sengathi wayengeke akwazi ukubekezelela umhlangano omusha.

Ngaleso sikhathi, waduma kakhulu njengomculi. I-repertoire yakhe yayihlanganisa uVenus, u-Elizabeth, u-Elsa, kamuva u-Isolde no-Brunnhilde futhi, yiqiniso, uLeonora kaBeethoven. Kwakusenendawo yezingxenye ze-bel canto ezindala kanye nokuthengwa okuthembisayo njengo-Lucrezia Borgia no-Lucia di Lammermoor ovela kuma-opera ka-Donizetti. Ngo-1885, uLilly Lehman wawela ulwandle okokuqala e-America, futhi wenza ngempumelelo enkulu endaweni kanokusho, esanda kuvulwa iMetropolitan Opera, futhi ngesikhathi evakashele leli zwe elikhulukazi wakwazi ukuqashelwa emphakathini waseMelika, owayejwayele uPatti nabanye. . izinkanyezi zesikole sase-Italy. I-New York Opera yayifuna ukuthola u-Leman kuze kube phakade, kodwa wenqaba, eboshwe yizibopho zaseBerlin. Lo mculi kwadingeka aqedele uhambo lwakhe lwekhonsathi, imidlalo engamashumi amathathu eMelika yamlethela imali eningi njengoba ayengayihola eBerlin eminyakeni emithathu. Iminyaka eminingi manje, uLeman ubelokhu ethola amamaki ayi-13500 ngonyaka kanye namamaki angama-90 ekhonsathini - inani elingafanele isikhundla sakhe. Umculi wancenga ukuba anwebe iholidi, kodwa wenqatshelwa futhi ngaleyo ndlela wathola ukuqedwa kwenkontileka. Ukuduba okwamenyezelwa yiBerlin iminyaka eminingi kwavimbela ukusebenza kwakhe eJalimane. Ukuvakasha eParis, eVienna naseMelika, lapho uLilly enza khona izikhathi ezingu-18, kwandisa udumo lomculi kangangokuthi ekugcineni "ukuxolelwa" kwasebukhosini kwavula kabusha indlela eya eBerlin.

Ngo-1896, iRing of the Nibelungen yaphinde yadlalwa eBayreuth. Ebusweni bukaLeman, owazuza udumo emhlabeni wonke, babona umculi ofaneleka kakhulu we-Isolde. UCosima wamema umculi, wavuma. Yiqiniso, lesi siqongo somsebenzi wakhe asizange sihlale singenasici. Imikhuba yobushiqela yenkosikazi yaseBayreuth ayizange imjabulise. Phela, nguye, uLilly Lehman, u-Wagner owaqala izinhlelo zakhe, nguye owathatha ngokulangazela konke ayekuphawula futhi wagcina zonke izenzo zakhe enkumbulweni yakhe enhle. Manje wayesephoqeleka ukuthi abheke okwenzekayo, okwakungahlangene nezinkumbulo zakhe; ULeman wayewahlonipha kakhulu amandla nobuhlakani bukaCosima, kodwa ukuzidla kwakhe, okwakungaphikisani, kwamphatha kabi. I-prima donna yaba nomuzwa wokuthi “umgcini we-Holy Grail ka-1876 kanye noWagner wakhe babonakala ngendlela ehlukile.” Ngesinye isikhathi lapho kuprakthizwa, uCosima wabiza indodana yakhe ukuba izofakaza: “Awukhumbuli yini, Siegfried, ukuthi kwakunjalo ncamashi ngo-1876?” “Ngicabanga ukuthi uqinisile, Mama,” ephendula ngokulalela. Eminyakeni engamashumi amabili edlule wayeneminyaka eyisithupha kuphela ubudala! U-Lilly Lehman ukhumbula u-Bayreuth wakudala ngokulangazelela, ebuka abaculi, “abahlale bemi ephrofayilini”, esiteji embozwe amagagasi anomsindo, emqhudelwaneni wothando kaSiegmund noSieglinde, ababehlezi bafulathele. amazwi adabukisayo amadodakazi aseRhini, kodwa “onodoli bokhuni abaqinile” kuphela abalimaza umphefumulo. "Miningi imigwaqo eholela eRoma, kodwa munye kuphela oya eBayreuth yanamuhla - ukuzithoba kobugqila!"

Ukukhiqizwa kwaba yimpumelelo enkulu, futhi ingxabano enkulu phakathi kukaLeman noCosima yagcina ixazululwe ngokuthula. Ekugcineni, ikhadi eliyinhloko lecilongo kwakusengu-Lilly Lehman. Ngo-1876 wacula mahhala, kodwa manje wadlulisela yonke imali yakhe kanye namamaki angu-10000 esibhedlela sase-Bayreuth e-St. Augusta ukuze athole umbhede waphakade wabaculi abampofu, lapho ashayela ucingo u-Cosima "ngenhlonipho ejulile" kanye negama elicacile. Ngesinye isikhathi, inkosikazi yaseBayreuth yakhala ngobukhulu bemali yomculi. Sasiyini isizathu esiyinhloko sokuzondana kwabo? Ukuqondisa. Lapha uLilly Lehman wayenekhanda lakhe emahlombe akhe, lapho kwakunemicabango eminingi kakhulu okwakumelwe ayilalele ngokuphuphutheka. Ngaleso sikhathi, ukunaka komculi ekuqondiseni kwakuyinto engavamile kakhulu. Ukuqondisa, ngisho nasezinkundleni zemidlalo yaseshashalazini ezinkulu kakhulu, akuzange kufakwe lutho, umqondisi oholayo wayehlanganyela ezintambo ezihlanzekile. Izinkanyezi zase zenza noma yini eziyifunayo. E-Berlin Court Theatre, i-opera eyayise-repertoire ayizange iphindwe nakancane ngaphambi komdlalo, futhi ukuqeqeshelwa imidlalo emisha kwenziwa ngaphandle kwendawo. Akekho owayenendaba nabadlali bezingxenye ezincane, ngaphandle kukaLilly Lehman, “owadlala indima yombonisi oshisekayo” futhi, ngemva kokuprakthiza, wabaphatha mathupha bonke ababenganaki. E-Vienna Court Opera, lapho amenywe khona endimeni kaDonna Anna, kwakudingeka akhiphe izikhathi ezidingekayo zokukhiqiza kumqondisi osizayo. Kodwa umculi wathola impendulo yakudala: “Lapho uMnu. Reichmann eqeda ukucula, uzoya kwesokudla, futhi uMnu. ULilly Lehman wazama ukuqeda ukunganaki okunjalo, lapho igunya lakhe lalikuvumela khona. Kwenye i-tenor eyaziwayo, wakha iqhinga lokubeka amatshe ebhokisini eliyigugu lomgunyathi, ayehlale elithatha njengophaphe, futhi wacishe wehlisa umthwalo wakhe, ngemva kokuthola isifundo “ngokudlala ngokwemvelo”! Ekuhlaziyeni uFidelio, akazange nje anikeze iziyalezo ezinembile mayelana nokuma, ukunyakaza kanye nezindawo zasesiteji, kodwa futhi wachaza Psychology yabo bonke abalingiswa, main kanye yesibili. Imfihlo yokuphumelela kokusebenza kuye kwakuwukusebenzelana kuphela, kusifiso esingokomoya somhlaba wonke. Ngesikhathi esifanayo, wayenokungabaza mayelana nokubhoboza, wayengathandi iqembu elidumile laseViennese likaMahler ngenxa yokuntuleka kwesixhumanisi esikhuthazayo - ubuntu obunamandla obungenabugovu. Ujenene nomuntu, ngokombono wakhe, bebengangqubuzani. Umculi ngokwakhe wayengaqinisekisa ukuthi kakade ngo-1876 e-Bayreuth, uRichard Wagner wamela ukudalulwa kwemvelo kobuntu bokudala futhi akazange angenele inkululeko yomdlali.

Namuhla, ukuhlaziya okuningiliziwe kwe-"Fidelio" cishe kuzobonakala kungenasidingo. Ukuthi ukulengisa ilambu phezu kwekhanda lesiboshwa u-Fidelio, noma ukuthi ukukhanya kuzosakaza “kusuka emaphasishi akude” - ingabe kubaluleke kakhulu? U-Leman wasondela ngokukhulu ukucophelela lokho ngolimi lwanamuhla okubizwa ngokwethembeka enjongweni yombhali, futhi yingakho ukungabekezeleli kwakhe uCosima Wagner. Inhlonipho, ukuma okubabazekayo kanye nesitayela sonke sokusebenza kukaLeman namuhla kuzobonakala kudabukisa kakhulu. U-Eduard Hanslik wazisola ngokuntula kwalo mlingisi “amandla emvelo anamandla” futhi ngesikhathi esifanayo ewuncoma “umoya wakhe ophakeme, lowo, njengensimbi ephucuziwe, obaluleke kakhulu ekwenziweni kwanoma yini enye futhi obonisa amehlo ethu iparele eliphucuziwe laphelela.” U-Leman akakweleta kancane ithalente elibukwayo kunesu elihle kakhulu lokucula.

Ukuphawula kwakhe mayelana nokudlalwa kwe-opera, okwenziwa ngesikhathi sobukhazikhazi base-Italy kanye nobuqiniso besiteji sika-Wagnerian, namanje akukakalahlekelwa isihloko sakho: phendukela ekuthuthukisweni kobuciko bokucula, khona-ke imiphumela ingaba yigugu kakhulu ngokungenakuqhathaniswa ... Konke ukuzenzisa kuvela ebubini. eyodwa!

Njengesisekelo, wanikeza ukungena emfanekisweni, ingokomoya, ukuphila ngaphakathi komsebenzi. Kodwa u-Lehman wayesemdala kakhulu ukuthi angasho isitayela esisha sendawo yesiteji. Imibhoshongo edumile yokukhiqizwa kuka-Mahler i-Don Juan ngo-1906, izakhiwo zefreyimu ezimile ezaqala inkathi entsha yomklamo wasesiteji, uLeman, nakho konke ukwazisa kwakhe okuqotho ngoRoller noMahler, kubhekwa “njengegobolondo elinengekayo.”

Ngakho-ke, akakwazanga ukumela "umculo wanamuhla" kaPuccini noRichard Strauss, nakuba ngempumelelo enkulu wacebisa ingoma yakhe ngezingoma zikaHugo Wolf, ongakaze afune ukukwamukela. Kodwa uVerdi Leman omkhulu wayethanda isikhathi eside. Ngaphambi nje kokuba iBayreuth yakhe iqale ngo-1876, waqala ukwenza i-Verdi's Requiem, kwathi ngonyaka olandelayo wacula e-Cologne ngaphansi kokuholwa yi-maestro uqobo. Khona-ke, endimeni ka-Violetta, iqhawekazi le-Wagnerian elinolwazi olunzulu lwembula ubuntu obujulile buka-Verdi's bel canto, wamethusa kangangokuthi umculi wayezovuma ngenjabulo uthando lwakhe phambi kwawo wonke umhlaba womculo, azi ukuthi abaningi bazongilahla. lokhu … Fihla ubuso bakho uma ukholelwa kuRichard Wagner, kodwa uhleke futhi ujabule nami uma ukwazi ukuzwelana … Kunomculo omsulwa kuphela, futhi ungaqamba noma yini oyifunayo.

Igama lokugcina, kanye nelokuqala, nokho, lahlala kuMozart. U-Leman osekhulile, nokho, owayesabonakala njengo-Donna Anna omangalisayo e-Vienna State Opera, umhleli nomvikeli wemikhosi ye-Mozart e-Salzburg, wabuyela "ezweni" lakubo. Ngesikhathi sokugubha iminyaka engu-150 kwazalwa umqambi omkhulu, wadlala uDon Juan enkundleni yemidlalo yaseshashalazini encane. Enganelisekile ngezinguqulo zesiJalimane ezingenamsebenzi, uLeman waphikelela ngesiNtaliyane sokuqala. Hhayi ngenxa yokweqisa, kodwa ngokuphambene nalokho, ukulwela abantu abajwayelekile nababathandayo, engafuni ukudicilela phansi i-opera ethandekayo enhliziyweni yakhe “ngemibono emisha,” wabhala, ebuka eceleni ukukhiqizwa okudumile kwe-Mahler-Rollerian ku. E-Vienna. Indawo? Kwakuwudaba lwesibili - konke okwafika eSalzburg kwasetshenziswa. Kodwa ngakolunye uhlangothi, izinyanga ezintathu nengxenye, ngaphansi kokuqondisa kuka-Lilly Lehman, ukuphindaphinda okuningiliziwe, okunamandla kwaqhubeka. UFrancisco di Andrade odumile, umgibeli weribhoni kasilika emhlophe, uMax Slevoht ambulala ngengilazi ye-champagne ezandleni zakhe, wadlala indima yesihloko, uLilly Lehman - uDonna Anna. UMahler, owaletha iLe Figaro egqamile evela eVienna, ubegxeka ukukhiqizwa kukaLeman. Ngakolunye uhlangothi, umculi waphikelela enguqulweni yakhe kaDon Juan, nakuba ayebazi bonke ubuthakathaka bayo.

Eminyakeni emine kamuva, e-Salzburg, wathwesa umqhele umsebenzi wakhe wempilo ngokudidiyela iThe Magic Flute. URichard Mayr (Sarastro), uFrieda Hempel (Indlovukazi Yobusuku), uJohanna Gadsky (Pamina), uLeo Slezak (Tamino) bangabantu abavelele, abamele inkathi entsha. ULilly Lehman ngokwakhe ucule i-First Lady, indima ake aqala ngayo. Umbuthano wavalwa ngegama elikhazimulayo likaMozart. Owesifazane oneminyaka engu-62 ubudala wayesenamandla anele ukumelana nendima kaDonna Anna phambi kwezinkanyiso ezifana no-Antonio Scotti noGeraldine Farrar kakade esihlokweni sesibili somkhosi wasehlobo - uDon Juan. UMkhosi weMozart waphetha ngokubekwa okunesizotha kweMozarteum, ngokuyinhloko okwakuwukufaneleka kukaLeman.

Ngemuva kwalokho, uLilly Lehman wavalelisa esiteji. NgoMeyi 17, 1929, washona, ngaleso sikhathi wayeseneminyaka engaphezu kwamashumi ayisishiyagalombili. Abaphila ngesikhathi bavuma ukuthi sonke inkathi yayihambe naye. Okuxakayo ukuthi umoya nomsebenzi womculi kwavuselelwa ngobuhlakani obusha, kodwa ngegama elifanayo: uLotta Lehman omkhulu wayengahlobene noLilly Lehman, kodwa kwavela ukuthi wayesondelene naye ngokumangalisayo emoyeni. Ezithombeni ezidalwe, enkonzweni yobuciko kanye nokuphila, ngakho ngokungafani nokuphila kwe-prima donna.

K. Khonolka (ukuhumusha - R. Solodovnyk, A. Katsura)