Irina Konstantinovna Arkhipov |
Irina Arkhipov
Nazi izingcaphuno ezimbalwa zenani elikhulu lezindatshana ze-Arkhipova:
“Izwi lika-Arkhipova lilolongwa ngendlela efanele. Kuzwakala ngokumangalisayo ngisho kusukela phansi kuya kwephezulu inothi. Ukuma kwezwi okufanelekile kuyinikeza ukucwebezela kwensimbi okungenakuqhathaniswa, okusiza ngisho nemisho eculwa i-pianissimo ukuthi igijimele phezu kwe-orchestra evuthayo ”(iphephandaba lesi-Finnish i-Kansanuutiset, 1967).
“Ukucwebezela okumangalisayo kwezwi lomculi, umbala walo oguquguquka ngokungapheli, ukuguquguquka kwawo okungaguquki…” (iphephandaba laseMelika iColumbus Citizen Journal, 1969).
“I-Montserrat Caballe no-Irina Arkhipov bangaphezu kwanoma yimuphi umqhudelwano! Babodwa futhi bohlobo lwabo kuphela. Ngenxa yomkhosi owawuse-Orange, sibe nenhlanhla yokubona bobabili onkulunkulukazi abakhulu be-opera yesimanje e-Il trovatore ngesikhathi esisodwa, njalo behlangana nokwamukela ngentshiseko okuvela emphakathini ”(iphephandaba lesiFulentshi Combat, 1972).
U-Irina Konstantinovna Arkhipovna wazalwa ngo-January 2, 1925 eMoscow. U-Irina wayengakabi neminyaka eyisishiyagalolunye lapho ukuzwa kwakhe, inkumbulo, umuzwa wesigqi kumvulela iminyango yesikole eMoscow Conservatory.
U-Arkhipova uyakhumbula: “Ngisasikhumbula isimo esithile esikhethekile esasibusa kule ndawo, ngisho nabantu esasihlangana nabo babephawuleka, bebahle ngandlela-thile. - Samukelwe intokazi ebukeka kahle enezinwele zikanokusho (njengoba ngangicabanga). Kunhlolokhono, njengoba bekulindelekile, ngacelwa ukuba ngicule okuthile ukuze ngihlole indlebe yami yomculo. Bengingacula ngani-ke, ngiyingane yesikhathi sami se-industrialization and collectivization? Ngathi ngizocula “Ingoma Kagandaganda”! Ngabe sengicelwa ukuba ngicule enye into, njengengcaphuno engiyijwayele yomdlalo we-opera. Lokhu ngangingakwenza ngoba ngangazi ezinye zazo: umama wayevame ukucula i-opera ethandwayo noma izingcaphuno ezazisakazwa emsakazweni. Futhi ngaphakamisa: "Ngizocula i-choir ethi "Amantombazane-ubuhle, abathandekayo-amantombazane" kusukela ku-"Eugene Onegin". Lesi siphakamiso sami samukelwe kahle kuneculo likagandaganda. Babe sebehlola umuzwa wami wesigqi, inkumbulo yomculo. Ngiphendule neminye imibuzo.
Kuthe uma kuqedwa inhlolokhono, sasala silinde imiphumela yokuhlolwa. Lowo thisha wesifazane omuhle waphuma weza kithi, wangishaya ngezinwele zakhe ezinhle, watshela ubaba ukuthi ngamukelekile esikoleni. Wabe esevuma kubaba ukuthi lapho ekhuluma ngamakhono omculo endodakazi yakhe, ephikelela ekulaleleni, wakuthatha njengehaba elivamile lomzali futhi wajabula ngokuthi wayenephutha, futhi ubaba wayeqinisile.
Ngokushesha bangithengela upiyano lweSchroeder… Kodwa kwakungadingeki ukuthi ngifunde esikoleni somculo esikhungweni somculo. Ngosuku okwakuhlelwe ngalo isifundo sami sokuqala nothisha, ngagula kakhulu - ngangilele ngiphethwe umkhuhlane (kanye nomama nomfowethu) ngisemgqeni eHholo Lamakholomu ngesikhathi ngivalelisa u-SM Kirov. . Futhi kwaqala - isibhedlela, izinkinga ngemva kwe-scarlet fever ... Izifundo zomculo zazingekho embuzweni, ngemva kokugula isikhathi eside angibange ngathola amandla okubuyisela lokho engangiphuthelwe esikoleni esivamile.
Kodwa ubaba akazange alahle iphupho lakhe lokunginika imfundo yokuqala yomculo, futhi umbuzo wezifundo zomculo waphakama futhi. Njengoba kwase kwephuze kakhulu ukuba ngiqale izifundo zopiyano esikoleni somculo (zamukelwa lapho ngineminyaka eyisithupha noma eyisikhombisa), ubaba welulekwa ukuba ameme uthisha ozimele “ozongifica” esifundweni sesikole. futhi ungilungiselele ukungena. Uthisha wami wokuqala wopiyano kwakungu-Olga Alexandrovna Golubeva, engafunda naye isikhathi esingaphezu konyaka. Ngaleso sikhathi, uRita Troitskaya, umama wesikhathi esizayo womculi odumile manje uNataliya Troitskaya, wafunda nami. Kamuva, uRita waba umdlali wopiyano okhokhelwayo.
U-Olga Alexandrovna weluleka ubaba ukuba angiyise esikoleni sokufundela ubukhazikhazi, kodwa angiyise kumaGnesins, lapho nganginamathuba engeziwe okwamukelwa khona. Saya naye endaweni yokudlala yeNja, lapho isikole nesikole samaGnesins sasitholakala khona ... “.
U-Elena Fabianovna Gnesina, ngemva kokulalela umculi wopiyano osemusha, wamthumela ekilasini likadadewabo. Umculo omuhle kakhulu, izandla ezinhle zisize "ukweqa" kusukela ebangeni lesine ukuya kwelesithupha.
“Ngokokuqala ngqa, ngafunda ukuhlolwa kwezwi lami esifundweni se-solfeggio kuthisha u-PG Kozlov. Sawucula lo msebenzi, kodwa othile eqenjini lethu wayephelelwe amandla. Ukuhlola ukuthi ubani owenza lokhu, uPavel Gennadievich wacela umfundi ngamunye ukuba acule ngokwehlukana. Kwaba yithuba lami nami. Ngenxa yokuphoxeka nokwesaba ukuthi kufanele ngicule ngedwa, ngacwila ngokoqobo. Nakuba ngangicula iphimbo ngokuhlanzekile, ngangikhathazeke kakhulu kangangokuthi izwi lami lalingezwakali njengengane, kodwa lalicishe lifane nelomuntu omdala. Uthisha waqala ukulalelisisa nangesithakazelo. Abafana, nabo abezwa into engavamile ezwini lami, bahleka: “Ekugcineni bayitholile ewumgunyathi.” Kodwa uPavel Gennadievich waphazamisa ubumnandi babo kungazelelwe: “Nihleka ngeze! Ngoba unezwi! Mhlawumbe uzoba umculi odumile.”
Ukuqubuka kwempi kwavimbela intombazane ukuba iqede izifundo zayo. Njengoba uyise ka-Arkhipova engazange abuthelwe ebuthweni, umndeni waxoshwa eTashkent. Lapho, u-Irina waphothula esikoleni esiphakeme futhi wangena egatsheni laseMoscow Architectural Institute, elalisanda kuvulwa edolobheni.
Waqeda ngempumelelo izifundo ezimbili futhi kuphela ngo-1944 wabuyela eMoscow nomndeni wakhe. U-Arkhipova waqhubeka nokuhlanganyela ngenkuthalo emisebenzini ye-amateur yesikhungo, ngaphandle kokucabanga ngomsebenzi womculi.
Umculi uyakhumbula:
“E-Moscow Conservatory, abafundi asebekhulile banethuba lokuzama isandla sabo kwezokufundisa - ukutadisha amakhono abo nawo wonke umuntu. Lona kanye uKisa Lebedeva ongaphumuli wangincenga ukuba ngiye kulo mkhakha wokuqeqeshelwa abafundi. "Ngithole" umculi wezwi uRaya Loseva, owafunda noProfesa NI Speransky. Wayenezwi elihle kakhulu, kodwa kuze kube manje wawungekho umqondo ocacile mayelana nokufundisa ngamazwi: ngokuyisisekelo wazama ukungichazela yonke into esebenzisa isibonelo sezwi lakhe noma leyo misebenzi ayeyenza ngokwakhe. Kodwa uRaya wayeziphethe ngobuqotho izifundo zethu, futhi ekuqaleni yonke into yayibonakala ihamba kahle.
Ngelinye ilanga wangiyisa kuprofesa wakhe ukuze angibonise imiphumela yokusebenza nami. Lapho ngiqala ukucula, waphuma kwelinye igumbi, lapho ayekhona ngaleso sikhathi, futhi wabuza ngokumangala: “Ubani lo oculayo?” IPharadesi, ngididekile, ngingazi ukuthi yini ngempela u-NI Speransky engikhomba yona: “Uyacula.” Uprofesa wavuma: “Kuhle.” Khona-ke uRaya wamemezela ngokuziqhenya: “Lo ngumfundi wami.” Kodwa kwathi lapho sekufanele ngicule esivivinyweni, angikwazanga ukumjabulisa. Ekilasini, wakhuluma kakhulu ngamasu athile ayengahambelani nokucula kwami okuvamile futhi ayengaziwa kimi, wakhuluma ngendlela engaqondakali ngokuphefumula kangangokuthi ngadideka ngokuphelele. Ngangikhathazeke kakhulu, ngicindezeleke kakhulu ekuhlolweni, kangangokuthi angikwazanga ukukhombisa lutho. Ngemva kwalokho, uRaya Loseva watshela umama: “Yini okufanele ngiyenze? U-Ira uyintombazane ecula umculo, kodwa akakwazi ukucula.” Yebo, kwakungajabulisi kumama ukuzwa lokhu, futhi ngokuvamile ngangiphelelwa ukholo emakhonweni ami ephimbo. Ukukholwa kimi kwavuselelwa kimi nguNadezhda Matveevna Malysheva. Kusukela ngesikhathi somhlangano wethu lapho ngibala khona umlando wami womculi. Emjikelezweni wezwi we-Architectural Institute, ngafunda amasu ayisisekelo wokuhlelwa kwezwi okulungile, kulapho amathuluzi ami okucula akhiwa khona. Futhi kukuNadezhda Matveevna ukuthi ngikweleta engikuzuzile. "
Malysheva futhi wathatha intombazane ku-audition eMoscow Conservatory. Umbono wabaprofesa be-Conservatory wawuvumelana ngazwi linye: u-Arkhipova kufanele angene emnyangweni wezwi. Eshiya umsebenzi eshabhu yokuklama, uzinikela ngokuphelele emculweni.
Ehlobo lika-1946, ngemva kokungabaza okukhulu, u-Arkhipova wafaka isicelo ku-conservatory. Phakathi nezivivinyo emzuliswaneni wokuqala, wezwa uthisha odumile wezwi S. Savransky. Wanquma ukuthatha umfakisicelo ekilasini lakhe. Ngaphansi kokuqondisa kwakhe, u-Arkhipova wathuthukisa indlela yakhe yokucula futhi kakade ngonyaka wakhe wesibili wenza i-debut yakhe ekusebenzeni kwe-Opera Studio. Wacula indima kaLarina ku-opera kaTchaikovsky ethi Eugene Onegin. Walandelwa indima yeSpring kuRimsky-Korsakov ethi The Snow Maiden, okwathi ngemva kwalokho u-Arkhipova wamenywa ukuba adlale emsakazweni.
U-Arkhipova uthuthela emnyangweni wesikhathi esigcwele we-Conservatory futhi uqala ukusebenza ohlelweni lwediploma. Ukusebenza kwakhe eHholo Elincane Le-Conservatory kukalwe yikomidi lezivivinyo elinamaphuzu aphezulu kakhulu. U-Arkhipova wanikezwa ukuhlala e-conservatory futhi wanconywa ukuba avunyelwe ukuphothula esikoleni.
Nokho, ngaleso sikhathi umsebenzi wokufundisa akazange akhange Arkhipov. Wayefuna ukuba umculi futhi, ngokweseluleko Savransky, unquma ukujoyina iqembu abaqeqeshwayo Bolshoi Theatre. Kodwa ukwehluleka kwakumlindile. Khona-ke umculi osemusha wahamba waya eSverdlovsk, lapho amukelwa khona ngokushesha eqenjini. I-debut yakhe yenzeke ngemva kwamasonto amabili efikile. U-Arkhipova wenza indima kaLyubasha ku-opera ka-NA Rimsky-Korsakov "Umlobokazi weTsar". Umlingani wakhe wayengumculi we-opera odumile u-Yu. Gulyaev.
Nansi indlela akhumbula ngayo lesi sikhathi:
“Umhlangano wokuqala no-Irina Arkhipov waba yisambulo kimi. Kwenzeka eSverdlovsk. Ngangisengumfundi e-conservatory futhi ngidlala izingxenye ezincane esiteji seSverdlovsk Opera Theatre ngisaqeqeshwa. Futhi ngokuzumayo kwasakazeka amahlebezi, umculi omusha osemusha, onethalente wamukelwa eqenjini, okwase kukhulunywa ngaye njengengcweti. Ngokushesha wanikezwa ithuba lokuqala - uLyubasha ku-Rimsky-Korsakov ethi The Tsar's Bride. Cishe wayekhathazeke kakhulu ... Kamuva, u-Irina Konstantinovna wangitshela ukuthi ufulathele amaphosta ngokwesaba, lapho aqala ukuphrinta khona: "Lyubasha - Arkhipova." Futhi nansi ukuzilolonga kokuqala kuka-Irina. Zazingekho izindawo, zingekho izibukeli. Kwakunesihlalo kuphela esiteji. Kodwa kwakukhona i-orchestra nombhidisi endaweni yesikhulumi. Futhi kwakukhona Irina - Lyubasha. Mude, ozacile, ugqoke ibhulawuzi nesiketi esihloniphekile, ngaphandle kwemvunulo yasesiteji, ngaphandle kwezimonyo. Umculi osafufusa…
Bengingemuva kwesiteji ngamamitha amahlanu ukusuka kuye. Yonke into yayijwayelekile, ngendlela esebenzayo, isivivinyo sokuqala esinzima. Umqhubi wabonisa isingeniso. Futhi kusukela umsindo wokuqala wezwi lomculi, konke kwashintsha, kwaphila futhi kwakhuluma. Wacula “Yilokhu engikuphile, Grigory,” futhi kwaba ukububula okungaka, kudonswa ngaphandle futhi kubuhlungu, kwakuyiqiniso kangangokuthi ngakhohlwa yikho konke; kwakuyisivumo nendaba, kwakungukwembulwa kwenhliziyo enqunu, enoshevu ngenxa yomunyu nokuhlupheka. Ekuqineni kwakhe nasekuzithibeni kwangaphakathi, emandleni akhe okwazi imibala yezwi lakhe ngosizo lwezindlela ezimfishane kakhulu, kwakuhlala ukuzethemba okuphelele okwakujabulisa, kushaqekile futhi kusimangaze. Ngangimkholelwa kukho konke. Izwi, umsindo, ukubukeka - konke kwakukhulunywa ngesiRashiya esicebile. Ngikhohliwe ukuthi lena i-opera, ukuthi lesi yisiteji, ukuthi lokhu kuwukuzilolonga futhi kuzoba nokudlalwa ezinsukwini ezimbalwa. Kwakuyimpilo uqobo lwayo. Kwakufana naleso simo lapho kubonakala sengathi umuntu usuke phansi, ugqozi olunjalo lapho uzwela futhi uzwela iqiniso ngokwalo. “Nangu uMama Russia, ukuthi ucula kanjani, uyithatha kanjani inhliziyo,” ngacabanga-ke…
Ngesikhathi esebenza e-Sverdlovsk, umculi osemusha wandisa ingoma yakhe ye-operatic futhi wathuthukisa indlela yakhe yokukhuluma neyobuciko. Ngemva konyaka, waba umklomelo we-International Vocal Competition eWarsaw. Ebuya lapho, u-Arkhipova wenza i-debut yakhe engxenyeni yakudala ye-mezzo-soprano ku-opera uCarmen. Yile phathi eyaba yinguquko emlandweni wakhe.
Ngemva kokudlala indima kaCarmen, u-Arkhipova wamenywa eqenjini le-Maly Opera Theatre eLeningrad. Nokho, akakaze aphumelele eLeningrad, ngoba ngesikhathi esifanayo wathola umyalo wokudluliselwa eqenjini le-Bolshoi Theatre. Waqashelwa umqhubi oyinhloko wethiyetha A. Melik-Pashayev. Wayesebenzela ekubuyekezeni ukukhiqizwa kwe-opera uCarmen futhi edinga umculi omusha.
Futhi ngo-April 1, 1956, umculi wenza DEBUT yakhe esiteji Bolshoi Theatre e Carmen. U-Arkhipova wasebenza esiteji se-Bolshoi Theatre iminyaka engamashumi amane futhi wenza cishe kuzo zonke izingxenye ze-repertoire yakudala.
Eminyakeni yokuqala yomsebenzi wakhe, umeluleki wakhe kwakunguMelik-Pashayev, kwase kuba umqondisi odumile we-opera u-V. Nebolsin. Ngemva komdlalo wokunqoba eMoscow, u-Arkhipova wamenywa ku-Warsaw Opera, futhi kusukela ngaleso sikhathi udumo lwakhe lwaqala esiteji se-opera yomhlaba.
Ngo-1959, u-Arkhipova wayengumlingani womculi odumile uMario Del Monaco, owamenywa eMoscow ukuba adlale indima kaJosé. Ngemva kokucula, umculi odumile naye wamema u-Arkhipova ukuba ahlanganyele emikhiqizweni yale opera eNaples naseRoma. U-Arkhipova waba umculi wokuqala waseRussia ukujoyina izinkampani ze-opera zangaphandle.
"U-Irina Arkhipov," kusho uzakwabo wase-Italy, "nguye kanye uCarmen engibona lesi sithombe, esikhanyayo, esiqinile, esiphelele, kude nanoma yikuphi ukuthintwa kwenhlamba nenhlamba, ubuntu. U-Irina Arkhipov unesimo sengqondo, intuition yesiteji esicashile, ukubukeka okukhangayo, futhi, yebo, izwi elihle kakhulu - i-mezzo-soprano yezinhlobonhlobo eziningi, azi kahle. Ungumlingani omangalisayo. Ukwenza kwakhe okunengqondo, okungokomzwelo, ukudlulisa kwakhe iqiniso, nokuveza ukujula kwesithombe sikaCarmen kwanginika, njengomdlali wendima kaJosé, konke okwakudingeka empilweni yeqhawe lami esiteji. Ungumdlali waseshashalazini omkhulu ngempela. Iqiniso elingokwengqondo lokuziphatha nemizwa yeqhawekazi lakhe, elixhumene nomculo nokucula, elidlula ebuntwini bakhe, ligcwalisa ubuntu bakhe bonke.
Ngesizini ka-1959/60, kanye noMario Del Monaco, u-Arkhipova wadlala eNaples, eRoma nakwamanye amadolobha. Uthole ukubuyekezwa okuhle kwabezindaba:
“… Ukunqoba kweqiniso kwehlele inkakha yomculi oyedwa waseMoscow Bolshoi Theatre u-Irina Arkhipov, owadlala njengoCarmen. Izwi lobuhle eliqinile, elibanzi, elingavamile lomculi, eliphethe i-orchestra, insimbi yakhe elalelayo; ngosizo lwakhe, umculi ukwazile ukuveza lonke uhla lwemizwa u-Bizet ahlobise ngayo iqhawekazi le-opera yakhe. I-diction ephelele kanye ne-plasticity yegama kufanele kugcizelelwe, okuphawulekayo ikakhulukazi ekuphindaphindweni. Okungaphansi kobuciko bezwi buka-Arkhipova yithalente lakhe elivelele lokulingisa, elihlukaniswa ngokuchaza kwakhe indima enhle kakhulu kuze kufike emininingwaneni emincane kakhulu ”(iphephandaba laseZhiche Warsaw lango-December 12, 1957).
“Sinezinkumbulo eziningi ezijabulisayo zabalingisi bendima eyinhloko ku-opera emangalisayo ka-Bizet, kodwa ngemva kokulalela uCarmen wokugcina, singasho ngokuqiniseka ukuthi akekho noyedwa kubo owavusa ukuthakasela njengo-Arkhipova. Indlela asichaza ngayo thina, esine-opera egazini labo, yabonakala iyintsha ngokuphelele. UCarmen waseRussia othembekile ngokwedlulele emkhiqizweni wase-Italy, uma sikhuluma iqiniso, besingalindele ukubona. U-Irina Arkhipov ngesikhathi edlala izolo uvule ama-horizons amasha omlingiswa kaMerimee – Bizet ”(Iphephandaba i-Il Paese, Januwari 15, 1961).
U-Arkhipova wathunyelwa e-Italy hhayi yedwa, kodwa ehambisana nomhumushi, uthisha wolimi lwesiNtaliyane u-Y. Volkov. Ngokusobala, izikhulu zesaba ukuthi u-Arkhipova uzohlala e-Italy. Ezinyangeni ezimbalwa kamuva, u-Volkov waba umyeni ka-Arkhipova.
Njengabanye abaculi, u-Arkhipova wayevame ukuba yisisulu sezingxabano ezingemuva. Kwesinye isikhathi lo mculi wayemane enqatshelwe ukuthi ahambe kusetshenziswa izimemo eziningi ezivela emazweni ahlukene. Ngakho ngolunye usuku, lapho u-Arkhipova ethola isimemo esivela eNgilandi ukuba ahlanganyele ekukhiqizeni i-opera Il Trovatore esiteji se-Covent Garden Theatre, uMnyango Wezamasiko waphendula ngokuthi u-Arkhipova wayematasa futhi wacela ukuthumela omunye umculi.
Ukwandiswa kwe-repertoire kubangele ubunzima obuncane. Ikakhulukazi, u-Arkhipova waduma ngokusebenza kwakhe komculo ongcwele waseYurophu. Kodwa-ke, isikhathi eside akakwazanga ukufaka umculo ongcwele waseRussia ku-repertoire yakhe. Kuphela ngasekupheleni kweminyaka yama-80 isimo sashintsha. Ngenhlanhla, lezi “zimo ezihambisana nalokhu” ziye zahlala esikhathini esidlule.
"Ubuciko bokudlala be-Arkhipova abukwazi ukufakwa ngaphansi kohlaka lwanoma iyiphi indima. Umbuthano wezithakazelo zakhe ubanzi kakhulu futhi uhlukahlukene, - kubhala u-VV Timokhin. - Kanye ne-opera house, indawo enkulu empilweni yakhe yobuciko ithathwa umsebenzi wekhonsathi ezicini zayo ezihlukahlukene kakhulu: lokhu kuyimidlalo ne-Bolshoi Theatre Violin Ensemble, nokubamba iqhaza ekhonsathini yemisebenzi ye-opera, kanye nefomu elingavamile kakhulu. wokudlala namuhla njengo-Opernabend ( kusihlwa komculo we-opera) ne-orchestra ye-symphony, nezinhlelo zekhonsathi ezihambisana ne-ogani. Futhi ngobusuku bokugubha iminyaka engu-30 yokunqoba kwabantu baseSoviet eMpini Enkulu Yobuzwe, u-Irina Arkhipov wavela phambi kwezilaleli njengomculi omangalisayo wengoma yaseSoviet, edlulisela ngobuciko imfudumalo yakhe yomculo kanye nokuba yisakhamuzi esiphakeme.
Isitayela nokushintshashintsha kwemizwelo okutholakala kubuciko be-Arkhipova kuhlaba umxhwele ngendlela engavamile. Esiteji se-Bolshoi Theatre, wacula cishe yonke ingoma ehloselwe i-mezzo-soprano - i-Marfa e-Khovanshchina, i-Marina Mnishek e-Boris Godunov, i-Lyubava e-Sadko, i-Lyubasha ku-The Tsar's Bride, i-Love in Mazepa, i-Carmen e-Bizet, i-Azucenu I-Il trovatore, i-Eboli e-Don Carlos. Ngomculi, oqhuba umsebenzi wekhonsathi ehlelekile, kwaba ngokwemvelo ukuphendukela emisebenzini kaBach noHandel, uLiszt noSchubert, uGlinka noDargomyzhsky, uMussorgsky noTchaikovsky, uRachmaninov noProkofiev. Bangaki abaculi abanazo ezithandweni zabo zothando zika-Medtner, Taneyev, Shaporin, noma umsebenzi omuhle kangaka kaBrahms onjengeRhapsody ye-mezzo-soprano enekhwaya yabesilisa kanye ne-symphony orchestra? Bangaki abathandi bomculo ababejwayelene, bathi, izingoma zikaTchaikovsky ngaphambi kokuba u-Irina Arkhipov aziqophe erekhodini elihlangene nabaculi beBolshoi Theatre Makvala Kasrashvili, kanye noVladislav Pashinsky?
Ephetha incwadi yakhe ngo-1996, u-Irina Konstantinovna wabhala:
“… Ezinkathini eziphakathi kokuvakasha, okuyisimo esibalulekile empilweni esebenzayo yokudala, ukuqopha irekhodi elilandelayo, noma kunalokho, i-CD, ukuqoshwa kwezinhlelo zethelevishini, izingqungquthela zabezindaba kanye nezingxoxo, ukwethula abaculi emakhonsathini e-Singing Biennale. Moscow – St. Petersburg”, sebenza nabafundi, sebenza kwi-International Union of Musical Figures … Nomsebenzi omningi encwadini, nokunye… Futhi …
Mina ngokwami ngiyamangala ukuthi, ngawo wonke umsebenzi wami ohlanyayo wezindaba zokufundisa, zenhlangano, zomphakathi nezinye "ezingezona amazwi", ngisaqhubeka nokucula. Njengalelo hlaya lomsiki wengqephu oqokwe njengenkosi, kodwa akafuni ukuyeka umsebenzi wakhe futhi athunge kakhudlwana ebusuku ...
Nakhu ke! Olunye ucingo… “Ini? Cela ukuhlela ikilasi eliyinhloko? Nini?.. Futhi kufanele ngidlale kuphi?.. Kanjani? Ingabe ukurekhoda vele kusasa? .. “
Umculo wempilo uyaqhubeka nokuzwakala ... Futhi kumnandi.
