I-Pedalization |

I-Pedalization - enye yezinto ezibaluleke kakhulu zepiyano. icala. I-P. ayisebenzi nje kuphela ukuxhumanisa imisindo, ukugcina ukuvumelana, ukuthuthukisa noma ukwenza buthaka umsindo. Uhlelo lokusebenza luhlukile. izindlela zokuphakamisa nokukhumula i-pedali engakwesokudla (i-pedali ehlehlisiwe, i-half-pedal, i-quarter-pedal, i-padali edlidlizayo noma evevezelayo, njll.), ukusetshenziswa ngokuhlanganyela noma okuhlukene kwakho womabili amaphedali, ukuhlangana kwe-pedal ne-non-pedal pedal, nokunye. Izindlela zokuhamba nge-pedaling zihlukanisa umbala womsindo futhi zicebisa i-palette yokukhuluma. kanye nama-shades anemibala, abaluleke kakhulu ngeSpanishi. umkhiqizo. ama-romantics nama-impressionists. Lokhu okucashile kuka-P., okuhlotshaniswa nesitayela se-op eyenziwe. kanye nemvelo yomculo, kuncike ekhonweni ngisho nesimo somdlali phakathi nomdlalo, kanye nama-acoustics ehholo kanye nezici zensimbi; ngakho-ke imininingwane emihle yobuciko. P. ayikwazi ukubonwa kusengaphambili futhi iqokwe kumanothi - kunqunywa ngu-Ch. ar. umculo, ukuzwa, umuzwa wesitayela, ubuciko. umuzwa nokunambitha komhumushi, ikhono lakhe lobuchwepheshe. U-AG Rubinshtein (wabiza uP. “umphefumulo we-fp.”), F. Busoni, noV. Gieseking babedume ngokukhethekile ngobuciko bukaP.

P. kuhabhu akazimele. yenza izinkinga. ubuhlakani, ukuba nesibopho. ingxenye yokudlala le nsimbi.

References: Bukhovtsev A., Umhlahlandlela wokusetshenziswa kwe-piano pedal, M., 1886, 1904; Lyakhovitskaya S., Wolman B., Indatshana eyisingeniso kuhlelo lomculo: Maykapar S., Izinyathelo ezingamashumi amabili ezandulela upiyanoforte, M. – L., 1964; I-Golubovskaya NI, I-Art of Pedalization, M. - L., 1967; Kchler L., Systematische Lehrmethode für Cldvierspiel und Musik, Bd 1-2, Lpz., 1857-1858, 1882; eyakhe, iDer Clavier-Pedalzug, V., 1882; Schmitt, H., Das Pedal des Claviers, W., 1875; Riemann H., Vergleichende theoretischpraktische Klavier-Schule, Hamb. -St. Petersburg, (1883), 1890; Lavignac AJ, L'Ecole de la pédale, P., 1889, 1927; Faskenberg G., Les pédales du piano, P., 1; Rubinstein A., Leitfaden zum richtigen Gebrauch der Pianoforte-Pedalen, Lpz., 1895; Breithaupt R., Die natürliche Klaviertechnik, Lpz., 1896, 1905 Riemann L., Das Wesen des Klavierklanges, Lpz., 1925; Boghen F., Appunti ed esempi per l'uso dei pedali del pianoforte, Mil., 1927, 1911; Kreutzer L., Das normale Klavierpedal, Lpz., 1915, 1941; Bowen I., Pedaling the modern pianoforte, (L., 1915); Leimer K., Rhythmik, Dynamik, Pedal, Mainz, 1928, 1936.

GM Kogan