Emil Grigorievich Gilels |

Emil Gilels

Omunye wabagxeki bomculo abaqavile wake wathi ngeke kube yize ukuxoxa ngalesi sihloko - ngubani owokuqala, ongowesibili, ongowesithathu kubadlali bopiyano besikhathi samanje baseSoviet. Ithebula lezikhundla kwezobuciko lingaphezu kwendaba engabazekayo, lo mgxeki wacabanga; Ukuzwelana kwezobuciko nokuthanda kwabantu kuhlukile: abanye bangase bathande umdlali onjalo, abanye bazokhetha okunye nokunye... ubuciko bubangela ukukhala okukhulu komphakathi, bujabulela kakhulu. evamile ukuqashelwa embuthanweni omkhulu wabalaleli” (Kogan GM Questions of pianism.—M., 1968, p. 376.). Ukwakhiwa kombuzo onjalo kufanele kuqashelwe, ngokusobala, njengokuphela okulungile. Uma, ngokulandela ukucabanga komgxeki, omunye wabokuqala owakhuluma ngabadlali, ubuciko babo obujabulela ukuqashelwa “okuvamile” amashumi eminyaka ambalwa, ebangele “isikhalo esikhulu kakhulu somphakathi,” ngokungangabazeki u-E. Gilels kufanele abizwe ngokuthi ungomunye wabokuqala. .

Umsebenzi kaGiles ubizwa ngokufanelekile ngokuthi impumelelo ephezulu kakhulu yomculo wepiyano yekhulu lama-1957. Zibizwa ngokuthi kokubili ezweni lakithi, lapho umhlangano ngamunye nomdwebi uphenduke umcimbi wezinga elikhulu lamasiko, nakwamanye amazwe. Abezindaba bomhlaba bakhulume ngokuphindaphindiwe nangokucacile ngale miphumela. “Baningi abadlali bopiyano abanekhono emhlabeni kanye nezingcweti ezimbalwa ezidlula wonke umuntu. U-Emil Gilels ungomunye wabo…” (“Humanite”, 27, June 1957). "Ama-piano titans anjengoGiels azalwa kanye ngekhulunyaka" ("Mainiti Shimbun", 22, Okthoba XNUMX). Lezi ezinye, kude nokwanda okukhulu kwezitatimende mayelana namaGilel ngababuyekezi bangaphandle ...

Uma udinga umculo weshidi lepiyano, libheke esitolo sokubhalela.

U-Emil Grigoryevich Gilels wazalelwa e-Odessa. Uyise noma umama wakhe babengabaculi abaqeqeshiwe, kodwa umndeni wawuthanda umculo. Kwakukhona upiyano endlini, futhi lesi simo, njengoba ngokuvamile kwenzeka, wadlala indima ebalulekile isiphetho umculi esizayo.

“Lapho ngiseyingane, ngangingalali kakhulu,” kusho uGilles kamuva. “Ebusuku, lapho yonke into isithule kakade, ngakhipha irula likababa ngaphansi komcamelo ngaqala ukuqhuba. Inkulisa encane emnyama yaguqulwa yaba ihholo lekhonsathi elikhazimulayo. Ngimi esiteji, ngezwa umoya wesixuku esikhulu ngemva kwami, futhi i-orchestra yema phambi kwami. Ngiphakamisa induku ka-conductor futhi umoya ugcwele imisindo emnandi. Imisindo iya ngokuya iba phezulu. Forte, fortissimo! … Kodwa-ke umnyango ngokuvamile wawuvuleka kancane, futhi umama owayethukile waphazamisa ikhonsathi endaweni ethakazelisa kakhulu: “Ingabe usuphakamisa izingalo zakho futhi futhi udla ebusuku esikhundleni sokulala?” Ingabe usuwuthathile umugqa futhi? Manje yibuyisele bese ulala emizuzwini emibili!” (Gilels EG Amaphupho ami afezeka!//Impilo yomculo. 1986. No. 19. P. 17.)

Lapho umfana eneminyaka engaba mihlanu ubudala, wayiswa uthisha Odessa Music College, Yakov Isaakovich Tkach. Wayengumculi ofundile, onolwazi, umfundi kaRaul Pugno odumile. Uma sibheka izinkumbulo ezigciniwe ngaye, uyi-erudite mayelana nezinhlelo ezihlukahlukene zomculo wepiyano. Futhi enye into: umsekeli oqinile wesikole saseJalimane se-etudes. E-Tkach, uGilles osemncane wadabula ama-opuses amaningi kaLeshgorn, Bertini, Moshkovsky; lokhu kwabeka isisekelo esiqine kakhulu sesu lakhe. Umluki wayeqinile futhi eqinile ezifundweni zakhe; Kusukela ekuqaleni, u-Giels wayejwayele ukusebenza - njalo, ehlelekile, engazi noma yikuphi ukuvunyelwa noma ukukhululeka.

“Ngikhumbula ukudlala kwami ​​kokuqala,” kuqhubeka uGilles. “Umfundi oneminyaka eyisikhombisa wase-Odessa Music School, ngakhuphukela esiteji ngayodlala ingoma kaMozart ethi C major sonata. Abazali nothisha bahlala ngemuva belindele okujulile. Umqambi odumile uGrechaninov weza ekhonsathini yesikole. Wonke umuntu wayephethe izinhlelo ezinyathelisiwe zangempela ezandleni zakhe. Esimisweni, engasibona ngokokuqala ngqá ekuphileni kwami, kwanyatheliswa: “I-Sonata kaMozart yeSpanishi. Mile Gilels. Nganquma ukuthi “sp.” – kusho iSpanishi futhi wamangala kakhulu. Sengiqedile ukudlala. Ipiyano yayiseduze kwefasitela. Izinyoni ezinhle zandizela esihlahleni esingaphandle kwefasitela. Ngikhohlwe ukuthi lesi kwakuyisiteji, ngaqala ukubuka izinyoni ngesithakazelo esikhulu. Base besondela kimi futhi buthule bacela ukuphuma esiteji ngokushesha ngangokunokwenzeka. Ngasuka ngokunqena, ngilunguza efasiteleni. Kwaphela kanjena ukusebenza kwami ​​kokuqala. (Gilels EG Amaphupho ami afezeka!//Impilo yomculo. 1986. No. 19. P. 17.).

Lapho ngineminyaka engu-13, Gilels ungena ekilasini Berta Mikhailovna Reingbald. Lapha udlala kabusha inani elikhulu lomculo, ufunda izinto eziningi ezintsha - hhayi kuphela emkhakheni wezincwadi zepiyano, kodwa nakwezinye izinhlobo: i-opera, i-symphony. U-Reingbald wethula le nsizwa emibuthanweni ye-Odessa intelligentsia, imethula kubantu abaningi abathakazelisayo. Uthando luza enkundleni yemidlalo yaseshashalazini, ezincwadini - Gogol, O'Henry, Dostoevsky; impilo engokomoya yomculi osemusha iba minyaka yonke ecebile, ecebile, ehlukahlukene kakhulu. Indoda enesiko elikhulu langaphakathi, omunye wothisha abahamba phambili ababesebenza e-Odessa Conservatory ngaleyo minyaka, uReingbald wamsiza kakhulu umfundi wakhe. Wamsondeza kulokho ayekudinga kakhulu. Okubaluleke kakhulu, wanamathela kuye ngayo yonke inhliziyo yakhe; bekungeke kube ihaba ukusho ukuthi ngaphambi noma ngemva kwakhe, uGilles umfundi wahlangana lokhu isimo sengqondo ngaye ngokwakhe ... Wagcina umuzwa wokubonga okujulile kuReingbald ingunaphakade.

Futhi ngokushesha kwafika udumo kuye. Kwafika unyaka ka-1933, kwamenyezelwa Umncintiswano Wokuqala Wenyunyana Yabaculi Abadlalayo enhloko-dolobha. Ukuya eMoscow, Gilels akazange athembele kakhulu enhlanhleni. Okwenzekile kwammangaza ngokuphelele, kuReingbald, kuwo wonke umuntu. Omunye wababhali bokuphila komdlali wepiyano, ebuyela ezinsukwini ezikude zokuncintisana kuka-Gilles, upenda isithombe esilandelayo:

“Ukubonakala kwensizwa edangele esiteji akuzange kubonakale. Wasondela upiyano ngendlela yebhizinisi, waphakamisa izandla, wangabaza, futhi, ngenkani ecikica izindebe zakhe, waqala ukudlala. Ihholo lalikhathazekile. Kwathuleka kwangathi abantu babanjwe yiqhwa benganyakazi. Amehlo abheke esiteji. Kwasuka lapho kwaqhamuka umsinga onamandla, wabamba abalaleli futhi wabaphoqa ukuba balalele umenzi. Kwakhula ukushuba. Kwakungenakwenzeka ukumelana nala mandla, futhi ngemva kwemisindo yokugcina yomshado kaFigaro, wonke umuntu wagijimela esiteji. Imithetho yephuliwe. Izithameli zishaye ihlombe. Ijaji lishaye ihlombe. Izihambi zabelana injabulo yazo ngomunye nomunye. Abaningi babegcwele izinyembezi zenjabulo. Futhi umuntu oyedwa kuphela wema ngokungenakunyakaziswa futhi ezolile, nakuba yonke into yayimkhathaza - kwakungumculi ngokwakhe. (Khentova S. Emil Gilels. – M., 1967. P. 6.).

Impumelelo ibiphelele futhi ingenamibandela. Umbono wokuhlangana nentsha yase-Odessa wawufana, njengoba babesho ngaleso sikhathi, umbono webhomu eliqhumayo. Amaphephandaba ayegcwele izithombe zakhe, umsakazo wasakaza izindaba ngaye kuwo wonke amagumbi e-Motherland. Bese uthi: kuqala umdlali wopiyano owinile kuqala emlandweni womncintiswano wezwe wentsha yokudala. Nokho, ukunqoba kukaGilles akuzange kuphelele lapho. Sekudlule eminye iminyaka emithathu - futhi unomklomelo wesibili eMqhudelwaneni Wamazwe Ngamazwe eVienna. Bese - indondo yegolide emqhudelwaneni onzima kakhulu eBrussels (1938). Isizukulwane samanje sabadlali sijwayele izimpi zokuncintisana ezivamile, manje awukwazi ukumangala nge-laureate regalia, izihloko, izimbali ze-laurel zokufaneleka okuhlukahlukene. Ngaphambi kwempi kwakuhlukile. Imbalwa imiqhudelwano eyabanjwa, ukunqoba kwakusho okukhulu.

Emibhalweni yokuphila yabaculi abavelele, uphawu olulodwa luvame ukugcizelelwa, ukuziphendukela kwemvelo okuqhubekayo ekudaleni, ukunyakaza okungenakuvinjelwa phambili. Ithalenta lezinga eliphansi ngokushesha noma kamuva linqunywa emiqondweni ethile, ithalenta lezinga elikhulu alihlali isikhathi eside kunoma iyiphi yazo. “Umlando wokuphila kukaGilles…,” wake wabhala uGG Neuhaus, owaqondisa izifundo zale nsizwa eSikoleni Sokuqeqesheka eMoscow Conservatory (1935-1938), “iyaphawuleka ngomugqa wayo ongaguquguquki wokukhula nokuthuthuka. Abaningi, ngisho nabashayi bopiyano abanamakhono kakhulu, bayabhajwa ngesikhathi esithile, ngaphandle kwalokho okungekho ukunyakaza okuthile (ukuya phezulu!) Okuhlehlayo kuhambisana noGilles. Unyaka nonyaka, kusukela ekhonsathini kuya ekhonsathini, ukusebenza kwakhe kuyachuma, kunothisa, kuyathuthuka” (Neigauz GG The Art of Emil Gilels // Reflections, Memoirs, Diaries. P. 267.).

Lokhu kwakunjalo ekuqaleni kwendlela yobuciko kaGilels, futhi okufanayo kwagcinwa esikhathini esizayo, kuze kufike esigabeni sokugcina somsebenzi wakhe. Kuyo, ngendlela, kuyadingeka ukuyeka ikakhulukazi, ukuyicabangela ngokuningiliziwe. Okokuqala, kuyathakazelisa kakhulu ngokwako. Okwesibili, ayihlanganiswa kancane emaphephandabeni kunangaphambili. Ukugxekwa komculo, phambilini obekunake kakhulu uGilles, ngasekupheleni kweminyaka yama-XNUMX nasekuqaleni kweminyaka yama-XNUMX bekungabonakali kuhambisana nokuziphendukela kwemvelo komculi wopiyano.

Ngakho, yayiyini imfanelo yakhe phakathi nalesi sikhathi? Lokho okuthola mhlawumbe isisho sakho esiphelele kakhulu kuleli gama umqondo. Ukuhlonza okucace kakhulu komqondo wobuciko nobuhlakani emsebenzini owenziwe: "umbhalo ongezansi", umbono oholayo ongokomfanekiso nowonkondlo. Ukubaluleka kokungaphakathi kokungaphandle, okunenjongo ngaphezu kokusemthethweni ngokobuchwepheshe enqubweni yokwenza umculo. Akuyona imfihlo ukuthi umqondo ngomqondo wangempela wegama yilowo uGoethe ayenawo engqondweni lapho ethi konke emsebenzini wobuciko kunqunywa, ekugcineni, ukujula kanye nenani elingokomoya lomqondo, into eyivelakancane ekusebenzeni komculo. Ukukhuluma ngokuqinile, kuyisici kuphela sezimpumelelo ezisezingeni eliphakeme kakhulu, njengomsebenzi kaGiles, lapho yonke indawo, kusukela ekhonsathini yepiyano kuya ku-miniature yomsindo owodwa nesigamu kuya kwemibili yomsindo, umsindo ongathi sína, onamandla, oncishisiwe ngokwengqondo. umqondo wokuhumusha ungaphambili.

Once Gilels wanikeza amakhonsathi amahle kakhulu; umdlalo wakhe wamangala futhi wabanjwa ngamandla obuchwepheshe; ukukhuluma iqiniso ukwaziswa okulapha kwanqoba ngokuphawulekayo kunokomoya. Kwakuyini, kwakuyini. Imihlangano eyalandela naye ngithanda ukuthi, kunalokho, ihlobene nohlobo lwengxoxo ngomculo. Izingxoxo ne-maestro, ehlakaniphe ngesipiliyoni esikhulu ekwenzeni imisebenzi, ithuthukiswa iminyaka eminingi yokubonisa ubuciko okuye kwaba inkimbinkimbi kakhulu phakathi neminyaka edlule, okugcine kwanikeza isisindo esikhethekile esitatimendeni nasezahlulelweni zakhe njengomhumushi. Ngokunokwenzeka, imizwa yomdwebi yayikude nokuzenzakalela nokuvuleka okuqondile (kodwa-ke, wayehlala emfushane futhi evinjelwe ekwambulweni kwakhe ngokomzwelo); kodwa zazinomthamo, kanye nesilinganiso esicebile sokuguquguquka, futhi zifihlekile, njengokungathi zicindezelwe, amandla angaphakathi.

Lokhu kwazenza kwazwakala cishe kuyo yonke inguqulo ye-repertoire ka-Giels. Kodwa, mhlawumbe, izwe elingokomzwelo lomdlali wopiyano lalibonakala ngokucacile kuMozart yakhe. Ngokuphambene nokukhanya, umusa, ukudlala okungenazinkathazo, umusa we-coquettish nezinye izesekeli “zesitayela esiwubuqhawe” ezajwayela lapho kuhunyushwa izingoma zika-Mozart, into ebaluleke kakhulu futhi ebaluleke kakhulu ebuswa ezinguqulweni zikaGilles zalezi zingoma. Kuthule, kodwa kucace kakhulu, ukukhuza okucacile kopiyano; yehliswe ijubane, ngezinye izikhathi i-tempos ehamba kancane (le ndlela, ngendlela, yasetshenziswa ngokuphumelelayo ngumdlali wopiyano); ngokubabazekayo, okuzethembayo, okugcwele isithunzi sokuziphatha okuhle - ngenxa yalokho, iphimbo elivamile, elingajwayelekile, njengoba beshilo, ekuchazeni ngokwesiko: ukungezwani ngokomzwelo nangokwengqondo, ukufakwa ugesi, ukugxilisa ingqondo ngokomoya ... "Mhlawumbe umlando uyasikhohlisa: nguMozart i-rococo? - umshini wangaphandle ubhale, ngaphandle kwesabelo sobukhazikhazi, ngemuva kwemidlalo kaGilles ezweni lakubo lomqambi omkhulu. - Mhlawumbe sinaka kakhulu imvunulo, imihlobiso, ubucwebe nezitayela zezinwele? U-Emil Gilels usenze sacabanga ngezinto eziningi zendabuko nezijwayelekile” (Schumann Karl. Iphephandaba laseNingizimu Jalimane. 1970. 31 Jan.). Ngempela, i-Giels' Mozart - noma ngabe i-Twenty-neven noma i-Twenty-yeight Piano Concertos, i-Sonatas Yesithathu noma Yesishiyagalombili, i-D-minor Fantasy noma i-F-inguquko enkulu endikimbeni ka-Paisiello (Imisebenzi evame ukuvezwa kuphosta kaGilels kaMozart ngeminyaka yama-XNUMX.) - ayizange ivuse ubudlelwano obuncane namagugu obuciko a la Lancre, Boucher njalonjalo. Umbono womdlali wopiyano wezinkondlo ezizwakalayo zombhali wencwadi ethi Requiem wawufana nalokho okwake kwaphefumulela u-Auguste Rodin, umbhali wesithombe esibaziweyo somqambi esaziwayo: ukugcizelelwa okufanayo ekungeneni kukaMozart, ukungqubuzana kukaMozart nedrama, ngezinye izikhathi kufihlwe ngemuva. ukumamatheka okuthakazelisayo, ukudabuka okucashile kukaMozart.

Isimo esinjalo esingokomoya, “i-tonality” yemizwa ngokuvamile sasisondelene noGilles. Njengawo wonke amaciko amakhulu, angajwayelekile, abenawo wakhe umbala ongokomzwelo, onikeze isici, umbala womuntu ngamunye ezithombeni zomsindo azidalile. Kulo mbala, amathoni aqinile, amnyama bhuqe ashelela ngokucace ngokwengeziwe eminyakeni edlule, ukuqina nobudoda kwabonakala kakhulu, kwavusa izinkumbulo ezingacacile - uma siqhubeka nokufanisa nobuciko obuhle - obuhambisana nemisebenzi yongcweti bakudala baseSpain, abadwebi bezikole zeMorales, Ribalta, Ribera. , Velasquez… (Omunye wabagxeki bakwamanye amazwe wake wazwakalisa umbono wokuthi “ekudlaleni komdlali wopiyano umuntu angahlala ezwa okuthile okuvela ku-la grande tristezza – ukudabuka okukhulu, njengoba uDante awubiza kanjalo lo muzwa.”) Leyo, ngokwesibonelo, ingowesithathu nowesine kaGilles. amakhonsathi epiyano ka-Beethoven, i-sonata yakhe, eyeshumi nambili neyamashumi amabili nesithupha, i-“Pathétique” nethi “Appassionata”, “Lunar”, neyeshumi nambili nesikhombisa; anjalo ama-ballads, op. 10 kanye ne-Fantasia, Op. 116 Brahms, amagama wezinsimbi ka-Schubert noGrieg, adlalwa ngu-Medtner, Rachmaninov nokunye okuningi. Imisebenzi eyayihambisana nomdwebi engxenyeni enkulu yomlando wakhe wokudala ibonise ngokucacile ukuguquguquka okwenzeka phakathi neminyaka ekubukweni kwezinkondlo zomhlaba kaGilles; ngezinye izikhathi kwakubonakala sengathi ukucabanga okudabukisayo kuwela emakhasini abo ...

Isitayela sesiteji somculi, isitayela se-Giels "ephuzile", siphinde sashintsha ngokuhamba kwesikhathi. Ake siphendule, isibonelo, emibikweni emidala egxekayo, sikhumbule lokho umdlali wopiyano ake waba nakho - eminyakeni yakhe esemncane. Kwakukhona, ngokusho kobufakazi balabo abamuzwayo, "ukwakhiwa kwezakhiwo ezibanzi neziqinile", kwakukhona "izibalo eziqinisekisiwe eziqinile, insimbi yensimbi", ehlangene "namandla ayisisekelo nokucindezela okumangalisayo"; kwakukhona umdlalo "womsubathi wepiyano wangempela", "i-dynamics ejabulisayo yomkhosi we-virtuoso" (G. Kogan, A. Alschwang, M. Grinberg, njll.). Kwabe sekufika okunye. "Insimbi" yesiteleka seminwe kaGilel yaqala ukungabonakali, "okuzenzakalelayo" kwaqala ukulawulwa ngokuqhubekayo, umculi waqhubekela phambili kude nepiyano "athleticism". Yebo, futhi igama elithi "ukuthokoza" liye laba, mhlawumbe, hhayi elifanele kakhulu ukuchaza ubuciko bakhe. Ezinye izingcezu ze-bravura, ze-virtuoso zazizwakala njenge-Giels anti-virtuoso – isibonelo, i-Second Rhapsody ka-Liszt, noma i-G minor edumile, i-Op. 23, isethulo sikaRachmaninov, noma iToccata kaSchumann (zonke ezazivame ukwenziwa ngu-Emil Grigorievich kuma-clavirabends akhe maphakathi nasekupheleni kweminyaka yama-XNUMX). Ugcwele ubumnandi ngenani elikhulu labahambeli bekhonsathi, ekudlulisweni kukaGilles lo mculo ubonakale ungenaso ngisho isithunzi sokugijima kopiyano, i-pop bravado. Umdlalo wakhe lapha - njengakwezinye izindawo - wawubukeka uthulisiwe kancane ngemibala, wawunhle ngokobuchwepheshe; ukunyakaza kwavinjwa ngamabomu, isivinini salinganiswa - konke lokhu kwenza kwaba nokwenzeka ukujabulela umsindo womdlali wopiyano, ubuhle obungavamile futhi obuphelele.

Ngokukhulayo, ukunaka komphakathi eminyakeni yamashumi ayisikhombisa kanye namashumi ayisishiyagalombili kwagxilwa kuma-clavirabends ka-Gilles ukuba aphuze, agxilise, iziqephu ezijulile zemisebenzi yakhe, emculweni ogcwele ukucabanga, ukuzindla, nokucwiliswa kwefilosofi kumuntu. Umlaleli wabhekana lapha mhlawumbe imizwa ejabulisa kakhulu: ngokucacile faka Ngabona umcabango womculo walo mdlali ugcwele injabulo, evulekile, evulekile. Umuntu wayebona “ukushaya” kwalomcabango, ukuvela kwawo endaweni yomsindo nesikhathi. Okufanayo, mhlawumbe, kungaba nakho, kulandela umsebenzi womdwebi esitudiyo sakhe, ebuka umqophi eguqula ibhulokhi lemabula ngeshizolo lakhe libe yisithombe esibaziwe esicacile. U-Gilles uhilele izethameli enqubweni yokuqopha isithombe esizwakalayo, ebaphoqa ukuba bazizwe behlangene ngokwabo ukuguquguquka okucashile nokuyinkimbinkimbi kwale nqubo. Nasi esinye sezimpawu zesici sokusebenza kwakhe. "Ukuze ungabi ufakazi nje kuphela, kodwa futhi uhlanganyele kulelo holide elingavamile, elibizwa ngokuthi isipiliyoni sokudala, ugqozi lomdwebi - yini enganikeza umbukeli injabulo enkulu ngokomoya?" (Zakhava BE Ikhono lomdlali nomqondisi. - M., 1937. P. 19.) - kusho umqondisi odumile waseSoviet kanye nomdwebo weshashalazi uB. Zakhava. Ukuthi kumbukeli, isivakashi sehholo lekhonsathi, ingabe konke akufani? Ukuba umngane wokugubha ubuciko bemininingwane ka-Gilles kwakusho ukuthola injabulo ephezulu kakhulu ngokomoya.

Futhi mayelana nenye into eyodwa ku-pianism ye-"late" Gilels. Amaseyili akhe omsindo ayewubuqotho, ukubumbana, ubunye bangaphakathi. Ngesikhathi esifanayo, kwakungenakwenzeka ukunganaki ukugqoka okucashile, ubucwebe bangempela bezinto "ezincane". I-Giels yayihlale idume ngeyokuqala (amafomu e-monolithic); kwesesibili wazuza ikhono elikhulu ngokunembile eminyakeni eyodwa nengxenye kuya kwamashumi amabili edlule.

Amaculo alo kanye namakhonsathi ayehlukaniswa ngomsebenzi okhethekile we-filigree. Iphimbo ngalinye lalichazwe ngobuchule nangokunembile, libukhali ngokwedlulele emaphethelweni alo, “libonakala” ngokucacile emphakathini. Ama-motive twists amancane kakhulu, amaseli, izixhumanisi - yonke into yayigcwele ukuveza. “Kakade indlela uGiels awethule ngayo lo musho wokuqala yanele ukumbeka phakathi kwabashayi bopiyano abakhulu besikhathi sethu,” kubhala omunye wabagxeki bakwamanye amazwe. Lokhu kubhekisela emshwaneni wokuvula wenye ye-sonatas ka-Mozart eyadlalwa umdlali wopiyano e-Salzburg ngo-1970; ngesizathu esifanayo, umbuyekezi angabhekisela ekubizweni kunoma yimiphi imisebenzi eyavela ngaleso sikhathi ohlwini olwenziwa nguGiles.

Kuyaziwa ukuthi wonke umdlali omkhulu wekhonsathi ucula umculo ngendlela yakhe. U-Igumnov no-Feinberg, u-Goldenweiser no-Neuhaus, u-Oborin no-Ginzburg "babiza" umbhalo womculo ngezindlela ezahlukene. Isitayela sephimbo sikaGiles umculi wopiyano ngezinye izikhathi sasihlotshaniswa nenkulumo yakhe engavamile kanye nesici sokukhuluma: ukugoba nokunemba ekukhetheni izinto ezibonakalayo, isitayela se-laconic, ukunganaki ubuhle bangaphandle; kuwo wonke amagama - isisindo, ukubaluleka, ngokwezigaba, ...

Wonke umuntu okwazile ukuya emidlalweni yokugcina kaGiles uzowakhumbula phakade. "Izifundo Ze-Symphonic" kanye Nezingcezu Ezine, i-Op. 32 Schumann, Amaphupho, Op. 116 kanye ne-Brahms' Variations on a Theme of Paganini, Song Without Words in A flat major (“Duet”) kanye ne-Etude in A minor ka-Mendelssohn, Five Preludes, Op. I-74 kanye ne-Third Sonata ka-Scriabin, i-Sonata yamashumi amabili nesishiyagalolunye ka-Beethoven kanye ne-Third ka-Prokofiev - konke lokhu mancane amathuba okuba kusulwe kunkumbulo yalabo abezwa u-Emil Grigorievich ekuqaleni kweminyaka yama-XNUMX.

Akunakwenzeka ukunganaki, uma ubheka uhlu olungenhla, ukuthi uGilles, naphezu kweminyaka yakhe ephakathi kakhulu, wafaka izingoma ezinzima kakhulu ezinhlelweni zakhe - Izinguquko zikaBrahms kuphela ezifanele okuthile. Noma kaBeethoven's Twenty-Ninth… Kodwa wayekwazi, njengoba besho, ukwenza ukuphila kwakhe kube lula ngokudlala into elula, engenawo umthwalo wemfanelo, ongenabungozi kangako. Kodwa, okokuqala, akazange azenzele lutho olulula ezindabeni zokudala; kwakungekho emithethweni yakhe. Okwesibili: UGiels wayeziqhenya kakhulu; ngesikhathi sokunqoba kwabo - ngisho nangaphezulu. Kuye, ngokusobala, kwakubalulekile ukukhombisa futhi afakazele ukuthi indlela yakhe enhle kakhulu yepiyano ayizange idlule phakathi neminyaka. Ukuthi wahlala e-Giels efanayo njengoba eyaziwa ngaphambili. Ngokuyisisekelo, kwakunjalo. Futhi amanye amaphutha ezobuchwepheshe kanye nokwehluleka okwenzeka kumdlali wopiyano eminyakeni yakhe ewohlokayo akuzange kushintshe isithombe esiphelele.

… Ubuciko buka-Emil Grigorievich Gilels kwakuyinto enkulu neyinkimbinkimbi. Akumangazi ukuthi ngezinye izikhathi kwakuvusa ukusabela okuhlukahlukene nokungalingani. (U-V. Sofronitsky wake wakhuluma ngomsebenzi wakhe: kuphela ukuthi kuyo kunentengo okungaxoxwa ngayo - futhi wayeqinisile.) phakathi nomdlalo, ukumangala, ngezinye izikhathi ukungavumelani nezinqumo ezithile zika-E. Gilels […] ikhonsathi ekwanelisekeni okujulile. Konke kuhamba kahle” (Ukubuyekezwa kwekhonsathi: 1984, February-March / / Soviet music. 1984. No. 7. P. 89.). Ukuqaphela kulungile. Ngempela, ekugcineni, yonke into yangena endaweni yayo “endaweni yayo” … Ngoba umsebenzi kaGiles wawunamandla amakhulu okusikisela kobuciko, wawuhlala uyiqiniso futhi kukho konke. Futhi angeke kube khona obunye ubuciko bangempela! Phela, emazwini amangalisayo kaChekhov, "ikakhulukazi futhi kuhle ukuthi awukwazi ukuqamba amanga kukho ... Ungaqamba amanga othandweni, kwezombusazwe, kwezokwelapha, ungakhohlisa abantu kanye neNkosi uNkulunkulu uqobo ... - kodwa awukwazi khohlisa ngobuciko ... "

G. Tsypin