Imvume |

Resolution - Ukwehla kwamandla kagesi ngesikhathi soguquko kusuka ku-dissonance kuya ku-consonance, kusuka ku-harmonic. ukungazinzi kokusebenza (D, S) kuya ekuzinzeni (T), kusukela emsindweni ongeyona i-chord kuya ku-chord, kanye noguquko olunjalo ngokwalo. Ukulandelana kwezimo zokungezwani kanye nokukhululwa kokungezwani ngokomzimba nangokwengqondo kubonwa njengokukhululeka okunikeza ukwaneliseka, futhi kuhlotshaniswa nokushintshela kwesimnandi kakhulu, ukuya enjabulweni. Ngakho ubuhle buyinani lika-R. kanye nobuhle obuhambisanayo. imisebenzi yemisindo-ukungezwani kanye nemisindo-R. (zibuye zigcinwe ngokulukwa kwazo okuhlukene). Ukuguquguquka okuqhubekayo okufana negagasi kwengcindezi kanye no-R. kufana nokuphefumula kwento ephilayo, i-systole ne-diastole. R. kunqunywa. amasu okuphimisa (isibonelo, ukunyakaza kwethoni yesethulo ukuya phezulu ku-tonic eyinhloko, umsindo ongeyona i-chord ube iculo eliseduze). Okubaluleke kakhulu lapha kungokwakho ukuhamba ngomzuzwana (okukhulu nokuncane), ngoba. "Isula ngokuphelele umkhondo" womsindo wangaphambilini. Noma kunjalo, ngaphansi kwemibandela ye-harmonic ethuthukisiwe R. kanye nokucabanga okungeyona okwesibili kungenzeka (PI Tchaikovsky, "Francesca da Rimini", imigoqo yokugcina). Ihlobene no-R., kodwa ayifani naye, i-coloristic. ukususwa kwe-quasi-dominant tension (Des7> - Des) ku-F. Chopin's nocturne b-moll op. 9 Cha 3. R. iphakamisa umqondo wongwaqa ovumelayo kanye nokulindela kwawo. Ijwayeleke kakhulu emculweni wesistimu enkulu-encane (ukwakheka kwayo kwaqala phakathi nekhulu le-15, ukubusa kwayo kwakungekhulu le-17th-19th; okuningi kwakho kwasinda kwaze kwaba sekhulwini lama-20). Wed-century. i-monody R. njengesikhashana sokwenza i-alien (empeleni, imiphumela yokungezwani nokukhishwa iyagwenywa kuyo, ngaphandle kokuthi i-R. ayitholakali). Ku-polyphony, isigaba sika-R. silungiswa njengendlela yokwehlisela phansi i-dissonance kuya kungwaqa. I-polarization yabo, ikakhulukazi i-polarization yokuzinza kokusebenza nokungazinzi, kwakha izimo zokusebenza kwe-R. kanye nombono wayo obukhali (ngisho noF. Couperin wabiza inqubo ka-R. igama elithi "se sauver", ngokwezwi nezwi - okumele ligcinwe).

Ukuhlotshaniswa kwezigaba "ukushuba" - "ukulungiswa" kunganwetshwa ekwakhiweni kwezikali ezinkulu (isibonelo, endaweni ephakathi engazinzile noma intuthuko kanye nokuphindaphinda "ukuxazulula" ukungezwani kwakho); kulokhu, umphumela we-R. uthola incazelo ebanzi, enomthelela ekubumbeni. Ngenkathi ye-romanticism (nangekhulu lama-20), izinhlobo ezintsha zesigqi zathuthukiswa (ikakhulukazi, i-R. engaphelele, kanye ne-R., ngokusekelwe ohlangothini olulodwa lwe-harmonic tension; isibonelo, ku-mazurka ka-Chopin ku-C-dur op.24 No 2 oveza iculo lokuxazulula lenziwa ngokuqhathanisa bonke onxantathu abathathu: T, D no-S, kuyilapho amapheya abo - T no-D, T kanye no-S - awanqumi). Emculweni wekhulu lama-20 omusha wazibonakalisa, ikakhulukazi, ekwephulwa kwe-polarity ye-dissonance ne-consonance, esikhundleni salokho kwasungulwa ukuhlukaniswa kwezigaba eziningi ze-dissonance (ngokweqile, ku-A. Schoenberg, P. Hindemith; ekugcineni, "harmonisches Gefälle" - "impumuzo evumelanayo"). Ngenxa ye-tonic eyinkimbinkimbi (i-dissonant), kube nokwenzeka ukuxazulula i-dissonance enamandla ibe yi-dissonance encane futhi esikhundleni soguquko lwe-dissonance-consonance ngoguquko lwezigaba eziningi ukusuka ku-dissonance enamandla kakhulu kuya ku-consonance enamandla kakhulu, kanye ukuhola, isibonelo, umsindo we-tonic. prima zibe iculo elikhulu lesikhombisa (ngokuphambene namandla adonsela phansi avamile, bheka – SS Prokofiev, Fleeting, No 14, imigoqo 24-25), xazulula ngaphakathi i-tonic. ungwaqa (Prokofiev, Sarcasms, No 3, imigoqo yokugcina).

References: Rohwer J., Das “Ablösungsprinzip” in der abendländischen Musik…, “Zeitschrift für Musiktheorie”, 1976, H. 1. Bheka futhi ukuthi lit. ngaphansi kwezihloko ezithi Harmony, Dissonance, Dominant, Lad, Subdominant.

Yu. N. Kholopov