Arno Babadjanian |

Arno Babadjanian

Umsebenzi ka-A. Babadzhanyan, oxhumene ngokuqinile namasiko omculo waseRussia nowase-Armenia, usuphenduke into ephawulekayo emculweni waseSoviet. Umqambi wazalelwa emndenini wothisha: uyise wafundisa izibalo, nonina wafundisa isiRashiya. Ebusheni bakhe, uBabajanyan wathola imfundo ephelele yomculo. Waqale wafunda e-Yerevan Conservatory ekilasini lokuqamba no-S. Barkhudaryan no-V. Talyan, wabe esethuthela eMoscow, lapho athola khona iziqu ze-Musical College. Ama-Gnesins; lapha othisha bakhe kwakungu-E. Gnesina (upiyano) noV. Shebalin (umqambi). Ngo-1947, uBabajanyan wathweswa iziqu njengomfundi wangaphandle emnyangweni wokuqamba weYerevan Conservatory, kwathi ngo-1948 eMoscow Conservatory, ekilasini lepiyano lika-K. Igumnov. Ngesikhathi esifanayo, wathuthuka ekubunjweni noG. Litinsky ku-studio e-House of Culture ye-Armenian SSR eMoscow. Kusukela ngo-1950, uBabajanyan wafundisa upiyano eYerevan Conservatory, futhi ngo-1956 wathuthela eMoscow, lapho azinikela khona ngokuphelele ekuhlanganiseni umculo.

Ukuhlukana kukaBabajanian njengomqambi kwathonywa umsebenzi kaP. Tchaikovsky, S. Rachmaninov, A. Khachaturian, kanye nezakudala zomculo wase-Armenia - Komitas, A. Spendiarov. Kusukela emasikweni asendulo aseRussia nase-Armenia, uBabajanyan wathatha lokho okuhambisana kakhulu nomuzwa wakhe wezwe elimzungezile: injabulo yothando, imizwa evulekile, i-pathos, idrama, izinkondlo zamagama, imibala.

Imibhalo yama-50s - "i-Heroic Ballad" yepiyano ne-orchestra (1950), i-Piano Trio (1952) - ihlukaniswa ngokuphana okungokomzwelo, iculo le-cantilena lokuphefumula okubanzi, nemibala enamanzi kanye ne-harmonic emisha. Ngama-60s - 70s. ngesitayela sokudala se-Babadzhanyan kube nokuphendukela ezithombeni ezintsha, izindlela ezintsha zokukhuluma. Imisebenzi yale minyaka ihlukaniswa ngokuzithiba ekukhulumeni ngokomzwelo, ukujula kwengqondo. Ingoma yangaphambili yothando i-cantilena yathathelwa indawo iculo le-monologue ecacile, iphimbo lenkulumo elishubile. Lezi zici ziyisici se-Cello Concerto (1962), i-Third Quartet enikezelwe inkumbulo kaShostakovich (1976). I-Babajanyan ihlanganisa ngokuphilayo amasu amasha okuqamba nephimbo elinombala wobuhlanga.

Ukuqashelwa okukhethekile kwanqotshwa uBabadzhanyan ongumdlali wopiyano, umhumushi ohlakaniphile wezingoma zakhe, kanye nemisebenzi yakudala yomhlaba: R. Schumann, F. Chopin, S. Rachmaninov, S. Prokofiev. D. Shostakovich wambiza ngokuthi umshayi wopiyano omkhulu, umculi wezinga elikhulu. Akukona nje ukuqondana ukuthi umculo wepiyano ubambe indawo ebalulekile emsebenzini kaBabajanyan. Ngokugqamile kwaqala ngeminyaka yama-40s. Ngomdanso we-Vagharshapat, i-Polyphonic Sonata, umqambi udale inani lezingoma kamuva ezaba "i-repertoire" (Isandulela, i-Capriccio, i-Reflections, Inkondlo, Izithombe Eziyisithupha). Enye yezingoma zakhe zokugcina, Amaphupho (Izinkumbulo, 1982), nayo yabhalelwa upiyano ne-orchestra.

U-Babajanyan uyiciko lokuqala nelinezici eziningi. Wanikela ingxenye ebalulekile yomsebenzi wakhe engomeni eyamlethela udumo olukhulu. Ezingomeni zikaBabajanyan, ukhangwa umuzwa ojulile wesimanjemanje, umbono onethemba ngempilo, indlela evulekile, eyimfihlo yokukhuluma nomlaleli, kanye nomculo ogqamile nonomusa. "Around Moscow at Night", "Ungasheshi", "Idolobha Elihle Kakhulu Emhlabeni", "Isikhumbuzo", "Umshado", "Ukukhanya", "Call Me", "Ferris Wheel" nabanye bathole ukuthandwa okubanzi. Umqambi wasebenza kakhulu futhi ngempumelelo ezindaweni cinema, pop umculo, zomculo kanye yaseshashalazini izinhlobo. Wakha umculo othi “Baghdasar Divorces His Wife”, umculo wamafilimu athi “In Search of an Addressee”, “Ingoma Yothando Lokuqala”, “Umakoti Wasenyakatho”, “Inhliziyo Yami Isezintabeni”, njll. Impumelelo futhi ukuqashelwa kabanzi komsebenzi kaBabajanyan akusona nje isiphetho sakhe esijabulisayo. Wayenethalente langempela lokuxhumana nomphakathi, ekwazi ukuvusa ukusabela okungokomzwelo okuqondile nokuqinile, ngaphandle kokuhlukanisa abalaleli babe abalandeli bomculo onzima noma olula.

M. Katunyan