UMyron Polyakin (Miron Polyakin) |

UMiron Polyakin

U-Miron Polyakin noJascha Heifetz bangabameleli ababili abavelele besikole se-violin esidume umhlaba wonke sikaLeopold Auer futhi, ngezindlela eziningi, ama-antipode aso amabili. Iqinile ngokwejwayelekile, iqinile ngisho nasezindleleni, umdlalo onesibindi futhi osezingeni eliphezulu we-Heifetz wehluke kakhulu emdlalweni wePolyakin onesasasa, ogqugquzelwe ngothando. Futhi kubonakala kuyinqaba ukuthi bobabili babeqoshwe ngobuciko ngesandla senkosi eyodwa.

UMiron Borisovich Polyakin wazalwa ngo-February 12, 1895 edolobheni laseCherkasy, esifundeni saseVinnitsa, emndenini wabaculi. Ubaba, umqhubi onesiphiwo, i-violinist nothisha, waqala ukufundisa indodana yakhe umculo kusenesikhathi. Umama wayenamakhono avelele omculo ngokwemvelo. Ngokuzimela, ngaphandle kosizo lothisha, wafunda ukudlala i-violin futhi, cishe ngaphandle kokwazi amanothi, wadlala amakhonsathi ekhaya ngendlebe, ephinda i-repertoire yomyeni wakhe. Umfana kusukela ebuntwaneni wakhuliswa emkhathini womculo.

Uyise wayevame ukuya naye e-opera futhi amfake eqenjini lomculo wezinsimbi eduze kwakhe. Ngokuvamile umntwana, ekhathele yikho konke akubonayo nakuzwayo, wavele wazumeka, futhi, elele, wayeyiswa ekhaya. Kwakungeke kwenzeke ngaphandle kokuthanda ukwazi, enye yazo, efakazela ithalenta lomculo eliyingqayizivele lomfana, uPolyakin ngokwakhe wathanda ukutshela kamuva. Abaculi beqembu le-orchestra baphawula indlela ayewazi kahle ngayo umculo waleyo midlalo ye-opera, ayeyivakashele kaningi. Kwathi ngolunye usuku umdlali we-timpani, isidakwa esibi, egajwe ukomela utshwala, wabeka uPolyakin omncane etimpani esikhundleni sakhe futhi wamcela ukuba adlale indima yakhe. Umculi osemusha wenze umsebenzi oncomekayo. Wayemncane kangangokuthi ubuso bakhe babungabonakali ngemuva kwekhonsoli, futhi uyise wathola "umdlali" ngemuva kokusebenza. U-Polyakin ngaleso sikhathi wayeneminyaka engaphezu kwengu-5 ubudala. Ngakho, ukusebenza kokuqala emkhakheni womculo kwenzeka ekuphileni kwakhe.

Umndeni wakwaPolyakin wahlukaniswa ngezinga eliphezulu lamasiko kubaculi besifundazwe. Unina wayehlobene nomlobi odumile ongumJuda uSholom Aleichem, owavakashela ngokuphindaphindiwe amaPolyakins ekhaya. USholom Aleichem wayazi futhi ewuthanda kahle umndeni wabo. Kumlingiswa kaMiron kwakukhona ngisho nezici zokufana nesihlobo esidumile - ukuthanda amahlaya, ukuqaphela okubukhali, okwenza kube nokwenzeka ukuqaphela izici ezijwayelekile emvelweni yabantu ahlangana nabo. Isihlobo esiseduze sikayise kwakuyi-bass edumile ye-operatic Medvedev.

Ekuqaleni uMiron wayedlala ivayolini, futhi unina wayekhathazeke kakhulu ngalokhu. Kodwa kusukela ngonyaka wesibili wokufunda, wathandana ne-violin, waba umlutha wamakilasi, wadlala ngokudakwa usuku lonke. Ivayolini yaba uthando lwakhe, wanqotshwa ukuphila.

Lapho uMiron eneminyaka engu-7 ubudala, umama wakhe washona. Ubaba wanquma ukuthumela umfana Kyiv. Umndeni wawumningi, futhi uMiron wasala enganakiwe. Ngaphezu kwalokho, ubaba wayekhathazekile ngemfundo yomculo yendodana yakhe. Wayengasakwazi ukuqondisa izifundo zakhe ngomthwalo wemfanelo owawufunwa yisipho somntwana. UMyron wayiswa eKyiv wathunyelwa esikoleni somculo, umqondisi waso owayengumqambi ovelele, i-classic yomculo wase-Ukraine u-NV Lysenko.

Ithalente elimangalisayo lomntwana lenze umbono ojulile kuLysenko. Waphathisa uPolyakin ukuba anakekele u-Elena Nikolaevna Vonsovskaya, uthisha owaziwayo eKyiv ngaleyo minyaka, owayehola ikilasi le-violin. U-Vonsovskaya wayenesipho esivelele sokufundisa. Kunoma yikuphi, u-Auer wakhuluma ngaye ngenhlonipho enkulu. Ngokobufakazi bendodana kaVonsovskaya, uprofesa we-Leningrad Conservatory AK Butsky, ngesikhathi evakashele eKyiv, u-Auer wabonisa ukubonga kwakhe njalo kuye, emqinisekisa ukuthi umfundi wakhe uPolyakin weza kuye esesimweni esihle kakhulu futhi kwakungadingeki alungise lutho. umdlalo wakhe.

UVonsovskaya wafunda eMoscow Conservatory noFerdinand Laub, owabeka izisekelo zesikole se-violinists saseMoscow. Ngeshwa, ukufa kwaphazamisa umsebenzi wakhe wokufundisa kusenesikhathi, nokho, labo bafundi akwazi ukubafundisa bafakazela izimfanelo zakhe ezimangalisayo njengothisha.

Ukuvela kokuqala kucace kakhulu, ikakhulukazi uma kukhulunywa ngemvelo enovalo nethathekayo njengekaPolyakin. Ngakho-ke, kungacatshangwa ukuthi i-Polyakin encane ifunde izimiso zesikole saseLaubov ngezinga elithile. Futhi ukuhlala kwakhe ekilasini likaVonsovskaya akuzange kuhlale isikhathi esifushane: wafunda naye iminyaka engaba ngu-4 futhi wadabula i-repertoire enzima futhi enzima, kuze kufike kumakhonsathi kaMendelssohn, uBeethoven, Tchaikovsky. Indodana kaVonsovskaya Butskaya yayivame ukuba khona ezifundweni. Uyaqinisekisa ukuthi, ukufunda no-Auer, uPolyakin, ekuchazeni kwakhe i-Concerto ka-Mendelssohn, kugcine okuningi ocingweni lukaLaub. Ngakho-ke, ngezinga elithile, uPolyakin wahlanganisa izakhi zakhe zobuciko zesikole saseLaub nesikole sase-Auer, yiqiniso, nokuhamba phambili kwakamuva.

Ngemva kweminyaka engu-4 yokufunda noVonsovskaya, ngokuphikelela kukaNV Lysenko, uPolyakin waya eSt. Petersburg ukuze aqedele imfundo yakhe ekilasini lase-Auer, lapho angena khona ngo-1908.

Ngama-1900s, u-Auer wayesezingeni eliphezulu lodumo lwakhe lokufundisa. Abafundi bathutheleka kuye ngokoqobo bevela kuwo wonke umhlaba, futhi ikilasi lakhe eSt. U-Polyakin uphinde wathola u-Ephraim Zimbalist no-Kathleen Parlow endaweni yokugcina izinto; Ngaleso sikhathi, uMikhail Piastre, uRichard Burgin, uCecilia Ganzen noJascha Heifetz bafunda ngaphansi kuka-Auer. Futhi ngisho naphakathi violinists brilliant, Polyakin wathatha enye yezindawo zokuqala.

Ezinqolobaneni ze-St. Petersburg Conservatory, izincwadi zokuhlola ezinamaphuzu ka-Auer noGlazunov mayelana nempumelelo yabafundi ziye zalondolozwa. Ethakazelelwa umdlalo womfundi wakhe, ngemva kokuhlolwa kuka-1910, u-Auer wenza inothi elifushane kodwa eliveza ngokwedlulele ngokumelene negama lakhe – izibabazo ezintathu (!!!), ngaphandle kokwengeza igama kubo. UGlazunov unikeze incazelo elandelayo: “Ukubulawa kubuciko kakhulu. Isu elihle kakhulu. Iphimbo elijabulisayo. Imisho ecashile. Ukushisa nomoya ekudluliseni. Ready Artist.

Kuwo wonke umsebenzi wakhe wokufundisa eSt. Petersburg Conservatory, u-Auer wenza uphawu olufanayo ngokuphindwe kabili - izibabazo ezintathu: ngo-1910 eduze kwegama likaCecilia Hansen futhi ngo-1914 - eduze negama likaJascha Heifetz.

Ngemva kokuhlolwa kwango-1911, u-Auer uyabhala: “Ivelele!” E-Glazunov, siyafunda: “Ikhono lokuqala, ithalente elihle. Ubuhle obumangalisayo bezobuchwepheshe. Ithoni yemvelo ehehayo. Uhlelo lugcwele ugqozi. Umbono uyamangalisa."

Petersburg, uPolyakin wayehlala yedwa, kude nomkhaya wakubo, futhi uyise wacela isihlobo sakhe uDavid Vladimirovich Yampolsky (umalume kaV. Yampolsky, umphelezeli wesikhathi eside uD. Oistrakh) ukuba amnakekele. U-Auer ngokwakhe wabamba iqhaza elikhulu esiphethweni somfana. UPolyakin usheshe abe omunye wabafundi bakhe abathandayo, futhi evamise ukuba lukhuni kubafundi bakhe, u-Auer umnakekela ngokusemandleni akhe. Lapho ngolunye usuku u-Yampolsky ekhononda ku-Auer ukuthi, ngenxa yezifundo ezijulile, uMiron waqala ukusebenza ngokweqile, u-Auer wamthumela kudokotela futhi wafuna ukuba u-Yampolsky alandele ngokuqinile uhlelo olwabelwe isiguli: “Ungiphendulele yena ngekhanda lakho. !"

Emkhakheni womndeni, uPolyakin wayevame ukukhumbula ukuthi u-Auer wanquma kanjani ukuhlola ukuthi wenza kahle yini i-violin ekhaya, futhi, lapho evele ngasese, wema ngaphandle kweminyango isikhathi eside, elalela ukudlala komfundi wakhe. "Yebo, uzoba muhle!" esho engena ekamelweni. U-Auer akazange abekezelele abantu abavilaphayo, kungakhathaliseki ukuthi banesiphiwo. Njengoba esebenza ngokuzikhandla ngokwakhe, wayekholelwa ngokufanelekile ukuthi ubungcweti beqiniso babungenakufinyeleleka ngaphandle komsebenzi. Ukuzinikela kukaPolyakin ngokuzidela kuviolin, ukukhuthala kwakhe okukhulu kanye nekhono lokuzilolonga usuku lonke kwamnqoba u-Auer.

Naye, uPolyakin waphendula u-Auer ngothando olujulile. Kuyena, u-Auer wayeyikho konke emhlabeni - uthisha, uthisha, umngane, ubaba wesibili, oqinile, ofuna ngenkani futhi ngesikhathi esifanayo onothando futhi onakekelayo.

Ithalente likaPolyakin lavuthwa ngokushesha ngendlela engavamile. NgoJanuwari 24, 1909, ikhonsathi yokuqala yomdlali we-violinist osemusha yenzeke eHholo Elincane le-Conservatory. UPolyakin wadlala i-Handel's Sonata (Es-dur), i-Concerto ka-Venyavsky (d-moli), i-Beethoven's Romance, i-Paganini's Caprice, i-Melody ka-Tchaikovsky kanye ne-Sarasate's Gypsy Melodies. NgoZibandlela wonyaka ofanayo, ngobusuku babafundi esikhungweni sokugcinwa kwezincwadi, wacula kanye noCecilia Ganzen, benza iConcerto yamaviolin amabili ka-J.-S. Bach. Ngo-March 12, 1910, wadlala izingxenye II no-III ze-Tchaikovsky Concerto, futhi ngo-November 22, ne-orchestra, i-Concerto ku-g-moll ka-M. Bruch.

UPolyakin wakhethwa ekilasini lika-Auer ukuba ahlanganyele emgubhweni onesizotha wokugubha iminyaka engu-50 kwasungulwa i-St. umfundi wase-Auer onekhono,” kubhala umgxeki womculo u-V. Karatygin embikweni omfushane ngalomkhosi.

Ngemva kwekhonsathi yokuqala eyedwa, osomabhizinisi abaningana benza izipesheli ezinenzuzo kuPolyakin ukuhlela imidlalo yakhe enhloko-dolobha nakwamanye amadolobha aseRussia. Kodwa-ke, u-Auer waphikisa ngokwehlukana, ekholelwa ukuthi kusesekuseni kakhulu ukuthi isilwane sakhe siqale indlela yobuciko. Kodwa noma kunjalo, ngemva kwekhonsathi yesibili, u-Auer wanquma ukuthatha ithuba futhi wavumela uPolyakin ukuba enze uhambo oluya eRiga, eWarsaw naseKyiv. Kungobo yomlando kaPolyakin, ukubuyekezwa kwephephandaba ledolobha elikhulu nesifundazwe mayelana nalawa makhonsathi kuye kwagcinwa, okubonisa ukuthi abe yimpumelelo enkulu.

UPolyakin wahlala e-Conservatory kwaze kwaba sekuqaleni kuka-1918 futhi, engazange athole isitifiketi sokuthweswa iziqu, waya phesheya. Ifayela lakhe siqu ligcinwe endaweni yokugcina izinto ePetrograd Conservatory, incwadi yokugcina eyisitifiketi sango-January 19, 1918, esanikezwa “umfundi waseConservatory, uMiron Polyakin, ukuthi uxoshwe eholidini kubo bonke. emadolobheni aseRussia kuze kube nguFebruary 10, 1918.”

Ngaphambi kwalokho, wathola isimemo sokuvakashela eNorway, eDenmark naseSweden. Izinkontileka ezisayiniwe zabambezela ukubuyela kwakhe ezweni lakubo, futhi umsebenzi wekhonsathi waqhubeka kancane kancane, futhi iminyaka engu-4 waqhubeka ehambela amazwe aseScandinavia naseJalimane.

Amakhonsathi anikeze iPolyakin udumo lwaseYurophu. Ukubuyekezwa okuningi kwemidlalo yakhe kugcwele umuzwa wokutuswa. "UMiron Polyakin uvele phambi komphakathi waseBerlin njengomdlali wevayolini ophelele futhi oyingcweti. Saneliseke ngokwedlulele ngokudlala okuhle nokuzethemba okunjalo, umculo ophelele kangaka, ukunemba kwephimbo nokuqedwa kwe-cantilena, sizinikele emandleni (ngokwezwi nezwi: asindile. - LR) ohlelo, sazikhohlwa thina kanye nenkosi encane ... "

Ekuqaleni kuka-1922, uPolyakin wawela ulwandle futhi wafika eNew York. Wafika eMelika ngesikhathi lapho amandla obuciko amangalisayo ayegxile khona: uFritz Kreisler, uLeopold Auer, uJasha Heifetz, u-Efrem Zimbalist, uMikhail Elman, uTosha Seidel, uKathleen Larlow, nabanye. Umncintiswano wawubaluleke kakhulu, futhi ukusebenza phambi kwe-New York eyonakele umphakathi waba nomthwalo wemfanelo ikakhulukazi. Kodwa-ke, uPolyakin waphumelela ukuhlolwa. Ukuqala kwakhe, okwenzeka ngoFebhuwari 27, 1922 eHholo LaseDolobheni, kwakumbozwe amaphephandaba amaningana amakhulu aseMelika. Iningi lokubuyekezwa liphawule ithalente lesigaba sokuqala, ubuciko obumangalisayo nomqondo ocashile wesitayela sezingcezu ezenziwe.

Amakhonsathi kaPolyakin eMexico, lapho ahamba khona ngemva kweNew York, aba yimpumelelo. Ukusuka lapha uphinde waya e-USA, lapho ngo-1925 ethola umklomelo wokuqala ku- "World Violin Competition" ngokudlala i-Tchaikovsky Concerto. Nokho, naphezu impumelelo, Polyakin udonseleka ezweni lakubo. Ngo-1926 wabuyela eSoviet Union.

Isikhathi samaSoviet sokuphila kukaPolyakin saqala eLeningrad, lapho anikezwa khona uprofesa e-Conservatory. Encane, egcwele amandla nokushiswa kokudala, umculi nomlingisi ovelele wakhanga ngokushesha umphakathi womculo waseSoviet futhi wathola ukuthandwa ngokushesha. Ikhonsathi yakhe ngayinye iba umcimbi obalulekile empilweni yomculo eMoscow, eLeningrad noma emadolobheni "emngceleni", njengoba izifunda zaseSoviet Union, ezikude nesikhungo, zazibizwa ngokuthi ngama-20s. I-Polyakin ingena igxile emsebenzini wekhonsathi onesivunguvungu, edlala emahholo e-philharmonic namakilabhu abasebenzi. Futhi nomaphi, phambi kwanoma ubani ayedlala, wayehlale ethola izilaleli ezinokwazisa. Ubuciko bakhe obuvuthayo bakhanga abangenalwazi ngokulinganayo kubalaleli bomculo bamakhonsathi eqembu kanye nezivakashi ezifunde kakhulu ze-Philharmonic. Wayenesiphiwo esingandile sokuthola indlela eya ezinhliziyweni zabantu.

Lapho efika eSoviet Union, uPolyakin wazithola ephambi kwezilaleli ezintsha ngokuphelele, ezingavamile futhi engazijwayele kusukela kumakhonsathi eRussia yangaphambi kokuguquguquka noma evela kwamanye amazwe. Amahholo ekhonsathi manje ayengavakashelwa yizihlakaniphi kuphela, kodwa nabasebenzi. Amakhonsathi amaningi ezisebenzi nabasebenzi afaka uquqaba lwabantu emculweni. Kodwa-ke, hhayi kuphela ukwakheka kwezilaleli ze-philharmonic okushintshile. Ngaphansi kwethonya lempilo entsha, isimo sengqondo sabantu baseSoviet, umbono wabo wezwe, izinto abazithandayo nezimfuneko zobuciko nazo zashintsha. Yonke into ecwengisiswe ngobuhle, i-decadent noma i-salon yayingaziwa emphakathini osebenzayo, futhi kancane kancane yaba umfokazi kubameleli be-intelligentsia yakudala.

Ingabe isitayela sokudlala sikaPolyakin kufanele sishintshe endaweni enjalo? Lo mbuzo ungaphendulwa esihlokweni usosayensi waseSoviet uProfesa BA Struve, eyabhalwa ngokushesha ngemva kokufa komculi. Ekhomba eqinisweni nobuqotho bukaPolyakin njengomdwebi, u-Struve wabhala: “Futhi kumelwe kugcizelelwe ukuthi uPolyakin ufinyelela isiqongo saleli qiniso nobuqotho ngokunembile ezimweni zokuthuthukiswa kokudala eminyakeni eyishumi nanhlanu yokugcina yokuphila kwakhe. ukunqotshwa kokugcina kukaPolyakin, umdlali wevayolini waseSoviet. Akuyona into engaqondakali ukuthi abaculi baseSoviet ezenzweni zokuqala zenkosi eMoscow naseLeningrad babevame ukuphawula ekudlaleni kwakhe okuthile okungabizwa ngokuthi "izinhlobonhlobo", uhlobo lwe "salon", isici esanele sabaningi baseNtshonalanga Yurophu naseMelika. abadlali be-violin. Lezi zici zazingafani nemvelo yobuciko kaPolyakin, zaziphikisana nobuntu bakhe bobuciko bemvelo, njengento ekha phezulu. Ezimweni zesiko lomculo laseSoviet, uPolyakin wanqoba ngokushesha lokhu kushiyeka kwakhe.

Ukuqhathanisa okunjalo kwabadlali baseSoviet nabangaphandle manje kubonakala kuqondile kakhulu, nakuba kwezinye izingxenye kungabhekwa njengokufanelekile. Ngempela, emazweni onxiwankulu phakathi neminyaka lapho uPolyakin ehlala khona, kwakukhona abadlali abambalwa ababethambekele ekusetshenzisweni kwesitayela esicwengekile, ubuhle bobuhle, ukuhlukahluka kwangaphandle kanye ne-salonism. Ngesikhathi esifanayo, kwakukhona abaculi abaningi phesheya abahlala bengaziwa ezenzweni ezinjalo. UPolyakin ngesikhathi ehlala phesheya angathola amathonya ahlukene. Kodwa ukwazi uPolyakin, singasho ukuthi ngisho nalapho wayephakathi kwabadlali ababekude kakhulu ne-aestheticism.

Ngokwezinga elikhulu, uPolyakin wayebonakala ngokuphikelela okumangalisayo kokuthandwa kobuciko, ukuzinikela okujulile emibonweni yobuciko ekhuliswe kuye kusukela esemncane. Ngakho-ke, izici ze "izinhlobonhlobo" kanye "ne-salon" esitayela sokwenza i-Polyakin, uma zivela, zingakhulunywa (njenge-Struve) njengento ekha phezulu futhi yanyamalala kuye lapho ehlangana neqiniso laseSoviet.

Iqiniso lomculo waseSoviet laqinisa ePolyakin izisekelo zentando yeningi zesitayela sakhe sokwenza. U-Polyakin waya kunoma yiziphi izethameli ezinemisebenzi efanayo, engesabi ukuthi ngeke bamqonde. Akazange ahlukanise i-repertoire yakhe ibe "elula" futhi "eyinkimbinkimbi", "philharmonic" kanye "nobuningi" futhi wenza ngokuthula eklabhu yabasebenzi ne-Bach's Chaconne.

Ngo-1928, uPolyakin waphinde waya phesheya, evakashela e-Estonia, futhi kamuva wazinika isikhathi sokuvakashela amakhonsathi emadolobheni aseSoviet Union. Ekuqaleni kwawo-30s, uPolyakin wafinyelela eziqongweni zokuvuthwa kwezobuciko. Isimo somoya kanye nomuzwa wakhe ngaphambili wathola ukuzithoba okukhethekile kothando. Ngemva kokubuyela ezweni lakubo, ukuphila kukaPolyakin kusukela ngaphandle kwadlula ngaphandle kwezenzakalo ezingavamile. Kwakuyimpilo evamile yokusebenza yomculi waseSoviet.

Ngo-1935 washada noVera Emmanuilovna Lurie; ngo-1936 umndeni wathuthela eMoscow, lapho uPolyakin waba uprofesa nenhloko yekilasi le-violin eSikoleni Sokugqwesa (Meister shule) eMoscow Conservatory. Emuva ngo-1933, uPolyakin wabamba iqhaza elikhulu ekugubheni iminyaka engu-70 ye-Leningrad Conservatory, futhi ekuqaleni kuka-1938 - ekugubheni iminyaka engu-75. UPolyakin wadlala i-Concerto kaGlazunov futhi ngalobo busuku wayesezingeni elingenakufinyeleleka. Nge-sculptural convexity, isibindi, imivimbo emikhulu, uphinde wadala izithombe ezinhle ngokumangalisayo phambi kwabalaleli abathakazelayo, futhi uthando lwalokhu kuqanjwa luhlanganiswe ngokumangalisayo ngokuhambisana nothando lwemvelo yobuciko yomculi.

Ngo-April 16, 1939, isikhumbuzo seminyaka engu-25 yomsebenzi wobuciko Polyakin wagubha eMoscow. Kwakusihlwa kwaqhutshelwa eHholo Elikhulu Le-Conservatory ngokuhlanganyela kwe-State Symphony Orchestra eyayiqhutshwa u-A. Gauk. UHeinrich Neuhaus waphendula ngesihloko esifudumele esikhuluma ngalolo suku. U-Neuhaus wabhala: "Omunye wabafundi abahamba phambili kathisha ongenakuqhathaniswa wobuciko be-violin, u-Auer odumile," u-Polyakin kusihlwa ubonakale ehlakaniphe kakhulu lekhono lakhe. Yini esithinta ikakhulukazi ekubukekeni kobuciko kwePolyakin? Okokuqala, uthando lwakhe njengomculi wevayolini. Kunzima ukucabanga ngomuntu ozokwenza umsebenzi wakhe ngothando nokuzinikela okwengeziwe, futhi lokhu akuyona into encane: kuhle ukudlala umculo omnandi ku-violin enhle. Kungase kubonakale kungavamile, kodwa iqiniso lokuthi i-Polyakin ayidlali ngokushelelayo ngaso sonke isikhathi, ukuthi unezinsuku zokuphumelela nokuhluleka (ngokuqhathanisa, yiqiniso), kimi ngiphinde ngigcizelele ubuciko bangempela bemvelo yakhe. Noma ubani ophatha ubuciko bakhe ngentshiseko, ngomona, akasoze afunda ukukhiqiza imikhiqizo ejwayelekile - ukusebenza kwakhe esidlangalaleni ngokunemba kwefekthri. Kwakumangalisa ukuthi ngosuku lokugubha iminyaka engu-Polyakin wenza i-Tchaikovsky Concerto (into yokuqala ohlelweni), ayevele eyidlale izinkulungwane nezinkulungwane zezikhathi (wadlala le khonsathi ngokumangalisayo njengensizwa - ngikhumbula ikakhulukazi eyodwa. yemidlalo yakhe, ehlobo ePavlovsk ngo-1915), kodwa wayidlala ngenjabulo nangokuthuthumela, njengokungathi ubengayenzi nje okokuqala, kodwa njengokungathi wayeyenza okokuqala ngaphambi komdlalo omkhulu. izethameli. Futhi uma abanye “abanolwazi oluqinile” bengathola ukuthi kwezinye izindawo i-Concerto izwakala inovalo oluncane, khona-ke kumelwe kushiwo ukuthi lokhu kwesaba kwakuyinyama negazi lobuciko bangempela, nokuthi i-Concerto, edlalwa kakhulu futhi eshaywa, yazwakala futhi entsha, isencane. , iyakhuthaza futhi inhle. .

Ukuphela kwesihloko sikaNeuhaus kunelukuluku lokufuna ukwazi, lapho ephawula khona umzabalazo wemibono ezungeze uPolyakin no-Oistrakh, owayesevele ezuze ukuthandwa ngaleso sikhathi. UNeuhaus wabhala: “Ekuphetheni, ngithanda ukusho amagama amabili: emphakathini wethu kukhona “amaPolyakins” kanye “nama-Oistrakhists”, njengoba kukhona “amaHilelists” kanye “namaFlierists”, njll. Ngokuphathelene nezingxabano (ngokuvamile ezingenazithelo) kanye uhlangothi olulodwa lokucabanga kwabo kusengaphambili, omunye ukhumbula amazwi ake ashiwo uGoethe engxoxweni no-Eckermann: “Manje umphakathi usuneminyaka engamashumi amabili uphikisana ngokuthi ubani ophakeme: Schiller noma mina? Bangenza kangcono uma bejabulela ukuthi kukhona abantu abambalwa abalungile okufanele baxabane ngabo. Amazwi ahlakaniphile! Asijabuleni ngempela bakwethu ukuthi sinabafo abangaphezu kweyodwa okumele siqophisane ngabo.

Maye! Ngokushesha sasingasekho isidingo “sokuphikisana” ngePolyakin - eminyakeni emibili kamuva wayesehambile! U-Polyakin wafa ekuqaleni kwempilo yakhe yokudala. Lapho ebuya ngo-May 21, 1941 evela ohambweni, wazizwa engaphilile esitimeleni. Ukuphela kwafika ngokushesha - inhliziyo yenqaba ukusebenza, inqamula impilo yakhe lapho ikhula khona.

Wonke umuntu wayemthanda uPolyakin, ukuhamba kwakhe kwakubona njengokushonelwa. Kuso sonke isizukulwane sama-violinist aseSoviet, wayengumuntu ongcono kakhulu womculi, umculi nomculi, ababelingana ngawo, ababekhothama futhi bafunda kuye.

Emngcwabeni odabukisayo, omunye wabangane abakhulu bakamufi, u-Heinrich Neuhaus, wabhala: “… u-Miron Polyakin akasekho. Ngandlela-thile awukholelwa ekuthulisweni komuntu ohlale engaphumuli ngomqondo ophakeme nongcono kakhulu wegama. Thina ePolyakino siyalwazisa uthando lwakhe olujulile lobusha ngomsebenzi wakhe, umsebenzi wakhe ongapheli nophefumulelwe, owanquma kusengaphambili izinga eliphezulu ngokungavamile lamakhono akhe okwenza, kanye nobuntu obukhanyayo, obungenakulibaleka bomculi omkhulu. Phakathi kwabadlali bevayolini kukhona abaculi abavelele abafana noHeifetz, abahlale bedlala kanjalo ngomoya wobuciko babaqambi kangangokuthi, ekugcineni, uyeke ukuqaphela izici zomculi ngamunye. Lona uhlobo lwe "Parnassian Performer", "Olympian". Kodwa kungakhathaliseki ukuthi yimuphi umsebenzi owenziwa u-Polyakin, ukudlala kwakhe kwakuhlale kuzwakala njengomuntu othakazelisayo, uhlobo oluthile lokukhathazeka ngobuciko bakhe, ngenxa yokuthi wayengeke abe lutho ngaphandle kwakhe. Izici zesici somsebenzi we-Polyakin zaziyizi: inqubo ekhazimulayo, ubuhle obuhle bomsindo, injabulo nokujula kokusebenza. Kodwa ikhwalithi emangalisayo kakhulu Polyakin njengoba umculi futhi umuntu kwaba ubuqotho bakhe. Amakhonsathi akhe ayengalingani ngaso sonke isikhathi ngoba umculi waletha imicabango yakhe, imizwa, ulwazi lwakhe naye esiteji, futhi izinga lokudlala kwakhe lincike kubo ... "

Bonke labo ababhala mayelana Polyakin ngokungaguquki wakhomba umsuka wobuciko bakhe. UPolyakin “ungumculi ogqame ngokwedlulele, isiko eliphezulu nekhono. Indlela adlala ngayo ingeyokuqala kangangoba umuntu kufanele akhulume ngokudlala kwakhe njengokudlala ngendlela ekhethekile – isitayela sikaPolyakin. Umuntu ngamunye wayebonakala kukho konke - ngendlela ekhethekile, eyingqayizivele emisebenzini eyenziwe. Kungakhathaliseki ukuthi yini ayeyidlala, wayehlale efunda lezo zincwadi “ngendlela yesiPolish.” Emsebenzini ngamunye, wabeka, okokuqala, yena, umphefumulo ojabulisayo womculi. Ukubuyekezwa mayelana ne-Polyakin zihlala zikhuluma ngenjabulo engapheli, imizwa eshisayo yomdlalo wakhe, mayelana nothando lwakhe lobuciko, mayelana "nemizwa" evamile ye-Polyakin, ukuvutha kokudala. Wonke umuntu owake wezwa lo mdlali wevayolini wamangala ngokungathandi ngobuqotho kanye nokushesha kokuhlangenwe nakho kwakhe komculo. Umuntu angasho ngempela ngaye ukuthi ungumculi wogqozi, ama-pathos othando aphezulu.

Kuye, wawungekho umculo ovamile, futhi wayengeke aphendukele emculweni onjalo. Wayazi ukuthi angathuthukisa kanjani noma yisiphi isithombe somculo ngendlela ekhethekile, asenze sihlonipheke, sibe sihle ngokothando. Ubuciko bukaPolyakin babubuhle, kodwa hhayi ngobuhle bendalo ezwakalayo, engabonakali, kodwa ngobuhle bokuhlangenwe nakho okucacile komuntu.

Wayenomuzwa wobuhle othuthuke ngendlela engavamile, futhi kukho konke ukushisekela kwakhe nothando lwakhe, akazange eqe imingcele yobuhle. Ukunambitheka okungenasici kanye nezidingo eziphakeme kuyena ngokungaguquki kwamvikela ekweqiseni okungahle kuhlanekezele noma kuphule ngandlela thize ukuvumelana kwezithombe, izimiso zenkulumo yobuciko. Kungakhathaliseki ukuthi uPolyakin wathintile, umuzwa wobuhle wobuhle awuzange umshiye umzuzwana owodwa. Ngisho nezikali ze-Polyakin zidlala umculo, zifinyelela ukulingana okumangalisayo, ukujula nobuhle bomsindo. Kodwa kwakungebona nje ubuhle nokulingana komsindo wabo. Ngokusho kuka-MI Fikhtengolts, owafunda noPolyakin, uPolyakin wadlala izikali ngokucacile, ngokomfanekiso, futhi babonakala sengathi bayingxenye yomsebenzi wobuciko, hhayi izinto zobuchwepheshe. Kwakubonakala sengathi uPolyakin wabakhipha emdlalweni noma ekhonsathini futhi wabanikeza umfanekiso othize. Okubaluleke kakhulu ukuthi izithombe azizange zinikeze umbono wokuthi wenziwe ngokwenziwa, okwenzeka ngezinye izikhathi lapho abadlali bezama “ukushumeka” isithombe esikalini, bazisungulele “okuqukethwe” kwaso ngamabomu. Umzwelo ongokomfanekiso wadalwa, ngokusobala, yiqiniso lokuthi ubuciko bukaPolyakin babunjalo ngokwemvelo.

U-Polyakin wathatha ngokujulile amasiko esikole sase-Auerian futhi, mhlawumbe, wayeyi-Auerian emsulwa kunabo bonke abafundi bale nkosi. Ekhumbula ukudlala kukaPolyakin ebusheni bakhe, umfundi afunda naye, umculi odumile waseSoviet u-LM Zeitlin, wabhala: “Idlalade eliwubuciko nobuciko lomfana lalifana ngokusobala nelothisha wakhe odumile. Ngezinye izikhathi kwakunzima ukukholelwa ukuthi ingane imile esiteji, hhayi umculi ovuthiwe.

Ukunambitheka kobuhle kukaPolyakin kufakazelwa kahle yi-repertoire yakhe. UBach, uBeethoven, uBrahms, uMendelssohn, kanye nabaqambi baseRussia uTchaikovsky noGlazunov babeyizithixo zakhe. I-Tribute yakhokhelwa izincwadi ze-virtuoso, kodwa kuleyo eyabonwa u-Auer futhi yayithanda - amakhonsathi kaPaganini, i-Otello ka-Ernst kanye ne-Hungarian Melodies, imidanso yaseSpain yaseSarasate, eyenziwa nguPolyakin ngokungenakuqhathaniswa, i-symphony yaseSpain yaseLalo. Futhi wayesondelene nobuciko be-Impressionists. Udlale ngokuzimisela imibhalo ye-violin yemidlalo kaDebussy – “Intombazane Enezinwele Ze-Flaxen”, njll.

Omunye wemisebenzi eyinhloko ye-repertoire yakhe kwakuyiNkondlo ka-Chausson. Wayethanda nemidlalo kaShimanovsky - "Izinganekwane", "Ingoma kaRoxana". U-Polyakin wayengenandaba nezincwadi zakamuva ze-20s kanye ne-30s futhi akazange enze imidlalo kaDarius Miio, u-Alban Berg, u-Paul Hindemith, u-Bela Bartok, ingasaphathwa imisebenzi yabaqambi abancane.

Kwakukhona imisebenzi embalwa yabaqambi baseSoviet kwaze kwaba sekupheleni kweminyaka yama-30s (uPolyakin washona lapho kusanda kuqala ukuqala kokuqamba kwevayolini yaseSoviet). Phakathi kwemisebenzi etholakalayo, akuzona zonke ezihambisana nokuthanda kwakhe. Ngakho-ke, wadlula amakhonsathi e-violin kaProkofiev. Nokho, eminyakeni yamuva nje waqala ukuvusa isithakazelo emculweni waseSoviet. Ngokusho kukaFikhtengoltz, ehlobo lika-1940 uPolyakin wasebenza ngentshiseko ku-Concerto kaMyaskovsky.

Ingabe i-repertoire yakhe, isitayela sakhe sokwenza, lapho ahlala khona ethembekile emasikweni esikole sase-Auer, kufakazela ukuthi "wasala ngemuva" ukunyakaza kobuciko phambili, ukuthi kufanele abonwe njengomdlali "ophelelwe yisikhathi", engahambisani nenkathi yakhe, engaziwa emisha? Ukucabanga okunjalo maqondana naleli ciko elimangalisayo ngeke kube nokungalungile. Ungaya phambili ngezindlela ezahlukene - ukuphika, ukwephula isiko, noma ukulibuyekeza. I-Polyakin yayingokwemvelo ekugcineni. Kusuka emasikweni obuciko bevayolini bekhulu lesi-XNUMX, uPolyakin, ngokuzwela kwakhe, ukhethe lokho okuxhumene ngempumelelo nokubuka umhlaba omusha.

Ekudlaleni kukaPolyakin kwakungekho ngisho nokuncane ukucatshangelwa kwe-subjectivism noma isitayela, ukuzwela nokuzwela, okuzenze bazizwa benamandla kakhulu ekusebenzeni kwekhulu lesi-XNUMX. Ngendlela yakhe, walwela isitayela sokudlala esinesibindi nesiqinile, sokuqhathanisa okuvezayo. Bonke ababuyekezi bagcizelela ngokungaguquki idrama, "inzwa" yokusebenza kukaPolyakin; Izakhi ze-salon zanyamalala kancane kancane kumdlalo we-Polyakin.

NgokukaProfessor we-Leningrad Conservatory N. Perelman, okwase kuphele iminyaka eminingi enguzakwabo kaPolyakin ekhonsathini, uPolyakin wadlala i-Beethoven's Kreutzer Sonata ngendlela yama-violinists ekhulwini lesi-XNUMX - wenza ingxenye yokuqala ngokushesha, nokushuba kwesimo kanye nedrama esukela. ingcindezi ye-virtuoso, futhi hhayi kusukela kokuqukethwe okumangalisayo kwenothi ngalinye. Kodwa, esebenzisa amasu anjalo, uPolyakin wafaka imali ekusebenzeni kwakhe amandla anjalo nokuqina okwaletha ukudlala kwakhe eduze kakhulu nokuvezwa okumangalisayo kwesitayela sesimanje sokudlala.

Isici esihlukile sikaPolyakin njengomdlali kwakuyidrama, futhi waze wadlala nezindawo zomculo ngesibindi, ngokuqinile. Akumangalisi ukuthi wayesebenza kahle kakhulu emisebenzini edinga umsindo oshubile - i-Bach's Chaconne, amakhonsathi kaTchaikovsky, Brahms. Kodwa-ke, wayevame ukwenza i-Concerto kaMendelssohn, nokho, futhi wethula umthunzi wesibindi emazwini akhe. Ukuveza isibindi ekuchazeni kukaPoliakin ikhonsathi kaMendelssohn kwaphawulwa umbuyekezi waseMelika ngemva kokudlala kwesibili komdlali weviyolini eNew York ngo-1922.

UPolyakin wayengumhumushi omangalisayo wezingoma zikaTchaikovsky zevayolini, ikakhulukazi ikhonsathi yakhe yevayolini. Ngokusho kwezikhumbuzo zabantu besikhathi sakhe kanye nemibono yomuntu siqu yombhali wale migqa, uPolyakin wadlala i-Concerto ngokweqile. Uqinise ukuqhathanisa ngazo zonke izindlela eNgxenyeni I, edlala ingqikithi yayo eyinhloko ngama-pathos othando; itimu yesibili ye-sonata allegro yayigcwele injabulo yangaphakathi, ukuthuthumela, futhi i-Canzonetta yayigcwele ukuncenga okujulile. Esiphethweni, ubuhle bukaPolyakin baphinde bazizwa, besebenzela inhloso yokudala isenzo esishubile. Ngentshiseko yothando, uPolyakin naye wenza imisebenzi efana ne-Bach's Chaconne kanye ne-Brahms Concerto. Wasondelana nale misebenzi njengomuntu onomhlaba ocebile, ojulile futhi onezimo eziningi kanye nemizwa, futhi waheha abalaleli ngentshiseko esheshayo yokudlulisa umculo ayewenza.

Cishe zonke izibuyekezo zePolyakin ziphawula uhlobo oluthile lokungalingani ekudlaleni kwakhe, kodwa ngokuvamile kuthiwa wayedlala izingcezu ezincane ngokungenasici.

Imisebenzi yefomu elincane yayihlale iqedwa nguPolyakin ngokucophelela okumangalisayo. Wayedlala ifilimu ngayinye enomthwalo wemfanelo ofanayo nanoma yimuphi umsebenzi wefomu elikhulu. Wayazi ukuthi angafinyelela kanjani emncane isitayela esihle kakhulu, okwamenza wahlobana no-Heifetz futhi, ngokusobala, wakhuliswa kokubili ngu-Auer. Izingoma zika-Polyakin zika-Beethoven zizwakala ziphansi futhi zibabazekayo, ukusebenza kwazo okufanele kuhlolwe njengesibonelo esiphezulu sokuchazwa kwesitayela sakudala. Njengesithombe esipendwe ngemivimbo emikhulu, iMelancholic Serenade kaTchaikovsky yavela phambi kwezilaleli. U-Polyakin wayidlala ngokuzithiba okukhulu nangokuhlonipheka, ngaphandle kosizi noma i-melodrama.

Ohlotsheni oluncane, ubuciko be-Polyakin bakhangwa ukwehlukahlukana kwabo okumangalisayo - ubuhle obuhle, umusa nobuhle, futhi ngezinye izikhathi ukwenza ngcono okungasho lutho. Encwadini kaTchaikovsky ethi Waltz-Scherzo, okungenye yezinto ezivelele zomculo wekhonsathi kaPolyakin, izethameli zakhangwa amazwi ahlabayo asekuqaleni, iziqephu ezingenangqondo, isigqi esishintshashintsha ngendlela exakile, kanye nokuvevezela kwemisho yomculo. Umsebenzi wenziwa nguPolyakin ngobuhlakani be-virtuoso nenkululeko ehehayo. Akunakwenzeka ukuthi ungakhumbuli futhi i-cantilena eshisayo yomculi emidansweni yaseHungary yaseBrahms-Joachim kanye nemibala yephalethi yakhe yomsindo emidansweni yaseSpain yaseSarasate. Futhi phakathi kwemidlalo yefomu elincane, wakhetha leyo ebonakala ngokushuba okuvuthayo, imizwa enkulu. Ukukhangwa kukaPolyakin emisebenzini efana nethi "Inkondlo" kaChausson, "Ingoma kaRoxanne" kaSzymanowski, eduze kwakhe kwezothando, kuyaqondakala.

Kunzima ukukhohlwa isibalo sikaPolyakin esiteji ivayolini yakhe iphakanyiswe nokunyakaza kwakhe kugcwele ubuhle. I-stroke yakhe yayinkulu, umsindo ngamunye ngandlela thize uhluke ngokungavamile, ngokusobala ngenxa yomthelela osebenzayo kanye nokususwa okusebenzayo kweminwe entanjeni. Ubuso bakhe babuvutha umlilo wokuphefumulelwa kokudala - kwakuwubuso bomuntu igama elithi Art njalo liqala ngohlamvu olukhulu.

UPolyakin wayezifunela yena ngokweqile. Wayekwazi ukuqedela umushwana owodwa wocezu lomculo amahora amaningi, efinyelela ukuphelela komsindo. Yingakho ngokuqapha, ngobunzima obunjalo, wanquma ukumdlalela umsebenzi omusha ekhonsathini evulekile. Izinga lokuphelela okwamanelisa lafika kuye kuphela ngenxa yeminyaka eminingi yomsebenzi onzima. Ngenxa yokuthi wayezibambele mathupha, wahlulela nabanye abaculi kabuhlungu nangokungenaluzwelo, okuyinto evame ukubajikisa.

U-Polyakin kusukela ebuntwaneni wayehlukaniswa umlingisi ozimele, isibindi esitatimendeni nasezenzweni zakhe. Iminyaka eyishumi nantathu, ekhuluma eWinter Palace, ngokwesibonelo, akazange angabaze ukuyeka ukudlala lapho omunye wezicukuthwane engena sekwephuzile futhi eqala ukunyakazisa izihlalo. U-Auer wathumela abafundi bakhe abaningi ukuba benze umsebenzi onzima kumsizi wakhe, uSolwazi IR Nalbandian. Ngezinye izikhathi ikilasi likaNalbandyan lalihanjelwa uPolyakin. Ngolunye usuku, lapho uNalbandian ekhuluma nomdlali wopiyano ngokuthile ekilasini, uMiron wayeka ukudlala futhi wasishiya isifundo, naphezu kwemizamo yokumvimba.

Wayenengqondo ebukhali namandla okubuka ayivelakancane. Kuze kube manje, ama-aphorisms ahlakaniphile kaPolyakin, ama-paradoxes acacile, lapho alwa nabaphikisi bakhe, ajwayelekile phakathi kwabaculi. Izahlulelo zakhe mayelana nobuciko zazinenjongo futhi ezithakazelisayo.

Ku-Auer Polyakin uthole ukukhuthala okukhulu. Wayezilolongela ivayolini ekhaya okungenani amahora angu-5 ngosuku. Ubefuna kakhulu abaphelezeli futhi waprakthiza okuningi nomshayi wopiyano ngamunye ngaphambi kokungena naye esiteji.

Kusukela ngo-1928 kuze kube sekufeni kwakhe, uPolyakin waqala ukufundisa eLeningrad futhi kamuva eMoscow Conservatories. I-Pedagogy ngokuvamile yayithatha indawo ebalulekile ekuphileni kwakhe. Noma kunjalo, kunzima ukubiza uPolyakin ngokuthi uthisha ngendlela evame ukuqondwa ngayo. Ngokuyinhloko wayeyingcweti, eyingcweti, futhi kwezokufundisa wayebuye aqhubeke namakhono akhe okwenza. Akazange acabange ngezinkinga zemvelo ye-methodical. Ngakho-ke, njengothisha, uPolyakin wayewusizo kakhulu kubafundi abathuthukile base bekwazi amakhono adingekayo ochwepheshe.

Ukubonisa kwakuyisisekelo sokufundisa kwakhe. Uncamele ukudlalela abafundi bakhe izingcezu kunokuthi “abatshele” ngabo. Ngokuvamile, ebonisa, wabanjwa kangangokuthi wenza umsebenzi kusukela ekuqaleni kuze kube sekugcineni futhi izifundo zaphenduka uhlobo "amakhonsathi Polyakin". Umdlalo wakhe wahlukaniswa ngekhwalithi eyodwa eyivelakancane - wawubonakala uvule amathemba abanzi kubafundi ngobuhlakani babo, wavusa imicabango emisha, wavusa umcabango kanye nenganekwane. Umfundi, lapho ukusebenza kukaPolyakin kwaba "isiqalo" emsebenzini womsebenzi, njalo wayeshiya izifundo zakhe zicebile. Umboniso owodwa noma emibili enjalo bewanele ukuze wenze kucace kumfundi indlela okudingeka asebenze ngayo, aye ngakuyiphi indawo.

UPolyakin ufune ukuthi bonke abafundi bekilasi lakhe babe khona ezifundweni, kungakhathaliseki ukuthi bazidlalela noma balalela nje umdlalo wamaqabane abo. Izifundo zivame ukuqala ntambama (kusukela ngehora lesi-3 ezimpondweni).

Wadlala ngokwaphezulu ekilasini. Akuvamile esiteji sekhonsathi ukuthi ikhono lakhe lifinyelele ukuphakama okufanayo, ukujula nokuphelela kokukhuluma. Ngosuku lwesifundo sikaPolyakin, injabulo yayibusa endaweni yokugcina izinto. “Umphakathi” wawuminyene ekilasini; ngaphezu kwabafundi bakhe, abafundi babanye othisha, abafundi bezinye izingcweti, othisha, oprofesa kanye "nezivakashi" ezivela emhlabeni wobuciko nabo bazama ukufika lapho. Ababengakwazi ukungena ekilasini balalele ngemuva kweminyango ebivalwe ngesigamu. Ngokuvamile, isimo esifanayo sasikhona njengakuqala ekilasini lika-Auer. U-Polyakin ngokuzithandela wavumela abantu abangabazi ekilasini lakhe, njengoba ekholelwa ukuthi lokhu kwandisa umthwalo wabafundi, kwakha isimo sobuciko esamsiza ukuba azizwe njengomculi ngokwakhe.

UPolyakin wabeka ukubaluleka okukhulu emsebenzini wabafundi ezikalini nasezifundweni (Kreutzer, Dont, Paganini) futhi wafuna ukuba umfundi adlalele kuye izifundo nezikali ezifundiwe ekilasini. Wayengahlanganyeli emsebenzini okhethekile wobuchwepheshe. Umfundi kwakudingeka eze ekilasini nezinto ezilungiselelwe ekhaya. UPolyakin, ngakolunye uhlangothi, "endleleni" kuphela wanikeza noma yiziphi iziqondiso uma umfundi engaphumelelanga endaweni eyodwa noma kwenye.

Ngaphandle kokubhekana ngokuqondile namasu, uPolyakin walandela eduze inkululeko yokudlala, enaka ngokukhethekile inkululeko yawo wonke amabhande ehlombe, isandla sokunene kanye nokuwa okucacile kweminwe ezintanjeni ngakwesobunxele. Ngendlela yesandla sokunene, uPolyakin wakhetha ukunyakaza okukhulu "kusuka ehlombe" futhi, esebenzisa amasu anjalo, wazuza umuzwa omuhle "wesisindo" sakhe, ukukhishwa kwamahhala kwama-chords nemivimbo.

U-Polyakin wayenzima kakhulu ngokunconywa. Akazange acabangele “iziphathimandla” nakancane futhi akazange akhulume amazwi abhuqayo aqondiswe nakubahlomuli abafanelwe yizindondo, uma enganelisekile ngokusebenza kwabo. Ngakolunye uhlangothi, wayengancoma abafundi ababuthaka kakhulu lapho ebona intuthuko yakhe.

Yini, ngokuvamile, kungathiwa Polyakin uthisha? Ngokuqinisekile kuningi okwakumelwe akufunde. Ngamandla ethalente lakhe lobuciko elimangalisayo, waba nomthelela oyingqayizivele kubafundi bakhe. Udumo lwakhe olukhulu, ukunethezeka kwezobuciko kwaphoqa intsha eyafika ekilasini lakhe ukuthi izinikele ngokuzinikela emsebenzini, yakhulisa ubuciko obuphezulu kubo, yavusa uthando lomculo. Izifundo zikaPolyakin zisakhunjulwa yilabo ababa nenhlanhla yokuxhumana naye njengomcimbi othokozisayo empilweni yabo. Abaphumelele imincintiswano yamazwe ngamazwe uM. Fikhtengolts, E. Gilels, M. Kozolupova, B. Feliciant, umphathi wekhonsathi ye-symphony orchestra ye-Leningrad Philharmonic I. Shpilberg nabanye bafunda naye.

U-Polyakin washiya uphawu olungenakucimeka esikweni lomculo laseSoviet, futhi ngingathanda ukuphinda ngemva kukaNeuhaus: "Abaculi abasebasha abakhuliswa nguPolyakin, izilaleli azilethela injabulo enkulu, bayohlala bemkhumbula njalo."

L. Raaben