UVladimir Vsevolodovich Krainev |

UVladimir Krainev

UVladimir Krainev unesipho esijabulisayo somculo. Hhayi nje enkulu, ekhanyayo, njll - nakuba sizokhuluma ngalokhu kamuva. Impela - happy. Ukufaneleka kwakhe njengomdlali wekhonsathi kubonakala ngokushesha, njengoba besho, ngeso lenyama. Kubonakala kubo bobabili ochwepheshe kanye nesithandi somculo esilula. Ungumdlali wopiyano wababukeli abaningi - lolu wubizo lohlobo olukhethekile, olunganikezwanga ngamunye wabaculi abavakashelayo ...

UVladimir Vsevolodovich Krainev wazalelwa eKrasnoyarsk. Abazali bakhe bangodokotela. Banikeza indodana yabo imfundo ebanzi futhi enemisebenzi eminingi; amakhono akhe omculo nawo awazange ashaywe indiva. Kusukela eneminyaka eyisithupha uVolodya Krainev wafunda eKharkov Music School. Uthisha wakhe wokuqala kwakunguMaria Vladimirovna Itigina. “Kwakungekho nokuncane ukucwasa kwezifundazwe emsebenzini wakhe,” kukhumbula uKrainev. “Usebenze nezingane, ngokubona kwami, kahle kakhulu…” Waqala ukwenza umsebenzi kusenesikhathi. Ebangeni lesithathu noma lesine, wadlala obala ikhonsathi yaseHaydn ne-orchestra; ngo-1957 wabamba iqhaza emncintiswaneni wabafundi bezikole zomculo zase-Ukraine, lapho aklonyeliswa khona, kanye no-Yevgeny Mogilevsky, umklomelo wokuqala. Ngisho nangaleso sikhathi, esemncane, wayethanda kakhulu isiteji. Lokhu kugcinwe kuye kuze kube yilolu suku: “Isigcawu siyangikhuthaza ... Noma ngabe inkulu kangakanani isasasa, ngihlale ngizwa injabulo uma ngiphumela erempini.”

• Umculo wepiyano esitolo se-inthanethi se-Ozon →

(Kunesigaba esikhethekile sabaculi - u-Krainev phakathi kwabo - abathola imiphumela ephezulu yokudala ngokunembile lapho besesidlangalaleni. Ngandlela thize, ezikhathini zasendulo, umlingisi odumile waseRussia u-MG Savina wenqaba ngokuphelele ukudlala umdlalo eBerlin owodwa kuphela. isibukeli - uMbusi uWilhelm. Ihholo kwadingeka ligcwale izikhonzi nezikhulu zonogada basebukhosini; uSavina wayedinga izethameli ... "Ngidinga izethameli," ungamuzwa uKrainev.)

Ngo-1957, wahlangana no-Anaida Stepanovna Sumbatyan, umpetha owaziwayo we-piano pedagogy, omunye wothisha abahamba phambili eMoscow Central Music School. Ekuqaleni, imihlangano yabo iyi-episodic. UKrainev uyeza ukuzobonisana, uSumbatyan uyamsekela ngezeluleko neziqondiso. Kusukela ngo-1959, ufakwe ohlwini ngokusemthethweni ekilasini lakhe; manje usengumfundi waseMoscow Central Music School. "Yonke into lapha bekufanele iqalwe kusukela ekuqaleni," uqhubeka nendaba uKrainev. “Ngeke ngisho ukuthi bekulula futhi kulula. Ngesikhathi sokuqala ngishiya izifundo ngicishe ngihlengezela izinyembezi. Kuze kube muva nje, e-Kharkov, kwakubonakala kimi ukuthi ngangicishe ngibe umdwebi ophelele, kodwa lapha ... ngabhekana nemisebenzi yobuciko emisha ngokuphelele. Ngikhumbula baze bethuka ekuqaleni; wabe eseqala ukubonakala ethakazelisa kakhulu futhi ejabulisa. U-Anaida Stepanovna wangifundisa hhayi kuphela, futhi hhayi ngisho nangaphezulu, ubuciko bepiyano, wangethula emhlabeni wobuciko bangempela, obuphakeme. Umuntu wokucabanga okusankondlo okugqamile, wenza okuningi ukungenza ngibe umlutha wezincwadi, ukudweba ... Konke ngaye kwangikhanga, kodwa, mhlawumbe, ngaphezu kwakho konke, wayesebenza nezingane kanye nentsha ngaphandle kwesithunzi somsebenzi wesikole, njengabantu abadala. . Futhi thina, bafundi bakhe, sakhula ngokushesha ngempela.”

Ontanga yakhe esikoleni bayakhumbula lapho ingxoxo iphendukela Volodya Krainev eminyakeni yakhe yesikole: kwaba ukuphila, ukuthatheka, mawala uqobo. Bavame ukukhuluma ngabantu abanjalo - i-fidget, i-fidget ... Isimilo sakhe sasiqondile futhi sivulekile, wayehlangana kalula nabantu, ngaphansi kwazo zonke izimo wayazi ukuthi uzizwa kanjani ngokukhululeka futhi ngokwemvelo; ngaphezu kwanoma yini emhlabeni wayethanda ihlaya, amahlaya. "Into eyinhloko ethalenteni likaKrai ukumamatheka kwakhe, uhlobo oluthile lokugcwala okungavamile kokuphila" (Fahmi F. Egameni lomculo // isiko lamaSoviet. 1977. Disemba 2), omunye wabahlaziyi bomculo uzobhala eminyakeni eminingi kamuva. Lokhu kusukela ezinsukwini zakhe zesikole…

Kukhona igama lemfashini elithi "sociability" ku-silulumagama sababuyekezi besimanje, okusho ukuthi, elihunyushwe olimini olujwayelekile lokuxoxisana, ikhono lokusungula kalula futhi ngokushesha ukuxhumana nezilaleli, ukuze kuqondwe abalaleli. Kusukela ekubonakaleni kwakhe kokuqala esiteji, uKrainev washiya ngokungangabazeki ukuthi wayengumdlali onobungane. Ngenxa yezici zemvelo yakhe, wazibonakalisa ngokujwayelekile ekuxhumaneni nabanye ngaphandle komzamo omncane; cishe kwenzeka okufanayo naye esiteji. U-GG Neuhaus wadonsela ukunaka ngokukhethekile: "UVolodya naye unesiphiwo sokuxhumana - uhlangana kalula nomphakathi" (EO Pervy Lidsky // Sov. Umculo. 1963. No. 12. P. 70.). Kumelwe kucatshangwe ukuthi uKrainev wayekweleta isiphetho sakhe esijabulisayo njengomculi wekhonsathi kulesi simo.

Kodwa, vele, okokuqala, wayemkweleta - umsebenzi ophumelelayo njengomculi wezokuvakasha - idatha yakhe yopiyano ecebile kakhulu. Kulokhu, wehluka ngisho naphakathi kozakwabo baseCentral School. Njengokungekho muntu, wafunda ngokushesha imisebenzi emisha. Ngaso leso sikhathi ngekhanda indaba; i-repertoire eqoqwe ngokushesha; ekilasini, wayehlukaniswa nokuhlakanipha okusheshayo, ubuhlakani, ukukhalipha kwemvelo; futhi, okwakucishe kube yinto eyinhloko yomsebenzi wakhe wesikhathi esizayo, wabonisa izinto ezisobala kakhulu ze-virtuoso yezinga eliphezulu.

"Ubunzima be-oda lobuchwepheshe, cishe bengingazi," kusho uKrainev. Ikhuluma ngaphandle kokusho isibindi noma ihaba, njengoba nje kwakunjalo eqinisweni. Futhi uyanezela: “Ngiphumelele, njengoba besho, kusukela elulwaneni …” Wayethanda izingcezu ezinzima kakhulu, ama-tempos ashesha kakhulu - uphawu lwabo bonke abazalwa benobuntu.

E-Conservatory yaseMoscow, lapho uKrainev angena khona ngo-1962, waqala ukufunda noHeinrich Gustavovich Neuhaus. “Ngikhumbula isifundo sami sokuqala. Uma ngikhuluma iqiniso, akuphumelelanga kangako. Ngangikhathazeke kakhulu, angikwazanga ukukhombisa lutho olubalulekile. Kwathi ngemva kwesikhashana izinto zaba ngcono. Amakilasi noGenrikh Gustavovich aqala ukuletha okuvelayo okujabulisayo. Phela, wayenekhono eliyingqayizivele lokufunda - ukuveza izimfanelo ezinhle kakhulu zomfundi wakhe ngamunye.

Imihlangano noGG Neuhaus yaqhubeka kwaze kwaba sekufeni kwakhe ngo-1964. UKrainev waqhubeka nohambo lwakhe phakathi kwezindonga ze-conservatory ngaphansi kokuqondisa kwendodana kaprofesa wakhe, uStanislav Genrikhovich Neuhaus; waphothula ekilasini lakhe lokugcina Conservatory course (1967) kanye graduate school (1969). “Ngokwazi kwami, mina noStanislav Genrikhovich sasingabaculi abahluke kakhulu. Ngokusobala, kwangisebenzela kuphela phakathi nezifundo zami. "I-expressive" yothando kaStanislav Genrikhovich yembule okuningi kimi emkhakheni wokuvezwa komculo. Ngafunda okuningi futhi kuthisha wami kwezobuciko bomsindo wepiyano.”

(Kuyathakazelisa ukuqaphela ukuthi uKrainev, osevele engumfundi, umfundi othweswe iziqu, akazange ayeke ukuvakashela uthisha wakhe wesikole, u-Anaida Stepanovna Sumbatyan. Isibonelo sentsha ephumelelayo ye-conservatory engavamile ekusebenzeni, efakaza, ngokungangabazeki, kokubili evumelana ne uthisha kanye nomfundi.)

Kusukela ngo-1963, Krainev waqala ukukhuphuka izitebhisi isitebhisi yokuncintisana. Ngo-1963 wathola umklomelo wesibili eLeeds (Great Britain). Ngonyaka olandelayo - umklomelo wokuqala kanye nesihloko sowinile womncintiswano we-Vian da Moto e-Lisbon. Kodwa uvivinyo oluyinhloko lwalumlindile ngo-1970 eMoscow, eMqhudelwaneni Wesine weTchaikovsky. Into esemqoka akuyona nje ngoba umncintiswano weTchaikovsky udume njengomncintiswano wesigaba esiphezulu sobunzima. Futhi ngenxa yokuthi ukwehluleka - ukwehluleka ngengozi, ukuqhuma okungalindelekile - kungaqeda ngokushesha zonke izimpumelelo zakhe zangaphambili. Khansela abekusebenze kanzima ukuze akuthole eLeeds naseLisbon. Lokhu kwenzeka ngezinye izikhathi, uKrainev wayazi.

Wayazi, wazifaka engozini, wayekhathazekile - futhi wanqoba. Kanye nomdlali wepiyano oyiNgisi uJohn Lill, waklonyeliswa ngomklomelo wokuqala. Babhala ngaye: “Krainev kukhona okuvame ukubizwa ngokuthi isifiso sokunqoba, ikhono lokunqoba ukungezwani okukhulu ngokuzethemba okuzolile” (Fahmi F. Egameni lomculo.).

Ngo-1970 ekugcineni wanquma isiphetho sakhe esiteji. Kusukela lapho, akakaze ashiye isiteji esikhulu.

Ngesinye isikhathi, komunye wemidlalo yakhe eMoscow Conservatory, uKrainev wavula uhlelo lwakusihlwa nge-polonaise kaChopin ku-A-flat enkulu (Op. 53). Ngamanye amazwi, ucezu oluvame ukubhekwa njengelinye lamaphiyano anzima kakhulu. Abaningi, mhlawumbe, abazange banamathisele ukubaluleka kwaleli qiniso: akukho yini u-Krainev okwanele, kumaphosta akhe, imidlalo enzima kakhulu? Kuchwepheshe, nokho, kube nomzuzu omangalisayo lapha; iqala kuphi ukusebenza kweciko (ukuthi uliqeda kanjani futhi kanjani) likhuluma kakhulu. Ukuvula i-clavirabend nge-A-flat enkulu ye-Chopin polonaise, enemibala eminingi, ukuthungwa kwepiyano enemininingwane emihle, amaketango adizayo ama-octave esandleni sobunxele, ngayo yonke le-kaleidoscope yokwenza ubunzima, kusho ukuthi ungazizwa lutho (noma cishe ungekho. ) “ukwesaba kwesiteji” kuwena. Unganaki noma yikuphi ukungabaza kwangaphambi kwekhonsathi noma ukucabanga okungokomoya; ukwazi ukuthi kusukela emaminithini okuqala okuba esiteji, leso simo "sokuzethemba okuzolile" kufanele sifike, okwasiza uKrainev emiqhudelwaneni - ukuzethemba emithanjeni yakhe, ukuzithiba, isipiliyoni. Futhi-ke, eminwe yakho.

Kufanele kukhulunywe ngokukhethekile ngeminwe kaKrainev. Kule ngxenye, wakhanga, njengoba besho, kusukela ezinsukwini ze-Central School. Khumbula: “… Cishe angizange ngibe nabuphi ubunzima bokusebenza ... ngenze yonke into ngaphandle kwe-bat.” Lokhu inganikezwa ngokwemvelo kuphela. UKrainev wayehlala ethanda ukusebenza ensimbi, wayevame ukutadisha e-conservatory amahora ayisishiyagalombili noma ayisishiyagalolunye ngosuku. (Wayengenayo insimbi yakhe ngaleso sikhathi, wahlala ekilasini ngemva kokuphela kwezifundo futhi akazange ayishiye ikhibhodi kwaze kwaba sebusuku kakhulu.) Nokho, ukweleta impumelelo yakhe emangalisa kakhulu kuhlelo lwepiyano kokuthile okudlulela ngale. umsebenzi nje - impumelelo enjalo, njengeyakhe, ingahlukaniswa njalo naleyo etholakala ngokuzikhandla, umsebenzi ongakhathali nonzima. “Umculi unesineke kunabo bonke abantu,” kusho umqambi ongumFulentshi uPaul Dukas, “futhi amaqiniso afakazela ukuthi ukube bekumayelana nomsebenzi kuphela ukuwina amagatsha athile e-laurel, cishe bonke abaculi bebeyoklonyeliswa ngezinqwaba zama-laurel” (Ducas P. Muzyka kanye nemvelaphi//Izihloko nezibuyekezo zabaqambi baseFrance.—L., 1972. S. 256.). Ama-laurels kaKrainev kupiyano akuwona umsebenzi wakhe kuphela ...

Emdlalweni wakhe umuntu angazizwa, isibonelo, i-plasticity enhle kakhulu. Kuyabonakala ukuthi ukuba sepiyano kuyisimo esilula kakhulu, esingokwemvelo nesimnandi kuye. U-GG Neuhaus wake wabhala mayelana "ne-virtuoso dexterity emangalisayo" (Neihaus G. Okuhle futhi Okuhlukile // Vech. Moscow. 1963. Disemba 21) Krainev; Wonke amagama lapha ahambisana ngokuphelele. Kokubili i-epithet "okumangalisayo" kanye nenkulumo ethi "virtuoso" engajwayelekile ubuvila“. UKrainev unobuchule obumangalisayo enqubweni yokucula: iminwe ethambile, ukunyakaza okushesha umbani nokunemba kwezandla, ubuciko obuhle kakhulu kukho konke akwenzayo ekhibhodi ... Ukumbuka ngenkathi edlala kuyajabulisa. Iqiniso lokuthi abanye abadlali, abasesigabeni esiphansi, bathathwa njengabashubile futhi abanzima umsebenzi, enqoba izinhlobo ezihlukahlukene zezithiyo, amaqhinga e-motor-technical, njll., unokukhanya kakhulu, ukundiza, ukukhululeka. Okunjalo ekusebenzeni kwakhe kukhona i-Chopin's A-flat major polonaise, okukhulunywe ngayo ngenhla, kanye ne-Schumann's Second Sonata, kanye ne-"Wandering Lights" ka-Liszt, ne-Scriabin's etudes, kanye ne-Limoges evela ku-Mussorgsky "Izithombe Embukisweni", nokunye okuningi. “Yenza umkhuba osindayo, ukukhanya okuvamile nokukhanya kube kuhle,” wafundisa osemusha wobuciko u-KS Stanislavsky. UKrainev ungomunye wabadlali bopiyano abambalwa ekamu lanamuhla, maqondana nendlela yokudlala, uye wayixazulula le nkinga.

Futhi esinye isici sokubukeka kwakhe okwenza - isibindi. Akusona isithunzi sokwesaba, okungajwayelekile phakathi kwalabo abaphuma beya erempini! Isibindi - kuze kube seqophelweni lokuqunga isibindi, ukuya esiteji "isibindi", njengoba omunye wabagxeki ekubeka. (Akusona yini inkomba yesihloko sokubuyekezwa kokusebenza kwakhe, esifakwe kwelinye lamaphephandaba ase-Austrian: “Ingwe yezihluthulelo enkundleni.”) UKrainev uzifaka engozini ngokuzithandela, akamesabi ebunzimeni obukhulu futhi izimo zokwenza kahle. Ngakho wayekhona ebusheni bakhe, unjalo manje; yingakho ethandwa kakhulu ngumphakathi. Abadlali bopiyano balolu hlobo ngokuvamile bathanda umthelela we-pop ogqamile, okhangayo. U-Krainev akahlukile, umuntu angakhumbula, isibonelo, ukuhumusha kwakhe okuhlakaniphile kwe-"Wanderer" ka-Schubert, i-Ravel's "Night Gaspard", i-First Piano Concerto ka-Liszt, "Iziqhumane" zikaDebussy; konke lokhu kuvamise ukubanga ihlombe elinomsindo. Umzuzu othakazelisayo ongokwengqondo: ukubheka eduze, kulula ukubona ukuthi yini emkhangayo, "udakiwe" yona kanye inqubo yokwenza umculo wekhonsathi: indawo esho lukhulu kuye; izilaleli ezimkhuthazayo; isici samakhono okunyakaza kwepiyano, lapho “ageza” khona ngenjabulo esobala… Ngakho-ke umsuka wogqozi olukhethekile – owopiyano.

Uyakwazi ukudlala, nokho, hhayi kuphela nge-virtuoso "chic" kodwa futhi enhle. Phakathi kwezinombolo zakhe zesiginesha, eduze kwe-virtuoso bravura, kukhona ubuciko bezingoma zopiyano ezifana ne-Schumann's Arabesques, i-Chopin's Second Concerto, i-Evening Serenade ka-Schubert-Liszt, ama-intermezzos avela ku-Brahms's opuses sekwephuzile, i-Andante evela ku-Scriabin's Second If . , angakwazi ukukhanga kalula ngobumnandi bezwi lakhe lobuciko: wazi kahle izimfihlo zemisindo yepiyano ethambile nephunga elimnandi, ukucwebezela okunamafu amahle ophiyano; ngesinye isikhathi uphulula umlaleli ngezwi elithambile nelingenangqondo lomculo. Akuyona into engaqondakali ukuthi abagxeki bavame ukudumisa hhayi kuphela "ukubamba kweminwe" yakhe, kodwa futhi nobuhle bamafomu omsindo. Izinto eziningi ezidaliwe zomdlali wopiyano zibonakala zimbozwe “nge-lacquer” ebizayo - uzibabaza ngomuzwa ofanayo obuka ngawo imikhiqizo yezingcweti ezidumile ze-Palekh.

Kwesinye isikhathi, nokho, esifisweni sakhe sokufaka umbala kumdlalo ngokucwebezela kombala womsindo, uKrainev udlulela phambili kancane kunalokho obekufanele ... Ezimweni ezinjalo, kuqhamuka isaga sesiFulentshi: lokhu kuhle kakhulu ukuthi kube yiqiniso ...

Uma ukhuluma nge omkhulu kunabo bonke Ukuphumelela kukaKrainev njengomhumushi, mhlawumbe endaweni yokuqala phakathi kwabo umculo kaProkofiev. Ngakho, ku-Eighth Sonata kanye ne-Third Concerto, ukweleta kakhulu indondo yakhe yegolide emqhudelwaneni weTchaikovsky; ngenkulu impumelelo useneminyaka eminingi edlala iSonatas Yesibili, Yesithupha kanye neyesikhombisa. Muva nje, uKrainev wenze umsebenzi omuhle kakhulu wokuqopha wonke amakhonsathi epiyano ka-Prokofiev kumarekhodi.

Eqinisweni, isitayela sikaProkofiev siseduze naye. Eduze namandla omoya, ongwaqa nombono wakhe wezwe. Njengomdlali wepiyano, uthanda nokubhala upiyano kaProkofiev, "insimbi yensimbi" yesigqi sakhe. Ngokuvamile, uthanda imisebenzi lapho ungakwazi khona, njengoba bethi, "nyakazisa" umlaleli. Yena ngokwakhe akalokothi avumele izethameli ukuba zibe nesithukuthezi; uyazisa le mfanelo kubaqambi, abafaka imisebenzi yabo ezinhlelweni zakhe.

Kodwa okubaluleke kakhulu, umculo kaProkofiev wembula ngokugcwele nangokuphelele izici zokucabanga kokudala kukaKrainev, umdwebi omelela ngokusobala namuhla kwezobuciko obudlalwayo. (Lokhu kumsondeza ezicini ezithile kuNasedkin, Petrov, nabanye abahamba ekhonsathini.) I-dynamism kaKrainev njengomdlali, inhloso yakhe, engazwakala ngisho nangendlela izinto zomculo ezethulwa ngayo, zinezela isigxivizo esicacile sesikhathi. Akumane kwaqondana ukuthi, njengomhumushi, kulula kakhulu kuye ukuziveza emculweni wekhulu lesi-XNUMX. Asikho isidingo “sokuzibumba kabusha” ngobuchule, ukuze uzihlele kabusha (ngaphakathi, ngokwengqondo…), njengoba kwesinye isikhathi kufanele enze ezimbongweni zabaqambi bothando.

Ngaphezu kukaProkofiev, uKrainev udlala kaningi futhi ngempumelelo uShostakovich (womabili amakhonsathi opiyano, i-Sonata Yesibili, ama-preludes nama-fugues), u-Shchedrin (i-Concerto yokuqala, ama-preludes nama-fugues), uSchnittke (I-Improvisation ne-Fugue, i-Concerto yePiano ne-String Orchestra - ngendlela. , kuye, uKrainev, futhi uzinikele), uKhachaturian (i-Rhapsody Concerto), uKhrennikov (Ikhonsathi Yesithathu), u-Eshpay (Ikhonsathi Yesibili). Ezinhlelweni zakhe umuntu angabona futhi i-Hindemith (Itimu nokuhlukahluka okune kwepiyano ne-orchestra), u-Bartók (Ikhonsathi Yesibili, izingcezu zopiyano) nabanye abaculi abaningi bekhulu lethu.

Ukugxekwa, iSoviet nakwamanye amazwe, njengomthetho, ivuna uKrainev. Izinkulumo zakhe ezibalulekile ngokuyisisekelo azinakwa; ababuyekezi abagodli amagama anomsindo, ekhomba impumelelo yakhe, esho ukufaneleka kwakhe njengomdlali wekhonsathi. Ngesikhathi esifanayo, ngezinye izikhathi kwenziwa izicelo. Kuhlanganisa nabantu ngokungangabazeki abazwelana nomdlali wopiyano. Ngokwengxenye enkulu, uhlanjalazwa ngenxa yokushesha ngokweqile, ngezinye izikhathi ijubane elikhuphuka ngomkhuhlane. Singakhumbula, isibonelo, i-Chopin's C-sharp minor (Op. 10) etude eyenziwa nguye, i-B-minor scherzo ngumlobi ofanayo, isiphetho se-sonata sikaBrahms ku-F-minor, i-Ravel's Scarbo, izinombolo zomuntu ngamunye ezivela ku-Mussorgsky's. Izithombe Embukisweni . Edlala lo mculo emakhonsathini, ngezinye izikhathi cishe "okungcono maduze", u-Krainev ugijima ngokushesha edlula imininingwane yomuntu ngamunye, imininingwane ecacile. Uyazi konke lokhu, uyaqonda, kodwa ... "Uma "ngishayela", njengoba besho, khona-ke, ngikholwe, ngaphandle kwenhloso," uhlanganyela imicabango yakhe ngalolu daba. "Ngokusobala, umculo ngiwuzwa ngaphakathi, ngicabanga isithombe."

Yiqiniso, "ukweqisa kwejubane" kukaKrainev akukona neze ngenhloso. Kungaba iphutha ukubona lapha i-bravado engenalutho, ubuhle, i-pop panache. Ngokusobala, umnyakazo lapho umculo kaKrainev ushaya khona, izici zobuntu bakhe, "i-reactivity" yemvelo yakhe yobuciko, ziyathinta. Ngejubane lakhe, ngomqondo othile, ubuntu bakhe.

Enye into futhi. Ngesinye isikhathi wayenomkhuba wokuthola injabulo phakathi nomdlalo. Endaweni ethile ukuze uvumele injabulo uma ungena esiteji; eceleni, ukusuka ehholo, kwakulula ukuqaphela. Yingakho kungebona bonke abalaleli, ikakhulukazi lowo owayefuna ngenkani, owaneliswa ekudluliseleni kwakhe ngemiqondo yobuciko enekhono ngokwengqondo, ejulile ngokomoya; izincazelo zomdlali wopiyano we-E-flat major Op. 81st Beethoven Sonata, Bach Concerto e F Minor. Akazange akholise ngokugcwele kwezinye izinkulumo ezidabukisayo. Kwesinye isikhathi umuntu wayezwa ukuthi kuma-opus anjalo ubhekana ngokuphumelelayo nensimbi ayidlalayo kunomculo awudlalayo. uyahumusha...

Kodwa-ke, u-Krainev sekuyisikhathi eside elwela ukunqoba kuye lezo zifunda zokuphakanyiswa kwesiteji, injabulo, lapho umoya nemizwelo igcwele ngokucacile. Akaphumeleli njalo kulokhu, kodwa ukuphokophela sekuvele kuningi. Yonke into ekuphileni ekugcineni inqunywa "i-reflex yomgomo," wake wabhala u-PI Pavlov (Pavlov IP Iminyaka engamashumi amabili yocwaningo lwenhloso yomsebenzi ophezulu wezinzwa (ukuziphatha) kwezilwane. - L., 1932. P. 270 // Kogan G. Emasangweni okubusa, ed. 4. – M., 1977. P. 25.). Empilweni yeciko, ikakhulukazi. Ngikhumbula ukuthi ekuqaleni kweminyaka engamashumi ayisishiyagalombili, uKrainev wadlala noDm. Ikhonsathi Yesithathu ka-Kitayenko Beethoven. Kwakuyizici eziningi ukusebenza okuphawulekayo: ngaphandle kokungabonakali, "kuthulisiwe", kuvinjelwe ukunyakaza. Mhlawumbe ivinjelwe kakhulu kunokuvamile. Akuvamile neze kumculi, kwavele kwagqama ngokungalindelekile ohlangothini olusha noluhehayo ... Okufanayo kugcizelelwe isizotha sokudlala, ubuthuntu bemibala, ukwenqaba yonke into yangaphandle kwabonakala kumakhonsathi ahlangene aseKrainev no-E. Nesterenko, impela. njalo eminyakeni engamashumi ayisishiyagalombili (izinhlelo ezivela emisebenzini kaMussorgsky, Rachmaninov nabanye abaqambi). Futhi akukhona nje ukuthi umdlali wopiyano udlale lapha eqenjini. Kuyaphawuleka ukuthi ukuxhumana ngokudala noNesterenko - umdwebi olinganiselayo njalo, ovumelanayo, ozilawulayo kakhulu - ngokuvamile wanikeza uKrainev okuningi. Ukhulume ngalokhu izikhathi ezingaphezu kwesisodwa, kanye nomdlalo wakhe uqobo - futhi ...

I-Krainev namuhla ingenye yezindawo eziyinhloko ku-piyanism yaseSoviet. Izinhlelo zakhe ezintsha aziyeki ukuheha ukunaka komphakathi jikelele; umculi angazwakala kaningi emsakazweni, abonakale kumabonakude; ungayeqi imibiko ngaye nakumaphephandaba. Esikhathini esingengakanani esidlule, ngoMeyi 1988, waphothula umsebenzi womjikelezo othi "All Mozart Piano Concertos". Yathatha iminyaka engaphezu kwemibili futhi yenziwa ngokubambisana neChamber Orchestra ye-SSR yaseLithuania ngaphansi kokuqondisa kuka-S. Sondeckis. Izinhlelo zika-Mozart seziphenduke isiteji esibalulekile kumlando wesiteji sikaKrainev, esethathe umsebenzi omningi, amathemba, zonke izinhlobo zezinkinga futhi - okubaluleke kakhulu! - injabulo nokukhathazeka. Futhi hhayi nje ngoba ukubamba uchungechunge olukhulu lwamakhonsathi angama-27 wepiyano ne-orchestra akuwona umsebenzi olula ngokwakho (ezweni lakithi, u-E. Virsaladze kuphela owamanduleli weKrainev kulokhu, eNtshonalanga - D. Barenboim futhi, mhlawumbe, abadlali bopiyano abaningi nakakhulu). “Namuhla ngibona ngokucace kakhudlwana ukuthi anginalo ilungelo lokudumaza izethameli eziza endimeni yami, ngilindele okuthile okusha, okuthakazelisayo, ababengakwazi ngaphambili emihlanganweni yethu. Anginalo ilungelo lokucasula labo abangazi isikhathi eside futhi kahle, ngakho-ke ngizoqaphela ekusebenzeni kwami ​​​​okuyimpumelelo nokungaphumeleli, kokubili impumelelo kanye nokuntuleka kwakho. Cishe eminyakeni engu-15-20 edlule, uma ngikhuluma iqiniso, angizange ngizihluphe kakhulu ngemibuzo enjalo; Manje sengicabanga ngabo kaningi. Ngiyakhumbula ngake ngabona amaphosta ami eduze kweHholo Elikhulu LeConservatory, futhi angizwanga lutho ngaphandle kwenjabulo ejabulisayo. Namuhla, lapho ngibona amaphosta afanayo, ngiba nemizwa eyinkimbinkimbi kakhulu, ephazamisayo, ephikisanayo ... "

Ikakhulukazi, u-Krainev uyaqhubeka, umthwalo wemfanelo womdlali eMoscow. Yiqiniso, noma yimuphi umculi ojikelezayo ovela e-USSR amaphupho empumelelo emahholo ekhonsathi aseYurophu nase-USA - nokho iMoscow (mhlawumbe namanye amadolobha amakhulu ezwe) yiyona nto ebaluleke kakhulu futhi "enzima kakhulu" kuye. "Ngikhumbula ukuthi ngo-1987 ngadlala eVienna, ehholo laseMusik-Verein, amakhonsathi angu-7 ezinsukwini ezingu-8 - 2 eyedwa kanye nezi-5 nge-orchestra," kusho uVladimir Vsevolodovich. "Ekhaya, mhlawumbe, bengingeke ngilokothe ​​ngikwenze lokhu ...".

Ngokujwayelekile ukholwa wukuthi sekuyisikhathi sokuthi ehlise izinga lokubonakala kwakhe emphakathini. “Uma usuneminyaka engaphezu kwengu-25 yokusebenza esiteji esiqhubekayo, ukululama emakhonsathini akuselula njengakuqala. Njengoba iminyaka ihamba, uyibona ngokucacile nakakhulu. Ngisho manje akuwona amandla angokwenyama kuphela (ngiyabonga uNkulunkulu, awakahluleka okwamanje), kodwa lokho okuvame ukubizwa ngokuthi amandla omoya - imizwa, amandla okwethuka, njll. Kunzima kakhulu ukuwabuyisela. Futhi yebo, kuthatha isikhathi esiningi. Yebo, "ungahamba" ngenxa yesipiliyoni, amasu, ulwazi lwebhizinisi lakho, imikhuba eya esiteji nokunye okunjalo. Ikakhulukazi uma udlala imisebenzi oyifundile, ebizwa ngokuthi phansi naphezulu, okungukuthi, imisebenzi eseyenziwe izikhathi eziningi ngaphambili. Kodwa empeleni, akuthakazelisi. Awutholi injabulo. Futhi ngokwemvelo yami, angikwazi ukukhuphukela esiteji uma nginentshisekelo, uma ngaphakathi kimi, njengomculi, kukhona ukungabi nalutho ... "

Kunesinye isizathu esenza ukuthi uKrainev enze kancane eminyakeni yamuva. Waqala ukufundisa. Eqinisweni, wayevame ukweluleka abadlali bopiyano abasha ngezikhathi ezithile; UVladimir Vsevolodovich usithandile lesi sifundo, wazizwa enokuthile angakusho kubafundi bakhe. Manje wanquma "ukwenza kube semthethweni" ubudlelwano bakhe ne-pedagogy futhi wabuyela (ngo-1987) ku-conservatory efanayo naleyo athweswe yona eminyakeni eminingi edlule.

… UKrainev ungomunye walabo bantu abahlale behamba, befuna. Ngethalente lakhe elikhulu lokudlala ipiyano, umsebenzi wakhe nokuhamba, cishe uzonikeza abalandeli bakhe izinto ezimangalisayo ezimangalisayo, ama-twist athakazelisayo kubuciko bakhe, kanye nezimanga ezijabulisayo.

G. Tsypin, 1990