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lat. relatio non harmonica, French fausse relation, igciwane. Ukubuza

Ukungqubuzana phakathi komsindo wesinyathelo esingokwemvelo kanye nokuguqulwa kwaso kwe-chromatic-alternative ngezwi elihlukile (noma ku-octave ehlukile). Kuhlelo lwe-diatonic P. harmonica ngokuvamile lunikeza umbono womsindo wamanga (non harmonica) - njengakuqondile. endaweni, nangomsindo odlulayo noma iculo:

Ngakho-ke, i-P. ivinjelwe yimithetho yokuvumelana. Inhlanganisela yedigri yemvelo nokuguqulwa kwayo akuyona i-P., inqobo nje uma ukuhola kwezwi kubushelelezi, isibonelo:

U-P. uvunyelwe ngokuvumelana no-D ngemva kwezinga eliphansi lesibili, kanye nange-caesura (bheka izibonelo ezingenhla, ikhol. 244).

Ukugwema i-P. sekuvele kujwayelekile kwe-strict-style counterpoint (ikhulu le-15-16). Enkathini ye-Baroque (17th - 1st half of 18th century), ukucula kwakuvunyelwa ngezikhathi ezithile - kungaba njengomphumela ongathandeki ovela ezimeni zokuhola kwezwi okuthuthukisiwe (JS Bach, Brandenburg Concerto 1, ingxenye 2, imigoqo 9 -10), noma njengento ekhethekile. indlela yokuveza i-k.-l. imiphumela ekhethekile, isb. ukukhombisa usizi noma isimo esibuhlungu (P. a1 – as2 esibonelweni A,

JS Bach. IMisa ku-h encane, No 3, ibha 9.

JS Bach. Chorale “Singt dem Herrn ein neues Lied”, imigoqo 8-10.

ngezansi, kuhlotshaniswa nenkulumo yegama elithi Zagen – ukulangazelela). Esikhathini se-romanticism kanye nesimanje. Umculo kaP. uvame ukusetshenziswa njengenye yezimpawu ze-ladoharmonics. uhlelo lwezindlela (ikakhulukazi, ngaphansi kwethonya lezindlela ezikhethekile; isibonelo: P. e – es1 kwekaStravinsky ethi The Rite of Spring, inombolo 123, ibha 5 – ngokusekelwe kumodi yansuku zonke). P. isibonelo B (ihlanganisa izintelezi ezidakayo zaseKashcheevna) ichazwa ngokuxhumanisa ne-non-diatonic. isiphetho esiphansi

JS Bach. UMathewu Passion, Nombolo 26, ibha 26.

U-Rimsky-Korsakov. "Kashchei the Immortal", isigcawu II, imigoqo 28-29.

uhlelo kanye nesikali sayo sethoni-semitone. Emculweni wekhulu lama-20 osetshenziswa kakhulu (ngu-AN Cherepnin, B. Bartok, njll.) i-two-terts major-minor chord (njenge: e1-g1-c2-es2), ukucaciswa kwayo okungu-P. ( e1-es2), kanye namaculo ahlobene kuye (bona isibonelo phezulu kukholomu 245).

IF Stravinsky. "Intwasahlobo engcwele".

Okujwayelekile kwesimanje Emculweni, ukuxutshwa kwamamodi kuholela ku-polyscale ne-polytonality, lapho u-P. (ngokulandelana nangesikhathi esisodwa) eba isici esivamile sesakhiwo se-modal:

IF Stravinsky. Izingcezu zepiyano "Iminwe emihlanu". Lento, imigoqo 1-4.

Kulokho okubizwa. i-enharmonic ye-atonality. amanani ezinyathelo ayalinganiswa, futhi P. iba yinto engaqondakali (A. Webrn, concerto for 9 instruments, op. 24).

Igama elithi "P". - isifinyezo segama elithi "non-harmonic P." (isiJalimane: unharmonischer Querstand). I-P. iyingxenye yeqembu lokulandelana okunqatshelwe okuye kwagcina ukubaluleka kwayo, okuthe, ngaphezu kokuguqulwa kuka-P., okuphinde kwahlanganisa nobudlelwano be-tritone. I-P. kanye ne-tritone (i-diabolus ku-musica) ziyefana ngokuthi zombili zingaphandle kwemikhawulo yokucabanga ngokusekelwe ohlelweni lwama-hexachords (bheka i-Solmization), futhi zingaphansi komthetho ofanayo - i-Mi contra Fa (nakuba ingafani):

J. Tsarlino (1558) walahla ababili b. okwesithathu noma m. isithupha ngokulandelana, njengoba “bengekho ebudlelwaneni obuvumelanayo”; ngokungavumelani ubuhlobo buboniswa nguye (esibonelweni esisodwa) kokubili ku-P. naku-newts:

Kuvela encwadini kaG. Zarlino ethi “Le istitutioni harmonice” (ingxenye III, isahluko 30).

M. Mersenne (1636-37), ebhekisela ku-Tsarlino, ubhekisela ku-P. “ebudlelwaneni bamanga” (ubudlelwane obungalungile) futhi unikeza izibonelo ezifanayo ku-triton kanye no-P.

U-K. Bernhard uyakwenqabela ubudlelwano bamanga: ama-tritone, noma “ama-half-quints” (Semidiapente), ama-octave “adlulele” (Octavae Superfluae), “i-half-octaves” (Semidiapason), “excessive” unison (Unisonus superfluus), enikeza izibonelo cishe ngokwezwi nezwi. ukuphinda okungenhla okuvela ku-Carlino.

U-I. Mattheson (1713) uveza izikhawu ezifanayo ngamagama afanayo “nemisindo enengekayo” (widerwärtige Soni). Isahluko sonke sesi-9 sengxenye yesi-3 ye-“Perfect Kapellmeister” esinikezelwe kuyo. "Inharmonic P". Enqaba ukuvinjelwa okuthile kwenkolelo-mbono endala njengokuthi “okungalungile” (kuhlanganise nezinhlanganisela ezithile ezicashunwe nguZarlino), uMatteson uhlukanisa phakathi “okungabekezeleleki” “nokuhle kakhulu” P. kwethi “Musical Dictionary” kaS. Brossard, 1703.) XK Koch (1802) uchaza uP. “njengokulandelana kwamazwi amabili, ukulandelana kwemisindo okungokwezihluthulelo ezihlukene.” Yebo, ekusakazweni.

indlebe iqonda i-fis-isinyathelo ezwini eliphansi njengo-G-dur, isinyathelo se-af kwephezulu njengo-C noma u-F-dur. “Relatio non harmonica” kanye “no-non-harmonic P.” zichazwa ngu-Koch njengama-synonyms, nalandelayo

kusasebenza kubo.

U-EF Richter (1853) ubala “i-P engeyona i-harmonic.” kuya kokuthi "ukunyakaza okungekona okomculo", kodwa kuthethelela amanothi athile "wokuhlobisa" (okusizayo) noma umgomo "wokunciphisa" (isixhumanisi esimaphakathi):

Ingoma yothando yabantu base-Armenia "Garuna" ("Spring").

Isinyathelo esakha ukwanda. ilitha

, u-Richter uhlobene no-P. Ngokuka-X. Riemann, u-P. ukwabiwa kwethoni eguquguquke ngokwechromatically, engajabulisi ukuzwa. Okungajabulisi kuwo ukufana okwanele kwama-harmonics. ukuxhumana, okungaqhathaniswa nephimbo elingcolile. Indida eyingozi kakhulu ilapho usondela kunxantathu wegama elifanayo; ngesinyathelo se-tritone, u-P. "uzibonakalisa ngokucacile" (isibonelo, n II - V); Into ngesilinganiso se-tertsovy (isb, I — hVI) ithatha indawo emaphakathi.

U-Hess de Calvet (1818) wenqabela "ukunyakaza okungeyona i-harmonic" okuholela ku-tritone evulekile.

, nokho, ivumela "ukuqhubekela phambili okungeyona i-harmonic" uma ihamba "ngemuva komgwaqo" (caesuras). U-IK Gunke (1863) uncoma ukugwema ngesitayela esiqinile “ubudlelwano obuhlukahlukene (Ubudlelwano) bezilinganiso obubangelwa ukunganakwa kwamathoni ahlobene” (isibonelo sika-P. esinikezwe nguye wucwaningo olusuka ku-b. thirds kanye nokusuka ku-m. sext) .

PI Tchaikovsky (1872) naz. P. “isimo sengqondo esiphikisanayo samazwi amabili.” U-BL Yavorsky (1915) uhumusha u-P. njengekhefu ekuxhumaneni phakathi kwemisindo ye-conjugate: P. – “i-conjugate juxtaposition yemisindo ehlangene kuma-octaves ahlukene namazwi ahlukene lapho amandla adonsela phansi enziwa ngokungalungile.” Isb. (imisindo ehlobene - h1 kanye no-c2):

(ilungile) kodwa hhayi

(P.). NgokukaYu. N. Tyulin kanye no-NG Privano (1956), kunezinhlobo ezimbili ze-P.; kweyokuqala, amazwi akha i-P. awafakiwe esakhiweni se-modal jikelele (P. izwakala ingamanga), okwesibili, ichaza isakhiwo se-modal jikelele (P. ingase yamukeleke).

References: Hess de Calve, Theory of Music …, ingxenye 1, Har., 1818, p. 265-67; I-Stasov VV, Incwadi eya kuMnu. Rostislav mayelana noGlinka, "I-Bulletin yaseshashalazini neyomculo", 1857, Okthoba 27, okufanayo encwadini: Stasov VV, Izihloko Zomculo, vol. 1, M., 1974, p. 352-57; Gunke I., Umhlahlandlela ophelele wokuqamba umculo, iSt. Petersburg, (1865), p. 41-46, M., 1876, 1909; Tchaikovsky PI, Umhlahlandlela wesifundo esisebenzayo sokuvumelana, M., 1872, okufanayo encwadini: Tchaikovsky PI, Poly. khola. usho., vol. III-a, M., 1957, p. 75-76; U-Yavorsky B., Ukuzivocavoca ekwakheni isigqi se-modal, ingxenye 1, M., 1915, p. 47; Tyulin Yu. N., Privano NG, Theory Foundations of Harmony, L., 1956, p. 205-10, M., 1965, p. 210-15; Zarlino G., Le institutioni harmonice. Ifeksi ye-1558, NY, (1965); Mersenne M., Harmonie universelle. La théorie et la pratique de la musique (P., 1636-37), t. 2, P., 1963, p. 312-14; Brossard S., Dictionaire de musique…, P., 1703; Mattheson J., Das neu-eröffnete Orchestre…, Hamb., 1713, S. 111-12; wakhe, Der vollkommene Capellmeister, Hamb., 1739, S. 288-96, okungukuthi, Kassel - Basel, 1954; I-Martini GB, i-Esemplare osia saggio fondamentale pratico di contrappunto sopra il canto fermo, pt. 1, Bologna, 1774, p. XIX-XXII; Koch H. Chr., Musikalisches Lexikon, Fr./M., 1802, Hdlb., 1865, S. 712-14; Richter EF, Lehrbuch der Harmonie, Lpz., 1853 Riemann H., Vereinfachte Harmonielehre, L. – NY, (1868) Müller-Blattau J., Die Kompositionslehre Heinrich Schützens in der Passung seines Schülers Christoph, Bernard awu, 154.

Yu. H. Kholopov