UVladimir Arkadyevich Kandelaki |

UVladimir Kandelaki

Ngo-1928, ngemva kokuphothula e-Tbilisi Conservatory, Kandelaki waqhubeka nezifundo zakhe e-Moscow Central College of Theatre Arts (manje eyi-RATI-GITIS). Njengomfundi owenza unyaka wesibili, umculi wesikhathi esizayo weza kunhlolokhono yenhloko ye-Musical Theatre uVladimir Nemirovich-Danchenko futhi waba umfundi wakhe oyintandokazi.

"Umlingisi wangempela kufanele akwazi ukudlala i-Shakespeare ne-vaudeville," kusho uStanislavsky noNemirovich-Danchenko. UVladimir Kandelaki uyisibonelo esihle kakhulu sobuciko obunjalo bomhlaba wonke. Wakha inqwaba yezindima zezindima ezihlukahlukene - kusukela kosomahlaya be-operetta kuya kumuntu osabekayo wendoda endala u-Boris Timofeevich e-Katerina Izmailova kaShostakovich, eyadlalwa ngo-1934 nguNemirovich-Danchenko.

U-Kandelaki wenza kahle ama-classics anjengezingxenye zikaDon Alfonso ku-Mozart ethi “Yileyondlela Wonke Umuntu Ayenza” futhi waba ngumdlali wokuqala wezindima eziyinhloko kuma-opera amaningi adumile abaqambi baseSoviet: uStorozhev (“Into the Storm” ka-Khrennikov), uMagar ( “Virineya” by Slonimsky), Sako (“Keto and Kote “Dolidze), Sultanbek (“Arshin mal alan” Gadzhibekov).

Ngesikhathi seMpi Enkulu Yokuthanda izwe, uKandelaki wadlala njengengxenye yamaqembu aphambili e-Musical Theatre. Ehlangene neqembu labaculi, wazibonela indesheni yokuqala enqoba uKhozi olwakhululwa. Ngo-1943, uKandelaki waqala ukuqondisa, waba omunye wabaqondisi abahamba phambili bomculo wezwe. Ukukhiqizwa kwakhe kokuqala kwaba yiPericola ePaliashvili Academic Opera naseBallet Theatre eTbilisi.

I-premiere ye-opera yamahlaya kaDolidze ethi "Keto and Kote", eyadlalwa nguKandelaki eMusical Theatre ngo-1950, yaba umcimbi empilweni yaseshashalazini yaseMoscow. Kusukela ngo-1954 kuya ku-1964 wayengumqondisi omkhulu we-Moscow Operetta Theatre. Lokhu bekuwumlando wetiyetha. U-Kandelaki wabambisana noDunayevsky noMilyutin, wakwazi ukuheha amakhosi omculo waseSoviet ku-operetta - uShostakovich, uKabalevsky, uKhrennikov, waba umqondisi wokuqala we-operettas eMoscow, uCheryomushki, i-Spring Sings, i-One Hundred Devils ne-One Girl. Wenza kahle kakhulu esiteji se-Moscow Operetta Theatre endimeni kaCesare ethi The Kiss of Chanita kanye noProfessor Kupriyanov emdlalweni othi Spring Sings. Futhi endaweni yakhe yaseshashalazini yomculo eqanjwe ngoStanislavsky noNemirovich-Danchenko, wenza kahle kakhulu i-operettas Pericola, The Beautiful Elena, Dona Zhuanita, The Gypsy Baron, The Beggar Student.

I-Kandelaki idlalwa ezinkundleni zemidlalo yaseshashalazini e-Alma-Ata, Tashkent, Dnepropetrovsk, Petrozavodsk, Khabarovsk, Kharkov, Krasnodar, Saransk. Uphinde wasebenza ngempumelelo esiteji. Ngo-1933, umculi osemusha neqembu lamaqabane akhe e-Musical Theatre wahlela i-vocal ensemble - i-voice jazz, noma "i-Jazz-goal".

UVladimir Kandelaki wenza amafilimu kakhulu. Phakathi kwamafilimu ngokubamba iqhaza kwakhe kukhona "Isizukulwane sabawinile", lapho adlala khona iBolshevik Niko, "A Guy from Our City" (tanker Vano Guliashvili), "Swallow" (isisebenzi esingaphansi komhlaba uYakimidi). Efilimu ethi "26 Baku Commissars" wadlala enye yezindima eziyinhloko - isikhulu esimhlophe u-Alania.

Ngesikhathi sokudlondlobala kobuciko beshashalazi kaKandelaki, kwakungekho mqondo “wenkanyezi ye-pop” ekuphileni kwansuku zonke. Wayemane eyiciko elidumile.

Yaroslav Sedov