UVladimir Oskarovich Feltsman |

UVladimir Feltsman

Ekuqaleni, konke kwahamba kahle kakhulu. Abaculi abanegunya badonsele ukunaka ethalenteni lomdlali wopiyano osemusha. U-DB Kabalevsky umphathe ngozwela olukhulu, i-Second Piano Concerto yakhe yenziwa kahle kakhulu nguVolodya Feltsman. E-Central Music School, wafunda nothisha omuhle kakhulu u-BM Timakin, lapho athuthela khona kuProfesa Ya. V. Flier emakilasini aphezulu. Futhi kakade e-Moscow Conservatory, ekilasini le-Flier, wathuthuka ngempela ngokugxuma nemingcele, engabonisi nje kuphela ithalenta lokudlala upiyano, kodwa futhi nokuvuthwa komculo kokuqala, umbono obanzi wobuciko. Wayenesithakazelo esikhulu hhayi kuphela emculweni, kodwa nasezincwadini, ifilosofi, nobuciko obubonakalayo. Yebo, nenkuthalo kwakungafanele ayithathe.

Konke lokhu kwaletha ukunqoba kukaFeltsman ngo-1971 eMqhudelwaneni Wamazwe Ngamazwe oqanjwe ngoM. Long - J. Thibault eParis. Echaza umfundi wakhe ngaleso sikhathi, uFlier wathi: “Ungumdlali wopiyano okhanya kakhulu futhi uzimisele, naphezu kweminyaka yakhe emncane, umculi. Ngihlatshwe umxhwele uthando lwakhe lomculo (hhayi upiyano kuphela, kodwa ohlukahlukene kakhulu), ukubekezela kwakhe ekufundeni, ekuzameni ukuthuthukisa.

Futhi waqhubeka nokuthuthuka ngemva kokuwina umncintiswano. Lokhu kwaqhutshwa izifundo esikhungweni sokugcinwa kwezincwadi ezaqhubeka kwaze kwaba ngu-1974 kanye nokuqala komsebenzi wekhonsathi. Omunye wemidlalo yokuqala yomphakathi eMoscow, njengokungathi, impendulo ekunqobeni kweParis. Uhlelo lwakhiwe ngemisebenzi yabaqambi baseFrance - uRameau, uCouperin, uFranck, uDebussy, uRavel, uMessiaen. Umgxeki uL. Zhivov wabe esephawula: “Umfundi womunye wezingcweti zomculo wopiyano waseSoviet, uProfesa Ya. umuzwa ocashile wesimo, umcabango wobuciko, ukutolika okumibalabala kopiyano.

Ngokuhamba kwesikhathi, umdlali wopiyano wandisa amandla akhe e-repertoire, isikhathi ngasinye ebonisa ukuzimela kwemibono yakhe yobuciko, ngezinye izikhathi ekholisa ngokuphelele, ngezinye izikhathi impikiswano. Amagama kaBeethoven, Schubert, Schumann, Chopin, Rachmaninoff, Prokofiev, Shostakovich angangezwa kuzibalo ezihamba phambili zomculo wesiFulentshi, uma sikhuluma ngezinhlelo ezinengqondo zomculi, nakuba konke lokhu, yiqiniso, akuqedi izintandokazi zakhe zamanje ze-repertoire. . Uzuze ukuhlonishwa ngumphakathi kanye nongoti. Ekubuyekezeni kwango-1978, umuntu angafunda: “U-Feltsman ungumuntu ophilayo ngemuva kwensimbi, ngaphezu kwalokho, ubucwebe bakhe bepiyano alinawo umxhwele wangaphandle ophazamisa ukunaka. Ukucwiliswa kwakhe emculweni kuhlanganiswe nokuqina nengqondo yokuhumusha, ukukhululwa okuphelele kwezobuchwepheshe kuhlale kuncike ohlelweni lokusebenza olucacile, oluchazwe ngokunengqondo.

Usevele wathatha indawo eqinile esiteji, kodwa kwabe sekulandela inkathi yeminyaka eminingi yokuthula kwezobuciko. Ngenxa yezizathu ezihlukahlukene, umculi wepiyano wenqatshelwe ilungelo lokuvakashela eNtshonalanga futhi asebenze lapho, kodwa wakwazi ukunikeza amakhonsathi e-USSR kuphela ngokulingana nokuqala. Lokhu kwaqhubeka kwaze kwaba ngo-1987, lapho uVladimir Feltsman eqala kabusha umsebenzi wakhe wekhonsathi e-USA. Kusukela ekuqaleni, yathola isilinganiso esikhulu futhi yayihambisana nokuzwakala okubanzi. Ukuhluka okugqamile komdlali wopiyano nobuhle akusaphakamisi ukungabaza phakathi kwabagxeki. Ngo-1988, uFeltsman waqala ukufundisa ePiano Institute e-State University yaseNew York.

Manje uVladimir Feltsman uhola umsebenzi wekhonsathi osebenzayo emhlabeni wonke. Ngaphezu kokufundisa, ungumsunguli nomqondisi wezobuciko we-Festival-Institute Piano Summer futhi une-discography ebanzi eqoshwe kwa-Sony Classical, Music Heritage Society kanye ne-Camerata, e-Tokyo.

Uhlala eNew York.

Grigoriev L., Platek Ya., 1990