Leopold Godosky |

ULeopold Godosky

Umdlali wepiyano wasePoland, uthisha wepiyano, umbhalo kanye nomqambi. Wafunda no-V. Bargil no-E. Rudorf e-Higher School of Music e-Berlin (1884) kanye no-C. Saint-Saens (1887-1890) eParis. Ubelokhu enikeza amakhonsathi kusukela ebuntwaneni (okokuqala njengomdlali wevayolini); wavakashela eRussia ngokuphindaphindiwe (kusukela ngo-1905). Ngo-1890-1900 wafundisa kuma-conservatories ePhiladelphia naseChicago, kwase kuba seBerlin; ngo-1909-1914 inhloko yekilasi lamakhono aphezulu opiyano e-Academy of Music eVienna (phakathi kwabafundi bakhe kwakunguGG Neuhaus). Kusukela ngo-1914 wayehlala eNew York. Kusukela ngo-1930, ngenxa yokugula, wayeka umsebenzi ekhonsathini.

• Umculo wepiyano esitolo se-inthanethi se-Ozon →

U-Godowsky ungomunye wabadlali bopiyano abakhulu kanye nezingcweti zobuciko bokuloba ngemva kuka-F. Liszt. Ukudlala kwakhe kwakudume ngekhono lakhe lobuchwepheshe eliyingqayizivele (ikakhulukazi, ukuthuthukiswa kwendlela yesandla sobunxele), ubuqili nokucaca ekudlulisweni kwezakhiwo eziyinkimbinkimbi kakhulu ekuthunjweni, kanye nokuphelela kwe-legato okungajwayelekile. Okulotshiweyo kukaGodowsky kudume kakhulu phakathi kwabashayi bopiyano, ikakhulukazi izingcezu zabalingisi be-harpsichord baseFrance u-JB Lully, u-JB Leyet, u-JF Rameau, ama-waltze ka-J. Strauss, kanye ne-etudes ka-F. Chopin; ziphawuleka ngokuthungwa kwazo okuyinkimbinkimbi kanye nokusungula okuphambene nomthetho (ukuhlanganiswa kwezindikimba ezimbalwa, njll.). Ukudlala nokulotshwa kuka-Godowsky kube nomthelela omkhulu ekuthuthukisweni kokusebenza kwepiyano nezindlela zokwethula. Wabhala isihloko mayelana nendlela yokudlala upiyano esandleni sobunxele - "Umculo wepiyano wesandla sobunxele ..." ("Umculo wepiyano wesandla sobunxele ...", "MQ", 1935, No 3).

Ukwakhiwa:

ye-violin nepiyano - Okuvelayo (Okuvelayo, imidlalo eyi-12); okwepiyano - i-sonata e-moll (1911), i-Java suite (i-Java-suite), i-suite yesandla sokunxele, i-Waltz Masks (i-Walzermasken; izingcezu ezingu-24 ku-3/4-measure), i-Triacontameron (izingcezu ezingu-30, kuhlanganise no-No 11 - Old Vienna, 1920), Ukunyakaza okungapheli neminye imidlalo, kuhlanganisa. ngenxa yezandla ezi-4 (Ama-Miniatures, 1918); ama-cadenza kumakhonsathi ka-Mozart no-Beethoven; okulotshiweyo – Sat. I-Renaissance (amasampula angu-16 e-harpsichord esebenza ngu-JF Rameau, JV Lully, JB Leie, D. Scarlatti nabanye abaqambi basendulo); ar. - 3 abadlali be-violin. ama-sonata nama-suites angu-3 e-cello ka-JS Bach, Op. KM Weber Momento Capriccioso, Perpetual Motion, Isimemo Sokudansa, izingoma eziyi-12, njll. Op. F. Schubert, i-etudes ka-F. Chopin (amalungiselelo angu-53, kuhlanganise ne-22 yesandla esisodwa sobunxele kanye ne-3 "ehlanganisiwe" - ehlanganisa i-2 ne-3 etudes ngayinye), ama-waltzes angu-2 ngu-Chopin, ama-waltze angu-3 ngu-I. Strauss-son ( Ukuphila kuka- an Artist , Bat, Wine, Woman and Song), prod. R. Schuman, J. Bizet, C. Saint-Saens, B. Godard, R. Strauss, I. Albeniz nabanye; I-ed.: iqoqo lemidlalo ye-fp. repertoire pedagogical ngokulandelana kobunzima obandayo (Uchungechunge oluqhubekayo lwezifundo zepiyano, St. Louis, 1912). Notation: Saxe L. Sp., Umculo oshicilelwe we-L. Godowsky, "Amanothi", 1957, No 3, March, p. 1-61.