U-Angelika Kholina: i-ballet ngaphandle kwe-ballet

Kukhona intelezi ekhethekile lapho kufanele ubhale ngomculi osemusha, kungakhathaliseki ukuthi ungubani - umculi, umdansi, umculi odlalayo. Ngenxa yokuthi ayikho imibono emisiwe emsebenzini wakhe, usagcwele amandla, futhi ekugcineni, umuntu angalindela okuningi ku-maestro encane.

Kulokhu, kuyathakazelisa kakhulu ukubukela umdwebi womculo weVakhtangov Theatre (eMoscow) - u-Angelika Kholina.

Impilo yakhe kanye ne-creative biography yakhe ingena ohlotsheni lwencazelo encane:

- 1990 - I-Vilnius (Lithuania) iyisenzakalo esisakhula;

- 1989 - waphothula eVilnius Ballet School;

- kusukela ngo-1991 aqala ukwenza ama-ballets, okungukuthi - leli iqiniso lokuzalwa komdwebi womculo osemusha (oneminyaka engu-21 ubudala);

- endleleni, waphothula i-GITIS (RATI) eMoscow ngo-1996, eyadalwa eLithuania - i-Angelika Kholina Dance Theatre (|) - 2000, futhi kusukela ngo-2008. isebenzisana neVakhtangov Theatre, lapho ebizwa khona ngokuthi umqondisi-choreographer. ;

- usekwazile ukuthola i-Lithuanian Order of the Knight's Cross ngo-2011, kodwa okubaluleke kakhulu ukuthi abafundi bakhe (abavela eVilnius) sebevele baziwa emiqhudelwaneni ye-ballet yamazwe ngamazwe, futhi igama lika-Angelika Kholina laziwa eYurophu naseMelika. imibuthano ye-ballet.

Kungani i-Vakhtangov Theatre yaba nenhlanhla no-Angelika Kholina?

Umlando wale thiyetha, oxhumene kakhulu nomculo, awujwayelekile, uyingxube yezinhlobo zezinhlobo ezisuka enhlekeleleni yakudala kuya ku-vaudeville enonya, inabalingisi abagqamile, imidlalo engasoze yalibaleka. Lokhu kuyi-burlesque, ukuhleka, ihlaya, kodwa futhi ukujula komcabango kanye nesiqalo sefilosofi ngesikhathi esifanayo.

Namuhla le midlalo yeshashalazi inothile ngomlando namasiko, iqondiswa uRimas Tumenas. Ngaphezu kokuba nekhono, ubuye abe Lithuanian. Lokhu kusho ukuthi abalingisi baseRussia, ngokuzithandela noma bengafuni, "bafakwa/bafakwe" ngengxenye ethile "yelinye igazi." Njengomqondisi, u-R. Tumenas waba umzuzi woMklomelo WoMbuso Wenhlangano YaseRussia futhi wanikezwa i-Order of Friendship of Peoples. Lokhu kumayelana negalelo likaTuminas emasikweni aseRussia.

Ngakho-ke umqondisi u-A. Kholina uzithola ekule ndawo, futhi njengomculi we-choreographer uthola ithuba lokusebenza nabalingisi baseRussia. Kodwa kungenzeka ukuthi futhi uletha amasiko esizwe emsebenzini wakhe futhi ugcizelela ngokuhlukile.

Umphumela uba ingxube emangalisayo, "i-cocktail" yokunambitheka okungavamile, okuye kwaba yisici se-Vakhtangov Theatre. Ngakho kuvela ukuthi i-choreographer Anzhelika Kholina wathola yaseshashalazini yakhe, futhi yaseshashalazini wathola umqondisi abanamakhono kanye choreographer.

Mayelana ne-choreography nabadlali

Emisebenzini yokudansa ka-A. Kholina, abadlali abamangalisayo kuphela abadlalayo, ngaphandle kuka-O. Lerman, onesikole se-choreographic ngemuva kwakhe.

Uma sichaza lezi “zinganekwane” ze-choreographic ezenziwa abadlali, kufanele kushiwo ukuthi:

- umsebenzi wezandla uveza kakhulu (futhi abadlali abamangalisayo bangenza lokhu kahle), kufanele futhi unake umsebenzi wesandla (kuma-solos nama-ensembles);

- umdwebi we-choreographer unakekela izinhlobonhlobo zokuma (kokubili okuguquguqukayo nokuguquguqukayo), ukudweba, "ukuhlanganisa" komzimba, lokhu kuwumsebenzi wakhe;

- i-footwork nayo icacile, kodwa lena akuyona i-ballet, lena ihlukile, kodwa hhayi ifomu lemidlalo yaseshashalazini elithakazelisa kancane;

- ukunyakaza kwabalingisi esiteji kunalokho okuvamile, kunezinyathelo ezijwayelekile ze-ballet. Kodwa bathola ukuthuthukiswa nokucijwa okuthile. Ekusebenzeni okumangalisayo okuvamile akukho ukunyakaza okunjalo (ububanzi, ububanzi, ukucacisa), akudingekile lapho. Lokhu kusho ukuthi ukungabikho kwegama kushintshaniswa yi-plasticity yomzimba womdlali, kodwa umdansi we-ballet cishe ngeke enze (ukudansa) "isethi" enjalo ye-choreographic (ngezinye izikhathi ngenxa yokulula). Futhi abalingisi bedrama bakwenza ngokujabula;

- kodwa-ke ungabona futhi uhlole ukubonakaliswa kwe-ballet (ukujikeleza, ukukhuphuka, izinyathelo, ukugxuma)

Ngakho-ke, kuvela ukuthi endleleni esuka emdlalweni kuya ku-ballet, kunezinketho ezingenzeka zokwenziwa ngaphandle kwamagama, i-ballet ephawulekayo, njll., okuyinto u-Angelica Kholina ayenza ngempumelelo nangethalente.

Ongakubuka

Namuhla eVakhtangov Theatre kunemidlalo engu-4 ka-Angelica Kholina: "Anna Karenina", "The Shore of Women", "Othello", "Amadoda nabesifazane". Uhlobo lwazo luchazwa njengomdlalo ongenamagama (ongakhulumi), okusho ukuthi Azikho izingxoxo noma ama- monologue; isenzo sidluliselwa ngokunyakaza kanye nepulasitiki. Ngokwemvelo, umculo udlala, kodwa abadlali abamangalisayo kuphela "abadansa".

Ngokusobala, yingakho imidlalo ingaqokwa njengama-ballet, kodwa ngokwehlukile, isibonelo, “njenge-choreographic composition” noma “idrama yomdanso.” Ku-inthanethi ungathola amavidiyo amakhulu kakhulu ale midlalo, futhi "I-Shore of Women" yethulwa ngenguqulo ecishe iphelele.

Kukhona nevidiyo ethi "Carmen" ku-inthanethi:

Lona umdlalo we-Anzhelika Kholina Ballet Theatre (|), kodwa abadlali be-Vakhtangov Theatre bayasebenza, noma kunalokho "ukudansa" kuyo.

Amavidiyo athi “Carmen” kanye “no-Anna Karenina” achazwa ngokuthi, okungukuthi, izingcezu ezihlaba umxhwele kakhulu ziyethulwa futhi abadlali nomhleli wokucula bakhulume:

Ngakho-ke leli fomu, lapho abalingisi "bedansa" bese bekhuluma, libonakala liphumelela kakhulu, ngoba lenza kube nokwenzeka ukuqonda okuningi.

Yiziphi izinto ezithakazelisayo u-Angelica Kholina ngokwakhe nabalingisi bakhe abashilo:

Mayelana nomculo nezinye izinto

Indima yomculo ku-A. Kholina yinhle kakhulu. Umculo uchaza okuningi, ugcizelela, ugqamile, ngakho-ke izinto zomculo azikwazi ukubizwa nganoma yini enye ngaphandle kwakudala okuphezulu.

Ku-“Carmen” yi-Bizet-Shchedrin, ku-“Anna Karenina” iyi-Schnittke yaseshashalazini egqamile. I-“Othello” ihlanganisa umculo ka-Jadams, futhi i-“The Coast of Women” ihlanganisa izingoma zothando zika-Marlene Dietrich ngesiNgisi, isiJalimane, isiFulentshi nesiHebheru.

"Amadoda nabesifazane" - umculo we-romantic ballets we-classic usetshenziswa. Ingqikithi yomdlalo ithi Uthando kanye nezimo abantu abaphila ngazo, okusho ukuthi lokhu kuwumzamo wokukhuluma ngemizwa ephakeme kakhulu ngezindlela zobuciko ngaphandle kwamagama futhi, mhlawumbe, nokuthola ukuqonda okuhlukile ngakho.

E-Othello, ukugcwala kwesiteji kufinyelelwa ngenxa yenani labadansi kanye nesakhiwo esingokomfanekiso esikhulu ngendlela yebhola.

Emisebenzini yakamuva ethi “Othello” kanye “The Shore…” indima yezigcawu zesixuku iyakhula, njengokungathi umdwebi wama-choreographer uthola ukunambitha kwayo.

Futhi okunye ukuthinta okuncane, kodwa okubaluleke kakhulu: lapho u-Anzhelika Kholina ekhuluma ngokusebenza kanye nabalingisi, ukuvinjelwa kwakhe "i-Baltic" kudonsela iso ngokuzenzakalelayo. Kodwa konke lokhu kuhluke kanjani ku-dynamics yokunyakaza, izinkanuko, kanye nemizwa yemidlalo yakhe. Izulu nomhlaba ngempela!

Namuhla, lapho amazwi ezwakala nge-ballet yesimanje, singakhuluma ngokusebenza okuhluke kakhulu. Futhi okuningi kuncike kumqondisi, umdali womdlalo kanye nabalingisi asebenza nabo. Futhi uma umqondisi we-maestro engancishiwe ithalenta, khona-ke simane sibhekene nesenzakalo esisha kuhlobo lwemidlalo yaseshashalazini, ebonakala ngokucacile esibonelweni somculi we-choreographer u-Anzhelika Kholina.

Futhi iseluleko sokugcina kakhulu: qala ukujwayelana no-Angelica Cholina ngokusebenza kwakhe "Carmen", bese - injabulo nokuzijabulisa kuphela.

Alexander Bychkov.