Tamara Ilyinichna Sinyavskaya |

Tamara Sinyavskaya

Entwasahlobo ka-1964. Ngemva kwekhefu elide, kwaphinde kwamenyezelwa umncintiswano wokwamukelwa eqenjini labaqeqeshwayo e-Bolshoi Theatre. Futhi, njengokungathi ku-cue, abathweswe iziqu ze-conservatory kanye ne-Gnessins, abaculi abavela emaphethelweni batheleka lapha - abaningi babefuna ukuhlola amandla abo. Ama-soloists e-Bolshoi Theatre, evikela ilungelo lawo lokuhlala eqenjini le-Bolshoi Theatre, kwakudingeka aphumelele umncintiswano.

Kulezi zinsuku, ucingo ehhovisi lami aluzange luyeke ukukhala. Wonke umuntu onento yokwenza nokucula kuphela ubizwa, ngisho nalabo abangahlanganise lutho nakho. Amaqabane amadala enkundleni yemidlalo yeshashalazi abize, evela ku-conservatory, evela eMnyangweni Wezamasiko ... Bacela ukuqopha inhlolokhono yalokhu noma lokhuya, ngokombono wabo, ithalente elalinyamalala lingabonakali. Ngilalela futhi ngiphendule ngokungacacile: kulungile, bathi, thumela!

Futhi iningi lalabo abashaya ucingo ngalolo suku babekhuluma ngentombazane encane, uTamara Sinyavskaya. Ngilalele Umculi Wabantu we-RSFSR ED Kruglikova, umqondisi wezobuciko wengoma yamaphayona nomdanso we-VS Loktev namanye amazwi, angisawakhumbuli manje. Bonke baqinisekisa ukuthi uTamara, nakuba engazange aphumelele e-Conservatory, kodwa kuphela esikoleni somculo, kodwa, bathi, kufanelekile kakhulu eBolshoi Theatre.

Uma umuntu enabakhulekeli abaningi, kuyethusa. Kungakhathaliseki ukuthi unekhono ngempela, noma umkhohlisi okwazile ukuhlanganisa zonke izihlobo nabangane bakhe "ukudlula". Uma sikhuluma iqiniso, ngezinye izikhathi kuyenzeka ebhizinisini lethu. Ngobandlululo oluthile, ngithatha imibhalo ngafunda: UTamara Sinyavskaya yisibongo esaziwa kakhulu ngezemidlalo kunobuciko bephimbo. Uthole iziqu esikoleni somculo eMoscow Conservatory ekilasini likathisha OP Pomerantseva. Hhayi-ke, isincomo esihle leso. UPomerantseva unguthisha owaziwayo. Intombazane ineminyaka engamashumi amabili ubudala ... Ayisencane? Nokho, ake sibone!

Ngosuku olumisiwe, kwaqala ukuhlolwa kwabafundi. Umqhubi oyinhloko wetiyetha u-EF Svetlanov wengamele. Silalele wonke umuntu ngokwentando yeningi, abacule kwaze kwaba sekugcineni, asibaphazamisanga abaculi ukuze bangalimali. Futhi ngakho bona, abampofu, bakhathazeka kakhulu kunalokho okudingekayo. Kwase kuyithuba likaSinyavskaya lokukhuluma. Lapho esondela kupiyano, wonke umuntu wabuka omunye wamamatheka. Kwaqala ukuhleba: “Maduze sizoqala ukuthatha abaculi basenkulisa!” i-debutante eneminyaka engamashumi amabili ubudala yayibukeka isencane kakhulu. UTamara wacula ingoma kaVanya ku-opera ethi “Ivan Susanin”: “Ihhashi elimpofu lawela ensimini. Izwi - contralto noma i-mezzo-soprano ephansi - lalizwakala limnene, linomsindo, ngisho, ngingasho, ngohlobo oluthile lomzwelo. Ngokusobala umculi wayedlala indima yalo mfana wakude owaxwayisa ibutho laseRussia mayelana nokusondela kwesitha. Wonke umuntu wayithanda, futhi intombazane yavunyelwa emzuliswaneni wesibili.

Umzuliswano wesibili nawo wamhambela kahle uSinyavskaya, nakuba i-repertoire yakhe yayimpofu kakhulu. Ngikhumbula ukuthi wenza lokho ayekulungiselele ekhonsathini yokuthweswa iziqu esikoleni. Manje kwase kukhona umzuliswano wesithathu, owawuhlola ukuthi izwi lomculi lizwakala kanjani ne-orchestra. “Umphefumulo uvule njengembali ekuntweleni kokusa,” uSinyavskaya wacula ingoma kaDelila edlala engosini ye-opera yaseSaint-Saens ethi Samson noDelilah, futhi izwi lakhe elimnandi lagcwala ihholo elikhulu lenkundla yemidlalo yaseshashalazini, lingena emagumbini akude kakhulu. Kucacele wonke umuntu ukuthi lo wumculi othembisayo odinga ukuyiswa kweyeshashalazi. Futhi uTamara uba yi-intern e-Bolshoi Theatre.

Kwaqala impilo entsha, intombazane eyayiphupha ngayo. Waqala ukucula kusenesikhathi (ngokusobala, wazuza njengefa izwi elihle nothando lokucula kunina). Wayecula yonke indawo – esikoleni, ekhaya, emgwaqeni, izwi lakhe elinomsindo lalizwakala yonke indawo. Abantu abadala beluleka intombazane ukuba ibhalisele iqoqo lezingoma zamaphayona.

E-Moscow House of Pioneers, inhloko yeqembu, u-VS Loktev, wadonsela ukunaka kwentombazane futhi wayinakekela. Ekuqaleni, uTamara wayene-soprano, wayethanda ukucula izingoma ezinkulu ze-coloratura, kodwa ngokushesha wonke umuntu ohlangene waqaphela ukuthi izwi lakhe lalilokhu lincipha kancane kancane, futhi ekugcineni uTamara wacula e-alto. Kodwa lokhu akuzange kumvimbele ukuthi aqhubeke nokuhileleka ku-coloratura. Usasho ukuthi ucula kakhulu ku-arias ye-Violetta noma i-Rosina.

Ngokushesha ukuphila kwaxhumanisa uTamara nesiteji. Ekhuliswe engenababa, wazama ngakho konke okusemandleni ukusiza unina. Ngosizo lwabantu abadala, wakwazi ukuthola umsebenzi eqenjini lomculo le-Maly Theatre. Ikhwaya e-Maly Theatre, njengakunoma iyiphi indawo yeshashalazi, ivame ukucula ngemuva kwesiteji futhi ngezikhathi ezithile ingena esiteji. UTamara wabonakala okokuqala emphakathini emdlalweni othi "The Living Corpse", lapho acula khona esixukwini samagypsies.

Kancane kancane, izimfihlo zobuciko bomlingisi ngomqondo omuhle wegama zaqondwa. Ngakho-ke, ngokwemvelo, uTamara wangena eBolshoi Theatre njengokungathi usekhaya. Kodwa endlini, okwenza izimfuno zayo ku engenayo. Ngisho nalapho uSinyavskaya efunda esikoleni somculo, yena, wayefisa ukusebenza ku-opera. I-Opera, ngokuqonda kwayo, yayihlotshaniswa neBolshoi Theatre, lapho abaculi abangcono kakhulu, abaculi abangcono kakhulu futhi, ngokuvamile, konke okuhle kakhulu. Ku-halo yenkazimulo, engafinyeleleki kwabaningi, ithempeli elihle futhi elingaqondakali lobuciko - yile ndlela ayecabanga ngayo i-Bolshoi Theatre. Lapho esengenile, wazama ngawo wonke amandla akhe ukuze afanelekele ukuhlonishwa aboniswa wona.

UTamara akazange aphuthelwe ukuphindaphinda nokukodwa, akukho nokukodwa ukudlala. Ngabhekisisa umsebenzi wabaculi abahamba phambili, ngazama ukubamba ngekhanda umdlalo wabo, izwi, umsindo wamanothi ngamanye, ukuze ekhaya, mhlawumbe izikhathi ezingamakhulu, ukuphinda ukunyakaza okuthile, lokhu noma lelo zwi lokushintshwa kwezwi, hhayi nje ukukopisha, kodwa zama ukuthola okuthile okwami.

Ezinsukwini lapho uSinyavskaya engena eqenjini labaqeqeshwayo e-Bolshoi Theatre, i-La Scala Theatre yayihambele. Futhi uTamara wazama ukungaphuthelwa ukudlala okukodwa, ikakhulukazi uma i-mezzo-sopranos edumile - i-Semionata noma i-Kassoto yenza (lesi isipelingi encwadini ka-Orfyonov - prim. irowu.).

Sonke sabona ukukhuthala kwentombazane encane, ukuzibophezela kwayo kwezobuciko bezwi futhi yayingazi ukuthi izoyikhuthaza kanjani. Kodwa ngokushesha ithuba lavela. Sanikezwa ukuba sibonise kuthelevishini yaseMoscow abaculi ababili - omncane kunabo bonke, abaqalayo kakhulu, oyedwa ovela eBolshoi Theatre kanye noyedwa waseLa Scala.

Ngemva kokubonisana nobuholi be-Milan yaseshashalazini, banquma ukubonisa uTamara Sinyavskaya nomculi wase-Italy uMargarita Guglielmi. Bobabili bebengakaze bacule endaweni yeshashalazi phambilini. Bobabili bawela umngcele kwezobuciko okokuqala ngqa.

Ngibe nenhlanhla yokumela laba baculi ababili kumabonakude. Njengoba ngikhumbula, ngathi manje sonke sibona ukuzalwa kwamagama amasha emculweni we-opera. Ukucula phambi kwezigidigidi zezethameli zethelevishini kube yimpumelelo, futhi kubaculi abancane ngalolu suku, ngicabanga, kuzokhunjulwa isikhathi eside.

Kusukela lapho engena eqenjini labaqeqeshwayo, uTamara ngandlela-thile waba intandokazi yeqembu lonke laseshashalazini. Yini ebambe iqhaza lapha akwaziwa, kungakhathaliseki ukuthi umlingisi ojabule, onomusa, noma osemusha, noma ngabe wonke umuntu wayembona njengenkanyezi yesikhathi esizayo endaweni yaseshashalazini, kodwa wonke umuntu wayelandela intuthuko yakhe ngesithakazelo.

Umsebenzi wokuqala kaTamara kwaba yiPage ku-opera kaVerdi ethi Rigoletto. Indima yabesilisa yekhasi ivamise ukudlalwa ngowesifazane. Ngolimi lwaseshashalazini, indima enjalo ibizwa ngokuthi "travesty", kusukela ku-Italian "travestre" - ukushintsha izingubo.

Sibheka uSinyavskaya endimeni yekhasi, sacabanga ukuthi manje sesingazola mayelana nezindima zesilisa ezenziwa ngabesifazane kuma-opera: laba nguVanya (Ivan Susanin), Ratmir (Ruslan noLyudmila), Lel (The Snow Maiden). ), Fedor ("Boris Godunov"). Indawo yeshashalazi ithole umculi okwaziyo ukudlala lezi zingcezu. Futhi wona, la maqembu, ayinkimbinkimbi kakhulu. Abaculi kudingeka badlale futhi bacule ngendlela yokuthi umbukeli angaqageli ukuthi owesifazane uyacula. Yilokho kanye uTamara akwazi ukukwenza kusukela ezinyathelweni zokuqala. Ikhasi lakhe bekungumfana othandekayo.

Indima yesibili kaTamara Sinyavskaya yayiyi-Hay Maiden ku-opera kaRimsky-Korsakov ethi The Tsar's Bride. Indima incane, amazwi ambalwa nje: “Umfana, inkosazana ivukile,” uyacula, futhi kunjalo. Kodwa kuyadingeka ukuvela esiteji ngesikhathi futhi ngokushesha, wenze inkulumo yakho yomculo, njengokungathi ungena kanye ne-orchestra, futhi ubaleke. Futhi wenze konke lokhu ukuze ukubukeka kwakho kuqashelwe yisibukeli. Etiyetha, empeleni, azikho izindima zesibili. Kubalulekile ukuthi kudlalwa kanjani, kuculwa kanjani. Futhi kuncike kumlingisi. Futhi kuTamara ngaleso sikhathi kwakungakhathalekile ukuthi iyiphi indima - enkulu noma encane. Into eyinhloko ukuthi wenza esiteji se-Bolshoi Theatre - ngemva kwakho konke, leli kwakuyiphupho lakhe eliyigugu. Ngisho nangendima encane, wayelungiselela kahle. Futhi, kufanele ngisho, kuningi engikuzuzile.

Isikhathi sokuvakasha. I-Bolshoi Theatre yayizoya e-Italy. Abaculi abahamba phambili bebelungiselela ukuhamba. Kwenzeka ukuthi bonke abadlali bengxenye ka-Olga e-Eugene Onegin kwadingeka bahambe eMilan, futhi umculi omusha kwakudingeka alungiselelwe ngokuphuthumayo ukusebenza esiteji saseMoscow. Ubani ozocula ingxenye ka-Olga? Sacabanga futhi sacabanga futhi sanquma: Tamara Sinyavskaya.

Iphathi ka-Olga ayisekho amagama amabili. Imidlalo eminingi, ukucula okuningi. Umthwalo wemfanelo mkhulu, kodwa isikhathi sokulungiselela sifushane. Kodwa uTamara akazange adumaze: wadlala futhi wacula kahle kakhulu u-Olga. Futhi iminyaka eminingi waba omunye wabalingisi abakhulu bale ndima.

Ekhuluma ngokudlala kwakhe okokuqala njengo-Olga, uTamara ukhumbula indlela ayekhathazeke ngayo ngaphambi kokungena esiteji, kodwa ngemva kokubuka umlingani wakhe - kanti umlingani wakhe kwakungu-tenor Virgilius Noreika, umculi we-Vilnius Opera, wehlisa umoya. Kuvele ukuthi naye ukhathazekile. “Mina,” kusho uTamara, “ngicabange ukuthi ngingazola kanjani uma amaciko anjalo anokuhlangenwe nakho ekhathazekile!”

Kodwa lokhu kuyinjabulo enhle yokudala, akekho umculi wangempela ongayenza ngaphandle kwayo. U-Chaliapin noNezhdanova nabo babekhathazekile ngaphambi kokungena esiteji. Futhi umculi wethu osemncane kufanele akhathazeke kaningi, njengoba esehileleke kakhulu ekusebenzeni.

I-opera kaGlinka ethi "Ruslan noLyudmila" yayilungiselelwa ukudlalwa. Kwakukhona ababili ababebanga indima "yentsha uKhazar Khan Ratmir", kodwa bobabili abahambisani ngempela nombono wethu walesi sithombe. Khona-ke abaqondisi - umqhubi we-BE Khaikin nomqondisi u-RV Zakharov - banquma ukuthatha ingozi yokunikeza indima ku-Sinyavskaya. Futhi babengaphosisi, nakuba kwakudingeka basebenze kanzima. Ukusebenza kukaTamara kuhambe kahle – izwi lakhe elijulile lesifuba, umzimba omncane omncane, ubusha kanye nomdlandla kwenza u-Ratmir wathandeka kakhulu. Yiqiniso, ekuqaleni kwakukhona iphutha elithile ohlangothini lwezwi lwengxenye: amanye amanothi aphezulu ayesaphonswa ngandlela-thile "emuva". Kwakudingeka umsebenzi owengeziwe endimeni.

UTamara ngokwakhe wayekuqonda kahle lokhu. Kungenzeka ukuthi kwakungaleso sikhathi lapho waba nombono wokungena esikhungweni, okuyinto waqaphela kamuva. Nokho, ukusebenza ngempumelelo Sinyavskaya indima Ratmir kwaba nomthelela isiphetho sakhe esizayo. Wasuswa eqenjini labaqeqeshwayo waya kubasebenzi bemidlalo yaseshashalazini, futhi wanqunywa iphrofayili yezindima, okwathi kusukela ngalolo suku yaba abangane bakhe njalo.

Sesishilo ukuthi i-Bolshoi Theatre yenza i-opera ka-Benjamin Britten ethi A Iphupho LaseMidsummer Night. AbakwaMuscovites base beyazi le opera edlalwa u-Komishet Oper, ithiyetha yaseGerman Democratic Republic. Ingxenye ye-Oberon - inkosi yama-elves kuyo yenziwa nge-baritone. Ezweni lakithi, indima ka-Oberon yanikezwa uSinyavskaya, i-mezzo-soprano ephansi.

Ku-opera esekelwe esakhiweni sikaShakespeare, kukhona izingcweti, abathandi-amaqhawe uHelen noHermia, uLysander noDemetrius, ama-elves amahle nama-dwarves aholwa yinkosi yabo u-Oberon. Inkundla - amatshe, izimpophoma, izimbali eziyimilingo namakhambi - kugcwalise isiteji, kwakha umoya omuhle kakhulu wokudlala.

Ngokwamahlaya kaShakespeare, ukuhogela iphunga elimnandi lamakhambi nezimbali, ungakwazi ukuthanda noma ukuzonda. Isebenzisa le ndawo eyisimangaliso, inkosi yama-elves u-Oberon ikhuthaza indlovukazi u-Titania ngothando ngembongolo. Kodwa imbongolo ngumdwebi u-Spool, onekhanda lembongolo kuphela, futhi yena ngokwakhe uyaphila, uhlakaniphile, uhlakaniphile.

Wonke umdlalo ulula, ujabule, nomculo wangempela, nakuba abaculi abaculayo bengelula kakhulu ukuwukhumbula. Abadlali abathathu baqokwa endimeni ka-Oberon: E. Obraztsova, T. Sinyavskaya noG. Koroleva. Ngamunye wadlala indima yakhe ngendlela yakhe. Bekuwumncintiswano omuhle wabaculi abathathu besifazane abaphumelele ukubhekana nengxenye enzima.

UTamara wanquma indima ka-Oberon ngendlela yakhe. Akafani neze no-Obraztsova noma iNdlovukazi. Inkosi yama-elves ingeyokuqala, ayinangqondo, iyaziqhenya futhi ine-caustic encane, kodwa ayiphindiseli. Uyihlaya. Ngobuqili nangobuqili uluka amacebo akhe embusweni wehlathi. Embukisweni wokuqala, owaphawulwa abezindaba, uTamara wajabulisa wonke umuntu ngomsindo opholile wezwi lakhe eliphansi nelimnandi.

Ngokuvamile, umuzwa wobuchwepheshe obuphezulu uhlukanisa phakathi kontanga yakhe uSinyavskaya. Mhlawumbe unalo azalwe nalo, noma mhlawumbe uzikhulisele yena, eqonda isibopho sethiyetha ayintandokazi yakhe, kodwa kuyiqiniso. Kukangaki uchwepheshe beza ukutakula yaseshashalazini ngezikhathi ezinzima. Kabili ngesizini eyodwa, uTamara kwadingeka abeke engcupheni, edlala kulezo zingxenye ukuthi, nakuba “ayezwa”, wayengazazi kahle.

Ngakho-ke, ngokunganaki, wenza izindima ezimbili ku-opera kaVano Muradeli "Okthoba" - uNatasha kanye ne-Countess. Izindima zihlukene, ziphambene. UNatasha uyintombazane evela embonini yasePutilov, lapho uVladimir Ilyich Lenin ecasha khona emaphoyiseni. Ungumhlanganyeli okhuthele ekulungiseleleni uguquko. U-Countess uyisitha se-revolution, umuntu ogqugquzela ama-White Guards ukubulala u-Ilyich.

Ukucula lezi zindima endaweni eyodwa kudinga ithalente lokulingisa. Futhi uTamara uyacula futhi adlale. Nangu - uNatasha, ucula ingoma yomdabu yaseRussia ethi "Ngamafu aluhlaza antanta esibhakabhakeni", edinga ukuthi umculi aphefumule kabanzi futhi acule i-cantilena yaseRussia, bese edansa ngokudumile umdanso wesikwele emshadweni we-impromptu kaLena futhi. Ilyusha (abalingiswa be-opera). Futhi kamuva nje simbona njengo-Countess - intokazi e-languid yomphakathi ophakeme, ingxenye yayo yokucula yakhelwe kuma-tangos amadala ase-salon kanye ne-half-gypsy hysterical romances. Kuyamangaza ukuthi lo mculi oneminyaka engamashumi amabili ubudala waba nekhono lokwenza konke lokhu. Yilokhu esikubiza ngobuchwepheshe emdlalweni weshashalazi womculo.

Ngesikhathi esifanayo nokugcwaliswa kabusha kwe-repertoire ngezindima ezinomthwalo wemfanelo, uTamara usanikezwa izingxenye ezithile zesikhundla sesibili. Enye yalezi zindima kwakunguDunyasha ku-Rimsky-Korsakov ethi The Tsar's Bride, umngane kaMarfa Sobakina, umakoti weTsar. UDunyasha naye kufanele abe mncane, emuhle - phela namanje akwaziwa ukuthi iyiphi emantombazaneni uTshare azoyikhetha kumakoti ukuthi abe unkosikazi wakhe.

Ngaphandle kukaDunyasha, uSinyavskaya wacula uFlora eLa Traviata, kwathi uVanya e-opera ethi Ivan Susanin, kwathi uKonchakovna ePrince Igor. Emdlalweni othi "Impi Nokuthula" wenza izingxenye ezimbili: amaGypsy Matryosha noSonya. Ku-Queen of Spades, kuze kube manje usedlale i-Milovzor futhi ubeyindoda emnandi, enomusa, ecula le ngxenye ngokuphelele.

Ngo-Agasti 1967 iBolshoi Theatre eCanada, embukisweni womhlaba i-EXPO-67. Imisebenzi ilandelana ngokulandelana: "INkosana Igor", "Impi Nokuthula", "Boris Godunov", "I-Legend of the Invisible City of Kitezh", njll. Inhloko-dolobha yaseCanada, iMontreal, yamukela ngentshiseko abaculi baseSoviet. Ngokokuqala ngqa, uTamara Sinyavskaya naye uhamba phesheya nemidlalo yaseshashalazini. Yena, njengabadwebi abaningi, kufanele adlale izindima eziningana kusihlwa. Ngempela, kuma-opera amaningi kuqashwa abadlali abangamashumi amahlanu, futhi kwahamba abadlali abangamashumi amathathu nanhlanu kuphela. Lapha yilapho udinga ukuphuma ngandlela thize.

Lapha, ikhono likaSinyavskaya laqala ukudlala ngokugcwele. Emdlalweni othi "Impi Nokuthula" uTamara udlala izindima ezintathu. Nangu i-gypsy Matryosha. Uvela esiteji imizuzu embalwa nje, kodwa yeka indlela abonakala ngayo! Enhle, enomusa - indodakazi yangempela yama-steppes. Futhi ngemva kwezithombe ezimbalwa udlala incekukazi endala uMavra Kuzminichna, futhi phakathi kwalezi zindima ezimbili - uSonya. Mangisho ukuthi abadlali abaningi bendima kaNatasha Rostova abathandi ngempela ukwenza noSinyavskaya. U-Sonya wakhe muhle kakhulu, futhi kunzima kuNatasha ukuba abe muhle kakhulu, okhanga kakhulu endaweni yebhola eduze kwakhe.

Ngingathanda ukugxila ekusebenzeni kwendima kaSinyavskaya kaTsarevich Fedor, indodana kaBoris Godunov.

Le ndima ibonakala idalwe ngokukhethekile uTamara. Vumela uFedor ekusebenzeni kwakhe kube ngowesifazane ngaphezu, isibonelo, uGlasha Koroleva, ababuyekezi abambiza ngokuthi i-Fedor ekahle. Nokho, uSinyavskaya udala isithombe esihle sensizwa enesithakazelo esiphethweni sezwe lakubo, ifunda isayensi, ilungiselela ukubusa umbuso. Uhlanzekile, unesibindi, futhi endaweni yokufa kuka-Boris udidekile ngobuqotho njengengane. Uyamethemba uFedor wakhe. Futhi lokhu kuyinto eyinhloko yomculi - ukwenza umlaleli akholelwe esithombeni asidalayo.

Kuthathe umculi isikhathi esiningi ukudala izithombe ezimbili - unkosikazi ka-commissar Masha ku-opera kaMolchanov ethi The Unknown Soldier kanye neCommissar ku-Optimistic Tragedy kaKholminov.

Isithombe somfazi we-commissar siyancisha. UMasha Sinyavskaya uvalelisa kumyeni wakhe futhi uyazi ukuthi kuze kube phakade. Uma ubona lezi zindiza ngokungenathemba, njengamaphiko enyoni ephukile, izandla ze-Sinyavskaya, uzozizwa ukuthi owesifazane waseSoviet we-patriot, owenziwe umculi onethalente, ubhekene nakho kulo mzuzu.

Iqhaza lika-Commissar ku-"The Optimistic Tragedy" liyaziwa kakhulu ngokudlalwa kwemidlalo yaseshashalazini. Nokho, ku-opera, le ndima ibonakala ihlukile. Kwadingeka ngilalele kaningi i-Optimistic Tragedy ezindlini eziningi ze-opera. Ngamunye wabo ubeka ngendlela yakhe, futhi, ngombono wami, hhayi njalo ngempumelelo.

E-Leningrad, isibonelo, ifika nenani elincane lama-banknotes. Kodwa ngakolunye uhlangothi, kunezikhathi eziningi ezinde futhi ezisebenzayo. I-Bolshoi Theatre yathatha inguqulo ehlukile, ivinjelwe kakhulu, ifushane futhi ngesikhathi esifanayo ivumela abaculi ukuba babonise amakhono abo kabanzi.

U-Sinyavskaya udale isithombe se-Commissar ngokuhambisana nabanye abadlali ababili bale ndima - Umculi Wabantu we-RSFSR LI Avdeeva kanye Nomculi Wabantu wase-USSR IK Arkhipov. Kuwudumo ngeciko eliqala umsebenzi walo ukuba sezingeni elilinganayo nezihlabani zendawo. Kodwa ngenxa yokubonga kwabaculi bethu baseSoviet, kufanele kushiwo ukuthi uLi Avdeeva, futhi ikakhulukazi u-Arkhipova, wasiza uTamara ukuba angenele indima ngezindlela eziningi.

Ngokucophelela, ngaphandle kokuphoqelela okuthile okungokwakhe, u-Irina Konstantinovna, njengothisha onolwazi, kancane kancane futhi ngokungaguquki wembulela izimfihlo zokwenza.

Ingxenye yeCommissar yayinzima kuSinyavskaya. Ungangena kanjani kulesi sithombe? Indlela yokubonisa uhlobo lwesisebenzi sezombangazwe, owesifazane othunyelwe yi-revolution emkhunjini, lapho engathola khona amazwibela adingekayo engxoxweni namatilosi, nama-anarchists, nomphathi womkhumbi - isikhulu sangaphambili se-tsarist? Oh, bangaki la "kanjani?". Ngaphezu kwalokho, ingxenye ayibhalwanga i-contralto, kodwa i-mezzo-soprano ephezulu. Ngaleso sikhathi uTamara wayengakawazi kahle amazwi akhe aphezulu ngaleso sikhathi. Kungokwemvelo ukuthi ezivivinyweni zokuqala nasemidlalweni yokuqala kwaba nokudumala, kodwa kwaba khona impumelelo efakazela ikhono leciko lokuyijwayela le ndima.

Isikhathi sesimthathile. UTamara, njengoba besho, "wacula" futhi "wadlala" endimeni yeCommissar futhi uwenza ngempumelelo. Futhi waze waklonyeliswa ngomklomelo okhethekile ngakho kanye namaqabane akhe kulo mdlalo.

Ehlobo lika-1968, uSinyavskaya wavakashela eBulgaria kabili. Ngokokuqala ngqa wabamba iqhaza emkhosini weVarna Summer. Edolobheni laseVarna, endaweni evulekile, egcwele iphunga lama-roses nolwandle, kwakhiwa indawo yaseshashalazini lapho amaqembu e-opera aqhudelana khona ekhombisa ubuciko bawo ehlobo.

Ngalesi sikhathi bonke abahlanganyeli bomdlalo othi "Prince Igor" bamenywe eSoviet Union. UTamara wadlala indima kaKonchakovna kulo mkhosi. Ubebukeka emuhle kakhulu: imvunulo yase-Asia yendodakazi ecebile ka-Khan Konchak onamandla ... imibala, imibala ... ingemuva lobusuku obushisayo obuseningizimu - umane umxhwele.

Okwesibili, uTamara wayeseBulgaria emqhudelwaneni we-IX World Festival of Youth and Students ekuculeni kwakudala, lapho awina khona indondo yakhe yokuqala yegolide njengowonqoba.

Ukuphumelela kokusebenza eBulgaria kwaba inguquko endleleni yokudala yeSinyavskaya. Ukusebenza emkhosini we-IX kwaba ukuqala kwemincintiswano eminingi ehlukahlukene. Ngakho, ngo-1969, kanye noPiavko no-Ogrenich, wathunyelwa nguMnyango Wezamasiko eMncintiswaneni Wamazwe Ngamazwe Womculo, owawusedolobheni laseVerviers (Belgium). Lapho, umculi wethu wayeyisithixo somphakathi, esewine yonke imiklomelo eyinhloko - i-Grand Prix, indondo yegolide yomklomelo kanye nomklomelo okhethekile kahulumeni waseBelgium, owasungulwa umculi ongcono kakhulu - ophumelele umncintiswano.

Ukusebenza kukaTamara Sinyavskaya akuzange kudlule ukunaka kwababuyekezi bomculo. Ngizonikeza enye yezibuyekezo ezichaza ukucula kwakhe. “Akukho nesisodwa isihlamba esingalethwa umculi waseMoscow, onephimbo elimnandi kakhulu esike salizwa muva nje. Izwi lakhe, eligqame ngendlela emangalisayo, ligeleza kalula nangokukhululekile, lifakazela isikole esihle sokucula. Ngomculo ongavamile nomuzwa omuhle, wenza i-seguidille kusukela ku-opera u-Carmen, kuyilapho ukuphimisela kwakhe isiFulentshi kwakungenasici. Wabe esekhombisa ukuguquguquka kanye nomculo ocebile ku-Vanya's aria evela ku-Ivan Susanin. Ekugcineni, ngokunqoba kwangempela, wahlabelela uthando lukaTchaikovsky "Night".

Ngawo lowo nyaka, uSinyavskaya wenza olunye uhambo olubili, kodwa kakade njengengxenye yeBolshoi Theatre - eBerlin naseParis. E-Berlin, wenza njengomfazi we-commissar (Isosha Elingaziwa) no-Olga (Eugene Onegin), futhi eParis wacula indima ka-Olga, Fyodor (Boris Godunov) no-Konchakovna.

Amaphephandaba aseParis ayecophelela ngokukhethekile lapho ebukeza izingoma zabaculi baseSoviet abasebasha. Babhala ngentshiseko ngoSinyavskaya, Obraztsova, Atlantov, Mazurok, Milashkina. Izibongo "ezithandekayo", "izwi elinamandla", "i-mezzo edabukisayo ngempela" zana zisuka emakhasini amaphephandaba zaya kuTamara. Iphephandaba i-Monde labhala: “T. USinyavskaya - uKonchakovna othukuthele - uvusa kithi imibono yaseMpumalanga engaqondakali ngezwi lakhe elihle, elijabulisayo, futhi kuvele kucace ngokushesha ukuthi kungani uVladimir engakwazi ukumelana naye.

Yeka injabulo lapho ngineminyaka engamashumi amabili nesithupha ukuthola ukuqashelwa komculi osezingeni eliphezulu! Ubani ongaphathwa yisiyezi empumelelweni nasekudunyisweni? Ungabonwa. Kodwa uTamara waqonda ukuthi kwakusesekuseni kakhulu ukuba azikhukhumeze, futhi ngokuvamile, ukuqhosha akuzange kuhambisane nomculi waseSoviet. Isizotha nokufunda okuqhubekayo okuqhubekayo – yilokho okubaluleke kakhulu kuye manje.

Ukuze athuthukise amakhono akhe wokulingisa, ukuze akwazi kahle zonke izinselele zobuciko bezwi, uSinyavskaya, emuva ngo-1968, wangena e-AV Lunacharsky State Institute of Theatre Arts, umnyango wabalingisi bomculo wamahlaya.

Uyabuza - kungani kulesi sikhungo, hhayi ku-conservatory? Kwenzeka. Okokuqala, awukho umnyango wakusihlwa endaweni yokugcina izingane, futhi uTamara akakwazanga ukuyeka ukusebenza endaweni yeshashalazi. Okwesibili, e-GITIS, wathola ithuba lokufunda noProfesa DB Belyavskaya, uthisha onolwazi lwezwi, owafundisa abaculi abaningi baseBolshoi Theatre, kuhlanganise nomculi omangalisayo u-EV Shumskaya.

Manje, lapho ebuya ohambweni, uTamara kwadingeka abhale izivivinyo futhi aqedele izifundo zasesikoleni. Futhi ngaphambi kokuvikela idiploma. Ukuhlolwa kokuthweswa iziqu kukaTamara kwaba ukusebenza kwakhe emncintiswaneni we-IV International Tchaikovsky, lapho yena, kanye no-Elena Obraztsova onekhono, bathola umklomelo wokuqala kanye nendondo yegolide. Umbuyekezi kamagazini i-Soviet Music wabhala lokhu ngoTamara: “Ungumnikazi we-mezzo-soprano eyingqayizivele ngobuhle namandla, enalowo msindo wesifuba ocebile ophawuleka kakhulu ngamaphimbo aphansi abesifazane. Yilokho okwavumela umculi ukuba enze ngokuphelele i-aria ka-Vanya evela ku-"Ivan Susanin", u-Ratmir kusukela "ku-Ruslan no-Lyudmila" kanye ne-arioso yeQhawe evela ku-cantata ka-P. Tchaikovsky "eMoscow". I-seguidilla evela ku-Carmen no-Joanna's aria evela ku-Tchaikovsky's Maid of Orleans izwakale inhle kakhulu. Nakuba ithalenta likaSinyavskaya lingenakubizwa ngokuthi livuthiwe ngokugcwele (usenalo ukulingana ekusebenzeni, ukuphelela ekuqedeni imisebenzi), uthatha ukufudumala okukhulu, imizwa ecacile kanye nokuzenzekelayo, okuhlala kuthola indlela efanele ezinhliziyweni zabalaleli. Impumelelo ye-Sinyavskaya emncintiswaneni ... ingabizwa ngokuthi ukunqoba, okuyinto, yebo, eyenziwa yi-charm ekhangayo yentsha. Ngaphezu kwalokho, umbuyekezi, ekhathazekile ngokulondolozwa kwezwi likaSinyavskaya eliyivelakancane, uyaxwayisa: “Noma kunjalo, kubalulekile ukuxwayisa umculi njengamanje: njengoba umlando ubonisa, amazwi alolu hlobo aphela ngokushesha, alahlekelwe ukunotha kwawo, uma abanikazi babaphatha ngokunganakekeli ngokwanele futhi abalandeli amazwi aqinile nendlela yokuphila.”

Unyaka wonke we-1970 waba unyaka wempumelelo enkulu kuTamara. Ithalente lakhe laqashelwa kokubili ezweni lakubo nangesikhathi sokuvakasha kwamanye amazwe. "Ngokubamba iqhaza elibonakalayo ekuthuthukiseni umculo waseRussia nowaseSoviet" uklonyeliswa umklomelo wekomidi ledolobha laseMoscow leKomsomol. Wenza kahle emdlalweni weshashalazi.

Lapho i-Bolshoi Theatre ilungiselela i-opera Semyon Kotko ukuze idlale, abalingisi ababili baqokwa ukuba badlale indima kaFrosya - Obraztsova noSinyavskaya. Ngamunye unquma isithombe ngendlela yakhe, indima ngokwayo ivumela lokhu.

Iqiniso liwukuthi le ndima akuyona neze “i-opera” ngomqondo ovamile owamukelekayo waleli gama, nakuba idrama yesimanje ye-operatic yakhelwe ngokuyinhloko ezimisweni ezifanayo eziwuphawu lwemidlalo yaseshashalazini. Umehluko kuphela ukuthi umdlali osedrama uyadlala futhi uyakhuluma, futhi umdlali we-opera uyadlala futhi acule, isikhathi ngasinye evumelanisa izwi lakhe kuleyo mibala yephimbo neyomculo okufanele ihambisane nalokhu noma leso sithombe. Ake sithi, ngokwesibonelo, umculi ucula ingxenye kaCarmen. Izwi lakhe linothando nokwanda kwentombazane evela efemini kagwayi. Kodwa umculi ofanayo wenza ingxenye yomalusi othandweni uLel ku "The Snow Maiden". Indima ehluke ngokuphelele. Enye indima, elinye izwi. Futhi kwenzeka ukuthi, ngenkathi edlala indima eyodwa, umdwebi kufanele ashintshe umbala wezwi lakhe kuye ngokuthi isimo - ukukhombisa usizi noma injabulo, njll.

UTamara, ngendlela yakhe, waqonda indima kaFrosya, futhi ngenxa yalokho wathola isithombe esiyiqiniso sentombazane empofu. Kulesi senzakalo, ikheli lomdwebi laliyizitatimende eziningi emaphephandabeni. Ngizonikeza into eyodwa kuphela ebonisa ngokucacile umdlalo onekhono lomculi: "I-Frosya-Sinyavskaya ifana ne-mercury, i-imp engaphumuli ... ikhanya ngokoqobo, ihlale imphoqa ukuba alandele imigilingwane yakhe. Nge-Sinyavskaya, ukulingisa, ukudlala okudlalayo kuphenduka indlela ephumelelayo yokuqopha isithombe sasesiteji.

Indima kaFrosya iyinhlanhla entsha kaTamara. Yiqiniso, wonke umdlalo wamukelwa kahle izethameli futhi waklonyeliswa ngomklomelo emncintiswaneni owawubanjelwe ukukhumbula iminyaka eyi-100 yokuzalwa kuka-VI Lenin.

Ikwindla yafika. Vakashela futhi. Kulokhu i-Bolshoi Theatre ilibangise e-Japan, ku-World Exhibition EXPO-70. Zimbalwa izibuyekezo ezehlele kithi ezivela eJapane, kodwa ngisho nalesi sibalo esincane sokubuyekezwa sikhuluma ngoTamara. AmaJapane ayebabaza izwi lakhe elicebile ngendlela emangalisayo, elaliwajabulisa kakhulu.

Ukubuya ohambweni, uSinyavskaya uqala ukulungiselela indima entsha. I-opera ka-Rimsky-Korsakov ethi The Maid of Pskov iyadlalwa. Esethulweni sale opera, ebizwa ngokuthi Vera Sheloga, ucula ingxenye kaNadezhda, udadewabo kaVera Sheloga. Indima incane, i-laconic, kodwa ukusebenza kuhle kakhulu - izethameli zishaya ihlombe.

Ngaso leso sikhathi, wenza izindima ezimbili ezintsha kuye: uPolina e-Queen of Spades noLyubava eSadko.

Ngokuvamile, lapho ehlola izwi le-mezzo-soprano, umculi uvunyelwe ukucula ingxenye ye-Polina. Ku-aria-romance kaPolina, ububanzi bezwi lomculi kufanele bulingane nama-octave amabili. Futhi lokhu kweqela phezulu bese kuya phansi ku-A-flat kunzima kakhulu kunoma yimuphi umculi.

Ku-Sinyavskaya, ingxenye kaPolina yayinqoba isithiyo esinzima, ayengakwazi ukusinqoba isikhathi eside. Ngalesi sikhathi "isithiyo esingokwengqondo" sathathwa, kodwa umculi wagxiliswa eqophelweni elizuziwe kamuva. Ngemva kokucula uPolina, uTamara waqala ukucabanga ngezinye izingxenye ze-mezzo-soprano repertoire: ngoLyubasha kuMlobokazi weTsar, uMarta eKhovanshchina, uLyubava eSadko. Kwenzeka ukuthi wayengowokuqala ukucula uLyubava. Umculo odabukisayo, omnandi we-aria ngesikhathi sokuvalelisa ku-Sadko uthathelwa indawo yingoma kaTamara ejabulisayo, emnandi lapho ehlangana naye. “Nangu umyeni wami eza, themba lami elimnandi!” uyacula. Kodwa ngisho naleli qembu elibonakala lingamaRussia kuphela, eliculayo linezingibe zalo. Ekupheleni kwesithombe sesine, umculi udinga ukuthatha u-A ongenhla, okuyizwi elinjengelikaTamara, irekhodi lobunzima. Kodwa umculi wanqoba zonke lezi A eliphezulu, futhi ingxenye Lyubava uya kakhulu kuye. Lapho ehlola umsebenzi kaSinyavskaya mayelana nokuklonyeliswa kwakhe uMklomelo weKomsomol waseMoscow ngalowo nyaka, amaphephandaba abhala ngephimbo lakhe: “Ukwethaba kwentshiseko, okungenamkhawulo, ukuphithizela futhi ngesikhathi esifanayo elenziwa yizwi elithambile, elimbozayo, ephuka ekujuleni komphefumulo womculi. Umsindo uminyene futhi uyindilinga, futhi kubonakala sengathi ungabanjwa ezintendeni zezandla, bese uyakhala, bese wesaba ukunyakaza, ngoba ungaphuka emoyeni kunoma yikuphi ukunyakaza okunganaki.

Ngingathanda ukusho ekugcineni mayelana nekhwalithi ebalulekile yomlingiswa kaTamara. Lokhu ukuhlalisana, ikhono lokuhlangabezana nokwehluleka ngokumomotheka, futhi ngakho konke ukungathí sina, ngandlela-thile kungabonakali ukuze wonke umuntu alwe nakho. Iminyaka eminingana ilandelana, uTamara Sinyavskaya wakhethwa unobhala weKomsomol weqembu le-opera le-Bolshoi Theatre, wayeyisithunywa se-XV Congress ye-Komsomol. Ngokuvamile, u-Tamara Sinyavskaya ungumuntu othakazelisayo, othakazelisayo, uthanda ukwenza amahlaya nokuphikisana. Futhi uhlekisa kangakanani ngezinkolelo-ze abalingisi abangaziqondi kahle, ngokuhlekisayo, abangaphansi kwazo ngokungathí sina. Ngakho, eBelgium, emncintiswaneni, ngokuzumayo uthola inombolo yeshumi nantathu. Le nombolo yaziwa “njengebhadi”. Futhi cishe akekho ongajabula naye. Ahleke uTamara. Uthi: “Akukho lutho, le nombolo izongijabulisa.” Futhi ucabangani? Umculi wayeqinisile. I-Grand Prix kanye nendondo yegolide kumlethele inombolo yakhe yeshumi nantathu. Ikhonsathi yakhe yokuqala eyedwa yayingoMsombuluko! Kubuye kube wusuku olunzima. Akuyona inhlanhla leyo! Futhi uhlala efulethini esitezi seshumi nantathu ... Kodwa akakholelwa ezimpawini zikaTamara. Ukholelwa esihlabanini sakhe esinenhlanhla, ukholelwa ethalenteni lakhe, ukholelwa emandleni akhe. Ngokusebenza njalo nangokuphikelela, uzuza indawo yakhe kwezobuciko.

Umthombo: Orfenov A. Youth, amathemba, impumelelo. – M.: Young Guard, 1973. – p. 137-155.