Ukudlula kanye nezinguquko ezisizayo zokuxazulula izinkinga zokuzwana

Abantu abaningi banenkinga yokuxazulula izinkinga ekuvumelaneni, futhi isizathu salokhu akukhona ukuntuleka kolwazi lwethiyori ngale ndaba, kodwa ukudideka okuthile: kunenqwaba yama-chords ehlanganisiwe, kodwa yimuphi kubo ongakhetha ukuvumelanisa kuyinkinga. ... Isihloko sami, lapho II wazama ukuqoqa wonke edume kakhulu, evame ukusetshenziswa edlulayo kanye nemisho asizayo.

Ngizosho ngokushesha ukuthi zonke izibonelo zihlobene ne-diatonic. Lokhu kusho ukuthi ayikho imishwana ethi “Neapolitan harmony” futhi ebusa kabili lapha; sizobhekana nazo ngokwehlukana.

Uhlu lwama-chords olumboziwe luwunxantathu oyinhloko ngokushintsha kwawo, amachodi esithupha edigri yesibili neyesikhombisa, amachords esikhombisa anokuguqulwa - okubusayo, idigri yesibili kanye nesingeniso. Uma ungakhumbuli ukuthi yiziphi izinyathelo ama-chords akhelwe kuzo, sebenzisa ishidi lokukopela - kopishela ithebula ngokwakho kusuka lapha.

Iyini inzuzo edlulayo?

Inguquko edlulayo kuwukulandelana kwe-harmonic lapho ichord edlulayo yomunye umsebenzi ibekwa phakathi kwechord nokukodwa kokuguquguquka kwayo (isibonelo, phakathi kukanxantathu kanye nechord yayo yesithupha). Kodwa lokhu kumane kuyizincomo, futhi akuwona neze umthetho. Iqiniso liwukuthi ama-chords okwedlulele kulolu chungechunge angaba nemisebenzi ehluke ngokuphelele (sizobona izibonelo ezinjalo).

Kubaluleke kakhulu ukuthi esinye isimo sigcwaliseke, okungukuthi, ukunyakaza okukhuphukayo noma ukwehla kwe-bass, okuthi emculweni kungase kuhambisane nokunyakaza (imvamisa) noma ukunyakaza okufanayo.

Ngokuvamile, uyaqonda: into ebaluleke kakhulu ekujikeni okudlulayo ukunyakaza okuqhubekayo kwe-bass + uma kungenzeka, izwi eliphezulu kufanele libonise ukunyakaza kwe-bass (okungukuthi uma ukunyakaza kwe-bass kukhuphuka, khona-ke umculo kufanele ube nomnyakazo ngemisindo efanayo, kodwa eyehlayo) + eduze kwamathuba, iphimbo elidlulayo kufanele lixhume amachodi omsebenzi ofanayo (okungukuthi ukuguquguquka kwechodi efanayo).

Esinye isimo esibaluleke kakhulu ukuthi i-chord edlulayo ihlale idlalwa ngesigqi esibuthakathaka (ngesigqi esibuthakathaka).

Lapho sivumelanisa ingoma, sibona ukuguquguquka okudlulayo ngokunembile ngokunyakaziswa kwe-tertian okuqhubekayo komculo kuye phezulu noma phansi ngokuhambisana nezimo zesigqi salokhu kucula. Ngemva kokuthola ukuthi kungenzeka ukufaka inguquko edlulayo enkingeni, ungajabula, okwesikhashana nje, ukuze enjabulweni yakho ungakhohlwa ukubhala ama-bass nokumaka imisebenzi ehambisanayo.

Imijikelezo evamile yokudlula

Ijika elidlulayo phakathi kwe-tonic triad nechord yayo yesithupha

Lapha i-quarter-sex chord ebusayo (i-D64) isebenza njengezwi elidlulayo. Le nzuzo iboniswa kokubili ngohlelo olubanzi futhi oluseduze. Izimiso zokukhiqizwa kwezwi zimi kanje: izwi eliphezulu nebhesi kuhamba ngokuphambene; i-D64 iphinda kabili ibhesi; uhlobo lokuxhuma - i-harmonic (ku-viola umsindo ojwayelekile we-G ugcinwa).

Phakathi kwe-tonic kanye nechord yayo yesithupha, ungaphinda ubeke ezinye izingoma ezidlulayo, isibonelo, i-chord yesithathu evelele (D43), noma i-chord yesikhombisa yesithupha (VII6).

Naka izici ezingavamile zokuhola kwezwi: ngokuzungezisa ne-D43, ukuze ugweme ukuphinda kabili okwesithathu ku-T6, kwakudingeka ukuhambisa okwesikhombisa kwe-D43 kuya ku-5 degree, hhayi ku-3, njengoba kulindelekile, ngenxa yalokho. okungamaphimbo aphezulu sinepheya yezingxenye ezinhlanu ezihambisanayo ( ), ngokwemithetho yokuvumelana kuleli jika ukusetshenziswa kwazo kuvunyelwe; esibonelweni sesibili, ekudluleni kwezwi lesithupha lezinga lesikhombisa (VII6), elesithathu liphindwe kabili; leli cala kufanele futhi likhunjulwe.

Ichord yobulili besine edlulayo phakathi kwe-subdominant kanye nechord yayo yesithupha

Singasho ukuthi lesi yisibonelo esifanayo uma siqhathaniswa nomdluli wokuqala esimbhekile. Izinkambiso ezifanayo zokusebenza kwezwi.

I-revolution edlulayo phakathi kwe-second degree triad kanye nechord yayo yesithupha

Leli jika lisetshenziswa kuphela kokukhulu, ngoba emincane i-triad yeziqu zesibili incane. Iziqu ezithathu zeziqu zesibili ngokuvamile ziyingxenye yezivumelwano ezingavamile ukwethulwa; i-chord yesithupha yezinga lesibili (II6) isetshenziswa kaningi, kodwa ekuguqukeni okudlulayo ukubukeka kwayo kumnandi kakhulu.

Lapha kufanele uqaphele ukuthi ku-chord yesithupha ye-degree yesibili ngokwayo (ku-II6), kanye ne-tonic chord yesithupha (T6), udinga ukuphinda kabili okwesithathu! Futhi, ikakhulukazi ngohlelo olubanzi, udinga ukuhlola ukuvumelanisa ngokucophelela ukuze kubonakale ingxenye yesihlanu ehambisanayo (ayilutho lapha).

Emigqeni engu-3-4, amathuba okuxhuma i-subdominant (S64) kanye ne-second degree (II6) izingoma zesithupha ezine-T6 edlulayo ziyaboniswa. Naka ukuphimisa emazwini aphakathi nendawo: esimweni sokuqala, ukugxuma ku-tenor kubangelwa isidingo sokugwema ukubonakala kwezingxenye zesihlanu ezihambisanayo; esimweni sesibili, ku-II6, esikhundleni sesithathu, okwesihlanu kuphindwe kabili (ngesizathu esifanayo).

Ukuguquguquka okudlulayo ngesigaba sesibili somculo

Ngokungeziwe ezingxenyeni zangempela zalesi simboli sesikhombisa phakathi kokuguquguquka, ukuhlukahluka okuhlukahlukene "okuxubile" kuphenduka kungenzeka - kusetshenziswa ukuvumelana okungaphansi nokubusayo. Ngikweluleka ukuthi unake isibonelo sokugcina ngechord yesine yesithupha (VI64) phakathi kwechord eyinhloko yesikhombisa kanye nechord yayo yesihlanu yesithupha (II7 kanye ne-II65).

Ukuphenduka okudlulayo phakathi kwamachodi echord yesikhombisa yokuvula

Kukhona ukuhlukahluka okuningi okungenzeka kwama-revolutions adlulayo afaka ama-chords ahlukene. Uma ukuvumelana kwe-tonic kuba yizwi elidlulayo, kufanele unake isinqumo esifanele sokuvula izingoma zesikhombisa (ukuphinda kabili okwesithathu kuyadingeka): ukulungiswa okungalungile kwama-tritones ayingxenye ye-chord enciphile yokuvula kungabangela ukubukeka kwezingxenye zesihlanu ezifanayo. .

Kuyathakazelisa ukuthi ama-harmonies adlulayo omsebenzi ongaphansi (s64, VI6) angabekwa phakathi kwama-chords okuvulwa kwesikhombisa. Inguqulo enhle kakhulu iyatholakala uma uthatha okuvame ukubusa njengezwi elidlulayo.

Iyini inzuzo yokusiza?

Amavukelambuso asizayo ihluke kwadlulayo ngokuthi iculo eliyisiza lixhuma amachords amabili afanayo (empeleni ichord nokuphindaphinda kwayo). I-axiliary chord, njengechord edlulayo, yethulwa ngesikhathi sokushaya esibuthakathaka.

Ukujikeleza kwe-harmonic okusizayo kuvame ukwenzeka kumabhesi aqhubekayo (kodwa futhi, hhayi ngempela). Ngakho-ke ukusebenziseka okusobala kokusetshenziswa kwayo ekuvumelaneni kwe-bass (enye indlela yokuhlukaniswa kwesigqi, kanye nokunyakaza okulula kwe-chord).

Ngizobonisa ama-revolutions ambalwa kakhulu futhi alula kakhulu. Lokhu, yiqiniso, i-S64 phakathi kwe-tonic (ngokufanayo, i-tonic quartet-sex chord phakathi kokubusa). Futhi enye evame kakhulu i-II2, kulula ukuyisebenzisa ngemuva kokuxazulula i-D7 ibe yi-triad engaphelele, ukuze ubuyisele isakhiwo esigcwele.

Cishe sizogcina lapha. Ungazibhalela phansi le misho ephepheni, noma ungavele ugcine ikhasi kumabhukhimakhi akho - kwesinye isikhathi imishwana efana nale iyasiza ngempela. Ngikufisela inhlanhla ekuxazululeni izindida!