UTapa

I-French tapeur, kusukela ku-taper - ukuya ekushayeni izandla, ukucofa, dlala izinsimbi ezishaywayo, dlala kakhulu, strum kupiyano

1) Umculi, prim. umdlali wopiyano odlala ngemali emdanso. kusihlwa namabhola, emakilasini okudansa, i-gymnastic. amahholo, njll. Izici zobuntu zizosebenza. Imikhuba ka-T inqunywa ngokusetshenziswayo, hhayi ubuciko. uhlobo lomculo odlalwayo.

2) Ngomqondo ongokomfanekiso, umshayi wopiyano owumshini.

3) Umdlali wepiyano ongumdwebi ohambisana namafilimu athule.

Ekuqaleni, umdlalo ka-T. wawuyingxenye yokubonisa (okuhlanganisa ukuvala umsindo wekhamera yefilimu esebenzayo), kunokuqukethwe kwefilimu. Njengoba i-cinematography ithuthuka, imisebenzi yethelevishini yaba yinkimbinkimbi futhi yashintsha. Umdwebi wefilimu kwakudingeka afunde ubuciko bokwenza ngcono, abe nekhono lokuhlela iminyuziyamu. impahla ngokulandelana kwesitayela. nangokwengqondo. ukubonakaliswa kwe-cinematography. Emabhayisikobho amakhulu, u-T. wayevame ukudlala, ehambisana ne-instr. ensemble noma nge-orchestra ngaphansi kwe-dir. umqondisi wefilimu. Ukuze kuqeqeshwe abadwebi bamafilimu (T.), kwadalwa izipesheli. izifundo, isib. Izwe. izifundo zomculo wefilimu zokuqeqesha abadlali bopiyano, abadwebi bezithombe zamafilimu kanye ne-orchestra. abadidiyeli (1927, eMoscow); eshicilelwe ekhethekile. "Amamuvi" - amaqoqo emidlalo emincane afanele ukuboniswa okuthile. izingcezu movie. Kamuva, le midlalo, inani layo emhlabeni wonke lafinyelela eziningana. eziyizinkulungwane, zafakwa ohlwini ngokweziqephu ezibonisiwe. Ukuvumelanisa ukusebenza komdwebi wefilimu (kanye nombhidisi wefilimu), isitendi se-cine nomculo kwakhiwa. i-chronometer (isigqi, 1926) – isisetshenziswa lapho amaphuzu noma isigqi sinyakaza ngejubane elithile (eliguquguqukayo). noma melodic. umugqa womculo odlalwayo.

Ngokuthuthuka kokuqoshwa komsindo, ukufika kwamafilimu anemisindo (1928), nokusabalala kwemishini yokukhipha umsindo (igilamafoni, igramophone, igramophone, njll.) ekuphileni kwansuku zonke, umsebenzi wethelevishini wacishe washabalala.

References: I-NS, Umculo ku-cinema, "isikrini saseSoviet", 1925, No. 12; Bugoslavsky S., Messman V., Umculo nesinema… Izimiso nezindlela zomculo wefilimu. Isipiliyoni ekuqanjweni komculo wefilimu, M., 1926; D. Shostakovich, O muzyke k “New Babylon”, “Soviet Screen”, 1929, No. 11; Izifundo zokuqala zomculo wefilimu yesifundazwe saseMoscow zokuqeqesha abadlali bepiyano, abadwebi befilimu nabadidiyeli be-orchestra, encwadini: Kinospravochnik, M.-L., 1929, p. 343-45; U-Erdmann H., Vecce D., Brav L., Allgemeines Handbuch der Film-Musik, B.-Lichterfelde — Lpz., 1927 (Russian trans. - Erdmann G., Becce D., Brav L., Umculo wefilimu. Ifilimu lemanuwali. umculo, M., 1930); London K., Umculo wefilimu, L., 1936 (ngesiRashiya - London K., Umculo wefilimu, M.-L., 1937, p. 23-54); Manvell R., Ifilimu nomphakathi, Harmondsworth, 1955 (Russian trans. – Manvell R., Cinema kanye Spectator, M., 1957, ch.: Umculo nefilimu, pp. 45-48); U-Lissa Z., Estetyka muzyki filmowej, Kr., 1964 (ukuhumusha ngesiRashiya - Lissa Z., Estetyka kinomuzyki, M., 1970, p. 33-35); I-Kracauer S., Theory of film, NY - Oxf., 1965 (ekuhunyushweni kwesiRashiya - Kracauer Z., Priroda filma, M., 1974, pp. 189-90).

E-Tevosyan