Umculo womdanso |

Umculo womdanso - ngomqondo ojwayelekile womculo. ingxenye yobuciko be-choreography, umculo ohambisana nemidanso (i-ballroom, isiko, isiteji, njll.), kanye nesigaba seminyuziyamu ethathwe kuso. imikhiqizo engahloselwe ukudansa nokuba nobuciko obuzimele. inani; emincane, abaningi bazosebenzisa. umuzwa - umculo olula ohambisana nemidanso yasekhaya edumile. Umsebenzi wokuhlela we-T.m. inquma ukuphuma kwayo okuvame kakhulu. izimpawu: isikhundla esiphezulu se-metrorhythmic. isiqalo, ukusetshenziswa isici rhythmic. amamodeli, ukucaca kwamafomula e-cadence; indima eyinhloko ye-metrorhythmics inquma ukugqama ku-T. m. instr. izinhlobo (yize kungabali ngaphandle ukucula). Kusuka kuwo wonke amagatsha omculo. ubuciko buka T.m. futhi ingoma ixhumene kakhulu nempilo yansuku zonke futhi ithonywa yimfashini. Ngakho-ke, kokuqukethwe okungokomfanekiso kwe-T.m., izindinganiso zokunambitha nobuhle zinqatshiwe. izimiso zenkathi ngayinye; ekubonisweni kwe-T.m., ukubukeka kwabantu besikhathi esithile kanye nendlela yokuziphatha kwabo kubonakala: i-pavane evinjelwe futhi ekhukhumele, i-polonaise eqhoshayo, i-twist engavaliwe, njll.

Abacwaningi abaningi bakholelwa ukuthi ingoma, umdanso kanye nokuhambisana kwabo komsindo (ngesisekelo sokuthi i-TM ngokwayo yakhiwe) ekuqaleni futhi isikhathi eside ikhona ku-syncretic. ifomu njengesimangalo esisodwa. Izici eziyinhloko zalo mculo we-pra-mculo nge-relates. ubuqiniso bakhe kabusha istorich. izilimi ezibhekene "nemivubukulo" yezilimi (ngokwesibonelo, i-echo esobala yangaleso sikhathi esikude - incazelo yomdanso nomculo ngegama elifanayo ngolimi lwesizwe samaNdiya samaBotokuds; "cula" futhi "dlala nge izandla” kwakungamagama anomqondo ofanayo eGibhithe lasendulo. Enye yezinto eziyinhloko zomdanso kanye no-T. m. isigqi. Umqondo wesigqi ungokwemvelo, ungokwebhayoloji. imvelaphi (ukuphefumula, ukushaya kwenhliziyo), iqinisa ezinqubweni zabasebenzi (isibonelo, ukunyakaza okuphindaphindiwe ngesikhathi sokugqoka, njll.). Umsindo onesigqi okhiqizwa ukunyakaza okufanayo kwabantu (ngokwesibonelo, ukunyathela) umgomo oyinhloko we-T.m. Ukuxhumanisa ukunyakaza okuhlangene kusizwa ngesigqi. ama-accents - ukuklabalasa, izibabazo, izenzo eziyisidina eziqabulayo futhi kancane kancane zathuthuka zaba ukucula. Ngakho-ke, u-T. m. iyizwi, futhi iminyuziyamu yokuqala nedingeka kakhulu. Izinsimbi - ukushaywa okulula. Isibonelo, ucwaningo lwempilo yabantu boMdabu base-Australia lubonise ukuthi i-T.m. yabo, ngokuya ngobude, icishe ibe nesiphithiphithi, ichazwe ngesigqi, izici ezithile ezinesigqi ziyagqama kuyo. amafomula asebenza njengamamodeli okuthuthukiswa, futhi wona ngokwawo anesigqi. imidwebo inama-prototypes angaphandle, ngoba ahlotshaniswa nomfanekiso (isibonelo, ukulingisa ukugxuma kwe-kangaroo).

Yonke imithombo etholakalayo - izinganekwane, ama-epics, izithombe kanye nedatha yemivubukulo ifakazela ukusatshalaliswa okubanzi kwemidanso nemidanso yendabuko ngaso sonke isikhathi, kuhlanganisa nasemazweni Omhlaba Wasendulo. Awekho amarekhodi omculo wasendulo. Nokho, ehlotshaniswa nehlelo lika-T.m. emazweni aseMpumalanga, e-Afrika, eMelika, futhi asadla amasiko aphilayo eminyaka eyinkulungwane edlule (ngokwesibonelo, isikole esidala kunazo zonke somdanso we-Indian classical Bharat Natyam, esafinyelela umvuthwandaba waso kakade ngenkulungwane yesi-2 BC, sagcinwa sinjalo. sibonga i-Institute of Temple Dancers) futhi inikeza umbono wemidanso yezinkathi ezidlule. Kwenye impumalanga. Umdanso wempucuko nomculo kwakungowomphakathi omkhulu. kanye nemibono. indima. Kuningi okukhulunywa ngakho eBhayibhelini ngemidanso (ngokwesibonelo, ezinganekwaneni ezikhuluma ngeNkosi uDavide, “owayegxumagxuma nomdansi”). Njengomculo, umdanso wawuvame ukuthola i-cosmogonic. incazelo (ngokwesibonelo, ngokusho kwezinganekwane zasendulo zamaNdiya, umhlaba wadalwa unkulunkulu uShiva ngesikhathi sokudansa kwendawo yonke), ukuqonda okujulile kwefilosofi (eNdiya yasendulo, ukudansa kwakubhekwa njengokwembula ingqikithi yezinto). Ngakolunye uhlangothi, ukudansa nomculo wesintu ngaso sonke isikhathi bekulokhu kugxilwe kuwo imizwa kanye nokuvusa inkanuko; uthando lungenye yezindikimba zemidanso yazo zonke izizwe. Nokho, emazweni aphucuzeke kakhulu (ngokwesibonelo, eNdiya) lokhu akungqubuzani nezimiso zokuziphatha eziphakeme zokudansa. i-art-va, njengoba isimiso sezinzwa, ngokwemibono yefilosofi ekhona, iyindlela yokwembula ingqikithi engokomoya. Izimiso zokuziphatha eziphakeme zazinomdanso e-Dr. Greece, lapho inhloso yomdanso yabonakala ekuthuthukiseni, ekukhuliseni umuntu. Kakade kusukela ezikhathini zasendulo (isibonelo, phakathi kwama-Aztec nama-Inca), abantu kanye nochwepheshe be-tm babehluka - isigodlo (imikhosi, yaseshashalazini) nethempeli. Ngokudlala kuka-T.m., abaculi bophrof. zazidingeka. izinga (babevame ukukhuliswa kusukela ebuntwaneni, bethola umsebenzi ngefa). Ngokwesibonelo, ind. isikole sakudala. umdanso we-kathak, umculi empeleni uqondisa ukunyakaza komdanso, eshintsha i-tempo nesigqi; Ikhono lomdansi linqunywa ikhono lakhe lokulandela umculo ngokunembile.

NgeNkathi Ephakathi. EYurophu, kanye naseRussia, ukuziphatha kobuKristu akuzange kuqaphele ukudansa kanye no-T. m .; UbuKristu babona kubo uhlobo oluthile lokubonakaliswa kwezinhlangothi eziyisisekelo zemvelo yomuntu, “ukushisekela amademoni.” Kodwa-ke, umdanso awuzange ubhujiswe: naphezu kokuvinjelwa, waqhubeka ehlala phakathi kwabantu naphakathi kwezicukuthwane. imibuthano. Isikhathi esivundile sokudlondlobala kwayo kwaba iRenaissance; ubuntu imvelo yeRenaissance yavezwa, ikakhulukazi, ekuqashelweni okubanzi komdanso.

Amarekhodi okuqala asekhona ka-T.m. zingezasekupheleni kweNkathi Ephakathi (ngekhulu le-13). Njengomthetho, ziyi-monophonic, nakuba phakathi kwezazi-mlando zomculo (X. Riemann nabanye) kunombono wokuthi ekusebenzeni kwangempela izingoma ezehlele kithi zakhonza kuphela njengohlobo lwe-cantus firmus, ngesisekelo amazwi ahambisana nawo athuthukiswa. Ukuqoshwa kwe-polygoal kwasekuqaleni. T.m. kuze kube sekhulwini le-15-16. Lokhu kwakuhlanganisa imidanso eyayamukelwa ngaleso sikhathi, ebizwa ngokuthi i-choreae (ngesiLatini, elisuselwa kwesiGreki elithi xoreiai – imidanso eyindilinga), i-saltationes conviviales (isiLatini – idili, imidanso yetafula), iGesellschaftstänze (imidanso yesiJalimane), i-ballroom-dances, i-ballo , i-baile (isiNgisi , isiNtaliyane, iSpanishi - ukudansa kwe-ballroom), i-danses du salon (isiFulentshi - ukudansa kwe-salon). Ukuvela nokusabalalisa (kuze kube maphakathi nekhulu lama-20) ethandwa kakhulu kubo eYurophu ingamelwa yilokhu okulandelayo. ithebula:

Umlando we-tm uxhumene kakhulu nokuthuthukiswa kwamathuluzi. Kungomdanso lapho ukuvela kwe-otd. amathuluzi kanye ne-instr. ama-ensembles. Akuyona ingozi, isibonelo. ingxenye ye-lute repertoire eye yehlela kithi umdanso. iyadlala. Ngokwenza umsebenzi we-T.m. kudalwe okukhethekile. ama-ensembles, ngezinye izikhathi akhuthazayo kakhulu. osayizi: elinye-iGibhithe. i-orchestra eyayihambisana nemidanso ethile. umcimbi, obalelwa kubadlali abayi-150 (lokhu kuhambisana nesikhumbuzo esijwayelekile sobuciko baseGibhithe), kumdanso kaDkt. I-pantomime nayo yayiphelezelwa i-orchestra enobukhulu obukhulu (ukufeza ubukhazikhazi obukhethekile obutholakala kubuciko bamaRoma). Ezinsimbini zomculo zasendulo, kwakusetshenziswa zonke izinhlobo zezinsimbi—umoya, izintambo nokushaywa. Intshisekelo yohlangothi lwe-timbre, isici saseMpumalanga. umculo, wenze kwaphila izinhlobo eziningi zezinsimbi, ikakhulukazi eqenjini lokushaywa. Eyenziwe ngezinto ezishaywayo ezihlukahlukene ngokuvamile yayihlanganiswa izimele. ama-orchestra ngaphandle kokubamba iqhaza kwezinye izinsimbi (isb, i-gamelan yesi-Indonesian). Ukuze ushaye ama-orchestra. izinsimbi, ikakhulukazi zase-Afrika, lapho kungekho zwi eliqinile, i-polyrhythm iyisici. T.m. zihluke ngesigqi. ukusungula nokukhalipha - timbre and fret. Ihluke kakhulu ngokwezindlela (i-pentatonic emculweni wesiShayina, izindlela ezikhethekile zomculo wamaNdiya, njll.) Afr. nasempumalanga. T.m. ihlakulela ngenkuthalo ukuhlobisa kwe-melodic, ngokuvamile okune-microtone, okuvame ukuthuthukiswa, kanye nesigqi. amaphethini. Ku-monophony kanye nokwenza ngcono okusekelwe emasikweni. amamodeli (futhi ngakho-ke ukungabi khona kombhali ngamunye) umehluko obalulekile phakathi kwempumalanga. T.m. kusukela kuleyo eyathuthukiswa kamuva kakhulu eNtshonalanga - i-polyphonic futhi, ngokuyisisekelo, ilungisiwe. Kuze kube manje, T.m. ngokushesha isebenzisa izimpumelelo zakamuva emkhakheni wokwenza amathuluzi (isibonelo, amathuluzi kagesi), ukukhulisa ugesi. ubuchwepheshe. Ngesikhathi esifanayo, ukucacisa ngokwayo kunqunywa. instr. umsindo unikeza ngokuqondile. umthelela emculweni. ukubukeka komdanso futhi kwesinye isikhathi kuhlangana ngokungenakuhlukaniswa nokuzwakala kwawo (kunzima ukucabanga i-waltz yaseViennese ngaphandle kwe-timbre yezintambo, i-foxtrot yama-20s ngaphandle komsindo we-clarinet ne-saxophone, nemidanso yakamuva ingaphezu kwamandla izinga elifinyelela embundwini wobuhlungu).

I-Polygonal T. m. i-homophonic ngokwemvelo. I-Harmonic. ukusebenzisana kwamazwi, imethrikhi eqinisiwe. periodicity, isiza ukuxhumanisa ukunyakaza emdansweni. I-polyphony, ne-fluidity yayo, ukufiphala kwama-cadence, i-metric. ukudideka, ngokomthetho, akuhambelani nenjongo yokuhlela ye-T. m. Kungokwemvelo ukuthi i-homophony yaseYurophu yakhiwe, phakathi kwezinye izinto, emidansweni (sekuyiminyaka eyi-15-16 kakade. futhi ngisho nangaphambili ku-T. m. wahlangana abaningi. amaphethini we-homophonic). Isigqi esibekwe phambili ku-T. m. phambili, ukuxhumana nabanye. izici zomculo. ulimi, kube nomthelela ekwakhiweni kwezingoma zakhe. izici. Ngakho, ukuphindaphinda isigqi. izibalo zinquma ukuhlukaniswa komculo ube yizithombe ezinobude obufanayo. Ukucaca kwesakhiwo sezisusa kuvuselela ukuqiniseka okuhambisanayo kokuvumelana (ushintsho lwaso oluvamile). Ekhuthazayo futhi evumelanayo. ukufana kunquma ukucaca komculo. amafomu, asekelwe ku-swarm, njengomthetho, isikwele. (I-periodicity eqondwa kabanzi - ngesigqi, iculo, ukuvumelana, ifomu - yakhiwa ngabaseYurophu. ukuqaphela iqhwa ezingeni lomthetho oyisisekelo ka-T. m.) Ngoba ngaphakathi kwezigaba zefomu lama-muses. impahla ivamise ukuba ne-homogeneous (isigaba ngasinye siyafana nenjongo nesedlule, sibeka isihloko, kodwa asisithuthukisi noma asithuthukisi ngendlela elinganiselwe). Izikali), umehluko - ngesisekelo sokuphelelisana - uvezwa ngesilinganiso sezigaba zonke: ngayinye yazo iletha into ebingekho noma evezwe ngokubuthakathaka kwedlule. Isakhiwo sezigaba (ezicacile, ezihlakaziwe, ezidwetshelwe ngama-cadence anembile) ngokuvamile zihambisana namafomu amancane (inkathi, elula 2-, 3-ingxenye) noma, ezibonelweni zangaphambilini, i-T. m., esondela kubo. (Kuye kwaphawulwa kaningi ukuthi kwakusemidansweni izinhlobo ezincane ze-Europa. umculo we-classic; kakade ku-T. m. Izihloko zekhulu le-15-16 zazivame ukwethulwa ngendlela efana nenkathi.) Inani lezigaba ezinhlotsheni ze-T. m. kunqunywa isidingo esingokoqobo, isb e. ubude bomdanso. Ngakho-ke, ngokuvamile ukudansa. amafomu "angamaketanga" ahlanganisa ngokungenamkhawulo. inombolo yezixhumanisi. Isidingo esifanayo sobude obuningi siphoqa ukuphindaphindwa kwezingqikithi. Ukubonakaliswa okungokoqobo kwalesi simiso kungenye yezindlela ezimisiwe ze-europ. T. m. – i-estampi, noma induction, equkethe izihloko eziningi, idatha enempinda eshintshwe kancane: aa1, bb1, cc1, njll. njll Ngokuhlehla okuthile (ngokwesibonelo, ngokuphindaphinda itimu hhayi ngokushesha, kodwa kude), umqondo wokuthi "izintambo" izingqikithi uzwakala komunye umdanso. izinhlobo zekhulu le-13-16, isibonelo. emidansweni enjalo. ubuthi. izingoma ezifana ne-ronda (music. scheme: abaaabab), virele noma ital yayo. izinhlobonhlobo ze-ballata (abba), i-ballad (aabc), njll. Kamuva, ukuqhathanisa izihloko kwenziwa ngokuvumelana nesimiso rondo (lapho evamile T. m. ukuphindaphinda kuthola uhlamvu lokubuya okuvamile kwe-DOS. itimu) noma ifomu eliyinkimbinkimbi elinezingxenye ezi-3 (eliholayo, ngokusobala, lisuka ku-T. m.), kanye nabanye. amafomu ayinhlanganisela ayinkimbinkimbi. Isiko lobumnyama obuningi nalo lisekelwa isiko lokuhlanganisa imidanso emincane. idlala ngemijikelezo, ngokuvamile enezingeniso namakhoda. Ubuningi bokuphindaphinda kube nomthelela ekuthuthukisweni kwe-T. m. ukushintshashintsha, okutholakala ngokulinganayo emculweni wochwepheshe (isibonelo, i-passacaglia, i-chaconne) kanye nendabuko (lapho imiculo yokudansa iyimiculo emifushane ephindaphindwa kaningi ngokuhlukahluka, isibonelo. "Kamarinskaya" by Glinka). Izici ezisohlwini zigcina inani lazo ku-T. m. kuze kube namuhla. okwenzeka eT. m. izinguquko zithinta ngokuyinhloko isigqi (ngokuhamba kwesikhathi, zibukhali kakhulu futhi zithuthumela), ukuvumelana ngokwengxenye (ngokushesha ukuba yinkimbinkimbi) kanye nomculo, kuyilapho ifomu (isakhiwo, isakhiwo) sine-inertia ephawulekayo: i-minuet nekhekhe ukuhamba ngesitayela esigcwele. ama-heterogeneities angena ohlelweni lwefomu elinezingxenye ezi-3 eziyinkimbinkimbi. I-T. m., ngokusobala okuvela enjongweni yayo esetshenzisiwe, kuvezwa nguCh. hlela. esimweni se. Ngo-20 ku. ukulinganisa kuqiniswa ngaphansi kwethonya lalokho okubizwa ngokuthi. Mr. isiko elikhulu, indawo enkulu okwakuyi-T. m. Kusho ingxenye yokuthuthukiswa, futhi yethulwe ku-T. m. kusuka ku-jazz futhi yakhelwe ukuyinikeza ubusha nokuzenzela, ngokuvamile kuholela kumphumela ophambene. Ukwenza ngcono, okwenziwa ezimweni eziningi ngesisekelo sezindlela ezisungulwe kahle, ezifakazelwe (futhi ezibonelweni ezimbi kakhulu, izifanekiso), ngokusebenza kuphenduka ukugcwalisa okungahleliwe, okungahleliwe kwezinhlelo ezamukelwe, okungukuthi. e. izinga lomculo. Okuqukethwe. Ekhulwini lama-20, ngokufika kwemithombo yezindaba, u-T. m. yaba uhlobo lomculo olusakazeke kakhulu noludumile. isk-va. Izibonelo ezinhle kakhulu zesimanje. T. m., evame ukuhlotshaniswa nenganekwane, anokugqama okungangabazeki futhi ayakwazi ukuthonya iminyuziyamu "ephezulu". izinhlobo, eziqinisekiswa, ngokwesibonelo, ngokuthakasela kwabaningi. abaqambi bekhulu lama-20 ukuya kumdanso we-jazz (K. Debussy, M. Ravel, I. F. Stravinsky nabanye). Ku-T. m. bonisa isimo sengqondo sabantu, okuhlanganisa. h ngencazelo ehlukile yomphakathi. Ngakho, ukuxhashazwa okuthambekele ngqo. Imizwa yomdanso ivula amathuba abanzi okutshala e-T. m. edumile ngesichazamazwi. imibuthano zarub. intsha yombono "wokuvukela isiko".

T. m., enomthelela omkhulu ngoDisemba. izinhlobo okungezona ezomdanso, ngasikhathi sinye kwaba nzima ngezimpumelelo zabo. Umqondo "wokudansa" uwukunikeza izinhlobo ze-T. m. yima wedwa. ubuciko. incazelo, kanye nasekwethulweni kwemizwa. umdanso ukuzwakalisa. ukunyakaza kumculo ongadansi ngokudlala i-melodic-rhythmic. izakhi noma i-metrorhythm. izinhlangano T. m. (ngokuvamile ngaphandle kwenhlangano ehlukile yohlobo, isibonelo. ikhodi yesiphetho se-symphony yesi-5 ka-Beethoven). Imingcele yemibono yokudansa kanye ne-T. m. isihlobo; t. Mr. imidanso eyenziwe kahle (isibonelo, ama-waltzes, ama-mazurkas ka-F. Chopin) imele indawo lapho le miqondo ihlanganiswa khona, idlulela komunye. Oyedwa. Iqhwa i-suite yekhulu le-16 selivele linayo inani, lapho okunqumayo kuyo yonke iYurophu eyalandela kwakhiwa. uphrof. umculo, umgomo wobumbano ngokuqhathanisa (i-tempo nesigqi. umehluko wemidlalo eyakhelwe phezu kwendikimba efanayo: i-pavane – galliard). Inkinga engokomfanekiso neyolimi, ukuhlukaniswa kokwakheka kwezimpawu eziphelele ze-suite 17 - ekuqaleni. 18 cc Ukusuka lapha ukudansa kungena ezinhlotsheni ezintsha ezibucayi, phakathi kwazo ikhamera ye-sonata ibaluleke kakhulu. Kwa G. P. Handel kanye nami. C. Ukudansa kuka-Bach kuwumgogodla obalulekile we-thematicism yabaningi, ngisho nezinhlobo nezinhlobo eziyinkimbinkimbi kakhulu (ngokwesibonelo, isandulela se-f-moll esivela kuvolumu yesi-2 ye-Well-Tempered Clavier, i-fugue evela ku-a-moll sonata ye-violin eyedwa. , amanqamu e-Brandenburg Concertos, u-Gloria onguNombolo 4 ngobuningi buka-Bach ngo-h-moll). Ukudansa, imvelaphi yamazwe ngamazwe, kungabizwa ngokuthi isici somculo wama-symphonists aseViennese; izingqikithi zomdanso zinhle (sicilian by V. A. Mozart) noma abantu abavamile (ka-J. Haydn; L. U-Beethoven, isibonelo, esiqeshini sokuqala se-rondo yokugcina ye-sonata No. 21 “Aurora”) – ingasebenza njengesisekelo sanoma iyiphi ingxenye yomjikelezo (isibonelo, “i-apotheosis yomdanso” – i-symphony yesi-7 ka-Beethoven). Isikhungo sokudansa ku-symphony - i-minuet - iphuzu lokusetshenziswa kwekhono lomqambi kukho konke okuphathelene ne-polyphony (i-Mozart's c-moll quintet, K.-V. 406, - i-canon ephindwe kabili esakazwayo), ifomu eliyinkimbinkimbi (quartet Es-dur Mozart, K.-V. 428, – isikhathi sokuqala esinezici zokuvezwa kwe-sonata; I-sonata ka-Haydn A-dur, eyabhalwa ngo-1773, iyisigaba sokuqala, lapho ingxenye yesibili iwumugqa woku-2), i-metric. izinhlangano (quartet op. 54 No 1 ka-Haydn - isisekelo sokuhlukaniswa kwamabha amahlanu). I-dramatization minuet (symphony g-moll Mozart, K.-V. 550) ilindele uthando oluvuthayo. izinkondlo; Usuku olumnandi lokuzalwa. Ngakolunye uhlangothi, nge-minuet, ukudansa kuzivulela indawo entsha ethembisayo - i-scherzo. Ngo-19 ku. ukudansa kukhula ngaphansi kophawu olujwayelekile lwe-romanticism. ukuhaya izinkondlo kokubili ohlotsheni lwento encane kanye nasekukhiqizeni. amafomu amakhulu. Uhlobo lophawu lwelyric. ukuthambekela kwe-romanticism kwakuyi-waltz (ngobubanzi - i-waltz: i-5-beat 2nd ingxenye ye-symphony yesi-6 kaTchaikovsky). Kwandile kusukela uF. Schubert njengomqondisi. encane, iba impahla yothando ("Phakathi Kwebhola Elinomsindo" kaTchaikovsky) kanye ne-opera ("La Traviata" kaVerdi), ingena ku-symphony.

Isithakazelo embala wendawo siye sabangela ukwanda kwe-nat. imidanso (i-mazurka, ipolonaise – ka-Chopin, ihholo – ka-E. Grieg, furiant, polka - kwa-B. Ukhilimu omuncu). T. m. ngesinye sezidalwa. izimo zokuvela nokuthuthukiswa kwe-nat. i-symphonism ("Kamarinskaya" kaGlinka, "Imidanso yamaSlavic" kaDvorak, futhi kamuva - ukukhiqizwa. izikhova. abaqambi, isibonelo. "Imidanso ye-Symphonic" kaRivilis). Ngo-19 ku. indawo engokomfanekiso yomculo ehlotshaniswa nomdanso iyakhula, efinyeleleka kwezothando. i-irony (“I-violin ijabulisa ngomculo” kusukela kumjikelezo we-Schumann's The Poet's Love), okumangalisayo (isiphetho se-Berlioz's Fantastic Symphony), inganekwane (i-Mendelssohn's A Midsummer Night's Dream overture), njll. njll Ukuzalwa Okujabulisayo. side, ukusetshenziswa ngokuqondile kweNar. umdanso. isigqi senza umculo uhluke ngokugqamile, futhi ulimi lwawo - lube yintando yeningi futhi lufinyeleleke ngisho nangokuvumelana okukhulu. kanye ne-polyphonic. ubunkimbinkimbi (“uCarmen” nomculo wedrama ethi “Arlesian” ka-Bizet, “Imidanso yePolovtsian” evela ku-opera ethi “Prince Igor” kaBorodin, “Night on Bald Mountain” ka-Mussorgsky). isici sekhulu le-19. ukuhlangana kwe-symphonic. umculo nomdanso kwakuhamba ngezindlela ezahlukene. Isiko le-Viennese classicism lizwakala ngokusobala ku-Op. UM. FUTHI. I-Glinka (isibonelo, ukungasikwele kwe-"Waltz-Fantasy", i-virtuoso contrapuntal. inhlanganisela ethi "Polonaise" kanye "Krakowiak" kusukela ku-opera "Ivan Susanin"), ayenza evamile ngesiRashiya. abaqambi basebenzisa i-symphony. amasu omculo we-ballet (P. FUTHI. Tchaikovsky A. KUYA. Glazunov). Ngo-20 ku. T. m. kanye nokudansa kuthola ukusabalalisa okungavamile kanye nokusebenza kwendawo yonke. Emculweni u-A. N. I-Scriabin igqama ngokudansa okumsulwa, okufanelekile, umqambi azizwa njengokundiza - isithombe esihlala sikhona emisebenzini yenkathi emaphakathi neyokugcina (izingxenye eziyinhloko ze-sonatas yesi-4 neyesi-5, isiphetho se-symphony yesi-3, I-Quasi valse op. 47 nabanye); Izinga lobuchwephesha lifinyelelwa ukudansa okungaqondakali kuka-K. I-Debussy (“Imidanso” yehabhu nezintambo. i-orchestra). Ngokuhlukile okungajwayelekile (A. Webrn) ongcweti bekhulu lama-20. babone ukudansa njengendlela yokuveza izinhlobonhlobo zezimo nemibono: inhlekelele yomuntu ejulile (ukunyakaza 2 kwe-Rachmaninov's Symphonic Dances), i-caricature esabekayo (ukunyakaza 2 kanye no-3 kwe-symphony yesi-8 ka-Shostakovich, i-polka evela esenzweni sesi-3 I-opera "Wozzeck" Berg), i-idyllic. umhlaba wobuntwana (ingxenye yesibili ye-symphony yesi-2 ka-Mahler), njll. Ngo-20 ku. i-ballet iba enye yezinhlobo ezihamba phambili zomculo. art-va, eziningi ezitholwe yesimanje. umculo wenziwa ngaphakathi kohlaka lwawo (I. F. Stravinsky, S. C. Prokofiev). Abantu kanye nomndeni T. m. bekulokhu kungumthombo wokuvuselela umculo. ulimi; ukwanda okubukhali kwe-metrorhythm. iqala emculweni wekhulu lama-20. kwenza lokhu kuncika kwaba sobala ikakhulukazi “isikhathi se-ragtime” kanye “nekhonsathi emnyama” kaStravinsky, i-foxtrot ephambili ye-Teapot nendebe kusukela ku-opera ethi “Child and Magic” ka-Ravel. Isicelo somdanso wesintu sizoveza. izindlela zomculo omusha zinikeza ubuciko obuhlukahlukene futhi ngokuvamile obuphakeme. imiphumela (“Spanish Rhapsody” by Ravel, “Carmma burana” by Orff, pl. op B. I-Bartoka, i-ballet ethi “Gayane”, njll. umkhiqizo. A. FUTHI. I-Khachaturian; naphezu kokubonakala kwendida, inhlanganisela ye-Nar rhythms iyakholisa. idansa ngendlela ye-dodecaphony ku-symphony yesi-3 ka-K. Karaev, ku "Izithombe Eziyisithupha" zepiyano. Babajanyana). Okuvamile ekhulwini lama-20 ukukhanga imidanso yasendulo (i-gavotte, i-rigaudon, i-minuet ka-Prokofiev, i-pavane ka-Ravel) yaba yisitayela. inkambiso ye-neoclassicism (Branle, Sarabande, Galliard ku-Stravinsky's Agon, Sicilian in Op.

Bheka futhi isihloko esithi Ballet, Dance.

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TS Kyuregyan