UGrigory Lipmanovich Sokolov (Grigory Sokolov) |

UGrigory Sokolov

Kunomfanekiso omdala womhambi nendoda ehlakaniphile abahlangana endleleni eyihlane. “Ingabe kukude edolobheni eliseduze?” kubuza umhambi. “Hamba,” saphendula sakushwabadela. Emangazwe ikhehla elithule, isihambi sase sizoqhubekela phambili, lapho ngokungazelelwe sizwa ngemuva: “Uzofika lapho ngemva kwehora.” “Awungiphendulanga ngani ngaso leso sikhathi? “Bekufanele ngibheke ijubane noma isinyathelo sakho.

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Sibaluleke kangakanani – ukuthi isinyathelo sishesha kangakanani… Ngempela, akwenzeki ukuthi iciko lahlulelwe kuphela ngokudlala kwalo emqhudelwaneni othile: ingabe libukise ngethalente lalo, ikhono lobuchwepheshe, ukuqeqeshwa, njll. Babikezela, benza ukuqagela ngekusasa lakhe, ekhohlwa ukuthi into esemqoka isinyathelo sakhe esilandelayo. Ingabe izoba bushelelezi futhi isheshe ngokwanele. UGrigory Sokolov, indondo yegolide yoMqhudelwano Wesithathu weTchaikovsky (1966), ube nesinyathelo esilandelayo esisheshayo nesiqinisekayo.

Ukusebenza kwakhe esiteji saseMoscow kuzohlala emibhalweni yomlando wokuncintisana isikhathi eside. Lokhu akwenzeki kaningi. Ekuqaleni, emzuliswaneni wokuqala, abanye ochwepheshe abazange bafihle ukungabaza kwabo: kwakufanele ngisho nokuhlanganisa umculi osemusha, umfundi webanga lesishiyagalolunye esikoleni, phakathi kwabaqhudelanayo? (Lapho uSokolov efika eMoscow ukubamba iqhaza emncintiswaneni wesithathu weTchaikovsky, wayeneminyaka eyishumi nesithupha kuphela.). Ngemva kwesigaba sesibili somncintiswano, amagama ka-American M. Dichter, abantu bakubo u-J. Dick no-E. Auer, umFulentshi u-F.-J. uThiolier, abadlali bopiyano baseSoviet uN. Petrov no-A. Slobodyanik; I-Sokolov yashiwo kafushane futhi ngokudlulayo. Ngemuva komzuliswano wesithathu, kwathiwa uwinile. Ngaphezu kwalokho, owawina yedwa, ongazange ahlanganyele umklomelo wakhe nomunye umuntu. Kwabaningi, lokhu kwabamangaza ngokuphelele, kuhlanganise naye. (“Ngikhumbula kahle ukuthi ngaya eMoscow, emqhudelwaneni, ukuyodlala nje, ukuzama isandla sami. Angizange ngithembele kunoma yikuphi ukunqoba okuvusa amadlingozi. Mhlawumbe, yilokhu okungisizile ...”) (Isitatimende esinophawu, ngezindlela eziningi esinanela izikhumbuzo zika-R. Kerer. Ngokwengqondo, izahlulelo zalolu hlobo zinesithakazelo esingenakuphikwa. – G. Ts.)

Abanye abantu ngaleso sikhathi abazange bashiye ukungabaza - kuyiqiniso, ingabe isinqumo sejaji sinobulungiswa? Ikusasa liphendule ngoyebo kulo mbuzo. Kuhlale kuletha ukucaca kokugcina emiphumeleni yezimpi zokuncintisana: lokho okwabonakala kusemthethweni kuzo, kwalungisiswa ngokwako, nalokho okungazange kwenzeke.

UGrigory Lipmanovich Sokolov wathola imfundo yakhe yomculo esikoleni esikhethekile eLeningrad Conservatory. Uthisha wakhe ekilasini lepiyano kwakungu-LI Zelikhman, wafunda naye cishe iminyaka eyishumi nanye. Esikhathini esizayo, wafunda nomculi odumile, uProfesa M. Ya. U-Khalfin - waphothula e-Conservatory ngaphansi kobuholi bakhe, wabe esephothula esikoleni.

Bathi kusukela ebuntwaneni uSokolov wayehlukaniswa ukukhuthala okungavamile. Njengoba esevele ebhentshini lesikole, wayenenkani futhi ephikelela ezifundweni zakhe. Futhi namuhla, ngendlela, amahora amaningi okusebenza ekhibhodi (nsuku zonke!) Ingabe umthetho kuye, awugcina ngokuqinile. “Thalente? Lona uthando lomsebenzi womuntu, ”kusho uGorky. Kunye ngakunye, kanjani futhi malini U-Sokolov wasebenza futhi uyaqhubeka nokusebenza, kwakuhlale kucacile ukuthi lokhu kwakuyithalente langempela, elikhulu.

"Abaculi abaculayo bavame ukubuzwa ukuthi singakanani isikhathi abasichitha ezifundweni zabo," kusho uGrigory Lipmanovich. “Izimpendulo kulawa macala zibukeka, ngokombono wami, zingezokwenziwa. Ngoba akunakwenzeka ukubala izinga lomsebenzi, okungase kubonise ngokunembile isimo sangempela sezindaba. Phela, kungaba ubuwula ukucabanga ukuthi umculi usebenza kuphela ngalezo zikhathi lapho edlala insimbi. Umatasa nomsebenzi wakhe ngaso sonke isikhathi....

Uma, nokho, ukubhekana nalolu daba ngokusemthethweni noma ngaphansi, ngizophendula ngale ndlela: ngokwesilinganiso, ngichitha epiyano cishe amahora ayisithupha ngosuku. Nakuba, ngiyaphinda, konke lokhu kuhlobene kakhulu. Futhi hhayi kuphela ngoba usuku nosuku akudingekile. Okokuqala, ngoba ukudlala insimbi kanye nomsebenzi wokudala njengoba kunjalo akuzona izinto ezifanayo. Ayikho indlela yokubeka uphawu olulinganayo phakathi kwabo. Esokuqala siyingxenye nje yesibili.

Okuwukuphela kwento engingayengeza kulokhu osekushiwo ukuthi lapho umculi enza okwengeziwe - ngomqondo obanzi wegama - kuba ngcono.

Ake sibuyele kwamanye amaqiniso omlando wokudala we-Sokolov kanye nemicabango ehlobene nabo. Lapho eneminyaka engu-12, wanika i-clavierabend yokuqala ekuphileni kwakhe. Ababe nethuba lokuyivakashela bayakhumbula ukuthi ngaleso sikhathi (esafunda ibanga lesithupha) ukudlala kwakhe kwakukhangwa ukucophelela kokucubungula izinto. Kwamisa ukunaka lokho buchwepheshe ukuphelela, okunikeza umsebenzi omude, onzima nohlakaniphile - futhi akukho okunye ... Njengomculi wekhonsathi, uSokolov wayehlale ehlonipha "umthetho wokuphelela" ekusebenzeni komculo (inkulumo yomunye wababuyekezi baseLeningrad), wawugcina ngokuqinile. esiteji. Ngokusobala, lesi kwakungesona isizathu esincane esibalulekile esiqinisekise ukunqoba kwakhe emncintiswaneni.

Kwakukhona enye - ukusimama kwemiphumela yokudala. Phakathi neSithangami Sesithathu Samazwe Ngamazwe Sabaculi Abaculayo eMoscow, uL. Oborin wathi emaphephandabeni: “Akekho kwababambe iqhaza, ngaphandle kukaG. Sokolov, owaluvakashela lonke lolu hambo ngaphandle kokulahlekelwa okukhulu” (… Iqanjwe ngo-Tchaikovsky // Ukuqoqwa kwezihloko kanye nemibhalo yoMqhudelwano Wesithathu Wamazwe Ngamazwe Wabaculi-Abaculi abaqanjwe ngo-PI Tchaikovsky. P. 200.). P. Serebryakov, kanye no-Oborin, owayeyilungu lejaji, naye wadonsela ukunakekela esimweni esifanayo: “USokolov,” wagcizelela, “wagqama phakathi kwezimbangi zakhe ngokuthi zonke izigaba zomncintiswano zahamba ngokushelela kakhulu” (Ibid., ikhasi 198).

Mayelana nokuzinza kwesiteji, kufanele kuqashelwe ukuthi i-Sokolov ikweleta ngezindlela eziningi ukulinganisela kwakhe okungokomoya kwemvelo. Waziwa emahholo ekhonsathi njengomuntu oqinile, ophelele. Njengengcweti enomhlaba wangaphakathi ohlelekile, ongahlukanisiwe; ezinjalo cishe zihlala zizinzile ekudaleni. Ukulingana kuhlamvu lukaSokolov; izenza izizwe kuyo yonke into: ekuxhumaneni kwakhe nabantu, ukuziphatha futhi, yiqiniso, emsebenzini wobuciko. Ngisho nasezikhathini ezibaluleke kakhulu esiteji, lapho umuntu ekwazi ukwahlulela ngaphandle, akukho ukukhuthazela noma ukuzithiba okumshintshile. Ukumbona edlala insimbi - engaxhamazeli, ezolile futhi ezithemba - abanye babuza umbuzo: ingabe uyayazi leyo njabulo emangazayo ephendula ukuhlala esiteji kucishe kube ukuhlukunyezwa kozakwabo abaningi ... Wake wabuzwa ngakho. Uphendule ngokuthi ujwayele ukuba novalo ngaphambi kokucula. Futhi ngokucabangisisa kakhulu, wengeza. Kodwa ngokuvamile ngaphambi kokungena esiteji, ngaphambi kokuba aqale ukudlala. Khona-ke injabulo ngandlela-thile iyanyamalala kancane kancane futhi ngokungabonakali, ivuleke kumdlandla wenqubo yokudala futhi, ngesikhathi esifanayo, ukugxilisa ingqondo njengebhizinisi. Uziphonsa emsebenzini wopiyano, futhi yilokho. Emazwini akhe, ngamafuphi, kwavela isithombe esingazwakala kuwo wonke umuntu ozalelwe esiteji, ama-performances avulekile, nokuxhumana nomphakathi.

Kungakho u-Sokolov wahamba "ngokushelelayo" kuzo zonke izivivinyo zokuncintisana ngo-1966, ngenxa yalesi sizathu usaqhubeka nokudlala ngokulingana okunomona kuze kube yilolu suku ...

Umbuzo ungase uphakame: kungani ukuqashelwa eMqhudelwaneni Wesithathu weTchaikovsky kwafika eSokolov ngokushesha? Kungani abe ngumholi ngemuva komzuliswano wokugcina? Ekugcineni, kungachazwa kanjani ukuthi ukuzalwa komndondo yegolide kwakuhambisana nokungqubuzana kwemibono okwaziwayo? Iphuzu eliyinhloko liwukuthi uSokolov wayenephutha elilodwa elibalulekile: yena, njengomdlali, wayengenakho ... ukushiyeka. Kwakunzima ukumthethisa, umfundi oqeqeshwe kahle kakhulu wesikole esikhethekile somculo, ngandlela thize - emehlweni abanye lokhu kwase kuyihlazo kakade. Kwakukhulunywa “ngokunemba okuyinyumba” kokudlala kwakhe; wacasula abanye abantu … Wayengaxoxisani ngobuchule – lokhu kwadala izingxoxo. Umphakathi, njengoba wazi, awunabo ukuxwaya abafundi abayisibonelo abaqeqeshwe kahle; Isithunzi salobu budlelwano sawela kuSokolov futhi. Lapho bemlalela, bakhumbula amazwi ka-VV Sofronitsky, owake wawasho ezinhliziyweni zakhe mayelana nabaqhudelana abasha: "Kungaba kuhle kakhulu uma bonke bedlala kancane ngokungalungile ..." (Izinkumbulo zikaSofronitsky. S. 75.). Mhlawumbe lokhu okuyindida kwakuhlobene ngempela noSokolov - isikhathi esifushane kakhulu.

Kodwa nokho, siyaphinda, labo abanquma isiphetho sikaSokolov ngo-1966 bagcina belungile ekugcineni. Ngokuvamile uma kuhlulelwa namuhla, amajaji abheka kusasa. Futhi ukuqagela.

U-Sokolov wakwazi ukukhula waba umculi omkhulu. Ngesinye isikhathi, esikhathini esidlule, umfana wesikole oyisibonelo owadonsa ukunaka ngokuyinhloko ngokudlala kwakhe okuhle nokushelelayo, waba ngomunye wabaculi abanenjongo, nabathakazelayo besizukulwane sakhe. Ubuciko bakhe manje bubaluleke ngempela. “Yilokho kuphela okuhle okungathí sina,” kusho uDkt. Dorn kwethi The Seagull kaChekhov; Izincazelo zikaSokolov zihlala zibalulekile, ngakho-ke umbono abawenzayo kubalaleli. Empeleni, wayengakaze abe nesisindo esincane futhi ekha phezulu maqondana nezobuciko, ngisho nasebusheni bakhe; namuhla, ukuthambekela kwefilosofi kuqala ukuvela ngokuphawulekayo kuye.

Ukubona ngendlela adlala ngayo. Ezinhlelweni zakhe, uvamise ukubeka i-sonatas yamashumi amabili nesishiyagalolunye, amashumi amathathu nanye kanye nengamashumi amathathu nambili ka-Bthoven, umjikelezo we-Bach's Art of Fugue, i-sonata enkulu ka-Schubert's B ... indlela ethile kuyo, mkhuba ekudaleni.

Nokho, akukhona kuphela ukuthi ku-repertoire kaGrigory Sokolov. Manje kumayelana nendlela yakhe yokuchaza umculo, mayelana nesimo sakhe sengqondo ngemisebenzi ayenzayo.

Ngesinye isikhathi engxoxweni, uSokolov wathi kuye abekho ababhali abathandayo, izitayela, imisebenzi. “Ngithanda yonke into engabizwa ngomculo omnandi. Futhi yonke into engiyithandayo, ngingathanda ukuyidlala ... “Lona akuwona nje umusho, njengoba kwenzeka kwesinye isikhathi. Izinhlelo zomdlali wopiyano zifaka phakathi umculo kusukela ekuqaleni kwekhulu lesi-XNUMX kuya maphakathi nele-XNUMX. Into eyinhloko ukuthi isakazwa ngokulinganayo ku-repertoire yakhe, ngaphandle kokungalingani okungabangelwa ukubusa kwanoma yiliphi igama elilodwa, isitayela, isiqondiso sokudala. Ngenhla kwakukhona abaqambi imisebenzi yabo ayidlalayo ngokukhethekile ngokuzithandela (Bach, Beethoven, Schubert). Ungabeka eduze kwabo Chopin (mazurkas, etudes, polonaises, njll.), Ravel (“Night Gaspard”, “Alborada”), Scriabin (Sonata Okokuqala), Rachmaninoff (Ikhonsathi Yesithathu, Preludes), Prokofiev (Ikhonsathi Yokuqala, Yesikhombisa Sonata), Stravinsky ("Petrushka"). Lapha, ohlwini olungenhla, okuvame ukuzwakala kumakhonsathi akhe namuhla. Abalaleli, nokho, banelungelo lokulindela izinhlelo ezintsha ezithakazelisayo kuye esikhathini esizayo. "I-Sokolov idlala kakhulu," kufakaza umgxeki onegunya u-L. Gakkel, "i-repertoire yakhe ikhula ngokushesha ..." (Gakkel L. Mayelana nabadlali bopiyano baseLeningrad // Sov. music. 1975. No. 4. P. 101.).

…Nangu eboniswa ngemuva. Ihamba kancane inqamule isiteji ibheke kuphiyano. Ngemva kokukhothamela izethameli, uzinza ngokunethezeka ngokukhululeka kwakhe okuvamile kukhibhodi yesisetshenziswa. Ekuqaleni, udlala umculo, njengoba kungase kubonakale kumlaleli ongenalwazi, i-phlegmatic encane, cishe "ngobuvila"; labo abangaqali kumakhonsathi akhe, baqagela ukuthi lokhu ngokuyinhloko kuyindlela ezwakalisa ukwenqaba kwakhe yonke ingxabano, ukubonakaliswa kwangaphandle kwemizwelo. Njengazo zonke izingcweti ezivelele, kuyathakazelisa ukumbona edlala - lokhu kwenza lukhulu ekuqondeni ingqikithi yangaphakathi yobuciko bakhe. Sonke isibalo sakhe ensimbini - ukuhlala, ukwenza izenzo zomzimba, ukuziphatha esiteji - kunikeza umuzwa wokuqina. (Kunabaculi abahlonishwayo ngendlela nje abaziphatha ngayo esiteji. Kwenzeka, ngendlela, futhi ngokuphambene nalokho.) Futhi ngesimo somsindo wepiyano kaSokolov, nangokubukeka kwakhe okukhethekile okudlalayo, kuwukuthi. kulula ukubona kuye umculi ojwayele “ukuba nenhlese ekuculweni komculo. "I-Sokolov, ngokubona kwami, iyinto ye-"Glazunov" yokudala yokudala," Ya. I. UZak wake wathi. Ngokuvumelana nakho konke, mhlawumbe ukuzithoba kwalokhu kuhlanganiswa, ngokusobala akuzange kuvele ngengozi.

Ngokuvamile akulula kubaculi besakhiwo esinjalo sokudala ukunquma ukuthi yini ephuma "ngcono" nokuthi yini "embi kakhulu", ukuhlukana kwabo cishe kungabonakali. Noma kunjalo, uma ubheka amakhonsathi womdlali wepiyano waseLeningrad eminyakeni edlule, awukwazi ukusho mayelana nokusebenza kwakhe kwemisebenzi kaSchubert (sonatas, impromptu, njll.). Kanye nama-opuses aphuzile kaBeethoven, bona, ngawo wonke ama-akhawunti, bathatha indawo ekhethekile emsebenzini womdwebi.

Izingcezu zikaSchubert, ikakhulukazi i-Impromptu Op. Ezingu-90 ziphakathi kwezibonelo ezidumile zomculo wepiyano. Yingakho benzima; ukuthatha kuzo, udinga ukwazi ukuqhela emaphethini akhona, ama-stereotypes. I-Sokolov uyazi kanjani. Ku-Schubert yakhe, njengoba, ngempela, kukho konke okunye, ukusha kwangempela nokucebile kokuhlangenwe nakho komculo kuyaheha. Asikho isithunzi salokho okubizwa nge-pop "poshib" - kodwa ukunambitheka kwayo kungase kuzwakale kaningi emidlalweni edlalwa kakhulu.

Kukhona, vele, ezinye izici eziwuphawu lokusebenza kuka-Sokolov wemisebenzi ka-Schubert - hhayi zona kuphela ... Lena i-syntax yomculo enhle kakhulu eziveza ohlakeni lokukhulula lwemisho, izisusa, iphimbo. Ngaphezu kwalokho, ukufudumala kwethoni enemibala nombala. Futhi-ke, ukuthamba kwesici sakhe sokukhiqiza umsindo: lapho edlala, u-Sokolov ubonakala ephulula upiyano ...

Kusukela ekunqobeni kwakhe emncintiswaneni, uSokolov uye wahambela kabanzi. Kwezwakala eFinland, Yugoslavia, Holland, Canada, USA, Japan, nakwamanye amazwe amaningi emhlabeni. Uma sengeza lapha uhambo oluvamile lokuya emadolobheni aseSoviet Union, akunzima ukuthola umbono wesilinganiso sekhonsathi yakhe nokwenza umkhuba. Umshini wokunyathelisa we-Sokolov ubukeka uhlaba umxhwele: izinto ezishicilelwe ngaye emaphephandabeni aseSoviet nakwamanye amazwe ezimweni eziningi ngamathoni amakhulu. Ukufaneleka kwayo, ngokwezwi nje, akunakwa. Uma kukhulunywa ngo “kodwa”… Mhlawumbe, ezikhathini eziningi umuntu ungezwa ukuthi ubuciko bomdlali wepiyano - nakho konke okuhle okungenakuphikwa - kwesinye isikhathi kushiya umlaleli eqinisekile. Akulethi, njengoba kubonakala kwabanye babagxeki, okuhlangenwe nakho okunamandla kakhulu, okucijile, okuvuthayo komculo.

Hhayi-ke, akuwona wonke umuntu, ngisho naphakathi kwamakhosi amakhulu, awaziwayo, anikezwa ithuba lokudubula ... Nokho, kungenzeka ukuthi izimfanelo zalolu hlobo zisazozibonakalisa esikhathini esizayo: I-Sokolov, umuntu kufanele acabange, inobude futhi akuyona indlela eqondile yokudala ezayo. Futhi ubani owaziyo ukuthi kuzofika isikhathi lapho imizwelo yakhe eminingi izobenyezela ngenhlanganisela yemibala emisha, engalindelekile, ehluke kakhulu. Lapho kuzokwazi ukubona ukushayisana okuphezulu okudabukisayo kwezobuciko bakhe, ukuzwa kulobu buhlungu bezobuciko, ubukhali, nokungqubuzana okungokomoya okuyinkimbinkimbi. Khona-ke, mhlawumbe, imisebenzi efana ne-E-flat-minor polonaise (Op. 26) noma i-C-minor Etude (Op. 25) ka-Chopin izozwakala ihluke ngandlela-thile. Kuze kube manje, bahlaba umxhwele cishe okokuqala ngokuyindilinga okuhle kwamafomu, ipulasitiki yephethini yomculo kanye nepiyano ehloniphekile.

Ngandlela-thile, ephendula umbuzo wokuthi yini emqhuba emsebenzini wakhe, yini evuselela umcabango wakhe wobuciko, uSokolov wakhuluma kanje: "Kubonakala kimina ukuthi ngeke ngenze iphutha uma ngithi ngithola izifiso ezithela kakhulu ezivela ezindaweni ezingekho. ehlobene ngqo nomsebenzi wami. Okusho ukuthi, eminye "imiphumela" yomculo ayitholwa yimi hhayi emibonweni yangempela yomculo namathonya, kodwa kwenye indawo. Kodwa kuphi ngempela, angazi. Angikwazi ukusho okuthile okuqinisekile ngalokhu. Ngiyazi kuphela ukuthi uma kungenamali, amarisidi avela ngaphandle, uma kungekho "amajusi anomsoco" okwanele - ukuthuthukiswa komdwebi kuyeka nakanjani.

Futhi ngiyazi ukuthi umuntu oya phambili akaqoqi nje into ethathiwe, ekhothoze eceleni; ngokuqinisekile uzakhela eyakhe imibono. Okungukuthi, akagcini nje ngokuthatha, kodwa futhi udala. Futhi lokhu cishe kuyinto ebaluleke kakhulu. Eyokuqala ngaphandle kweyesibili ibingeke ibe nancazelo kwezobuciko.”

Mayelana Sokolov ngokwakhe, kungashiwo ngokuqiniseka ukuthi ngempela idala umculo ophiyano, udala ngomqondo ongokoqobo noyiqiniso wegama elithi – “wenza imibono”, ukusebenzisa esakhe isisho. Manje sekubonakala nakakhulu kunakuqala. Ngaphezu kwalokho, umgomo wokusungula ekudlaleni komdlali wopiyano “uyagqashuka”, uyaziveza – lena into emangalisa kakhulu! - naphezu kokuvinjelwa okwaziwayo, ukuqina kwezemfundo kwendlela yakhe yokusebenza. Lokhu kuhlaba umxhwele kakhulu…

Amandla okudala kaSokolov azwakala ngokucacile lapho ekhuluma ngemisebenzi yakhe yakamuva ekhonsathini eHholo lika-Okthoba leNdlu Yezinyunyana eMoscow (February 1988), uhlelo lwalo olwaluhlanganisa i-Bach's English Suite No. 2 in A minor, i-Prokofiev's Eighth Sonata. kanye noSonata kaBeethoven wamashumi amathathu nesibili. Eyokugcina yale misebenzi idonse ukunaka okukhethekile. U-Sokolov ubelokhu ewenza isikhathi eside. Noma kunjalo, uyaqhubeka nokuthola ama-engeli amasha futhi athakazelisayo ekuchazeni kwakhe. Namuhla, ukudlala komdlali wopiyano kudala ukuzihlanganisa nokuthile, mhlawumbe, okudlulela ngale kwemizwa nemibono yomculo kuphela. (Masikhumbule lokho akusho ngaphambili mayelana “nezisusa” kanye “namathonya” abaluleke kakhulu kuye, ashiye uphawu oluphawuleka kangaka kwezobuciko bakhe - kukho konke avela emikhakheni engahlangani ngokuqondile nomculo.) Ngokusobala , yilokhu okunikeza inani elithile endleleni kaSokolov ku-Beethoven ngokujwayelekile, kanye ne-opus 111 yakhe ikakhulukazi.

Ngakho-ke, uGrigory Lipmanovich ubuyela ngokuzithandela emisebenzini ayenza ngaphambili. Ngaphezu kwe-Sonata Yamashumi Amathathu Nesibili, umuntu angaqamba i-Bach's Golberg Variations kanye ne-The Art of Fugue, i-Beethoven's Thirty-three Variations on a Waltz ka-Diabelli (Op. 120), kanye nezinye izinto ezizwakala kumakhonsathi akhe ku-Waltz phakathi nasekupheleni kweminyaka engamashumi ayisishiyagalombili. Nokho, yena, yebo, usebenza entsha. Uhlala esebenza kahle futhi ephikelela izingqimba ze-repertoire angakaze azithintile ngaphambilini. “Lena ukuphela kwendlela yokuqhubekela phambili,” usho kanje. “Ngaso leso sikhathi, ngokubona kwami, udinga ukusebenza ngomkhawulo wamandla akho - ngokomoya nangokwenyama. Noma yikuphi "impumuzo", noma yikuphi ukuzitika komuntu siqu kuyofana nokushiya ubuciko bangempela, obukhulu. Yebo, okuhlangenwe nakho kunqwabelana phakathi neminyaka; nokho, uma kusiza isixazululo senkinga ethile, okokushintshela ngokushesha komunye umsebenzi, kwenye inkinga yokudala.

Kimina, ukufunda ucezu olusha kuhlala kushubile, kuwumsebenzi onovalo. Mhlawumbe okucindezelayo ikakhulukazi - ngaphezu kwakho konke okunye - futhi ngoba angihlukanisi inqubo yomsebenzi kunoma yiziphi izigaba nezigaba. Umdlalo “uyathuthuka” ngesikhathi sokufunda kusuka kuqanda – kuze kufike esikhathini lapho uyiswa esiteji. Okusho ukuthi, umsebenzi ungowomlingisi ophambanayo, ongahlukanisiwe - kungakhathaliseki ukuthi angivamile ukufunda ucezu ngaphandle kokuphazamiseka okuthile, okuxhunywe noma ngezokuvakasha, noma ngokuphindaphinda eminye imidlalo, njll.

Ngemva kokusebenza kokuqala komsebenzi esiteji, umsebenzi kuwo uyaqhubeka, kodwa kakade usesimweni sezinto ezifundiwe. Futhi njalo inqobo nje uma ngidlala lesi siqeshana nhlobo.

... Ngikhumbula ukuthi phakathi neminyaka engamashumi ayisithupha - umculi osemusha wayesanda kungena esiteji - enye yezibuyekezo ezibhekiswe kuye yathi: "Sekukonke, umculi we-Sokolov ukhuthaza ukuzwelana okungajwayelekile ... ugcwele amathuba acebile, futhi kusukela. ubuciko bakhe ungalindelanga ubuhle obuningi. Sekudlule iminyaka eminingi kusukela lapho. Amathuba acebile lapho umdlali wopiyano waseLeningrad agcwaliswa khona avuleka kakhulu futhi ngenjabulo. Kepha, okubaluleke kakhulu, ubuciko bakhe abuphezi ukuthembisa ubuhle obengeziwe…

G. Tsypin, 1990