Kungani izingoma eziningi zihlala imizuzu emi-3-5 ngokwesilinganiso

Peter Baskerville: Kungumphumela wokukhawulelwa kwezobuchwepheshe osekuphenduke indinganiso – imboni yomculo edumile iye yakwamukela, yawusekela, futhi yaqala ukuwuthengisa. Isibonelo iphrojekthi eyasungulwa nguMac Powell noFernando Ortega.

Konke kwaqala emuva ngeminyaka yawo-1920s, lapho amarekhodi angu-10-intshi (25 cm) angu-78-rpm edlula umncintiswano futhi aba i-audio medium ethandwa kakhulu. Izindlela ezilukhuni zokumaka amathrekhi kwirekhodi kanye nenaliti ewugqinsi yokuwafunda kukhawule ubude besikhathi sokurekhoda ohlangothini ngalunye lwerekhodi lube cishe imizuzu emithathu.

Ukulinganiselwa kwezobuchwepheshe kuthinte ngokuqondile ukudalwa komculo. Abaqambi nabadlali badala izingoma zabo, becabangela imingcele ye-medium ethandwayo. Isikhathi eside, imizuzu emithathu single kwakuyindinganiso yokuqopha ingoma , kwaze kwaba yilapho izindlela ezingcono zokuyibamba zaqedwa ngawo-1960, futhi kwavela amarekhodi anethrekhi emincane, avumela abaculi ukuba bakhulise ubude bokuqoshwa.

Nokho, nangaphambi kokufika kwama-LPs, indinganiso yemizuzu emithathu yaletha inzuzo enkulu embonini yomculo we-pop. Iziteshi zomsakazo, imali yazo eyayincike enanini lezimemezelo ezisakazwa ngehora, zamsekela ngenjabulo. Abakhiqizi bonke bebehambisana nomqondo wokuthengisa izingoma ezimbalwa ezimfushane kunengoma eyodwa ende equkethe izingxenye ezi-2-3 noma amathrekhi akhelwe ngaphakathi.

Iziteshi ziphinde zasakaza izingoma ze-rock ne-roll zemizuzu emithathu ezihloselwe isizukulwane sangemva kwempi yama-1960s, eyethula imisakazo ephathekayo ye-transistor kusiko le-pop. Kungashiwo ukuthi izingoma eziyimizuzu emi-3 kuye kwengama-5 sezizochaza umculo we-pop futhi manje sezibonwa njenge-archetype.

Kuvele ukuthi umkhawulo wezobuchwepheshe wasekelwa futhi waqala ukusetshenziselwa izinjongo zokuthengisa, kodwa lokhu akusho nakancane ukuthi abaculi nabathandi bomculo bagunyaze leli zinga. Ngokwesibonelo, ngo-1965, uBob Dylan wacula ingoma ethi “Like Rolling Stone” imizuzu engaphezu kwengu-6, kwathi ngo-1968, iThe Beatles yaqopha imizuzu eyisikhombisa. single "Hey Jude" usebenzisa ubuchwepheshe obusha berekhodi elincane.

Balandelwa i-"Stairway to Heaven" nguLed Zeppelin, "American Pie" kaDon McLean, "November Rain" nguGuns N' Roses, "Money for Nothing" yi-Dire Straits, "Shine On You Crazy Diamond" nguPink Floyd. , “Bat Out of Hell by Meat Loaf, The Who’s “Ngeke Aphinde Akhohliswe” kanye nethi “Bohemian Rhapsody” yeNdlovukazi zonke zingaphezu kwemizuzu engu-7 ubude.

UKen Eckert: Ngivumelana nalokhu okungenhla, kodwa ngiyaqaphela ukuthi kunezizathu ezimbalwa zokwamukela izingoma eziyimizuzu emi-3, futhi angicabangi ukuthi ngayinye yazo iyayiqeda indaba. Ngempela, ekuqaleni, ubuchwepheshe bokuqopha bebudinga izingoma zibe yimizuzu emi-3 ubude.

Leli zinga libeka isiqondiso lapho umculo we-pop wathuthela khona amashumi eminyaka ambalwa. Kodwa-ke, kungani onjiniyela base-Victorian bengenzanga amasilinda amade? U-Edison wayengeyena umculi. Kubonakala kunohlobo oluthile lwengqungquthela ukuthi imizuzu emithathu yanele ukurekhodwa okuningi.

Ngicabanga ukuthi izizathu zilele kwengqondo yomuntu. Mhlawumbe imizuzu engu-3-4 yinkathi yesikhathi lapho iphethini yomculo wemisindo yomculo ingenaso isikhathi sokuthukuthela (Yebo, kukhona okuhlukile okungenakubalwa).

Ngiphinde ngicabange ukuthi imizuzu emi-3 iyisikhathi esikhululekile sokudansa – abantu abakhathali kangangokuthi badinga ikhefu elifushane (noma ukushintsha uphathina). Kungenxa yalezi zizathu ukuthi umculo womdanso odumile waseNtshonalanga cishe uwele kulesi sikhathi uhla . Futhi, lokhu kuwukuqagela kwami ​​nje.

Darren Monson: Ukulinganiselwa kwezobuchwepheshe kube nomthelela ngempela ekukhiqizweni komculo, kodwa angivumi ukuthi lesi ukuphela kwesizathu.

Ngokuthuthukiswa kobuchwepheshe, bekufanele kube nokushintshela ezingomeni zobude obudingwa yimakethe, kodwa lokhu akwenzekanga - sisahambisana nesilinganiso samaminithi angu-3-5. Kodwa kungani?

Isizathu sokuthi ingoma ibe yimizuzu emi-5 noma ngaphansi kungenxa yengxenye yengoma eyaziwa ngokuthi “ukugqekezwa”.

Ikhefu ngokuvamile liqukethe abayisishiyagalombili izinyathelo futhi ibekwe cishe phakathi nengoma. Umnyombo wokulahlekelwa wukushintsha umoya wengoma ukuze umlaleli angacikeki.

Umuntu angakwazi ukugcina ukugxila isikhathi esifushane kakhulu - ezimweni eziningi, imizuzwana engu-8 kuphela. Ukuze ingoma ikhumbuleke kalula, kuyadingeka ukuthi umlaleli afunde futhi ayicule ngaphandle kobunzima obuningi.

Amabhungane akhulume ngokuhlola izakhiwo zezingoma ezihlukene (nobude) phambi kwezithameli ezibukhoma ngaphambi kokuthola ezifaneleke kahle. Ithrekhi yemizuzu emithathu ilungele ukucula kanye nabalandeli.

Ngikholwa ukuthi naphezu kwemikhawulo yobuchwepheshe eyabekwa ekurekhodweni kwangaphambi kwesikhathi, sisazokhetha izingoma ezinobude bemizuzu emi-3-5.

Ngingumnikazi wenkundla yebhizinisi lomculo i-Audio Rokit [yathengwa yimbangi yakhe ye-Music Gateway ngoFebhuwari 2015 - cishe. per.], futhi ngaphansi kuka-1.5% wazo zonke izingoma ezilayishiwe zingaphezu kwemizuzu engu-3-5!

UMarcel Tirado: Uma ukhuluma ngezingoma zamanje ze-pop/rock ozizwa emsakazweni namuhla, kunezizathu ezimbalwa zokuthi kungani kufanele zehliswe zibe yimizuzu emi-3-5 (kunokuthi zibe ngu-3, ​​kahle zibe ngu-3.5). Ake siqale ngeqiniso lokuthi isikhathi sokugxila sehlile phakathi kwezilaleli zomculo - kwanele ukulalela izingoma ezavela ngaphambi kokuqala kweminyaka yama-80s.

Kukhona "ukujula" okwengeziwe ezingomeni zama-60s nama-70s. Ngama-80s, isayensi yangena embonini yomculo, okwasiholela lapho sikhona namuhla.

Ubude bengoma obuyimizuzu emi-3 ukuya kwengama-3.5 buhlobene nesakhiwo sengoma, esibe nomthelela omkhulu embonini yomculo futhi sithathwa njengefomula evamile. Uma ungazi ukuthi kuyini, kubukeka kanjena:

Ivesi - Chorus - Okwesibili ivesi - Okwesibili ikhorasi yesibili – Ukulahlekelwa – Ikhorasi Yesithathu

Kunezinhlobonhlobo ezihlukahlukene zalesi sakhiwo, kodwa, ngokwezinga elithile noma kwelinye, zonke ziwela phakathi kwebanga lemizuzu emi-3 kuya kwemi-5. Imboni yomculo ngeke ikuvume lokho, kodwa ukuze uthole ingoma emsakazweni kufanele ukhokhe – uma ingoma iba yinde, kuba nemali eningi okufanele unikele.

Fingqa. Ngakho-ke, konke kunecala: isikhathi sokunaka kwezilaleli zesimanje, ithonya lomsakazo ekufinyezweni kwezingoma (isifiso sokungayikhiphi ingoma ukuze uhehe abalaleli abasha), izindleko zokudlala ingoma emsakazweni. . Imboni ibonakala icabanga ukuthi kulula kakhulu ukuphromotha umculo phakathi kwemizuzu emi-3 nengu-5, kodwa kungase kube nezinye izici engingazibalanga.

U-Luigi Cappel: Impendulo enhle Marcel. Njengamanje ngifunda izifundo zamasu okubhala izingoma e-Berklee College of Music. Safundiswa ukuthi nakuba inani lemigqa engomeni lingahluka, isakhiwo “Ivesi – Ikhorasi – Ivesi Lesibili – Ikhorasi Lesibili. - I-Break – Third Chorus” idume kakhulu.

Izingoma eziningi ezidlula imizuzu engu-3-5 ziba yisicefe, ngaphandle kwezinguqulo ezinwetshiwe zamathrekhi ayintandokazi. Lokhu akusho ukuthi izingoma ezinde njengama-ballads zimbi, ukuthi ukugcina intshisekelo yomlaleli kubalulekile. Kubalulekile futhi ukuthi uma ingoma imfushane, kuba lula ukufunda amagama. Abantu bayathanda ukucula.

Kukhona ezakudala ezingafi ezifana nethi “Thick as a Brick”, okwathi ngeminyaka yawo-70s abantu abaningi bazi igama negama, kodwa lokhu kuhlukile kunomthetho – angikwazi ukucabanga nganoma yini efanayo, kodwa emculweni wesimanje.