I-Polyfunctionality |
Imigomo Yomculo

I-Polyfunctionality |

Izigaba zesichazamazwi
imigomo nemiqondo

kusukela ku-Greek polu - okuningi ne-lat. funstio - ukwenza, ukuqaliswa, umsebenzi

Inhlanganisela yemisebenzi ehlukene (imvamisa emibili) kungwaqa owodwa (imvamisa ukungqubuzana okusebenzayo phakathi kwe-bass noma amazwi aphansi kanye namazwi aphezulu okuvumelana). Kuvela ezindaweni zesitho (i-PI Tchaikovsky, "Eugene Onegin", i-arioso ka-Lensky kusukela esithombeni sokuqala, ukuqala kwe-coda, okubusa kakhulu ku-fis no-E endaweni yokuhlela ye-tonic E-dur), imisindo eqhubekayo phakathi namazwi aphezulu. ( L. Beethoven, i-sonata yama-1 yepiyano, ingxenye I, isingeniso, imigoqo 32 no-12), izibalo eziyinkimbinkimbi ze-pedal (NA Rimsky-Korsakov, I-Golden Cockerel, isenzo se-14, inombolo 3, imigoqo 249-7, ngala mazwi: " Futhi uzame ukushada”), kwezinye izinhlanganisela nemisindo engeyona i-chord (ikakhulukazi ukubambezeleka; isb. i-consonance fad-cis-egb ekugcineni kwe-symphony ka-Beethoven yesi-8) kanye nokuhlukaniswa komugqa (isb, i-chord – cambiata III yezinga eliphansi i-cadence yokugcina yengxenye ye-II ye-sonata yesi-9 ka-SS Prokofiev; ngamazwi noma izendlalelo eziya komunye nomunye), ku-cadence quarter-sextakcord (TD; ezincwadini zomculo, ukuqokwa kwayo okuphindwe kabili kuyatholakala: T6 no-D64), ngezinye izikhathi ngokwakha okukhethekile (u-Beethoven, inhlanganisela ka-T no-D ngaphambi kokuphindwa kwengxenye ye-I ye-sym yesi-64 umgunyathi) kanye nezinjongo ezivezayo (noma izithombe):

I-Polyfunctionality |

L. Beethoven. I-symphony yesi-3, ukunyakaza I.

Ukungqubuzana kwe-polyfunctional D (kwezinsimbi zomculo ezinezintambo) kanye no-T (kophondo; njengokuphakanyiswa kwezinga eliphezulu) kusebenza njengokuqiniswa kokugcina kwesifiso se-tonic elindelekile ye-reprise futhi iyenze izwakale. Umthelela wokukhipha amandla kagesi wethoni omkhulu othuthukisiwe unamandla ngendlela emangalisayo.

Kodwa-ke, ukuhunyushwa kokuvumelana kwesimanje kwe-dissonant kusuka esikhundleni sika-P. kuvame ukuba nephutha, tk. "ukudiliza" ukuvumelana okusha kube izingxenye ezincane, ezifinyeleleka ezindleleni zangaphambili zokuhlaziya, kubhubhisa isihloko sangempela sokuhlaziya, sifake esikhundleni sabanye (bheka i-Polytonality, i-Polychord). Ngakho-ke, i-chord ce-fis-h, lapho kwakhiwe khona ukuhluka kwesi-4 kwengxenye yesibili yepiyano yesi-3. Ikhonsathi kaProkofiev ayikwazi ukuchazwa njengenhlanganisela ye-polyfunctional ye-T (eh) ne-S (ce-fis) kukhiye we-e-moll; izimele. i-consonance eyenza umsebenzi owodwa kuphela - isici esimaphakathi (i-tonics) ye-harmonic enikeziwe. izinhlelo. Kanjalo nechord njenge-cegad noma i-ceghd, uma isetshenziswa (isb emculweni we-jazz) njengeculo elizimele. i-tonic consonance (C-dur), i-monofunctional, hhayi i-polyfunctional.

References: Tyulin Yu. N., Incwadi yokuvumelana, ingxenye 2, M., 1959; eyakhe, I-Modern Harmony and Its Historical Origin, ku: Questions of Contemporary Music, L., 1963, ku: Theoretical Problems of Music of the 1th Century, vol. 1967, M., 4; I-Zolochevsky VN, I-Modulation kanye ne-polytonality, eqoqweni: Izifundo Zomculo zase-Ukraine, vol. 1969, Kipv, 4; U-Rivano N., Umfundi ngokuhambisana, ingxenye 1973, M., XNUMX.

Yu. Yebo. Kholopov

shiya impendulo