Mario Rossi |
UMario Rossi
“Lapho umuntu ezama ukucabanga ngomqhubi ojwayelekile wase-Italy, ukuthatha njengokujwayelekile i-brio kanye nenkanuko, i-sanguine tempos kanye nokugqama okukhazimulayo, “ithiyetha ku-console”, ukuqhuma kwesimo nokuphulwa kwenduku kakhondatha. UMario Rossi uhluke ncamashi kulokhu kubukeka. Akukho lutho olujabulisayo, olungaphumuli, oluvusa amadlingozi, noma olungenasithunzi kulo,” kubhala isazi somculo sase-Austria u-A. Viteshnik. Futhi ngempela, kokubili ngendlela yakhe - efana nebhizinisi, engenakho ukubukisa nokuphakanyiswa, futhi mayelana nemibono yokutolika, kanye ne-repertoire, uRossi kungenzeka ukuthi akhulume nabaqhubi besikole saseJalimane. Ukushukuma komzimba okunembayo, ukunakekelwa okuphelele kombhalo wombhali, ubuqotho kanye nenkumbulo yemibono – lezi yizici zakhe eziyisici. URossi ungompetha bezitayela ezahlukene zomculo ngendlela emangalisayo: ububanzi obuyingqophamlando beBrahms, isasasa likaSchumann, kanye nezindlela ezinhle zikaBeethoven ziseduze naye. Ekugcineni, futhi eshiya isiko lase-Italy, okokuqala ungumculi we-symphonic, hhayi umqhubi wokusebenza.
Nokho uRossi ungumNtaliyane wangempela. Lokhu kubonakala ekuthandeni kwakhe ukuphefumula okumnandi (isitayela se-bel canto) kwebinzana le-orchestra, kanye nomusa omuhle ethula ngawo izithonjana ze-symphonic ezilalelini, futhi-ke, ku-repertoire yakhe engavamile, lapho endala - ngaphambi kwekhulu lesi-XNUMX - lithatha indawo ebaluleke kakhulu. ikhulu leminyaka - nomculo wesimanje wase-Italy. Ekusebenzeni komqhubi, imisebenzi eminingi yobuciko kaGabrieli, iVivaldi, iCherubini, i-Rossini ekhohliwe ithole impilo entsha, izingoma zikaPetrassi, Kedini, Malipiero, Pizzetti, Casella zenziwe. Kodwa-ke, uRossi akayena umuntu ongaziwa emculweni odlalwayo wekhulu lesi-XNUMX: ukunqoba okuningi kwalethwa kuye ukwenziwa kwemisebenzi kaVerdi, ikakhulukazi uFalstaff. Njengomculi we-opera, yena, ngokusho kwabagxeki, “uhlanganisa isimo sezulu esiseningizimu nobuhlakani nokucophelela kwasenyakatho, amandla nokunemba, umlilo nomuzwa wokuhleleka, isiqalo esimangalisayo nokucaca kokuqonda ubuciko bokwakha umsebenzi.”
Indlela yokuphila kaRossi ilula futhi ayinakho ukuzwela njengobuciko bakhe. Wakhula futhi wazuza udumo emzini wakubo eRoma. Lapha uRossi waphothula eSanta Cecilia Academy njengomqambi (no-O. Respighi) kanye nomqhubi (no-D. Settacholi). Ngo-1924, waba nenhlanhla yokuba umlandeli ka-B. Molinari njengomholi we-orchestra yase-Augusteo eRome, ayibamba cishe iminyaka eyishumi. URossi wabe esengumbhidisi oyinhloko we-Florence Orchestra (kusukela ngo-1935) futhi ehola imikhosi ye-Florentine. Ngisho nangaleso sikhathi wadlala kulo lonke elase-Italy.
Ngemva kwempi, ngesimemo sikaToscanini, uRossi isikhathi esithile wenza isiqondiso sobuciko semidlalo yaseshashalazini yaseLa Scala, wabe eseba umqhubi omkhulu we-Italian Radio Orchestra eTurin, futhi eqondisa iRadio Orchestra eRoma. Phakathi neminyaka edlule, uRossi wazibonakalisa enguthisha omuhle kakhulu, owabamba iqhaza elikhulu ekukhuphuleni izinga lobuciko le-Orchestra yaseTurin, avakashela ngayo eYurophu. URossi uphinde wadlala namaqembu aphambili ezikhungo eziningi zamasiko ezinkulu, wabamba iqhaza emikhosini yomculo eVienna, eSalzburg, ePrague nakwamanye amadolobha.
L. Grigoriev, J. Platek, ngo-1969
