Anna Yesipova (Anna Yesipova) |

Anna Yesipova

Ngo-1865-70 wafunda eSt. Petersburg Conservatory noT. Leshetitsky (umkakhe ngo-1878-92). Waqala ukucula ngo-1868 (eSalzburg, eMozarteum) futhi waqhubeka nokunikeza amakhonsathi njengomculi oyedwa kwaze kwaba ngu-1908 (umdlalo wokugcina wawuseSt. Petersburg ngoMashi 3, 1908). Ngo 1871-92 wayehlala ikakhulukazi phesheya, ngokuvamile enikeza amakhonsathi eRussia. Wavakashela ngokunqoba emazweni amaningi aseYurophu (ngempumelelo ekhethekile eNgilandi) nase-USA.

U-Esipova wayengomunye wabameleli abakhulu bobuciko bepiyano ngasekupheleni kwekhulu le-19 nasekuqaleni kwekhulu lama-20. Ukudlala kwakhe kwakuhlukaniswa nobubanzi bemibono, ubuhle obungavamile, umsindo omnandi, nokuthinta okuthambile. Esikhathini sokuqala somsebenzi wokudlala (ngaphambi kuka-1892), ohambisana nokudlalwa kwekhonsathi okujulile, ukudlala kuka-Esipova kwakubuswa izici ezivamile ze-post-List salon virtuosic isiqondiso kubuciko bopiyano (isifiso sokusebenza okumangalisayo kwangaphandle). Ukulingana okuphelele ezindimeni, ukuphatha okuphelele kwamasu "okudlala iparele" kwakuhlakaniphe kakhulu kumasu amanothi aphindwe kabili, ama-octave nama-chords; ezingxenyeni ze-bravura nasezindimeni, kukhona ukuthambekela kuma-tempos asheshayo kakhulu; endaweni yokukhuluma, i-fractional, inemininingwane, ibinzana elithi “wavy”.

Ngalezi zici zesitayela sokwenza, kwakukhona futhi ukuthambekela ekuchazeni i-bravura yemisebenzi ye-virtuoso ka-F. Liszt no-F. Chopin; ekuchazeni ama-nocturnes ka-Chopin, ama-mazurkas nama-waltzes, ezithombeni ezincane ze-lyrical F. Mendelssohn, umthunzi wendlela owaziwayo wawubonakala. Ufake ezinhlelweni ze-salon-elegant imisebenzi ka-M. Moszkowski, edlalwa ngu-B. Godard, E. Neupert, J. Raff nabanye.

Kakade ekuqaleni komculo wakhe wopiyano, kwakukhona ukuthambekela kokulinganisela okuqinile, ukucabangela okuthile kokuhumusha, ekukhiqizeni okuqondile kombhalo wombhali. Enqubweni yokuziphendukela kwemvelo, ukudlala kuka-Esipova kwaqhubeka kwabonisa isifiso sokukhuluma ngendlela elula, ukuba neqiniso kokudlulisela, okuvela ethonyeni lesikole saseRussia sopiyano, ikakhulukazi u-AG Rubinshtein.

Ekupheleni kwenkathi ye-"Petersburg" (1892-1914), lapho u-Esipova ezinikela ngokuyinhloko ekufundiseni futhi esevele esebenza kancane kancane ekhonsathini eyedwa, ekudlaleni kwakhe, kanye nobuhlakani be-virtuoso, ukungathí sina kokwenza imibono, ukugxeka okuvinjelwe kwaqala ukwanda. kubonakaliswa ngokucacile. Lokhu kwakungenxa yethonya lombuthano weBelyaevsky.

I-repertoire ye-Esipova yayihlanganisa imisebenzi ka-BA Mozart no-L. Beethoven. Ngo-1894-1913 wenza ama-ensembles, kuhlanganise kusihlwa se-sonata - ku-duet no-LS Auer (isebenza nguL. Beethoven, J. Brahms, njll.), ku-trio no-LS Auer no-AB Verzhbilovich. U-Esipova wayengumhleli wezingcezu zepiyano, wabhala amanothi e-methodical (“Isikole Sepiyano sika-AH Esipova sahlala singakaqedwa”).

Kusukela ngo-1893, u-Espova wayenguprofesa e-St. Izimiso zokufundisa zika-Esipova zazisekelwe ikakhulukazi ezimisweni zobuciko nezendlela yesikole saseLeshetitsky. Wabheka ukuthuthukiswa kwenkululeko yokuhamba, ukuthuthukiswa kwesu lomunwe ("iminwe esebenzayo") njengento ebaluleke kakhulu kumculo wopiyano, wafinyelela "ukulungela okuhlosiwe kwama-chords", "ama-octaves ashelelayo"; ithuthukise ukunambitheka komdlalo ovumelanayo, olinganiselayo, oqinile futhi omuhle, ongenasici ekuqedeni imininingwane futhi kulula ukwenza.

Abafundi baka-Esipova bahlanganisa OK Kalantarova, IA Vengerova, SS Polotskaya-Emtsova, GI Romanovsky, BN Drozdov, LD Kreutzer, MA Bikhter, AD Virsaladze, S. Barep, AK Borovsky, CO Davydova, GG Sharoev, HH Poznyakovskaya, et al Pro. ; isikhathi esithile u-MB Yudina no-AM Dubyansky basebenze no-Esipova.

B. Yu. Delson